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Coty Miracle Dec 2012
I hear the screeching sound,
Of the rioting crowd roaring like a lion,
When the weathered football is kicked,
Falling down like a missile,
Touching earth.
I see the opposing offence,
Passing for desperate yardage,
As our insane defense,
Forcefully sacks the quarterback,
In the backfield,
Providing our team with momentum.
I feel of the cold,
Icy wind as the ultimate play is about
To unfold,
As we play the fourth quarter.
The excruciating pain,
Of deliberately being bowled over,
By a linebacker with such vigorous
Power,
That your helmet is knocked off.
The relief of winning,
A difficult ballgame,
As we celebrate,
Another outstanding victory.
8th Grade Poem.
Will Moore Jul 2015
More loose Ends

The dusty, ***** floor needs sweeping.
How hard am I willing to work?

I’m like a running back trying to move forward,
but my way is all blocked by big defensemen.

Will I keep my eyes open and moving?
Will I keep my body turned up field?
Will I keep my legs a-churning?
Will I run and pick my way,
through the maze that lies before me,
dodging the opposition, and gaining their turf?

Or:
Will I be a loner and run from everyone,
trying to make an end run all by myself,
and getting flattened by a swarming defense
that bridges me no gap?

What do I really want?
Do I really want Christ?
or
Do I want all the distractions of the world?

It seems I want them both.
Yet the Psalms say
there are only two ways
that a man may choose,
either God or the world.

So can I look into my own face and eyes
with enough seriousness
to cut through
all that is in me that is not true?

I could weep,
for I have been at this quest for as long as I can remember
and it’s always two steps forward and two steps back.

Yet here I am standing again,
ready to take the handoff from the quarterback
and try to outrace the opponents.

Lord please give me the faith and perseverance
to keep standing in here
in the backfield ready to run,
ready to always and ever keep trying again
regardless of past results
and unknown futures.
why Flora
in acanthocephalan
there'd grabble
backfield in
motion again
but to
get worm
its relief  
when probiotic
does savor
a vowel
to scrabble
and hemidemisemiquaver
a righteous
joint scalar
intermingle also
with mullah
TOD HOWARD HAWKS Apr 2020
We had a special play for the game against Highland
Park. It was called 36X. After some razzle-dazzle in
the backfield, Mike Gentry got the ball and ran 65 yards
for the winning touchdown. Frank Sewell was a power-
ful lineman--the center, actually. I played linebacker
on defense, and I was lucky, because I played right
behind right tackle, Ted Melinick, who wound up
getting a full football scholarship to KU (the University
of Kansas). My best friend, Ralph "Sandy" Sandmeyer,
half the size of Melinck, but the most tenacious lineman
on the team, was elected co-captain. I was the other one.

It matters not at what level you play. What matters are
the memories that stay with you for a lifetime--the snapshot
memories of special moments that flash through your
mind for the rest of your days. The camaraderie of your
teammates, particular plays--tackles, touchdown runs,
interceptions, even injuries you sustain--all form an
indelible montage. My favorite memory was the one
where, as a wide-receiver on offense, I went into the
flat to catch a pass, but was intercepted by Loyce Bailey.
I jumped on his back to tackle him, but he rode me like
a saddle for 40 yards. Loyce happened to be black, and
therefore lived in the black ghetto on the east side of
Topeka. He was also the best athlete in all of Topeka.
Bailey, like Melinick, got a full ride to KU to play foot-
ball. He was their starting saftey.

Several decades later, I saw Loyce again, this time at a
reunion. I reminisced with him about my futile attempt
to tackle him. He remembered the play, and we both
laughed loud and hard. We gave each other a big hug.
Another indelible memory.  

Copyright 2020 Tod Howard Hawks
A graduate of Andover and Columbia College, Columbia University, Tod Howard Hawks has been a poet, a novelist, and a human-rights advocate his entire adult life.
Charles Sturies Aug 2017
There was the backfield tandem of Doc Blanchard and Glenn Davies on several West Point football teams of the UOS.

There is that power hitting duo of the modern day Yankees - Gary Sanchez and Aaron Judge.

There were those great power hitters of the 70s, I believe, that seemed to come in clusters like Mike Schmidt, Breen Downing, and yes, I believe, John Milner.

There was, of course, Ruth and Gehrig that stood out on the 1927 Yankees.

There's Hawke Leonard and James Harden, an unsung pair of the San Antonia Spurs and the Houston Rockets, respectively, in pro basketball that stand out.

There's Stephan Curry and Kevin Durant, a Mutt and Jeff combination in the Golden State Warriors.

There was a couple of gifted first to play on a University of Illinois basketball team African Americans that were tantalizing good at that time - Mannie Jackson and Governor Vaughn.

There was those 4 great old time Boston Celtics guards; Bob Cousy, Bill Sharman, K.C. Jones, and Sam Jones.

There was Bill Bradley and Dave Debusschere manning the wings of the New York Knickerbockers pro basketball teams of the late sixties, I believe.

There was Ron Kissinger and Glenn Becker, the keystone duo on the Chicago Cubs of the sixties, I believe.

There was Mainstay, reliable pitcher for the Casey Stengal dynasty teams - Vic Raschi and Allie Reynolds and there were great teamsmen of Vince Lombardi's pro football Green Bay Packers Super Bowl team like Dave Hammer, Forrest Gregg, and Boyd Dowler.
Charles Sturies
Tom McCone Jun 2015
fox
~this is not an apology, although i owe you many. this is just a story, that will one day be little more than a fragment of a memory.~*

i heard heartbeats under water, and found myself fishing. there was light on a horizon, unmade. stifling change. you, on unimagined shorelines. there was wind through trees, boughs shaking: i, reflected in leaves tumbling. our paws, through leaf-litter and pure chance, met. we were ghosts, hopeless and beautiful.

     the waterline obliges & breathes, though. the walls are
       pristine, and all is coffee-stained and content.

so, an agonist's thoughts, the hands of fate's implausible existence, some ideal named virtue, laid out in beds of unsent letters, touched our lives for one turning moment. there, we were left to swim until we sank, and i drank cold water and thought of you and the sky, and how sometimes our hands are made to feel smaller when both the sun and the moon hang, on tiny strings, intersecting every six months or so.

                or how i could feel nothing had changed, or stayed the same.

     and my hands feel smaller by the day, as
       i watch shadows across the fractions
           of the moon; and guess at how you may
             feel the same, or if you look at all, or
                 what generates these soft mechanisms of hurt.

thus, we set out to measure the earth, one palm's-length at a time, and laugh and ache all the same. and once, you'd said, gently, that i was beautiful, and i got so frightened that i choked. i was so convinced that i'd hurt you. i was so convinced that i was worth so little, and that you'd figure it out. and maybe i did. and maybe you did.

       we sing songs in our heads all the time, though,
       recite one another's words in slow light. and i
       feel less like a ghost, as my shells shrink back
       onto me; but, there are still bits missing that
       branches tore away and sent to you, on the wind.
       we walk right-turning paths, and, as much as
       i try not to tie my footprints up, they remain
       cycles, dirt-trodden through patches of brush; and
       my soles stay as cut-up as my thoughts, and,
       out on endless concrete, i smile unconvincingly and
       squint, as to make out where or what to be.

                                               in dreams, i meet you out on the backfield.
                                        we sit on the fergusson intermediate driveway
                                          and exchange silences, eloquently. in dreams,
                                      we dance and kiss in the hallway and i stop and
                                            remember how nobody's wanted to kiss me
                                         for three years. in dreams, you are gone, out to
                                 sea, and i wonder if i thought this all up and wake,
                               to a dream, where my father is ill but won't admit it,
                                   and has cleaned the walls of the washroom. there,
                   i hide and feel hollow, so sure that nobody will notice; and
                                 realise that my father is always fine and maybe i'm
                                    the one that's ill. i hear your voice, through doors
                                     and halls and continents, and consider that there
                                       are unmeasurable aspects to our shorelines and
                                                             ­                                    psyches and
                                               how i managed to turn out to love you.
                             in dreams, i see my best friend, now not in quotation
                                       marks, and wake and feel stabbing pains in my
                                                chest; a star in the sky for each time i have
                                   crafted abandonment, until the night fills up with
                                        blinding light and, finally, i am clean and pure
                                                   and know nothing, save the warm lap of
                                                        dawn's­ reprieve at the window. i stay
                                                         in place, reeling and absurd
                                               motionless realities playing out on the end
                                                of each fingertip, with your blink-patterns
                                               sin­ging morse through my haze; the entire
                                                          ­ world, folding down to a cascade of
                                                   hurried cries from a small bird, losing its
                                                        nest in the glow. it spreads wings and
                                           claws out from my ribs, and heads north; this
                                                   small bird, called hope, cartwheeling out

                            *to the ends of the earth, where heaven is just
                         a sequence of your most beautiful memories, and
                                   there's you, angel on the oceanside,
                                      dancing within my last breath.
i'm sorry

— The End —