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Dylan Aug 2012
Check back soon to resume and consume
every tight-lipped, slack-jawed fool in the room.

See, it's all what you know
as the fires start to grow
and the future burns slow.

Keep your eyes on the ceiling,
and your antenna feelers feelin',
for when your senses stop reeling,
you will finally start believing.

Kick-back to the basics,
not too far from the basement,
and close enough to show
that **** really isn't basic.

It's another mid-west, ******,
******-up freak show.
Another evening drinking whiskey
with the seedling's peep-show.

So, it's time to relax and relapse
into acidified broken synapse.

The lights keep flickering
and the couples keep bickering:
“*****, I am not above homicidal snickering.”

I steer clear of these diversions,
and wander past the sermons,
just to chew up all the crooked talk
and spittle out inversions.

I shovel mockery to hypocrisy,
pin-***** the empty *****
whose passions lack predicates,

and in the background, I'll be complexifying my medic-kit:
ketamine, morphine, ecstasy;
marijuana, mushrooms, LSD.

Watch those ******* jitter-bug college *****
procreate while sloppy drunk,
but keep an honest eye
on the flies that will rise above –

then fall back down in existential angst, like:
“Dear God, why must I be free?
Oh, God! Why is every universal eye on me?
I'm just another acid war veteran,
sneakin' through these gutters
with pestilence and bitter sin.
When they reach the promised land
of golden clouds and holding hands,
I'll be underground with the slugs and the spider band.”

Yet here I sit, sick of sippin' poisons with illiterates.
So, let the skies fall and the buildings crash,
as you stand on the wall with a fist full of cash.

I'll be on the front lawn,
picketing for dawn,
while the night around me slowly ambles on.
Irma Cerrutti Mar 2010
I remember you spirt in the Chelsea Flophouse
you were opening one's lips so gorgeous and so creamy
greasing me stamen on the unfucked bonk
while the bangers let it rip in the alley

Those were the diseased minds and that was Newfangled York
we were squirting for the wads and the meatballs
and that was gobbled snog for the creamers inside Gloria
centrifugally stiff is thus those of White House Nazis

Ah but you copulated telescopic didn't you basket case
you just acidified your jockstrap on the shoulders of the scrum
you copulated telescopic I never once heard you use sign language
I input you, I don't intake you
I input you, I don't intake you
and all of that balling *******

I remember you spirt in the Chelsea Flophouse
you were gorilla—like your ****** ******* was absolute epic
you leaked me again you frocked slap—up old salt
but for me you would **** an unzipping

And shaving your tongue because the creatures lust after us
who are barked at by the Daleks of *** appeal
you Rohypnolled yourself you emitted jet so what?
we are radioactive salvo we shoot full of holes the stride piano

*** one fine morning you copulated telescopic didn't you cocker
you just blunted your extremity on the cattle
you copulated telescopic I never once smelled you emit
I intake you, I don't input you
I intake you, I don't input you
and all of that balling *******

I don't mean to insinuate that I slobbered over you peanuts
I can't withhold ******* of each crouched ****
I remember you spirt in the Chelsea Flophouse
that's oodles I don't even kick—start you that thick and fast
Copyright © Irma Cerrutti 2009
RL Smith Mar 2015
Encase me in nature
smother me in leaves
let me flow with the river
hug me a tree
When mother comes calling
greet her embrace
immerse in her wisdom
universal grace
Yet, we exploit her
pillage her soils
feed from her *******
pollute her with spoils
Scarring her beauty
no thought for her care
t urning our backs
ignoring her tears
But a mother enraged
is a sight to behold
you should be afraid
if her love, she withholds
Her temper will fray
her might will unleash
call us to account
there will be no peace
Fire and brimstone
floods and high tides
eruptions and cyclones
oceans, acidified
The nature I love
the universe of dreams
who sung us a future
unravels before me
Working
night and day
acidified muscles
curved fingers
being
in resistance

a state of
complaining
the tongue
swollen
painful red
blistered

too much
antibiotics
killing the scream
for liberation
the big bang of life
is suffocated

existence
on mother's breast
or
being bathed by amniotic fluid
doing the best
to avoid the pain of birth

maternally
no disclosure.

© 2014 Marialenn
Corey Parsons Oct 2017
There is a stiffness in my thumb
That stops me dead on feet
When I bend it, snap,
I clench my teeth

Cars hiss, splashing tires
The rain soothes my bones
Outside my grimy pane,
Dolorous bells—
Telephones

Do thumbs really ache
In inclemency?
All this time the rain
Has acidified, melting my marrows,
Or perhaps I had only fallen
by Corey Parsons
NCT Oct 2014
it creeps in slowly
like chills on a wintery night
and before it's even noticeable
it engulfs me

the sadness
the darkness
the numbness
it fills me up
until I have nothing left in me to fill

no space for air
and I can't breathe
gasping and gasping
to no avail

staring down from up here
if I fell
would it stop
after hitting the ground?

or would I fall further
so far down that
even the darkness would
flee in fear

the numbness would burn
and the pain come rushing back
swallowing me
drowning me

incomprehensible unravelled thoughts
a mass of black
with speckles of grey begging to be seen
masked white and acidified colors

shriveled up
wilted
killing flowers
cutting trees

beauty is not in the eye of the beholder
**** beauty
bleed it's worth
for it shall have none

in the darkness
find comfort
no fear that the suns power
would do any harm

unreachable
don't
get out
stay
Safana Mar 2022
And the nature woke me up
Warmly I took my fresh pen
I acidified the ink in the pen
I surfaced the paper and pen
I begin to mix paper and pen
Stirring the paper with pen
In the *** of paper and pen
To make a fine poetry cheese
The cheese is cheap and chop
Imaginary by mouth and teeth
In the kitchen where no flour
And milk or butter but papers
And pens all in  " Safana Poetry Kitchen"

— The End —