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Golden colours by the river, old and grey 
they sparkle over each side of Bamiyan Valley

Shines and smiles of caves annihilate them
Prior to Monk XuanZang to fabled silk road.
You heard the fire and bombs in the veins of heart’s purr.

They are all stones; one big, another smaller.
It was a Sunday, a pray day and you heard the egos of
screams:  morals! Your eyes and lips ampersand

Dusts and sands persist over 1700 years of Dynasties.
Sculptures of love vanished at Bamiyan valley

Was this loves outcome then, these stones made, red materials                                                 
Addressed with an order of elimination that fires so blindingly?
“Not in vain, not in vain, Shall I look for you again”
The voice of XuanZang transformed his precepts are sound,
“An infinite…XYZ”  with the veins of our eternal love.

Their eyelids say.
The Bamiyan Buddhas appear to have been the work of the Gandhara civilization, showing some Greco-Roman artistic influence in the clinging drape of the robes. Small niches around the statues hosted pilgrims and monks; many of them feature brightly-painted wall and ceiling art illustrating scenes from the life and teachings of the Buddha.
****-zip-bang shenyang ang;
Mang mangue flang hang prang pang;
Pinang lalang unhang kang youth defang khang;
Marang schlang gang wolfgang ying-yang xuanzang.
Klang sea get wrang.

Sang tsang li-kang gangue langues.
Thang drang crang tang harangue sprang zhang shang siang whang strang hang verdinsgang chuang;
Brang lang nang bhang xiaogang mahuang durang huang.
Hange hsiang und;

Zang rang kuomintang ourang section gang hang.
Krang pahang boomerang fang guilt;
Spang gang;
Hangsang xinjiang tunkelang slang tangue nanchang clang chang bangue vang ziyangbaoguang hwang pang the tsiang alang dang ylang-ylang.

Tang liang.
Overhang langue pyongyang.
Cangue sangh mustang stang frang yang lange kukang farang **** care sturm t'ang;
Zamang drang chiang road a jang;

— The End —