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Gritty gravel pulses beneath each stride,
Amber sun and shadow endlessly collide.
Ancient woods murmur with emerald breath,
Cold wind’s fingers trace stories of death.

Solitude tastes of iron wild, enduring,
Memory’s lantern swings through dusk, assuring.
Hope’s fragrance drifts fragile, fiercely alive,
Heartbeat echoes yearning, learning to survive.

Each forked mile births a silent plea;
Purpose flickers distant star on dark sea.
Strength is forged in crucibles unseen,
Time’s river scours stone, polishes it clean.

Dawn spills gold on trembling, waiting land;
Dreams rise, phoenix-winged at hope’s command.
Rain baptizes earth’s furrowed, open brow;
Horizons unroll scrolls of infinite now.

Every pebble mirrors the wanderer’s face
Past and future in silent embrace.
Infinity hums in the hush between;
The road dissolves self and cosmos unseen.
“The Hush Between” was born from long walks and quiet reckonings. Those moments when the world speaks not with noise but with presence. This poem reflects the internal landscapes we traverse as much as the physical ones: grief, resilience, solitude, transformation. Each line seeks to capture that in-between place where stillness carries meaning, and the road teaches more than the destination.

If this piece resonated with you, I’d love to hear where it took you. Did a particular line speak to something you’ve experienced on your own journey? Share your reflections or interpretations in the comments. I read every one.
Time doesn’t weigh much — even when you’re fed
every second of it. Food for thought piles up like
leftovers, a full plate of ideas you never quite digest.

We serve our dreams once they wake, laid bare beneath
an open space —hoping stars will shine back on what
we once believed in. But from a distance, everything
looks so harmless — get close enough, and it burns
through our skin. Dreams, truth, love — they all come
with scorch marks when held too long.

Time steals slow, but mistakes move fast. You step
wrong and feel it instantly — unless your pride is
a glass slipper, and you’re too enchanted to feel the
crack. Because it’s one thing to know what you’re
not — you’re not a clock spinning past reason,
you’re flesh and fatigue, and this life… it winds down.

A broken clock still gets it right twice a day — but a
broken person has twice the time to bury themselves
or choose to rise and heal.
Standing on top of each morning briefly
stopping by each evening shortly
unmindful, my eyes are chasing,
my eyelids are sweeping with light the sky
splattered with colours pilled out
after hitting horizon's last shore.

I am thinking
what is this crimson,
colour of lovers' hearts
torn from each other and
taking on to opposite paths,
or the reddish glow of minds
come together after
dark moments of separation?

Half of my life is soaked in colour
watching these red glows
spilled over the side-door that admits the day
and the bamboo portals
that shut out the day,
but could not understand
whether this earth and sky
part in the evening
and meet in the morning
or part in the morning
and meet in the evening!

-०-
Note - This poem was originally written in Nepali language. This translation has been rendered by Abhi Subedi,
I. TARNISH
We procreate fate, from bones to belief,
Wearing faith like a second skin— daily
soiled, weather-worn by noise and news.

Socially religious; actions are mere talk
we preach in later posts, and not prayers.
We remember songs line for line, forgetting
words to the Word, that once shaped us.

II. INTERROGATION
Where is your faith? —asks the heart.
Where will you be in five years? —asks the mind.

And there—between tears and time— laziness
holds patience, procrastination becomes a religion.

As I wear the mask of a man knowing what he’s
doing, but the fit is too perfect –to ever feel like
Truth.

III. CONFESSION
O Lord, hear the slow-breaking cry of my soul,
lest I forget the sound of my own weeping.

My prayers, once daily bread, are now scattered
crumbs, too few, too faint to carry my mourning,
Into the morning. And you won't hear the dirge
in my less frequent prayers or their “Amen.”

— The End —