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ghost queen Dec 2020
Brighid walked off the escalator at La Gare Montparnasse and headed straight to a ticket vending machine, entered her destination, Quimper, inserted her EMV chip and pin debit card, and took the dispensed ticket.

She walked into la grande salle, her roll-on in tow, as she passed a group of African teenage males. One stepped out of the group, walking up to her with a grin, and asked, “hey chérie, quel est ton six.” She smiled, having played the game before, flipped her hair, walked away, and said, “dans tes rêves petit.” The boys laughed, mocking their friend’s in vain attempt.

She walked to quay 5, found the blue and gray TGV Alantique, and boarded coach number 3. She wanted to be left alone, so found and sat down in a no-table solo chair.

Tomorrow was a full moon, and Brighid and her sisters were to meet as they did every equinox eve.

The train slowly and smoothly pulled out of the station. Brighid was always amazed at how smooth the ride was, remembering a TF1 documentary that the TGVs used Jacob’s bogies to achieve that smooth ride.

Once outside Paris the train hit its maximum speed of 250 km/h (155 mph), briefly stopping at Rennes, Vannes, and Lorient before arriving at the Gare Quimper terminus.

Brighid waited till the coach emptied of the few passengers traveling to Quimper this time of year, pulling out her phone, opened up the Uber app, and typed in “72 Chemin de Tregont Mab, 29000 Quimper, France.” A driver responded, already waiting at the passenger pickup at the front of the gare.

She got her roll-on, walked off the coach, and out the gare. It was typical Quimper weather she thought to herself: dark, wet, and cold. She saw her ride, a blue Renault Kangoo minivan. An Algerian driver got out, opened the door, taking her roll-on as she got in, and closed the door.  

“Manoir Tregont Mab Madame,” the driver said in a thick Marseille accent. “Yes,” she replied relieved to be home. She leaned back in the seat, closing her eyes, not wanting to chit chat with the driver. She could feel her body relaxing, her pulse slowing, her anxiety ebbing.

The Tregont Mab, built after the French Revolution, was 6 km southeast of Quimper, in a secluded forested area, and was owned by Madame Gwen LeCarvennec, a member of her tribe sworn to serve the Druidesses of Enez Sun.

Madame LeCarvennec was 12 when started working at Tregont Mab, and had become chatelaine in her 50s. The house mother, responsible for the care and protection of young druidesses as they came and went from Quimper.

The car turned off the paved road and onto the long winding dirt road to the manor, finally reaching the crushed rock courtyard and stopping. The driver rushed to open Brighid’s door. A young apprentice girl greeted her, instructing the driver to where to carry and drop off the roll-on.

Brighid walked into the house, relishing the smell of baking bread, stewing chicken, and the slight pleasant musky smell of an old French house. She loved this house and the many memories inside. It stirred deep emotions within her, remembering vividly her coming of age and deep and lasting bonds built with the druidesses. She laid her coat on the foyer chair and walked down the beautiful intricate blue and beige ceramic tile to the kitchen.

Madame LeCarvennec was in the process of taking groceries out of a wicker basket when Brighid walked into the kitchen. Madame LeCarvennec looked up and her face lit up, smiling. “Ah me petite biche,” she said, putting down the groceries, and kissing Brighid on the cheek two times.

“Come, sit, tell me what has been happening with you since the last time I saw you, cherie,” she said. Brighid sat down at the table and Madame turned to the cupboard and pulled out some peanuts, chips, and Pernod, then to the frig for a pitcher of cold water and freezer for ice cubes, setting everything on the table. She put the peanuts, chips, and ice in separate bowls. She poured the Pernod in two glasses and gave ice thongs for Brighid to serve herself the ice and pour the desired amount of water to dilute the Pernod to her taste.

Brighid had never stopped being awed at the Ouzo Effect, Pernod turning milky white when diluted with water. She savored the anise smell, picked up the glass, and sipped.

Madame sat down next to her and placed a hand on hers. “How are you doing,” she asked with a frowned expression. “I am tired,” replied Brighid, putting the glass down on the table, “and afraid of what is about to come.”

“Have the others arrived,” Brighid asked. “They have and are all on the island preparing for tomorrow’s equinox,” replied Madame getting up, opening the refrigerator, pulling out eggs, butter, and ahead of Bibb salad. Brighid watched her in silence prepare an omelet and salad for dinner. She took another sip of Pernod sliding deeper into her thoughts.

Madame placed a plate of omelet, salad, and a big piece of fresh bread in front of her. She thanked Madame and ate slowly, thinking through what had and might happen.

When she’d finished. Madame called the girl to take her up to her room. She followed the girl up the winding green-carpeted staircase to the master bedroom. The girl turned on the main light, turned down the sheets, threw open the floor to ceiling drapes, revealing two all-glass french doors, then turned around, turned off the main light, and closed the door quietly behind her, leaving Brighid in the dark.

The bright silvery light of the waning gibbous moon lit up the room. Brighid opened the doors, cool cold air flooded into the room, as she took off her clothes, rings, earrings, and bracelets , placing them on the chair by the window, leaving only her torc on her body.

She knelt on a sheepskin rug. Next to her was a tray with a carafe of wine, a chalice, a bee’s wax candle in a holder, matches, an athame, a scrying mirror, and a bowl of salt.

She carefully took the items and placed them between the sheepskin rug and the open doors. She took a handful of salt from the bowl and from the center of the sheepskin poured a circle around her. She picked up the athame in her left hand, pointed it down at the circle of salt, slowly turning left, and softly whispered,  

“Earth, Air, Water, and Wind, blessed be Awen, you who are of me and around me, guide me through the night, show me light in the darkness, so mote it be.”

When she had closed the protective circle, she sat naked on a sheepskin rug facing the outstretched forest below. All was quiet, tranquil ‘cept for the occasional eerie, forlorn hooting of a strix owl.

Brighid placed the scrying mirror in her lap, lit the candle, and drank the wine. Slowly she began taking deep belly breaths, breathing through the nose, exhaling through the mouth, releasing the stress in her body, and calming her mind.

She softly began chanting A-I-O, A-I-O, A-I-O, allowing her consciousness to shift and receive the flowing spirit of Awen, the wisdom of the trees, and the life force of Mother Nature.

She was no longer a Gallizenae, a ****** priestess of Enez Sun, but her power of sight had not totally faded. She still could see, albeit hazily, into the near distant future.  She knew the older she got, the more it would fade, and eventually, she’d lose her ability. Her Second Sight

The ****** priestesses were chosen because of their gift of Second Sight. As a priestess aged out, the remaining eight, would look and find girls coming of age who had Sight. Former priestesses from the mainland would fly to her, test her, and if she passed bring her to Tregont Mab for training. Of the handful, only one would be chosen.

A girl’s Second Sight started at menarche, which was starting earlier in modern girls, which made training harder as the girls didn’t have the emotional or intellectual maturity to understand what was happening to their bodies or the responsibilities of being a priestess.

The girls were taught the history, language, and customs of their people and given a new Celtic name. Then they would be taught the ways of the Druidesses, incantations, flight, command of the sea and weather, shapeshift into whatever animal, heal the sickest, and foretell the future. But most of all, they were taught devotion to the pilgrims seeking out their counsel.

When the Honored One was chosen, she’d fly to Enez Sun, and in a ceremony, a brass torc was permanently wrought around her neck, never to be removed, as a symbol of holiness, a protector of her people, a Gallizenae of Enez Sun.

As one of the nine Gallizenaes, and a Sacred ******, she could not be touched by man, and no men were allowed on the island of Enez Sun.

A Gallizenae loses her Sight at 25, the same time the human brain stops synaptic pruning and reaches full maturity. During a ceremony, she retires, flies to the mainland, where she is bathed, washed, and scented with oils. She is led to the center of a circle of her people, laid naked on a bed of flowers and herbs, and given a young ****** man to have sacred *** with. A druidess at their feet and a druid at their head, the young man’s throat is slit during *******, allowing the blood to spurt and spill on her, giving her his vitality. The druidess spreads the blood all over her body and hair, painting her in red from head to toe.

A feast is held, and the body of the young man is burnt in a wicker man, releasing his spirit to Awen as naked women danced ecstatically around the fire.

Brighid vividly remembers looking into the eyes of the young man when he ******* and his throat slit. It was that of ******* ecstasy then horror, as he realized he was dying. It had turned her on, feeling his **** spasming as he came, the sound of the knife slicing flesh, his last breath hissing from his cut throat, his body deflating, and his **** going limp inside her.

She remembered being painted in blood, the frenzied dancing, and going into a trance around the burning wicker man, then nothing else, except waking up the next day, no longer a ******, a priestess, a Gallizenae, and sobbing all day.    

She was still a druidess, and her new responsibility was to protect the nine Gallizenaes and her people. She would be sent out to live in French society, and listen for and report back any threats.

Brighid continued chanting, slowly going to a trance, and looking into the low yellow glowing candlelit scrying mirror. “Mother, maiden, crone,” she repeated, while never blinking or breaking eye contact with her reflected image.

A blackness slowly flooded her visual periphery, till all she could see were her eyes staring back and her. She stilled her mind, taking slow deep breaths. The eyes in the mirror morphed from her brown doe eyes to seductive sapphire blue cat eyes. The face slowly came to light and focus. A woman with shiny raven black hair, alabaster white skin, full lips, and stunning long-lashed sapphire blue cat eyes.

Brighid stared, enthralled by her beauty, her face forever burnt in her mind. She didn’t know who she was, but she knew she was dangerous.
For a witch’s mercury shall burn in the night of day

November’s Dark Moon and mists paused
fearful of the coming rosicler
The season of witch’s silver spun unto the night
A solitary witch’s laugh tormented the quivering stars above
With each step she dressed in silver sacrament
to his death── to life on this night

The moors echoed of timed rituals of ole
dancing and coveted by white moon satin
as though snow suffered upon a long forgotten desert face
existing blowing through her in another worlds wind
Shadows that once slept in pools of night
now whispered dark velvet promises,
tantalising her marauding lips

~ The Witch’s Silver Sabbath had begun~

The eleventh window pane glinted dew to frost white
in passing her watchful eye as moon silver mist slithered
through ominous black and grey clouds
Samhain drums vibrated upon the barren moors
as veneficium brewed thoughts enchanted nocent
wishes turning her chanting fingers to fire smoked obsidian

~Her eyes turned mercury blue through mirrors of time

A ravens nocturnal flute pulsed the eleventh beat
Ravenous fecundity blistered her mind
Liquid blood and silver anointing dreams from afar,
caressing her arms as vermillion dusts drift
winding her alabaster ankles
Sensually, slowly awakening deaths lustful shudders

Coptic clans of ole worlds whispered ‘Anoka ng ou kem’e nefer’
I am black and beautiful Khem on this nights breath
Ra’s ole demand shimmered like silver
a jewelled athame in her hand his mortal life, penance
Elegant Catafalgques laid to his Mastaba
Cast from Sun to burn as King to appoint all to Amenti

The eleventh window pane cracked as she burned white
her athame turned eleven times to eleven drops of blood
On a bed of fire black roses he rose within her circle
Her chalice of amber solanum’s to brim
bathing her body in rose ****** sensual arms
His sweet violet blackness tasted of Acheron
One with the Kings temple of night on the edge of the moor
Enigmatic creatures together

──Between worlds to rule forever

© ASPAR (A Sol Poet Arnay Rumens) 11/2017
David Barr Dec 2013
There is a resonating rhythm which cultivates a warm embrace from electric boldness.
Congruence is to be found within the fire of an athame, where familiarity can direct energy from each quarter of sacred space.
As nature displays her petals with utmost sincerity, there is certain direction to northerly earth, eastern air, southern fire and westerly water.
Invocations are personal. I now feel the need to consummate our equilibrium. Please do not be offended.
Victoria Jean Jun 2014
I'm splitting at the seams and bursting out of my own body
but I don't feel like a butterfly escaping a cocoon.
My flesh is ripping apart as fat fills up my every available space
like a child blowing up a balloon until it pops in his face
Angry red lightning bolts appear to try and hold me together
This female mockery of Zeus' power won't keep me from exploding
I could take my athame and cut those crimson valleys in my thighs
deeper and deeper until there is no cocoon to break free from
my bones will escape and dance in Diana's fields
before cracking apart and showering each gust of wind with dust
Patricia Waldron Aug 2014
I ground and center
Trace boundaries
Invoke the powers of the Spirits
Sprinkle water and salt
Wave incense and burning branch
Salute Sky and Earth
Touch athame to cauldron and candles
The Circle is cast
The Fire is lit
The Ritual is begun.
Rayven Rae Dec 2018
i know i’m a ******* crazy house
filled with trick mirrors and jagged edges
i know i plant land mines
within my walls
shrapnel in waiting
for the next unsuspecting soul
trying to set foot within my world
i know i have built a labyrinth
throughout my whole body
a place where only
the keeper of my boxes dares to enter

i know i hide myself away
trap everything i love about myself
inside boxes locked within boxes
locked within more and more boxes
six-sided steel cages
mimicking russian nesting dolls
everything precious to me broken down
to its basest form
stacked away in opposite corners
because pieces of who and what i love
shouldn’t make me bleed

but they do

this room hidden deep inside my rib cage
comes wrapped screaming in caution tape
just as i do
nobody seems to heed my warnings
i know what i am
i know i will make you bleed

i can’t breathe trapped inside my mind
every breath i draw suffocates me a little more
i am dying in this life
nobody sees my slow death by circumstance

nobody sees how i am bleeding
i stand in pristine snow and wonder
how it remains crystalline
crimson should surround the place where i stand
my footsteps should be stained in red

there is an athame shoved deep beneath my sternum
it’s sharp blade slowly whittles away
pieces of what is left of my heart
the pain is so consuming
it doubles me over when i am least expecting it
brings me to my knees in surrender
i am bleeding out inside
dying a slow death
caused by loss of everything that i have loved
nobody sees

i am surrounded by those
who are suppose to love me best
i know they do
but they don’t know me
nobody does
shared dna doesn’t mean ****
when i know how to play the game best
masks and words are my weapons
i have hidden myself away far too well
i have only myself to blame

i wonder how i am still standing
people tell me all about the strength they think i carry within
commend me on my perseverance
i want to punch them in the face
tear their ******* tongues from their lying mouths
i am a conundrum walking among the mundane

nobody knows what i am
nobody knows what i am capable of
i am bigger than any natural disaster
i am more terrifying than any chupacabra
i will eat you alive
snack on ventricles for sport
and walk away laughing
wiping your blood from my lips
nobody knows

i have become my own worst enemy
i hurt the ones i love most because i love them so much
my love for them kills me
leaves them suffering
me consumed with guilt
i want to scream my truths from a rooftop
want to disperse the burden of being me
onto the unsuspecting
release my burdens of guilt
relieve the suffering
yet i remain silent
carry this consuming pain within my small frame
alone
always ******* alone
nobody knows
B E Cults Mar 2020
Give me the cup
and I'll fill it,
with guilt,
with blood,
with a future named in honor
of a nightmare that couldn't rouse
my tired bones.

I have found where all roads end
and laughed at the sky like a madman,
drinking the rain that fell into my open
mouth.

Give me the athame and I'll sharpen
it on my chipped teeth before
I plunge it into trembling earth
that smells of my mother's perfume.

I have knelt here before
but only now do I feel the bruises.

Only now do I love them.
JohnDuffyASY Feb 11
Tenebris Oculi (L) AKA Robert Olmstead

(A lone voice whispers)

To all the mysterious souls just lost beyond my second sight and long reach

Hiding somewhere unknown in Father Times long silver grass

Lying scattered across all the bluest of ocean's and before all the greatest of Antarctic lakes

Quietly reading and trying to compose inspired poetry

Beseeching their inner minds great portico to quickly open

And spill forth

Secretive words only once whispered and spoken in the darkest of corridors

Celebrating the festival of Karneia on the fourth

By the Pythia to bathe within its spectacular potency

In ancient Apollo,' candlelit yellow temples in Pompeii

In cold wintery nights
May these channelled words find a way

To weave a magical spell to beguile your own inquisitive mind and everlasting soul

To be slowly opened up with Apollo's ritual athame everywhere you go

For you to then find the courage to breach your own inner great gates

To finally find and drink from that mystical ever-flowing well

Found in the centre of all things

By only the true believers like you and the many travellers of the profound

Seeking to taste whatever their spirits really desire and then hoping to make the return journey home

Filled and sated and dancing mentally to a new sound

Announcing the arrival of their life's only holy obligation

To then write profusely
Be it at midnight or throughout the long days

Recalling and narrating the many sacred strands

And complex explorations of the many layers of human emotions

That comes smiling or snarling their way

From those just hidden beneath all blue and green seas

The Great Old Ones
So be it

(C)
Copyright John Duffy
JohnDuffyASY Apr 2
(A lone voice writes)

Some whisper and will
In secret occult circles

About these sad days of 2025

That Humanity will fall into unruly petulant desire

Consumed and devoured by a blazing war lit infectious fire

But what happens to you and me?

Your mind and mine

Do you still shiver inwardly at the vibrational thoughts of my words

Do they bind you
Submissively
To always return

Doomed forever
To hovering above my prose
That screams to be heard

With wide eager eyes

Like a love-struck
Hummingbird

Do you still tremble like when we first met

On the fly
On the internet

Wanting the warm caress of loquacious re-introductions
Of new verbs

Opening mystical
Golden gates to new poetic realms

And their guile to bind us together

Like love-struck Siamese twins

Creating welcomed sins
Of dried sweat and sweet tributaries

Of deep-seated spiritual yearnings

That makes your mind so **** wet

Tales of the supernatural
Light and darkness

Filled with rapid movement or profound stillness

Sovereignty or deep-seated loneliness

New flames of innermost desires
Contained in unspeakable words or unfamiliar names

As our Zisurru

Poetic stories to be set asunder
In the rising footfalls of Zeus's approaching apocalyptic thunder

To burn new hurricane lanterns in the deep wells of Imaginations darkened

Halls of Fame

To live in the hope
Of a new life

An everlasting dance filled with literary romance

With a drop of a wild transmigration

As our new Nexus
To savor in your mouth

Like an intense-tasting holy communion wine

A strong touch of such wantonness

Your
Voracious soul needs

To carry to all empires
You may visit

In the North
East
West or South

As it swallows new stories with such ravenous greed

Will we survive
Still together at the end of 2025?

With such
Intellectual thoughts

You might still whisper and silently ask

You and me

Does
Will it last?

Echo in your Dream Chambers whilst waiting

For that midnight call on New Year's Eve

When we sing pagan songs of King Solomon to each other

As we fight back the encroaching darkness

With shining drunk Astral Eyes as our Athame

Our sacrificial knife
Inwardly praying to then always shout

Yes, in us,
I'll always believe

Under the sharp eyes of the Winter's Midnight Sun

Which for so many lost souls
We know, she will still shine ever brighter.

As she quietly watches and grieves

As they collect their new or old angel or devil wings
As they quietly leave

Who knows, my child

Everlasting Hope and Peace could arrive as one

So we could conquer this new normal and continue to rise

Or it could all go wild

And turn into a new dark nuclear history

Where dreams and people
Are consumed and defiled

As good and evil
Battle for victory

And apart, we may have to survive
On mean streets.

As quantum tattooed vaccinated slaves or unvaccinated exiles

In a New World Order
Called a Fool's Paradise
Without Any Known Borders

But either way,
Know this

May your spirit guides lead you to continued health and safety

Across all fast-flowing political wars

Water's
Famine or disorders

So in 2026

We can still share our much loved algorithms
In all our holy quarters

So mote be it
What will be
Will be

So mote be it



(C)
Copyright John Duffy

— The End —