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Raymond Walker  Apr 2012
Amazon
Raymond Walker Apr 2012
The Dawn.



The sails hang large,
upon the sundered crew,
His father had not looked
on him with pleasure.
Poseidon’s son, and king,
of the Athenian dream,
he lands upon distant shore
in disrepair and lean.
a mighty voyage undertaken,
to gain iron for Athens might
but tide and storm wracked seas
has built upon this plight.

They land for food,
upon an endless plain
succour wanted, nay required,
lest all have been in vain.
Approach is made
by women strong in might
proud horses they sit and watch
before the sun, a glorious sight.
Amazons he knows of
they are too watched with fear
they are stronger than men he knows and watches as they near

















War queen she sits
upon her horse and awaits
these men that dare to land
But give them sanctuary she states.
her lover and second
looks in awe to the queen
these men given succour by amazons
this never has she seen







Antiope queen of all,
the plains for leagues around
Knows not a men, allows them not
but for trade on holy ground
Eluthera, freedom her name,
her second and lover same
wonders of this tall man, slim waisted,
lean, and asks his name.

Theseus he calls himself,
states his intentions and past
Antiope sits and listens and wonders
the seeds of fate are cast.
Eluthera watches Theseus’  face
and knows there is love there born
Though she believes it not,
from her home by love is Antiope torn
boats repaired and sail set
Theseus sets sail for home.
Antiope returns with him, they marry,
she is never more to roam.












Theseus song.

This woman of the plains, Amazon.
She sits her horse, sweet and proud yet strong.
She protects my honour, though tis' not her due
and speaks with eloquence no savage she.
Never before have I met my equal, in all things, man
or woman.
She is this and more
I can feel love from under her mein
This I know was destined
this even I without peer they say.
this even I understood.
yet here she stands, and walks and runs,
and here love awaits.














Elutheras song.

Here I have lived with the horse
and the sky,
who is god.
My name is freedom
and that is what I have
what can civilisation give us?
that we do not already have
what can walls provide,
that we, do not already know.
God, the sky. The horse, these our walls are.
He speaks well this Athenian, but what is speech
he looks well, but what can he give her.
She has all that there is.
and love she has, love of her sisters,
in her bed, and in our heart,
what can he give her.

Antiope's song.

To her I owe honour,
to him I give love.
what will become of this?
to her I owe love
to him i give honour,
what will become of this?
he is everything
she is everything
the plains are everything
the horse is all
yet I will betray my sisters
I know that now.
I will betray this life
I know that now
he is my equal in all
she in war I betray my people.
for love.































Part2

The tears of Eluthera.

Dripping
Burning
Hating
Loving
She must be returned
Rising
Loving
Lying
Hating
She must be returned
Rising
Rising
RISING
RISING
She must be returned
RISING
She must be returned
To her people
She must be returned
To her horses
Her gods
And me

RISING

She must be returned
They have taken her
She must be returned
She has not left













RISING

She must be returned
For they have taken her
Kidnapped, stolen her
He has taken her
Loved her
***** her
She must be returned
She is ours
She is our queen
She is
My love

RISING

Arise, sisters, arise
And let us take back what is ours
Arise, sisters, arise,
Let Athens quake at our power
Arise sisters arise
We will take back our queen
Arise sisters arise
That the might of Amazonian be seen.

We will raise an army
The greatest ever seen
To Athens and battle
For bloodshed keen
Unite the plains
And march and ride
And no quarter
Given either side.

Masii geti and copperhead
Scyths,Thracians, tower builders and
Copperhead Scyths
Dardanians, and all
The three tribes of ty kyrte ride
For Athens and revenge
To Athens and revenge.











Antiope’s song(2)

I stand here, beside pillars of stone
I watch from the acropolis
And wait
Theseus works with his people
He rules not by might
Of arms
But by deference
He holds his rule
With love
I hold the babe and watch
I can feel fate
Drawing near
I hear the thunder
Of hooves from the plains
And wait
I know he will prevail
This man I love
And wait And so I know
I will wear armour
Again
Before the end.
Before the end    
























Part 3
The battle.

Athens

We waited
We awaited their coming
Rumours formed
Rumours grew
Of a foe so strong
You can hear thunder
In their passing they say

Arm the cooks
Arm the carpenters
Athens will fall
Arm the viniers
Arm the boys
Athens will fall
The plains tribes
United they say
Athens will fall
Impossible I know They hate each other
More than us
They say

Thunder in the distance
And smoke fills the air
The dust of advance
Reaches our lair



Was that the flash of lightning?
Or glint of sun on a spear
Amazed we stand and watch
As they draw near
The lion of Athens will
Hunt now from its lair
To contend with the
War-horses baleful stare











One hundred and fifty thousand you say
One hundred and fifty thousand
One hundred and fifty thousand
Against 20 starts this day.

We arm the cooks
The carpenters,
the old men
And small boys Barely out of swaddling
Not yet finished
With their toys

We surge and struggle in the press
And surge again
Shields locked
And helms down

We surge and struggle, and they gain
And surge again
And retreat
And die
And die

Our own archers and artillery
They fire on us now
There’s no escape
There’s no escape
But forward to the press
To surge and struggle
Forward to press
Back to die
Forward to death and back
And we die
We die
We surge and struggle
Ever backwards
Ever backwards
We surge and struggle and we die
And we die










We surge and struggle
And widows are born
We surge and struggle
Like children forlorn
Ever backwards
Ever backwards
And we die
And we die

The toll is paid

We surge and struggle
But Athens will fall
Now wounded all
And dying
We surge and struggle
But hope has fled
Ever backwards
And to death

The advance of ty kyrte

We hold the field
But at great cost
We hold the field
Many horses lost

We are at the gates
But with great cost
We hold the town,
Many sisters lost

One more push sisters
One more charge
We are at the gates
Athens is lost









Back we were pushed
And back we fled
Through the town
The city streets
And fortress
Back we were pushed and back we fled




With shout and moan
Curse and groan
Clash of shield
We did yield
Every yard
With scream and yell
Fay and fell
Warriors now
We did yield
Every yard
































For every step
They paid
Like us
In blood
For every inch
They died
Like us
In mud






Horses skittered
Legs and bones broken
For every step and token
Move, every surge
And repulse
Until we stopped
Until we stopped
We could not see
We could not tell
But there was no
Where else to go
We stopped






















PART 4
The end

No where else to go,
No further back to fall
No retreat
No quarter
We stood
The battered
The bruised
The wounded and dying
We stood
For there was no choice










A commotion to the left
A horse rides out
On it rides death
And beauty
On it rides hell
And hope
On it rides Antiope
Armoured, and armed
Dressed
For death


Heroes she slew
Theseus behind her
Glauke, grey eyes
Queen was first
We advanced and slew









Kings she killed
Theseus behind her
Saduces of Thrace
Fell there, as his son
We advanced and killed.

How many heroes fell?
To her axe and bow
To many here to tell
Whispered word
Silence fell.
As Eluthera took the field
The fighting stopped
And silence grew
The battle decided here

The fate of Athens on the scales









Antiope rode for higher ground
Eluthera the lower
Antiope charged and threw
Javelin with all her power
Three times they charged
Three times they threw
And both wounded waited
A final charge, for death
They knew, the outcome fated.

There Antiope fell
By her lovers hand
Unarmed
And seeking death








Eluthera sat atop
Her steed and keened
Victor
With victory lost

Theseus faced her now
On foot and sword drawn
Deplete
And cursing fate





Theseus king no more
But husband bereft only
Maddened
Down  on her bore
There Eluthera fell.
































Twenty Years have past
fleeting,
Twenty, tears been shed
Weeping,
Twenty, lives lost,
mourning,
twenty hopes, die
burning,

The people, return,
Zeus smiles
rich in livestock
and strength.

Twenty years ago
the titans clashed.
Twenty years ago
the winds of fate lashed.
Twenty years ago
lovers died.
Twenty years ago
The Scyths lied.

Theseus, in memory,
plans sacrifice,
for his lost love,
once his wife.






Antiopes shrine
is sundered as Poseidon
shivers,
earthshaker.













And on the plains
the battle rages,
deplete,
bereft,
Eluthera, whole again,
freedom once more,
leads,
the charge,
the last charge,
of the Amazon
against the Scyths.


The End
I am kind of sorry for adding this for i wrote it years ago and well you can see for yourself it needs some work, but i do likle the idea of the classical poem
Raymond Walker  Apr 2012
Amazon
Raymond Walker Apr 2012
The Dawn.



The sails hang large,
upon the sundered crew,
His father had not looked
on him with pleasure.
Poseidon’s son, and king,
of the Athenian dream,
he lands upon distant shore
in disrepair and lean.
a mighty voyage undertaken,
to gain iron for Athens might
but tide and storm wracked seas
has built upon this plight.

They land for food,
upon an endless plain
succour wanted, nay required,
lest all have been in vain.
Approach is made
by women strong in might
proud horses they sit and watch
before the sun, a glorious sight.
Amazons he knows of
they are too watched with fear
they are stronger than men he knows and watches as they near

















War queen she sits
upon her horse and awaits
these men that dare to land
But give them sanctuary she states.
her lover and second
looks in awe to the queen
these men given succour by amazons
this never has she seen







Antiope queen of all,
the plains for leagues around
Knows not a men, allows them not
but for trade on holy ground
Eluthera, freedom her name,
her second and lover same
wonders of this tall man, slim waisted,
lean, and asks his name.

Theseus he calls himself,
states his intentions and past
Antiope sits and listens and wonders
the seeds of fate are cast.
Eluthera watches Theseus’  face
and knows there is love there born
Though she believes it not,
from her home by love is Antiope torn
boats repaired and sail set
Theseus sets sail for home.
Antiope returns with him, they marry,
she is never more to roam.












Theseus song.

This woman of the plains, Amazon.
She sits her horse, sweet and proud yet strong.
She protects my honour, though tis' not her due
and speaks with eloquence no savage she.
Never before have I met my equal, in all things, man
or woman.
She is this and more
I can feel love from under her mein
This I know was destined
this even I without peer they say.
this even I understood.
yet here she stands, and walks and runs,
and here love awaits.














Elutheras song.

Here I have lived with the horse
and the sky,
who is god.
My name is freedom
and that is what I have
what can civilisation give us?
that we do not already have
what can walls provide,
that we, do not already know.
God, the sky. The horse, these our walls are.
He speaks well this Athenian, but what is speech
he looks well, but what can he give her.
She has all that there is.
and love she has, love of her sisters,
in her bed, and in our heart,
what can he give her.

Antiope's song.

To her I owe honour,
to him I give love.
what will become of this?
to her I owe love
to him i give honour,
what will become of this?
he is everything
she is everything
the plains are everything
the horse is all
yet I will betray my sisters
I know that now.
I will betray this life
I know that now
he is my equal in all
she in war I betray my people.
for love.































Part2

The tears of Eluthera.

Dripping
Burning
Hating
Loving
She must be returned
Rising
Loving
Lying
Hating
She must be returned
Rising
Rising
RISING
RISING
She must be returned
RISING
She must be returned
To her people
She must be returned
To her horses
Her gods
And me

RISING

She must be returned
They have taken her
She must be returned
She has not left













RISING

She must be returned
For they have taken her
Kidnapped, stolen her
He has taken her
Loved her
***** her
She must be returned
She is ours
She is our queen
She is
My love

RISING

Arise, sisters, arise
And let us take back what is ours
Arise, sisters, arise,
Let Athens quake at our power
Arise sisters arise
We will take back our queen
Arise sisters arise
That the might of Amazonian be seen.

We will raise an army
The greatest ever seen
To Athens and battle
For bloodshed keen
Unite the plains
And march and ride
And no quarter
Given either side.

Masii geti and copperhead
Scyths,Thracians, tower builders and
Copperhead Scyths
Dardanians, and all
The three tribes of ty kyrte ride
For Athens and revenge
To Athens and revenge.











Antiope’s song(2)

I stand here, beside pillars of stone
I watch from the acropolis
And wait
Theseus works with his people
He rules not by might
Of arms
But by deference
He holds his rule
With love
I hold the babe and watch
I can feel fate
Drawing near
I hear the thunder
Of hooves from the plains
And wait
I know he will prevail
This man I love
And wait And so I know
I will wear armour
Again
Before the end.
Before the end    
























Part 3
The battle.

Athens

We waited
We awaited their coming
Rumours formed
Rumours grew
Of a foe so strong
You can hear thunder
In their passing they say

Arm the cooks
Arm the carpenters
Athens will fall
Arm the viniers
Arm the boys
Athens will fall
The plains tribes
United they say
Athens will fall
Impossible I know They hate each other
More than us
They say

Thunder in the distance
And smoke fills the air
The dust of advance
Reaches our lair



Was that the flash of lightning?
Or glint of sun on a spear
Amazed we stand and watch
As they draw near
The lion of Athens will
Hunt now from its lair
To contend with the
War-horses baleful stare











One hundred and fifty thousand you say
One hundred and fifty thousand
One hundred and fifty thousand
Against 20 starts this day.

We arm the cooks
The carpenters,
the old men
And small boys Barely out of swaddling
Not yet finished
With their toys

We surge and struggle in the press
And surge again
Shields locked
And helms down

We surge and struggle, and they gain
And surge again
And retreat
And die
And die

Our own archers and artillery
They fire on us now
There’s no escape
There’s no escape
But forward to the press
To surge and struggle
Forward to press
Back to die
Forward to death and back
And we die
We die
We surge and struggle
Ever backwards
Ever backwards
We surge and struggle and we die
And we die










We surge and struggle
And widows are born
We surge and struggle
Like children forlorn
Ever backwards
Ever backwards
And we die
And we die

The toll is paid

We surge and struggle
But Athens will fall
Now wounded all
And dying
We surge and struggle
But hope has fled
Ever backwards
And to death

The advance of ty kyrte

We hold the field
But at great cost
We hold the field
Many horses lost

We are at the gates
But with great cost
We hold the town,
Many sisters lost

One more push sisters
One more charge
We are at the gates
Athens is lost









Back we were pushed
And back we fled
Through the town
The city streets
And fortress
Back we were pushed and back we fled




With shout and moan
Curse and groan
Clash of shield
We did yield
Every yard
With scream and yell
Fay and fell
Warriors now
We did yield
Every yard
































For every step
They paid
Like us
In blood
For every inch
They died
Like us
In mud






Horses skittered
Legs and bones broken
For every step and token
Move, every surge
And repulse
Until we stopped
Until we stopped
We could not see
We could not tell
But there was no
Where else to go
We stopped






















PART 4
The end

No where else to go,
No further back to fall
No retreat
No quarter
We stood
The battered
The bruised
The wounded and dying
We stood
For there was no choice










A commotion to the left
A horse rides out
On it rides death
And beauty
On it rides hell
And hope
On it rides Antiope
Armoured, and armed
Dressed
For death


Heroes she slew
Theseus behind her
Glauke, grey eyes
Queen was first
We advanced and slew









Kings she killed
Theseus behind her
Saduces of Thrace
Fell there, as his son
We advanced and killed.

How many heroes fell?
To her axe and bow
To many here to tell
Whispered word
Silence fell.
As Eluthera took the field
The fighting stopped
And silence grew
The battle decided here

The fate of Athens on the scales









Antiope rode for higher ground
Eluthera the lower
Antiope charged and threw
Javelin with all her power
Three times they charged
Three times they threw
And both wounded waited
A final charge, for death
They knew, the outcome fated.

There Antiope fell
By her lovers hand
Unarmed
And seeking death








Eluthera sat atop
Her steed and keened
Victor
With victory lost

Theseus faced her now
On foot and sword drawn
Deplete
And cursing fate





Theseus king no more
But husband bereft only
Maddened
Down  on her bore
There Eluthera fell.
































Twenty Years have past
fleeting,
Twenty, tears been shed
Weeping,
Twenty, lives lost,
mourning,
twenty hopes, die
burning,

The people, return,
Zeus smiles
rich in livestock
and strength.

Twenty years ago
the titans clashed.
Twenty years ago
the winds of fate lashed.
Twenty years ago
lovers died.
Twenty years ago
The Scyths lied.

Theseus, in memory,
plans sacrifice,
for his lost love,
once his wife.






Antiopes shrine
is sundered as Poseidon
shivers,
earthshaker.













And on the plains
the battle rages,
deplete,
bereft,
Eluthera, whole again,
freedom once more,
leads,
the charge,
the last charge,
of the Amazon
against the Scyths.


The End
I am kind of sorry for adding this for i wrote it years ago and well you can see for yourself it needs some work, but i do likle the idea of the classical poem
Raymond Walker  Apr 2012
Amazon
Raymond Walker Apr 2012
The Dawn.



The sails hang large,
upon the sundered crew,
His father had not looked
on him with pleasure.
Poseidon’s son, and king,
of the Athenian dream,
he lands upon distant shore
in disrepair and lean.
a mighty voyage undertaken,
to gain iron for Athens might
but tide and storm wracked seas
has built upon this plight.

They land for food,
upon an endless plain
succour wanted, nay required,
lest all have been in vain.
Approach is made
by women strong in might
proud horses they sit and watch
before the sun, a glorious sight.
Amazons he knows of
they are too watched with fear
they are stronger than men he knows and watches as they near

















War queen she sits
upon her horse and awaits
these men that dare to land
But give them sanctuary she states.
her lover and second
looks in awe to the queen
these men given succour by amazons
this never has she seen







Antiope queen of all,
the plains for leagues around
Knows not a men, allows them not
but for trade on holy ground
Eluthera, freedom her name,
her second and lover same
wonders of this tall man, slim waisted,
lean, and asks his name.

Theseus he calls himself,
states his intentions and past
Antiope sits and listens and wonders
the seeds of fate are cast.
Eluthera watches Theseus’  face
and knows there is love there born
Though she believes it not,
from her home by love is Antiope torn
boats repaired and sail set
Theseus sets sail for home.
Antiope returns with him, they marry,
she is never more to roam.












Theseus song.

This woman of the plains, Amazon.
She sits her horse, sweet and proud yet strong.
She protects my honour, though tis' not her due
and speaks with eloquence no savage she.
Never before have I met my equal, in all things, man
or woman.
She is this and more
I can feel love from under her mein
This I know was destined
this even I without peer they say.
this even I understood.
yet here she stands, and walks and runs,
and here love awaits.














Elutheras song.

Here I have lived with the horse
and the sky,
who is god.
My name is freedom
and that is what I have
what can civilisation give us?
that we do not already have
what can walls provide,
that we, do not already know.
God, the sky. The horse, these our walls are.
He speaks well this Athenian, but what is speech
he looks well, but what can he give her.
She has all that there is.
and love she has, love of her sisters,
in her bed, and in our heart,
what can he give her.

Antiope's song.

To her I owe honour,
to him I give love.
what will become of this?
to her I owe love
to him i give honour,
what will become of this?
he is everything
she is everything
the plains are everything
the horse is all
yet I will betray my sisters
I know that now.
I will betray this life
I know that now
he is my equal in all
she in war I betray my people.
for love.































Part2

The tears of Eluthera.

Dripping
Burning
Hating
Loving
She must be returned
Rising
Loving
Lying
Hating
She must be returned
Rising
Rising
RISING
RISING
She must be returned
RISING
She must be returned
To her people
She must be returned
To her horses
Her gods
And me

RISING

She must be returned
They have taken her
She must be returned
She has not left













RISING

She must be returned
For they have taken her
Kidnapped, stolen her
He has taken her
Loved her
***** her
She must be returned
She is ours
She is our queen
She is
My love

RISING

Arise, sisters, arise
And let us take back what is ours
Arise, sisters, arise,
Let Athens quake at our power
Arise sisters arise
We will take back our queen
Arise sisters arise
That the might of Amazonian be seen.

We will raise an army
The greatest ever seen
To Athens and battle
For bloodshed keen
Unite the plains
And march and ride
And no quarter
Given either side.

Masii geti and copperhead
Scyths,Thracians, tower builders and
Copperhead Scyths
Dardanians, and all
The three tribes of ty kyrte ride
For Athens and revenge
To Athens and revenge.











Antiope’s song(2)

I stand here, beside pillars of stone
I watch from the acropolis
And wait
Theseus works with his people
He rules not by might
Of arms
But by deference
He holds his rule
With love
I hold the babe and watch
I can feel fate
Drawing near
I hear the thunder
Of hooves from the plains
And wait
I know he will prevail
This man I love
And wait And so I know
I will wear armour
Again
Before the end.
Before the end    
























Part 3
The battle.

Athens

We waited
We awaited their coming
Rumours formed
Rumours grew
Of a foe so strong
You can hear thunder
In their passing they say

Arm the cooks
Arm the carpenters
Athens will fall
Arm the viniers
Arm the boys
Athens will fall
The plains tribes
United they say
Athens will fall
Impossible I know They hate each other
More than us
They say

Thunder in the distance
And smoke fills the air
The dust of advance
Reaches our lair



Was that the flash of lightning?
Or glint of sun on a spear
Amazed we stand and watch
As they draw near
The lion of Athens will
Hunt now from its lair
To contend with the
War-horses baleful stare











One hundred and fifty thousand you say
One hundred and fifty thousand
One hundred and fifty thousand
Against 20 starts this day.

We arm the cooks
The carpenters,
the old men
And small boys Barely out of swaddling
Not yet finished
With their toys

We surge and struggle in the press
And surge again
Shields locked
And helms down

We surge and struggle, and they gain
And surge again
And retreat
And die
And die

Our own archers and artillery
They fire on us now
There’s no escape
There’s no escape
But forward to the press
To surge and struggle
Forward to press
Back to die
Forward to death and back
And we die
We die
We surge and struggle
Ever backwards
Ever backwards
We surge and struggle and we die
And we die










We surge and struggle
And widows are born
We surge and struggle
Like children forlorn
Ever backwards
Ever backwards
And we die
And we die

The toll is paid

We surge and struggle
But Athens will fall
Now wounded all
And dying
We surge and struggle
But hope has fled
Ever backwards
And to death

The advance of ty kyrte

We hold the field
But at great cost
We hold the field
Many horses lost

We are at the gates
But with great cost
We hold the town,
Many sisters lost

One more push sisters
One more charge
We are at the gates
Athens is lost









Back we were pushed
And back we fled
Through the town
The city streets
And fortress
Back we were pushed and back we fled




With shout and moan
Curse and groan
Clash of shield
We did yield
Every yard
With scream and yell
Fay and fell
Warriors now
We did yield
Every yard
































For every step
They paid
Like us
In blood
For every inch
They died
Like us
In mud






Horses skittered
Legs and bones broken
For every step and token
Move, every surge
And repulse
Until we stopped
Until we stopped
We could not see
We could not tell
But there was no
Where else to go
We stopped






















PART 4
The end

No where else to go,
No further back to fall
No retreat
No quarter
We stood
The battered
The bruised
The wounded and dying
We stood
For there was no choice










A commotion to the left
A horse rides out
On it rides death
And beauty
On it rides hell
And hope
On it rides Antiope
Armoured, and armed
Dressed
For death


Heroes she slew
Theseus behind her
Glauke, grey eyes
Queen was first
We advanced and slew









Kings she killed
Theseus behind her
Saduces of Thrace
Fell there, as his son
We advanced and killed.

How many heroes fell?
To her axe and bow
To many here to tell
Whispered word
Silence fell.
As Eluthera took the field
The fighting stopped
And silence grew
The battle decided here

The fate of Athens on the scales









Antiope rode for higher ground
Eluthera the lower
Antiope charged and threw
Javelin with all her power
Three times they charged
Three times they threw
And both wounded waited
A final charge, for death
They knew, the outcome fated.

There Antiope fell
By her lovers hand
Unarmed
And seeking death








Eluthera sat atop
Her steed and keened
Victor
With victory lost

Theseus faced her now
On foot and sword drawn
Deplete
And cursing fate





Theseus king no more
But husband bereft only
Maddened
Down  on her bore
There Eluthera fell.
































Twenty Years have past
fleeting,
Twenty, tears been shed
Weeping,
Twenty, lives lost,
mourning,
twenty hopes, die
burning,

The people, return,
Zeus smiles
rich in livestock
and strength.

Twenty years ago
the titans clashed.
Twenty years ago
the winds of fate lashed.
Twenty years ago
lovers died.
Twenty years ago
The Scyths lied.

Theseus, in memory,
plans sacrifice,
for his lost love,
once his wife.






Antiopes shrine
is sundered as Poseidon
shivers,
earthshaker.













And on the plains
the battle rages,
deplete,
bereft,
Eluthera, whole again,
freedom once more,
leads,
the charge,
the last charge,
of the Amazon
against the Scyths.


The End
I am kind of sorry for adding this for i wrote it years ago and well you can see for yourself it needs some work, but i do likle the idea of the classical poem
WHILOM, as olde stories tellen us,                            formerly
There was a duke that highte* Theseus.                   was called
Of Athens he was lord and governor,
And in his time such a conqueror
That greater was there none under the sun.
Full many a riche country had he won.
What with his wisdom and his chivalry,
He conquer'd all the regne of Feminie,
That whilom was y-cleped Scythia;
And weddede the Queen Hippolyta
And brought her home with him to his country
With muchel
glory and great solemnity,                           great
And eke her younge sister Emily,
And thus with vict'ry and with melody
Let I this worthy Duke to Athens ride,
And all his host, in armes him beside.

And certes, if it n'ere
too long to hear,                     were not
I would have told you fully the mannere,
How wonnen
was the regne of Feminie,                            won
By Theseus, and by his chivalry;
And of the greate battle for the *****
Betwixt Athenes and the Amazons;
And how assieged was Hippolyta,
The faire hardy queen of Scythia;
And of the feast that was at her wedding
And of the tempest at her homecoming.
But all these things I must as now forbear.
I have, God wot, a large field to ear
                       plough;
And weake be the oxen in my plough;
The remnant of my tale is long enow.
I will not *letten eke none of this rout
.                hinder any of
Let every fellow tell his tale about,                      this company

And let see now who shall the supper win.
There as I left, I will again begin.                where I left off

This Duke, of whom I make mentioun,
When he was come almost unto the town,
In all his weal, and in his moste pride,
He was ware, as he cast his eye aside,
Where that there kneeled in the highe way
A company of ladies, tway and tway,
Each after other, clad in clothes black:
But such a cry and such a woe they make,
That in this world n'is creature living,
That hearde such another waimenting                      lamenting
And of this crying would they never stenten,                    desist
Till they the reines of his bridle henten.                       *seize
"What folk be ye that at mine homecoming
Perturben so my feaste with crying?"
Quoth Theseus; "Have ye so great envy
Of mine honour, that thus complain and cry?
Or who hath you misboden
, or offended?                         wronged
Do telle me, if it may be amended;
And why that ye be clad thus all in black?"

The oldest lady of them all then spake,
When she had swooned, with a deadly cheer
,                 countenance
That it was ruthe
for to see or hear.                             pity
She saide; "Lord, to whom fortune hath given
Vict'ry, and as a conqueror to liven,
Nought grieveth us your glory and your honour;
But we beseechen mercy and succour.
Have mercy on our woe and our distress;
Some drop of pity, through thy gentleness,
Upon us wretched women let now fall.
For certes, lord, there is none of us all
That hath not been a duchess or a queen;
Now be we caitives
, as it is well seen:                       captives
Thanked be Fortune, and her false wheel,
That *none estate ensureth to be wele
.       assures no continuance of
And certes, lord, t'abiden your presence              prosperous estate

Here in this temple of the goddess Clemence
We have been waiting all this fortenight:
Now help us, lord, since it lies in thy might.

"I, wretched wight, that weep and waile thus,
Was whilom wife to king Capaneus,
That starf* at Thebes, cursed be that day:                     died
And alle we that be in this array,
And maken all this lamentatioun,
We losten all our husbands at that town,
While that the siege thereabouten lay.
And yet the olde Creon, wellaway!
That lord is now of Thebes the city,
Fulfilled of ire and of iniquity,
He for despite, and for his tyranny,
To do the deade bodies villainy
,                                insult
Of all our lorde's, which that been y-slaw,                       *slain
Hath all the bodies on an heap y-draw,
And will not suffer them by none assent
Neither to be y-buried, nor y-brent
,                             burnt
But maketh houndes eat them in despite."
And with that word, withoute more respite
They fallen groff,
and cryden piteously;                    grovelling
"Have on us wretched women some mercy,
And let our sorrow sinken in thine heart."

This gentle Duke down from his courser start
With hearte piteous, when he heard them speak.
Him thoughte that his heart would all to-break,
When he saw them so piteous and so mate
                         abased
That whilom weren of so great estate.
And in his armes he them all up hent
,                     raised, took
And them comforted in full good intent,
And swore his oath, as he was true knight,
He woulde do *so farforthly his might
        as far as his power went
Upon the tyrant Creon them to wreak,                            avenge
That all the people of Greece shoulde speak,
How Creon was of Theseus y-served,
As he that had his death full well deserved.
And right anon withoute more abode                               *delay
His banner he display'd, and forth he rode
To Thebes-ward, and all his, host beside:
No ner
Athenes would he go nor ride,                            nearer
Nor take his ease fully half a day,
But onward on his way that night he lay:
And sent anon Hippolyta the queen,
And Emily her younge sister sheen
                       bright, lovely
Unto the town of Athens for to dwell:
And forth he rit
; there is no more to tell.                       rode

The red statue of Mars with spear and targe
                     shield
So shineth in his white banner large
That all the fieldes glitter up and down:
And by his banner borne is his pennon
Of gold full rich, in which there was y-beat
                   stamped
The Minotaur which that he slew in Crete
Thus rit this Duke, thus rit this conqueror
And in his host of chivalry the flower,
Till that he came to Thebes, and alight
Fair in a field, there as he thought to fight.
But shortly for to speaken of this thing,
With Creon, which that was of Thebes king,
He fought, and slew him manly as a knight
In plain bataille, and put his folk to flight:
And by assault he won the city after,
And rent adown both wall, and spar, and rafter;
And to the ladies he restored again
The bodies of their husbands that were slain,
To do obsequies, as was then the guise
.                         custom

But it were all too long for to devise
                        describe
The greate clamour, and the waimenting
,                      lamenting
Which that the ladies made at the brenning
                     burning
Of the bodies, and the great honour
That Theseus the noble conqueror
Did to the ladies, when they from him went:
But shortly for to tell is mine intent.
When that this worthy Duke, this Theseus,
Had Creon slain, and wonnen Thebes thus,
Still in the field he took all night his rest,
And did with all the country as him lest
.                      pleased
To ransack in the tas
of bodies dead,                             heap
Them for to strip of *harness and of *
****,           armour *clothes
The pillers* did their business and cure,                 pillagers
After the battle and discomfiture.
And so befell, that in the tas they found,
Through girt with many a grievous ****** wound,
Two younge knightes *ligging by and by
             lying side by side
Both in one armes, wrought full richely:             the same armour
Of whiche two, Arcita hight that one,
And he that other highte Palamon.
Not fully quick, nor fully dead they were,                       *alive
But by their coat-armour, and by their gear,
The heralds knew them well in special,
As those that weren of the blood royal
Of Thebes, and *of sistren two y-born
.            born of two sisters
Out of the tas the pillers have them torn,
And have them carried soft unto the tent
Of Theseus, and he full soon them sent
To Athens, for to dwellen in prison
Perpetually, he n'olde no ranson.               would take no ransom
And when this worthy Duke had thus y-done,
He took his host, and home he rit anon
With laurel crowned as a conquerour;
And there he lived in joy and in honour
Term of his life; what needeth wordes mo'?
And in a tower, in anguish and in woe,
Dwellen this Palamon, and eke Arcite,
For evermore, there may no gold them quite                    set free

Thus passed year by year, and day by day,
Till it fell ones in a morn of May
That Emily, that fairer was to seen
Than is the lily upon his stalke green,
And fresher than the May with flowers new
(For with the rose colour strove her hue;
I n'ot* which was the finer of them two),                      know not
Ere it was day, as she was wont to do,
She was arisen, and all ready dight
,                           dressed
For May will have no sluggardy a-night;
The season pricketh every gentle heart,
And maketh him out of his sleep to start,
And saith, "Arise, and do thine observance."

This maketh Emily have remembrance
To do honour to May, and for to rise.
Y-clothed was she fresh for to devise;
Her yellow hair was braided in a tress,
Behind her back, a yarde long I guess.
And in the garden at *the sun uprist
                           sunrise
She walketh up and down where as her list.
She gathereth flowers, party
white and red,                    mingled
To make a sotel
garland for her head,            subtle, well-arranged
And as an angel heavenly she sung.
The greate tower, that was so thick and strong,
Which of the castle was the chief dungeon
(Where as these knightes weren in prison,
Of which I tolde you, and telle shall),
Was even joinant
to the garden wall,                         adjoining
There as this Emily had her playing.

Bright was the sun, and clear that morrowning,
And Palamon, this woful prisoner,
As was his wont, by leave of his gaoler,
Was ris'n, and roamed in a chamber on high,
In which he all the noble city sigh
,                               saw
And eke the garden, full of branches green,
There as this fresh Emelia the sheen
Was in her walk, and roamed up and down.
This sorrowful prisoner, this Palamon
Went in his chamber roaming to and fro,
And to himself complaining of his woe:
That he was born, full oft he said, Alas!
And so befell, by aventure or cas
,                              chance
That through a window thick of many a bar
Of iron great, and square as any spar,
He cast his eyes upon Emelia,
And therewithal he blent
and crie
Alikantus archetype of his astral travel just three days ago was crowned in Gaugamela...! It boils in hiding and uneasiness after lightening its fiery hooves by Lasithi's slippery Ierapetra in footsteps that seemed to be the same influxes of endeavors brought by Kanti from Crete, who pyrographed the Thracian soil before reaching the request for his address. . He turns to Medea, before arriving in Thrace after wandering through different places in search of protection and advice to protect his master Vernarth, while he underwent the last ****** libations of vivid Liliaceae and angiosperms encapsulated in his right pectoral, in the anonymous of Alikanto, asking Medea for a potion to be able to supply his master and deflate his breastplate, in order to use his Áspis Koilé breastplate in combat, since there were three days left for the duel. Medea arrived in the city of Athens on a stormy day, with a Dantean gray Fusco on the palm of the cliff, escaping previously, now near Abdera, in which the east proceeded to evacuate sooty plectrums to the west. As Medea looked up at the sky, she took a piece of feldspar anthracite to create aluminum javelins that Alikanto would have to carry on his return, along with the potions to deflate his infected pectoral. She painted the sky with gray lattice lines and subsequently lodged in his crooked loop. Signs could be seen from the infinite that came coupling in an alloy beam, whose countenance seemed to be a king ..., it was Aegean, who not only offered him hospitality but would bond with Medea in the hope that his sorceries would allow him to conceive a child despite his advanced age. The sorceress fulfilled her expectations, having a son they named Medo. When Theseus, Aegean's secret son, arrived in Athens willing to have his father recognize him as heir, Medea took him as a threat to the future of his son and tried to poison him. But Theseus discovered her, accusing her of committing horrible crimes and witchcraft, Medea had to flee again. In this crusade she had the assistance of Alikantus who transported her flying from Abdera, so as not to be captured and to be able to supplement the stews that Alikantus had requested, also with javelins that she had to take to Vernarth, to escort him from the splendorous injury.

The convulsed Sibyl Cimera customized the symbols of the arranged ceremonial, forging classic gestures of prodigality, and that nothing less was a cornucopia given to the Zephyrs of the Ultramundis, who revolutionized the boss around that trembled in the pickets of the stone dermis that dressed the walls of the final tubule of 103 meters. The channel nursed referred inclinations of Likantus who harassed, and customized the final discretion of Theseus, to finish with the folio of the descendant Aegean, breaching the sentence of his son, and avoiding him from his stepmother. In this coliseum, Theseus took root along with his mother Etra his, who did not reveal the name of his father until he was sixteen years old. At this age, Theseus was able to lift the stone, put on his father's sandals and sword, and begin his journey to Athens to be recognized as the king's son. From this obviousness, Vernarth in the Gaugamela arena dressed him in the Persikaia sandals, which made him whoever he was, and if he died you would take them seated to the altar of the Tristania comedies, where all that surreal surpasses the deep straits of reality, more than anything in racked muses in forced symptoms of paranoia or ****** Sybil, that mediated in the Arms of Christi, in the iconology of the Codex Raedus.

Vernarth sat on the edge of the Ultraworld and broke before the cosmos and the solitude that hid all the beings that floated in the gutter that collected him in his hiccup, in such a judgment that he refused all creations when he felt their laments, where the demons watched him from the darkness, fragilely pressing his meager occipital, attacking him in front of Medea, evading the Satanic circumscription, to contravene the agreement with Aegean. Perjure reigned in the doubts of tragedy sponsored by Komedia, marching in a victorious procession, and singing triumphs of tragic paranoid duality, enthroned in the martyrs of tribulation, and in the seed of the one who does not cease Ubis Tragediopathic, and in facts that speak of hunger of loneliness in every man immersed in the Ultraworld, as the only dimensional one who burns in his doubts and a frustrated Anastasia. Vernarth says "ekáthisan" and the Duoverse consequently of the Universe sat down to dry his tears, then Vernarth received from the darkness of the Ultraworld a golden light of Hippeis with an aura of Thessaly, where the krima or criminality occurred in three quarters lurk from Maceo to the confront him in the Arbela half hour. Vernarth self-compresses by giving up procrastination trials, and reconstructing severed bodies there, rather than isolating himself from his own souls and sins, with Hebrew souls of Nefesh root, who cling to phantasmagoric anxiety, decapitation of those who live exposing themselves in the solitude of the Ultraworld. The infrarenal sanctity of surrealism, inexorably surpasses any verse, if Lazarus here in the wind tunnel rises before Vernarth embracing him, and relieving Likantus' anguish to fulfill his mission for him.
Codex VIII - Ultramundis Alikantus
Slow sinks, more lovely ere his race be run,
Along Morea’s hills the setting Sun;
Not, as in northern climes, obscurely bright,
But one unclouded blaze of living light;
O’er the hushed deep the yellow beam he throws,
Gilds the green wave that trembles as it glows;
On old ægina’s rock and Hydra’s isle
The God of gladness sheds his parting smile;
O’er his own regions lingering loves to shine,
Though there his altars are no more divine.
Descending fast, the mountain-shadows kiss
Thy glorious Gulf, unconquered Salamis!
Their azure arches through the long expanse,
More deeply purpled, meet his mellowing glance,
And tenderest tints, along their summits driven,
Mark his gay course, and own the hues of Heaven;
Till, darkly shaded from the land and deep,
Behind his Delphian rock he sinks to sleep.

  On such an eve his palest beam he cast
When, Athens! here thy Wisest looked his last.
How watched thy better sons his farewell ray,
That closed their murdered Sage’s latest day!
Not yet—not yet—Sol pauses on the hill,
The precious hour of parting lingers still;
But sad his light to agonizing eyes,
And dark the mountain’s once delightful dyes;
Gloom o’er the lovely land he seemed to pour,
The land where Phoebus never frowned before;
But ere he sunk below Cithaeron’s head,
The cup of Woe was quaffed—the Spirit fled;
The soul of Him that scorned to fear or fly,
Who lived and died as none can live or die.

  But lo! from high Hymettus to the plain
The Queen of Night asserts her silent reign;
No murky vapour, herald of the storm,
Hides her fair face, or girds her glowing form;
With cornice glimmering as the moonbeams play,
There the white column greets her grateful ray,
And bright around, with quivering beams beset,
Her emblem sparkles o’er the Minaret;
The groves of olive scattered dark and wide,
Where meek Cephisus sheds his scanty tide,
The cypress saddening by the sacred mosque,
The gleaming turret of the gay kiosk,
And sad and sombre ’mid the holy calm,
Near Theseus’ fane, yon solitary palm;
All, tinged with varied hues, arrest the eye;
And dull were his that passed them heedless by.
Again the ægean, heard no more afar,
Lulls his chafed breast from elemental war:
Again his waves in milder tints unfold
Their long expanse of sapphire and of gold,
Mixed with the shades of many a distant isle
That frown, where gentler Ocean deigns to smile.

  As thus, within the walls of Pallas’ fane,
I marked the beauties of the land and main,
Alone, and friendless, on the magic shore,
Whose arts and arms but live in poets’ lore;
Oft as the matchless dome I turned to scan,
Sacred to Gods, but not secure from Man,
The Past returned, the Present seemed to cease,
And Glory knew no clime beyond her Greece!

  Hour rolled along, and Dian’******on high
Had gained the centre of her softest sky;
And yet unwearied still my footsteps trod
O’er the vain shrine of many a vanished God:
But chiefly, Pallas! thine, when Hecate’s glare
Checked by thy columns, fell more sadly fair
O’er the chill marble, where the startling tread
Thrills the lone heart like echoes from the dead.
Long had I mused, and treasured every trace
The wreck of Greece recorded of her race,
When, lo! a giant-form before me strode,
And Pallas hailed me in her own Abode!

  Yes,’twas Minerva’s self; but, ah! how changed,
Since o’er the Dardan field in arms she ranged!
Not such as erst, by her divine command,
Her form appeared from Phidias’ plastic hand:
Gone were the terrors of her awful brow,
Her idle ægis bore no Gorgon now;
Her helm was dinted, and the broken lance
Seemed weak and shaftless e’en to mortal glance;
The Olive Branch, which still she deigned to clasp,
Shrunk from her touch, and withered in her grasp;
And, ah! though still the brightest of the sky,
Celestial tears bedimmed her large blue eye;
Round the rent casque her owlet circled slow,
And mourned his mistress with a shriek of woe!

  “Mortal!”—’twas thus she spake—”that blush of shame
Proclaims thee Briton, once a noble name;
First of the mighty, foremost of the free,
Now honoured ‘less’ by all, and ‘least’ by me:
Chief of thy foes shall Pallas still be found.
Seek’st thou the cause of loathing!—look around.
Lo! here, despite of war and wasting fire,
I saw successive Tyrannies expire;
‘Scaped from the ravage of the Turk and Goth,
Thy country sends a spoiler worse than both.
Survey this vacant, violated fane;
Recount the relics torn that yet remain:
‘These’ Cecrops placed, ‘this’ Pericles adorned,
‘That’ Adrian reared when drooping Science mourned.
What more I owe let Gratitude attest—
Know, Alaric and Elgin did the rest.
That all may learn from whence the plunderer came,
The insulted wall sustains his hated name:
For Elgin’s fame thus grateful Pallas pleads,
Below, his name—above, behold his deeds!
Be ever hailed with equal honour here
The Gothic monarch and the Pictish peer:
Arms gave the first his right, the last had none,
But basely stole what less barbarians won.
So when the Lion quits his fell repast,
Next prowls the Wolf, the filthy Jackal last:
Flesh, limbs, and blood the former make their own,
The last poor brute securely gnaws the bone.
Yet still the Gods are just, and crimes are crossed:
See here what Elgin won, and what he lost!
Another name with his pollutes my shrine:
Behold where Dian’s beams disdain to shine!
Some retribution still might Pallas claim,
When Venus half avenged Minerva’s shame.”

  She ceased awhile, and thus I dared reply,
To soothe the vengeance kindling in her eye:
“Daughter of Jove! in Britain’s injured name,
A true-born Briton may the deed disclaim.
Frown not on England; England owns him not:
Athena, no! thy plunderer was a Scot.
Ask’st thou the difference? From fair Phyles’ towers
Survey Boeotia;—Caledonia’s ours.
And well I know within that ******* land
Hath Wisdom’s goddess never held command;
A barren soil, where Nature’s germs, confined
To stern sterility, can stint the mind;
Whose thistle well betrays the niggard earth,
Emblem of all to whom the Land gives birth;
Each genial influence nurtured to resist;
A land of meanness, sophistry, and mist.
Each breeze from foggy mount and marshy plain
Dilutes with drivel every drizzly brain,
Till, burst at length, each wat’ry head o’erflows,
Foul as their soil, and frigid as their snows:
Then thousand schemes of petulance and pride
Despatch her scheming children far and wide;
Some East, some West, some—everywhere but North!
In quest of lawless gain, they issue forth.
And thus—accursed be the day and year!
She sent a Pict to play the felon here.
Yet Caledonia claims some native worth,
As dull Boeotia gave a Pindar birth;
So may her few, the lettered and the brave,
Bound to no clime, and victors of the grave,
Shake off the sordid dust of such a land,
And shine like children of a happier strand;
As once, of yore, in some obnoxious place,
Ten names (if found) had saved a wretched race.”

  “Mortal!” the blue-eyed maid resumed, “once more
Bear back my mandate to thy native shore.
Though fallen, alas! this vengeance yet is mine,
To turn my counsels far from lands like thine.
Hear then in silence Pallas’ stern behest;
Hear and believe, for Time will tell the rest.

  “First on the head of him who did this deed
My curse shall light,—on him and all his seed:
Without one spark of intellectual fire,
Be all the sons as senseless as the sire:
If one with wit the parent brood disgrace,
Believe him ******* of a brighter race:
Still with his hireling artists let him prate,
And Folly’s praise repay for Wisdom’s hate;
Long of their Patron’s gusto let them tell,
Whose noblest, native gusto is—to sell:
To sell, and make—may shame record the day!—
The State—Receiver of his pilfered prey.
Meantime, the flattering, feeble dotard, West,
Europe’s worst dauber, and poor Britain’s best,
With palsied hand shall turn each model o’er,
And own himself an infant of fourscore.
Be all the Bruisers culled from all St. Giles’,
That Art and Nature may compare their styles;
While brawny brutes in stupid wonder stare,
And marvel at his Lordship’s ’stone shop’ there.
Round the thronged gate shall sauntering coxcombs creep
To lounge and lucubrate, to prate and peep;
While many a languid maid, with longing sigh,
On giant statues casts the curious eye;
The room with transient glance appears to skim,
Yet marks the mighty back and length of limb;
Mourns o’er the difference of now and then;
Exclaims, ‘These Greeks indeed were proper men!’
Draws slight comparisons of ‘these’ with ‘those’,
And envies Laïs all her Attic beaux.
When shall a modern maid have swains like these?
Alas! Sir Harry is no Hercules!
And last of all, amidst the gaping crew,
Some calm spectator, as he takes his view,
In silent indignation mixed with grief,
Admires the plunder, but abhors the thief.
Oh, loathed in life, nor pardoned in the dust,
May Hate pursue his sacrilegious lust!
Linked with the fool that fired the Ephesian dome,
Shall vengeance follow far beyond the tomb,
And Eratostratus and Elgin shine
In many a branding page and burning line;
Alike reserved for aye to stand accursed,
Perchance the second blacker than the first.

  “So let him stand, through ages yet unborn,
Fixed statue on the pedestal of Scorn;
Though not for him alone revenge shall wait,
But fits thy country for her coming fate:
Hers were the deeds that taught her lawless son
To do what oft Britannia’s self had done.
Look to the Baltic—blazing from afar,
Your old Ally yet mourns perfidious war.
Not to such deeds did Pallas lend her aid,
Or break the compact which herself had made;
Far from such counsels, from the faithless field
She fled—but left behind her Gorgon shield;
A fatal gift that turned your friends to stone,
And left lost Albion hated and alone.

“Look to the East, where Ganges’ swarthy race
Shall shake your tyrant empire to its base;
Lo! there Rebellion rears her ghastly head,
And glares the Nemesis of native dead;
Till Indus rolls a deep purpureal flood,
And claims his long arrear of northern blood.
So may ye perish!—Pallas, when she gave
Your free-born rights, forbade ye to enslave.

  “Look on your Spain!—she clasps the hand she hates,
But boldly clasps, and thrusts you from her gates.
Bear witness, bright Barossa! thou canst tell
Whose were the sons that bravely fought and fell.
But Lusitania, kind and dear ally,
Can spare a few to fight, and sometimes fly.
Oh glorious field! by Famine fiercely won,
The Gaul retires for once, and all is done!
But when did Pallas teach, that one retreat
Retrieved three long Olympiads of defeat?

  “Look last at home—ye love not to look there
On the grim smile of comfortless despair:
Your city saddens: loud though Revel howls,
Here Famine faints, and yonder Rapine prowls.
See all alike of more or less bereft;
No misers tremble when there’s nothing left.
‘Blest paper credit;’ who shall dare to sing?
It clogs like lead Corruption’s weary wing.
Yet Pallas pluck’d each Premier by the ear,
Who Gods and men alike disdained to hear;
But one, repentant o’er a bankrupt state,
On Pallas calls,—but calls, alas! too late:
Then raves for’——’; to that Mentor bends,
Though he and Pallas never yet were friends.
Him senates hear, whom never yet they heard,
Contemptuous once, and now no less absurd.
So, once of yore, each reasonable frog,
Swore faith and fealty to his sovereign ‘log.’
Thus hailed your rulers their patrician clod,
As Egypt chose an onion for a God.

  “Now fare ye well! enjoy your little hour;
Go, grasp the shadow of your vanished power;
Gloss o’er the failure of each fondest scheme;
Your strength a name, your bloated wealth a dream.
Gone is that Gold, the marvel of mankind.
And Pirates barter all that’s left behind.
No more the hirelings, purchased near and far,
Crowd to the ranks of mercenary war.
The idle merchant on the useless quay
Droops o’er the bales no bark may bear away;
Or, back returning, sees rejected stores
Rot piecemeal on his own encumbered shores:
The starved mechanic breaks his rusting loom,
And desperate mans him ‘gainst the coming doom.
Then in the Senates of your sinking state
Show me the man whose counsels may have weight.
Vain is each voice where tones could once command;
E’en factions cease to charm a factious land:
Yet jarring sects convulse a sister Isle,
And light with maddening hands the mutual pile.

  “’Tis done, ’tis past—since Pallas warns in vain;
The Furies seize her abdicated reign:
Wide o’er the realm they wave their kindling brands,
And wring her vitals with their fiery hands.
But one convulsive struggle still remains,
And Gaul shall weep ere Albion wear her chains,
The bannered pomp of war, the glittering files,
O’er whose gay trappings stern Bellona smiles;
The brazen trump, the spirit-stirring drum,
That bid the foe defiance ere they come;
The hero bounding at his country’s call,
The glorious death that consecrates his fall,
Swell the young heart with visionary charms.
And bid it antedate the joys of arms.
But know, a lesson you may yet be taught,
With death alone are laurels cheaply bought;
Not in the conflict Havoc seeks delight,
His day of mercy is the day of fight.
But when the field is fought, the battle won,
Though drenched with gore, his woes are but begun:
His deeper deeds as yet ye know by name;
The slaughtered peasant and the ravished dame,
The rifled mansion and the foe-reaped field,
Ill suit with souls at home, untaught to yield.
Say with what eye along the distant down
Would flying burghers mark the blazing town?
How view the column of ascending flames
Shake his red shadow o’er the startled Thames?
Nay, frown not, Albion! for the torch was thine
That lit such pyres from Tagus to the Rhine:
Now should they burst on thy devoted coast,
Go, ask thy ***** who deserves them most?
The law of Heaven and Earth is life for life,
And she who raised, in vain regrets, the strife.”
This English Thames is holier far than Rome,
Those harebells like a sudden flush of sea
Breaking across the woodland, with the foam
Of meadow-sweet and white anemone
To fleck their blue waves,—God is likelier there
Than hidden in that crystal-hearted star the pale monks bear!

Those violet-gleaming butterflies that take
Yon creamy lily for their pavilion
Are monsignores, and where the rushes shake
A lazy pike lies basking in the sun,
His eyes half shut,—he is some mitred old
Bishop in partibus! look at those gaudy scales all green and gold.

The wind the restless prisoner of the trees
Does well for Palaestrina, one would say
The mighty master’s hands were on the keys
Of the Maria *****, which they play
When early on some sapphire Easter morn
In a high litter red as blood or sin the Pope is borne

From his dark House out to the Balcony
Above the bronze gates and the crowded square,
Whose very fountains seem for ecstasy
To toss their silver lances in the air,
And stretching out weak hands to East and West
In vain sends peace to peaceless lands, to restless nations rest.

Is not yon lingering orange after-glow
That stays to vex the moon more fair than all
Rome’s lordliest pageants! strange, a year ago
I knelt before some crimson Cardinal
Who bare the Host across the Esquiline,
And now—those common poppies in the wheat seem twice as fine.

The blue-green beanfields yonder, tremulous
With the last shower, sweeter perfume bring
Through this cool evening than the odorous
Flame-jewelled censers the young deacons swing,
When the grey priest unlocks the curtained shrine,
And makes God’s body from the common fruit of corn and vine.

Poor Fra Giovanni bawling at the mass
Were out of tune now, for a small brown bird
Sings overhead, and through the long cool grass
I see that throbbing throat which once I heard
On starlit hills of flower-starred Arcady,
Once where the white and crescent sand of Salamis meets sea.

Sweet is the swallow twittering on the eaves
At daybreak, when the mower whets his scythe,
And stock-doves murmur, and the milkmaid leaves
Her little lonely bed, and carols blithe
To see the heavy-lowing cattle wait
Stretching their huge and dripping mouths across the farmyard gate.

And sweet the hops upon the Kentish leas,
And sweet the wind that lifts the new-mown hay,
And sweet the fretful swarms of grumbling bees
That round and round the linden blossoms play;
And sweet the heifer breathing in the stall,
And the green bursting figs that hang upon the red-brick wall,

And sweet to hear the cuckoo mock the spring
While the last violet loiters by the well,
And sweet to hear the shepherd Daphnis sing
The song of Linus through a sunny dell
Of warm Arcadia where the corn is gold
And the slight lithe-limbed reapers dance about the wattled fold.

And sweet with young Lycoris to recline
In some Illyrian valley far away,
Where canopied on herbs amaracine
We too might waste the summer-tranced day
Matching our reeds in sportive rivalry,
While far beneath us frets the troubled purple of the sea.

But sweeter far if silver-sandalled foot
Of some long-hidden God should ever tread
The Nuneham meadows, if with reeded flute
Pressed to his lips some Faun might raise his head
By the green water-flags, ah! sweet indeed
To see the heavenly herdsman call his white-fleeced flock to feed.

Then sing to me thou tuneful chorister,
Though what thou sing’st be thine own requiem!
Tell me thy tale thou hapless chronicler
Of thine own tragedies! do not contemn
These unfamiliar haunts, this English field,
For many a lovely coronal our northern isle can yield

Which Grecian meadows know not, many a rose
Which all day long in vales AEolian
A lad might seek in vain for over-grows
Our hedges like a wanton courtesan
Unthrifty of its beauty; lilies too
Ilissos never mirrored star our streams, and cockles blue

Dot the green wheat which, though they are the signs
For swallows going south, would never spread
Their azure tents between the Attic vines;
Even that little **** of ragged red,
Which bids the robin pipe, in Arcady
Would be a trespasser, and many an unsung elegy

Sleeps in the reeds that fringe our winding Thames
Which to awake were sweeter ravishment
Than ever Syrinx wept for; diadems
Of brown bee-studded orchids which were meant
For Cytheraea’s brows are hidden here
Unknown to Cytheraea, and by yonder pasturing steer

There is a tiny yellow daffodil,
The butterfly can see it from afar,
Although one summer evening’s dew could fill
Its little cup twice over ere the star
Had called the lazy shepherd to his fold
And be no prodigal; each leaf is flecked with spotted gold

As if Jove’s gorgeous leman Danae
Hot from his gilded arms had stooped to kiss
The trembling petals, or young Mercury
Low-flying to the dusky ford of Dis
Had with one feather of his pinions
Just brushed them! the slight stem which bears the burden of its suns

Is hardly thicker than the gossamer,
Or poor Arachne’s silver tapestry,—
Men say it bloomed upon the sepulchre
Of One I sometime worshipped, but to me
It seems to bring diviner memories
Of faun-loved Heliconian glades and blue nymph-haunted seas,

Of an untrodden vale at Tempe where
On the clear river’s marge Narcissus lies,
The tangle of the forest in his hair,
The silence of the woodland in his eyes,
Wooing that drifting imagery which is
No sooner kissed than broken; memories of Salmacis

Who is not boy nor girl and yet is both,
Fed by two fires and unsatisfied
Through their excess, each passion being loth
For love’s own sake to leave the other’s side
Yet killing love by staying; memories
Of Oreads peeping through the leaves of silent moonlit trees,

Of lonely Ariadne on the wharf
At Naxos, when she saw the treacherous crew
Far out at sea, and waved her crimson scarf
And called false Theseus back again nor knew
That Dionysos on an amber pard
Was close behind her; memories of what Maeonia’s bard

With sightless eyes beheld, the wall of Troy,
Queen Helen lying in the ivory room,
And at her side an amorous red-lipped boy
Trimming with dainty hand his helmet’s plume,
And far away the moil, the shout, the groan,
As Hector shielded off the spear and Ajax hurled the stone;

Of winged Perseus with his flawless sword
Cleaving the snaky tresses of the witch,
And all those tales imperishably stored
In little Grecian urns, freightage more rich
Than any gaudy galleon of Spain
Bare from the Indies ever! these at least bring back again,

For well I know they are not dead at all,
The ancient Gods of Grecian poesy:
They are asleep, and when they hear thee call
Will wake and think ‘t is very Thessaly,
This Thames the Daulian waters, this cool glade
The yellow-irised mead where once young Itys laughed and played.

If it was thou dear jasmine-cradled bird
Who from the leafy stillness of thy throne
Sang to the wondrous boy, until he heard
The horn of Atalanta faintly blown
Across the Cumnor hills, and wandering
Through Bagley wood at evening found the Attic poets’ spring,—

Ah! tiny sober-suited advocate
That pleadest for the moon against the day!
If thou didst make the shepherd seek his mate
On that sweet questing, when Proserpina
Forgot it was not Sicily and leant
Across the mossy Sandford stile in ravished wonderment,—

Light-winged and bright-eyed miracle of the wood!
If ever thou didst soothe with melody
One of that little clan, that brotherhood
Which loved the morning-star of Tuscany
More than the perfect sun of Raphael
And is immortal, sing to me! for I too love thee well.

Sing on! sing on! let the dull world grow young,
Let elemental things take form again,
And the old shapes of Beauty walk among
The simple garths and open crofts, as when
The son of Leto bare the willow rod,
And the soft sheep and shaggy goats followed the boyish God.

Sing on! sing on! and Bacchus will be here
Astride upon his gorgeous Indian throne,
And over whimpering tigers shake the spear
With yellow ivy crowned and gummy cone,
While at his side the wanton Bassarid
Will throw the lion by the mane and catch the mountain kid!

Sing on! and I will wear the leopard skin,
And steal the mooned wings of Ashtaroth,
Upon whose icy chariot we could win
Cithaeron in an hour ere the froth
Has over-brimmed the wine-vat or the Faun
Ceased from the treading! ay, before the flickering lamp of dawn

Has scared the hooting owlet to its nest,
And warned the bat to close its filmy vans,
Some Maenad girl with vine-leaves on her breast
Will filch their beech-nuts from the sleeping Pans
So softly that the little nested thrush
Will never wake, and then with shrilly laugh and leap will rush

Down the green valley where the fallen dew
Lies thick beneath the elm and count her store,
Till the brown Satyrs in a jolly crew
Trample the loosestrife down along the shore,
And where their horned master sits in state
Bring strawberries and bloomy plums upon a wicker crate!

Sing on! and soon with passion-wearied face
Through the cool leaves Apollo’s lad will come,
The Tyrian prince his bristled boar will chase
Adown the chestnut-copses all a-bloom,
And ivory-limbed, grey-eyed, with look of pride,
After yon velvet-coated deer the ****** maid will ride.

Sing on! and I the dying boy will see
Stain with his purple blood the waxen bell
That overweighs the jacinth, and to me
The wretched Cyprian her woe will tell,
And I will kiss her mouth and streaming eyes,
And lead her to the myrtle-hidden grove where Adon lies!

Cry out aloud on Itys! memory
That foster-brother of remorse and pain
Drops poison in mine ear,—O to be free,
To burn one’s old ships! and to launch again
Into the white-plumed battle of the waves
And fight old Proteus for the spoil of coral-flowered caves!

O for Medea with her poppied spell!
O for the secret of the Colchian shrine!
O for one leaf of that pale asphodel
Which binds the tired brows of Proserpine,
And sheds such wondrous dews at eve that she
Dreams of the fields of Enna, by the far Sicilian sea,

Where oft the golden-girdled bee she chased
From lily to lily on the level mead,
Ere yet her sombre Lord had bid her taste
The deadly fruit of that pomegranate seed,
Ere the black steeds had harried her away
Down to the faint and flowerless land, the sick and sunless day.

O for one midnight and as paramour
The Venus of the little Melian farm!
O that some antique statue for one hour
Might wake to passion, and that I could charm
The Dawn at Florence from its dumb despair,
Mix with those mighty limbs and make that giant breast my lair!

Sing on! sing on!  I would be drunk with life,
Drunk with the trampled vintage of my youth,
I would forget the wearying wasted strife,
The riven veil, the Gorgon eyes of Truth,
The prayerless vigil and the cry for prayer,
The barren gifts, the lifted arms, the dull insensate air!

Sing on! sing on!  O feathered Niobe,
Thou canst make sorrow beautiful, and steal
From joy its sweetest music, not as we
Who by dead voiceless silence strive to heal
Our too untented wounds, and do but keep
Pain barricadoed in our hearts, and ****** pillowed sleep.

Sing louder yet, why must I still behold
The wan white face of that deserted Christ,
Whose bleeding hands my hands did once enfold,
Whose smitten lips my lips so oft have kissed,
And now in mute and marble misery
Sits in his lone dishonoured House and weeps, perchance for me?

O Memory cast down thy wreathed shell!
Break thy hoarse lute O sad Melpomene!
O Sorrow, Sorrow keep thy cloistered cell
Nor dim with tears this limpid Castaly!
Cease, Philomel, thou dost the forest wrong
To vex its sylvan quiet with such wild impassioned song!

Cease, cease, or if ‘t is anguish to be dumb
Take from the pastoral thrush her simpler air,
Whose jocund carelessness doth more become
This English woodland than thy keen despair,
Ah! cease and let the north wind bear thy lay
Back to the rocky hills of Thrace, the stormy Daulian bay.

A moment more, the startled leaves had stirred,
Endymion would have passed across the mead
Moonstruck with love, and this still Thames had heard
Pan plash and paddle groping for some reed
To lure from her blue cave that Naiad maid
Who for such piping listens half in joy and half afraid.

A moment more, the waking dove had cooed,
The silver daughter of the silver sea
With the fond gyves of clinging hands had wooed
Her wanton from the chase, and Dryope
Had ****** aside the branches of her oak
To see the ***** gold-haired lad rein in his snorting yoke.

A moment more, the trees had stooped to kiss
Pale Daphne just awakening from the swoon
Of tremulous laurels, lonely Salmacis
Had bared his barren beauty to the moon,
And through the vale with sad voluptuous smile
Antinous had wandered, the red lotus of the Nile

Down leaning from his black and clustering hair,
To shade those slumberous eyelids’ caverned bliss,
Or else on yonder grassy ***** with bare
High-tuniced limbs unravished Artemis
Had bade her hounds give tongue, and roused the deer
From his green ambuscade with shrill halloo and pricking spear.

Lie still, lie still, O passionate heart, lie still!
O Melancholy, fold thy raven wing!
O sobbing Dryad, from thy hollow hill
Come not with such despondent answering!
No more thou winged Marsyas complain,
Apollo loveth not to hear such troubled songs of pain!

It was a dream, the glade is tenantless,
No soft Ionian laughter moves the air,
The Thames creeps on in sluggish leadenness,
And from the copse left desolate and bare
Fled is young Bacchus with his revelry,
Yet still from Nuneham wood there comes that thrilling melody

So sad, that one might think a human heart
Brake in each separate note, a quality
Which music sometimes has, being the Art
Which is most nigh to tears and memory;
Poor mourning Philomel, what dost thou fear?
Thy sister doth not haunt these fields, Pandion is not here,

Here is no cruel Lord with murderous blade,
No woven web of ****** heraldries,
But mossy dells for roving comrades made,
Warm valleys where the tired student lies
With half-shut book, and many a winding walk
Where rustic lovers stray at eve in happy simple talk.

The harmless rabbit gambols with its young
Across the trampled towing-path, where late
A troop of laughing boys in jostling throng
Cheered with their noisy cries the racing eight;
The gossamer, with ravelled silver threads,
Works at its little loom, and from the dusky red-eaved sheds

Of the lone Farm a flickering light shines out
Where the swinked shepherd drives his bleating flock
Back to their wattled sheep-cotes, a faint shout
Comes from some Oxford boat at Sandford lock,
And starts the moor-hen from the sedgy rill,
And the dim lengthening shadows flit like swallows up the hill.

The heron passes homeward to the mere,
The blue mist creeps among the shivering trees,
Gold world by world the silent stars appear,
And like a blossom blown before the breeze
A white moon drifts across the shimmering sky,
Mute arbitress of all thy sad, thy rapturous threnody.

She does not heed thee, wherefore should she heed,
She knows Endymion is not far away;
’Tis I, ’tis I, whose soul is as the reed
Which has no message of its own to play,
So pipes another’s bidding, it is I,
Drifting with every wind on the wide sea of misery.

Ah! the brown bird has ceased:  one exquisite trill
About the sombre woodland seems to cling
Dying in music, else the air is still,
So still that one might hear the bat’s small wing
Wander and wheel above the pines, or tell
Each tiny dew-drop dripping from the bluebell’s brimming cell.

And far away across the lengthening wold,
Across the willowy flats and thickets brown,
Magdalen’s tall tower tipped with tremulous gold
Marks the long High Street of the little town,
And warns me to return; I must not wait,
Hark! ’Tis the curfew booming from the bell at Christ Church gate.
Mike Patten Aug 2016
Theseus is the captain of a ship.
He is sent on a voyage that will take just over a year to complete.
Though out the voyage,
pieces of the ship begin to rot, and need to be replaced.
Theseus has his men remove each piece of wood as it rots,
and replace it with another.
By the time Theseus has returned to port,
his ship is composed of entirely new pieces of wood.
Is the ship the same ship that he originally departed with?
Let us also suppose, that during the voyage,
there is a following ship.
The following ship is a scavenger,
that retrieves the old pieces of wood as they are removed from Theseus' ship.
The scavenger than creates an entire ship from the old pieces.
Which than, would be Theseus' ship?
The snows are fled away, leaves on the shaws
   And grasses in the mead renew their birth,
The river to the river-bed withdraws,
   And altered is the fashion of the earth.

The Nymphs and Graces three put off their fear
   And unapparelled in the woodland play.
The swift hour and the brief prime of the year
   Say to the soul, Thou wast not born for aye.

Thaw follows frost; ******* the heel of spring
   Treads summer sure to die, for ******* hers
Comes autumn with his apples scattering;
   Then back to wintertide, when nothing stirs.

But oh, whate'er the sky-led seasons mar,
   Moon upon moon rebuilds it with her beams;
Come we where Tullus and where Ancus are
   And good Aeneas, we are dust and dreams.

Torquatus, if the gods in heaven shall add
   The morrow to the day, what tongue has told?
Feast then thy heart, for what thy heart has had
   The fingers of no heir will ever hold.

When thou descendest once the shades among,
   The stern assize and equal judgment o'er,
Not thy long lineage nor thy golden tongue,
   No, nor thy righteousness, shall friend thee more.

Night holds Hippolytus the pure of stain,
   Diana steads him nothing, he must stay;
And Theseus leaves Pirithous in the chain
   The love of comrades cannot take away.
Ivy Swolf  Jan 2015
Theseus
Ivy Swolf Jan 2015
I stitch myself back together with thread from my past
mistakes
in the hopes that it will lead me back
to a time when I could fix things. But I am not
a hero, so don’t mistake people like me for Theseus in the dark
when really the labyrinth is your mind
and the minotaur is yourself.
hi there. constructive criticism... is a great thing.
I am more than the sum of my pain
More than the lessons of my mistakes
I am an amalgamations of inspirations both within and without
An unbroken Theseus ship, all parts replaced, yet a whole nonetheless

Songs on my playlist carries echoes of my friends
A recommendation where every time I play them, I remember
I remember that once we crossed paths and you left a piece of yours behind
Now it's mine truly, and I thank you for providing such things of wonder

I am a reader first and foremost, a definition of what I am
Stories have molded me, each page a speck of my soul
From religious texts, to novels, and literary pieces alike
The words have become my sustenance, as we become what we consume

To those strangers in foreign lands that I may never meet again
Their perspectives offer much wisdom to this frog in the well
Shocked by new cultures and beliefs, my horizons were expanded
I believe I've went home a little wiser from those excursions in faraway places

I admit, not all of them are beautiful, some pieces ****
Parts undesired, but parts that stuck
Lessons paid with a hard price, some twisting my self
I am still grateful they are a part of me, in my unbroken Theseus ship
“I am not sure that I exist, actually. I am all the writers that I have read, all the people that I have met, all the women that I have loved; all the cities I have visited.”
― Jorge Luis Borges
I.
Fair Isabel, poor simple Isabel!
Lorenzo, a young palmer in Love's eye!
They could not in the self-same mansion dwell
Without some stir of heart, some malady;
They could not sit at meals but feel how well
It soothed each to be the other by;
They could not, sure, beneath the same roof sleep
But to each other dream, and nightly weep.

II.
With every morn their love grew tenderer,
With every eve deeper and tenderer still;
He might not in house, field, or garden stir,
But her full shape would all his seeing fill;
And his continual voice was pleasanter
To her, than noise of trees or hidden rill;
Her lute-string gave an echo of his name,
She spoilt her half-done broidery with the same.

III.
He knew whose gentle hand was at the latch,
Before the door had given her to his eyes;
And from her chamber-window he would catch
Her beauty farther than the falcon spies;
And constant as her vespers would he watch,
Because her face was turn'd to the same skies;
And with sick longing all the night outwear,
To hear her morning-step upon the stair.

IV.
A whole long month of May in this sad plight
Made their cheeks paler by the break of June:
"To morrow will I bow to my delight,
"To-morrow will I ask my lady's boon."--
"O may I never see another night,
"Lorenzo, if thy lips breathe not love's tune."--
So spake they to their pillows; but, alas,
Honeyless days and days did he let pass;

V.
Until sweet Isabella's untouch'd cheek
Fell sick within the rose's just domain,
Fell thin as a young mother's, who doth seek
By every lull to cool her infant's pain:
"How ill she is," said he, "I may not speak,
"And yet I will, and tell my love all plain:
"If looks speak love-laws, I will drink her tears,
"And at the least 'twill startle off her cares."

VI.
So said he one fair morning, and all day
His heart beat awfully against his side;
And to his heart he inwardly did pray
For power to speak; but still the ruddy tide
Stifled his voice, and puls'd resolve away--
Fever'd his high conceit of such a bride,
Yet brought him to the meekness of a child:
Alas! when passion is both meek and wild!

VII.
So once more he had wak'd and anguished
A dreary night of love and misery,
If Isabel's quick eye had not been wed
To every symbol on his forehead high;
She saw it waxing very pale and dead,
And straight all flush'd; so, lisped tenderly,
"Lorenzo!"--here she ceas'd her timid quest,
But in her tone and look he read the rest.

VIII.
"O Isabella, I can half perceive
"That I may speak my grief into thine ear;
"If thou didst ever any thing believe,
"Believe how I love thee, believe how near
"My soul is to its doom: I would not grieve
"Thy hand by unwelcome pressing, would not fear
"Thine eyes by gazing; but I cannot live
"Another night, and not my passion shrive.

IX.
"Love! thou art leading me from wintry cold,
"Lady! thou leadest me to summer clime,
"And I must taste the blossoms that unfold
"In its ripe warmth this gracious morning time."
So said, his erewhile timid lips grew bold,
And poesied with hers in dewy rhyme:
Great bliss was with them, and great happiness
Grew, like a ***** flower in June's caress.

X.
Parting they seem'd to tread upon the air,
Twin roses by the zephyr blown apart
Only to meet again more close, and share
The inward fragrance of each other's heart.
She, to her chamber gone, a ditty fair
Sang, of delicious love and honey'd dart;
He with light steps went up a western hill,
And bade the sun farewell, and joy'd his fill.

XI.
All close they met again, before the dusk
Had taken from the stars its pleasant veil,
All close they met, all eves, before the dusk
Had taken from the stars its pleasant veil,
Close in a bower of hyacinth and musk,
Unknown of any, free from whispering tale.
Ah! better had it been for ever so,
Than idle ears should pleasure in their woe.

XII.
Were they unhappy then?--It cannot be--
Too many tears for lovers have been shed,
Too many sighs give we to them in fee,
Too much of pity after they are dead,
Too many doleful stories do we see,
Whose matter in bright gold were best be read;
Except in such a page where Theseus' spouse
Over the pathless waves towards him bows.

XIII.
But, for the general award of love,
The little sweet doth **** much bitterness;
Though Dido silent is in under-grove,
And Isabella's was a great distress,
Though young Lorenzo in warm Indian clove
Was not embalm'd, this truth is not the less--
Even bees, the little almsmen of spring-bowers,
Know there is richest juice in poison-flowers.

XIV.
With her two brothers this fair lady dwelt,
Enriched from ancestral merchandize,
And for them many a weary hand did swelt
In torched mines and noisy factories,
And many once proud-quiver'd ***** did melt
In blood from stinging whip;--with hollow eyes
Many all day in dazzling river stood,
To take the rich-ored driftings of the flood.

XV.
For them the Ceylon diver held his breath,
And went all naked to the hungry shark;
For them his ears gush'd blood; for them in death
The seal on the cold ice with piteous bark
Lay full of darts; for them alone did seethe
A thousand men in troubles wide and dark:
Half-ignorant, they turn'd an easy wheel,
That set sharp racks at work, to pinch and peel.

XVI.
Why were they proud? Because their marble founts
Gush'd with more pride than do a wretch's tears?--
Why were they proud? Because fair orange-mounts
Were of more soft ascent than lazar stairs?--
Why were they proud? Because red-lin'd accounts
Were richer than the songs of Grecian years?--
Why were they proud? again we ask aloud,
Why in the name of Glory were they proud?

XVII.
Yet were these Florentines as self-retired
In hungry pride and gainful cowardice,
As two close Hebrews in that land inspired,
Paled in and vineyarded from beggar-spies,
The hawks of ship-mast forests--the untired
And pannier'd mules for ducats and old lies--
Quick cat's-paws on the generous stray-away,--
Great wits in Spanish, Tuscan, and Malay.

XVIII.
How was it these same ledger-men could spy
Fair Isabella in her downy nest?
How could they find out in Lorenzo's eye
A straying from his toil? Hot Egypt's pest
Into their vision covetous and sly!
How could these money-bags see east and west?--
Yet so they did--and every dealer fair
Must see behind, as doth the hunted hare.

XIX.
O eloquent and famed Boccaccio!
Of thee we now should ask forgiving boon,
And of thy spicy myrtles as they blow,
And of thy roses amorous of the moon,
And of thy lilies, that do paler grow
Now they can no more hear thy ghittern's tune,
For venturing syllables that ill beseem
The quiet glooms of such a piteous theme.

**.
Grant thou a pardon here, and then the tale
Shall move on soberly, as it is meet;
There is no other crime, no mad assail
To make old prose in modern rhyme more sweet:
But it is done--succeed the verse or fail--
To honour thee, and thy gone spirit greet;
To stead thee as a verse in English tongue,
An echo of thee in the north-wind sung.

XXI.
These brethren having found by many signs
What love Lorenzo for their sister had,
And how she lov'd him too, each unconfines
His bitter thoughts to other, well nigh mad
That he, the servant of their trade designs,
Should in their sister's love be blithe and glad,
When 'twas their plan to coax her by degrees
To some high noble and his olive-trees.

XXII.
And many a jealous conference had they,
And many times they bit their lips alone,
Before they fix'd upon a surest way
To make the youngster for his crime atone;
And at the last, these men of cruel clay
Cut Mercy with a sharp knife to the bone;
For they resolved in some forest dim
To **** Lorenzo, and there bury him.

XXIII.
So on a pleasant morning, as he leant
Into the sun-rise, o'er the balustrade
Of the garden-terrace, towards him they bent
Their footing through the dews; and to him said,
"You seem there in the quiet of content,
"Lorenzo, and we are most loth to invade
"Calm speculation; but if you are wise,
"Bestride your steed while cold is in the skies.

XXIV.
"To-day we purpose, ay, this hour we mount
"To spur three leagues towards the Apennine;
"Come down, we pray thee, ere the hot sun count
"His dewy rosary on the eglantine."
Lorenzo, courteously as he was wont,
Bow'd a fair greeting to these serpents' whine;
And went in haste, to get in readiness,
With belt, and spur, and bracing huntsman's dress.

XXV.
And as he to the court-yard pass'd along,
Each third step did he pause, and listen'd oft
If he could hear his lady's matin-song,
Or the light whisper of her footstep soft;
And as he thus over his passion hung,
He heard a laugh full musical aloft;
When, looking up, he saw her features bright
Smile through an in-door lattice, all delight.

XXVI.
"Love, Isabel!" said he, "I was in pain
"Lest I should miss to bid thee a good morrow:
"Ah! what if I should lose thee, when so fain
"I am to stifle all the heavy sorrow
"Of a poor three hours' absence? but we'll gain
"Out of the amorous dark what day doth borrow.
"Good bye! I'll soon be back."--"Good bye!" said she:--
And as he went she chanted merrily.

XXVII.
So the two brothers and their ******'d man
Rode past fair Florence, to where Arno's stream
Gurgles through straiten'd banks, and still doth fan
Itself with dancing bulrush, and the bream
Keeps head against the freshets. Sick and wan
The brothers' faces in the ford did seem,
Lorenzo's flush with love.--They pass'd the water
Into a forest quiet for the slaughter.

XXVIII.
There was Lorenzo slain and buried in,
There in that forest did his great love cease;
Ah! when a soul doth thus its freedom win,
It aches in loneliness--is ill at peace
As the break-covert blood-hounds of such sin:
They dipp'd their swords in the water, and did tease
Their horses homeward, with convulsed spur,
Each richer by his being a murderer.

XXIX.
They told their sister how, with sudden speed,
Lorenzo had ta'en ship for foreign lands,
Because of some great urgency and need
In their affairs, requiring trusty hands.
Poor Girl! put on thy stifling widow's ****,
And 'scape at once from Hope's accursed bands;
To-day thou wilt not see him, nor to-morrow,
And the next day will be a day of sorrow.

***.
She weeps alone for pleasures not to be;
Sorely she wept until the night came on,
And then, instead of love, O misery!
She brooded o'er the luxury alone:
His image in the dusk she seem'd to see,
And to the silence made a gentle moan,
Spreading her perfect arms upon the air,
And on her couch low murmuring, "Where? O where?"

XXXI.
But Selfishness, Love's cousin, held not long
Its fiery vigil in her single breast;
She fretted for the golden hour, and hung
Upon the time with feverish unrest--
Not long--for soon into her heart a throng
Of higher occupants, a richer zest,
Came tragic; passion not to be subdued,
And sorrow for her love in travels rude.

XXXII.
In the mid days of autumn, on their eves
The breath of Winter comes from far away,
And the sick west continually bereaves
Of some gold tinge, and plays a roundelay
Of death among the bushes and the leaves,
To make all bare before he dares to stray
From his north cavern. So sweet Isabel
By gradual decay from beauty fell,

XXXIII.
Because Lorenzo came not. Oftentimes
She ask'd her brothers, with an eye all pale,
Striving to be itself, what dungeon climes
Could keep him off so long? They spake a tale
Time after time, to quiet her. Their crimes
Came on them, like a smoke from Hinnom's vale;
And every night in dreams they groan'd aloud,
To see their sister in her snowy shroud.

XXXIV.
And she had died in drowsy ignorance,
But for a thing more deadly dark than all;
It came like a fierce potion, drunk by chance,
Which saves a sick man from the feather'd pall
For some few gasping moments; like a lance,
Waking an Indian from his cloudy hall
With cruel pierce, and bringing him again
Sense of the gnawing fire at heart and brain.

XXXV.
It was a vision.--In the drowsy gloom,
The dull of midnight, at her couch's foot
Lorenzo stood, and wept: the forest tomb
Had marr'd his glossy hair which once could shoot
Lustre into the sun, and put cold doom
Upon his lips, and taken the soft lute
From his lorn voice, and past his loamed ears
Had made a miry channel for his tears.

XXXVI.
Strange sound it was, when the pale shadow spake;
For there was striving, in its piteous tongue,
To speak as when on earth it was awake,
And Isabella on its music hung:
Languor there was in it, and tremulous shake,
As in a palsied Druid's harp unstrung;
And through it moan'd a ghostly under-song,
Like hoarse night-gusts sepulchral briars among.

XXXVII.
Its eyes, though wild, were still all dewy bright
With love, and kept all phantom fear aloof
From the poor girl by magic of their light,
The while it did unthread the horrid woof
Of the late darken'd time,--the murderous spite
Of pride and avarice,--the dark pine roof
In the forest,--and the sodden turfed dell,
Where, without any word, from stabs he fell.

XXXVIII.
Saying moreover, "Isabel, my sweet!
"Red whortle-berries droop above my head,
"And a large flint-stone weighs upon my feet;
"Around me beeches and high chestnuts shed
"Their leaves and prickly nuts; a sheep-fold bleat
"Comes from beyond the river to my bed:
"Go, shed one tear upon my heather-bloom,
"And it shall comfort me within the tomb.

XXXIX.
"I am a shadow now, alas! alas!
"Upon the skirts of human-nature dwelling
"Alone: I chant alone the holy mass,
"While little sounds of life are round me knelling,
"And glossy bees at noon do fieldward pass,
"And many a chapel bell the hour is telling,
"Paining me through: those sounds grow strange to me,
"And thou art distant in Humanity.

XL.
"I know what was, I feel full well what is,
"And I should rage, if spirits could go mad;
"Though I forget the taste of earthly bliss,
"That paleness warms my grave, as though I had
"A Seraph chosen from the bright abyss
"To be my spouse: thy paleness makes me glad;
"Thy beauty grows upon me, and I feel
"A greater love through all my essence steal."

XLI.
The Spirit mourn'd "Adieu!"--dissolv'd, and left
The atom darkness in a slow turmoil;
As when of healthful midnight sleep bereft,
Thinking on rugged hours and fruitless toil,
We put our eyes into a pillowy cleft,
And see the spangly gloom froth up and boil:
It made sad Isabella's eyelids ache,
And in the dawn she started up awake;

XLII.
"Ha! ha!" said she, "I knew not this hard life,
"I thought the worst was simple misery;
"I thought some Fate with pleasure or with strife
"Portion'd us--happy days, or else to die;
"But there is crime--a brother's ****** knife!
"Sweet Spirit, thou hast school'd my infancy:
"I'll visit thee for this, and kiss thine eyes,
"And greet thee morn and even in the skies."

XLIII.
When the full morning came, she had devised
How she might secret to the forest hie;
How she might find the clay, so dearly prized,
And sing to it one latest lullaby;
How her short absence might be unsurmised,
While she the inmost of the dream would try.
Resolv'd, she took with her an aged nurse,
And went into that dismal forest-hearse.

XLIV.
See, as they creep along the river side,
How she doth whisper to that aged Dame,
And, after looking round the champaign wide,
Shows her a knife.--"What feverous hectic flame
"Burns in thee, child?--What good can thee betide,
"That thou should'st smile again?"--The evening came,
And they had found Lorenzo's earthy bed;
The flint was there, the berries at his head.

XLV.
Who hath not loiter'd in a green church-yard,
And let his spirit, like a demon-mole,
Work through the clayey soil and gravel hard,
To see skull, coffin'd bones, and funeral stole;
Pitying each form that hungry Death hath marr'd,
And filling it once more with human soul?
Ah! this is holiday to what was felt
When Isabella by Lorenzo knelt.

XLVI.
She gaz'd into the fresh-thrown mould, as though
One glance did fully all its secrets tell;
Clearly she saw, as other eyes would know
Pale limbs at bottom of a crystal well;
Upon the murderous spot she seem'd to grow,
Like to a native lily of the dell:
Then with her knife, all sudden, she began
To dig more fervently than misers can.

XLVII.
Soon she turn'd up a soiled glove, whereon
Her silk had play'd in purple phantasies,
She kiss'd it with a lip more chill than stone,
And put it in her *****, where it dries
And freezes utterly unto the bone
Those dainties made to still an infant's cries:
Then 'gan she work again; nor stay'd her care,
But to throw back at times her vei

— The End —