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Mogheer K Barghuthy
M/USA Alaska    They fear my silence because it makes them hear the echo of their collapsing souls .
RA Higheels
17/F/LA    "My sister likes so much food. I still don't know why no matter how much she eats, she doesn't grow much"
Ghee Santos

Poems

vircapio gale Aug 2012
on moonstone slab Manmata flames again
from out of ashes rises, gloating unfinality of Shiva's dance
reincarnate offering of endless Self
in Lakshmi's avatar
a fateful prince's heart to lance

and lanced his heart her visage did,
                                                     though with vaster pinions fully pierced was she, in depths
                                                          ­                                                                 ­                 without rivalry~

his lust was sharp to invite solitude,
but easy to conceal,
he imagined cupping her against him,
scoured memory of upward glimpse,
inch  by  inch
with added imagery, invention moulding her
beneath his grasp
from forehead curls along
glowing skin and eyes
to curving, palatially appareled ******* . . .
her open lips . . .  her hips
--but after, merely to dismiss
and even sleep a bit
and quip inside at irony
to be at mercy
of a girl in flowers
when he with arrows demons lay to rest
(though she would, within the selfsame hours lose her wits ;)

in cityscape descried the triad:
gold dome gifts for sky
in shining generosity
Mithila's people overflow with joy
exuding free abundance carelessly--
jewelry loosed on playful street
from overkeen embrace, is left to lie;
loss in ever-present wealth nigh obsolete

musth of elephant, froth of steed,
floral garlands tangle, line and mix
for clouds of honey-bees to lick their feast.
a bustling of virile acrobatic populace--
symphonic mux of chaos tressed,
metropolis of idylls coalesced;
drums, races, grinning faces flinging courtship,
smirking merchants under wigs
bathers splash exotic fish to flit and weave
while ballads sift for higher pitch of love

from elevated terrace ladies prance
and watching from an inner spire
the princess spies her prince--
emerald shoulders, lotus-petal eyes
Vaikunta hidden from their mortal sight
but straining recognition there,
a union ageless as the stars
inspired suddenly another first:
Rama's transfixed stare she feels and meets,
strangers locked entwining glances
--fated simultaneous-- electric heat   like
from a planet sparking for the taste of outer space --
the lightning burns its mark ensouled
in blooms beyond her ripe, anthophilous form,
verdant visions planted in the rays of light
between two instant loves
to slip inside the eyelid entrance
and evermore impregnate with a glory ill,
as separation wills,
to colonize throughout with other Being there
phantasmal yearnings of entrancing elegance
--from dawn of time instilled, akashic script
of binding hurt with joy in love's embrace
condemn desire to a writhing term
when not imbibing such togetherness
a worldless crypt preferred

and so as swift as gymnast flip to fall
the heart is gushing toxic lack,
epic ventricles the viscose tug
in fluid inspiration wrote of Sita's
sudden addict gnashing inner plight
while slips the sight interred within the crowd,
as if a sorcerer the cosmic sea to play her destiny:
the waves inside enraged to overwhelm
the sudden coral crust beneath the swell
an unmarked seaside's lavish drown unto the land
and reeling send this fragile ******
into wilting, her floral haze to drooping fell...
        in revelatory crash of passion's oceanic weight...
attendants pamper uselessly
--from swoon to mood irate
to wait until the next appearance of her mortal god
the only one to sate the shameless need
entwining up within a clenching wrack of milky fits
from bed to sweaty bed they take the burning maiden~
the outer sea inflow in calming dusk meant nothing to the agony of new romance
                       sequestered in hymenic fire, dawning brilliant
                                                       ­                                omni chakral pierce in rays,
                                                                ­                                                              tot­ality relentlessness
and therein descry a wholeness
  yet unregained
a hopeless birdsong careless as the wind
in caring strokes of pollen redolence
for forest ears an endless vibrate mate
of elemental ease the simmer float
upon the dukkha broil paths embroidery of karmic
cookery the godly recipe invoked,
gibed her without cease,
****** flare eternal guna coals to stoke
and spite her with their peace,
for her attainment only next to he
the moon communes the message blinding clear
amid the ghee her girls would light in care
to soften her despair -- but only aggravate her state --
and so by dim refracted moondrops set,
in only gemlight, Sita basks in pain
her gaze entrained by night obsessively
while overhead the crescent hook beams
freely in to fertilize her all-too-chastely girdle there,
petals wilting under body pressed to slab of stone
as mounting groan on groan intones her writhing questioning
of whomever he could be to cast her moaning so
a deity in maidenhead unwitting of such otherlife
left by endless, anthrocosmos' whim to ache, and alone
in wonder scream abandonment from aether poise
confusion reigning noisome nescient choice


















.
Manmata: the god of love, who Shiva is said to have burned to ashes with the purity of his contemplation
Lakshmi: Hindu goddess of wealth, prosperity (both material and spiritual), fortune, and the embodiment of beauty. She is the consort of the god Vishnu. She takes her mortal form as Sita in the Ramayana, destined for Rama (who is Vishnu's avatar).
Guna: an element, 'thread', 'string' or principle of nature; the three gunas are (sattva), (rajas), and (tamas)
Dukkha: suffering
Anthro-: as in 'human'

"The impact of the Ramayana on a poet, however, goes beyond mere personal edification; it inspires him to compose the epic again in his own language, with the stamp of his own personality on it.  The Ramayana has thus been the largest source of inspiration for the poets of India throughout the centuries . . . Thus we have centuries-old Ramayana in Hindi, Bengali, Assamese, Oriya, Tamil, Kannada, Kashmiri, Telugu, Malayalam, to mention a few."   -R.K. Narayan (whose prose version of Kamban's 11th c.e.Tamil --originally written on palm leaves-- i'm reading at the moment, and whose advice i've found myself compelled to follow. in no way am i an authority, but an amateur--literally--'in love')

http://hellopoetry.com/poem/ramas-inauguration-facing-the-murderous-gluttony-of-thataka/

http://hellopoetry.com/poem/soorpanaka-the-demon-as-kamavalli-lusts-for-rama-1/
shamamama Sep 2019
how to make ghee
how to to clarify,
place the salt free butter in pan
turn the heat on very low,
then just listen............
first,
silence--
then sounds of drizzling rain for a while grow
to a creek starting to flow
then hear the steady rain pelting on leaves
(if it starts to sound like popcorn,
maybe turn the heat down),
then let the rain keep
trodding, until
it gets quieter
and quieter
and quiet
then
turn
off
flame,
the
ghee
is
ready
strain,
and
bottle
haven't done so in awhile, love making ghee
Joe Bradley Jul 2014
I
a flicker of warm light
and your face is all that I see.
Thunderclouds are silenced,
burned away and
my chest is left open to
our place under the opal sky.
The light is our soft romance
and our candlelit meal for two...

II
'Spiritui Sancto'
A Benedictine Monk
alone in
cold stone chambers sees
an ascending soul,
holy company,
a solitary light in all the
emptiness.
'Sed libera nos a malo'

III
Scorch-marks
drip
love - bites
drip
but please don't stop...
drip
In his lust,
Mould moments of my skin
and keep them
forever.

V
'Waxy fingertips!'
'Put that down,
PUT THAT DOWN!'
Mum told us
If you play with fire
you're going to get burned.

V
30 miles
they say
is the mathematical distance
you can see a flame in the dark

VI
This is the symbol of our nation.
'Not by might, nor by power, but by my spirit'
This nine branched lamp symbolizes that our Israel.
has courage, those may be their Qassam rockets,
but those are our sirens.
and that humming you hear is our drones
over their heads.

VII
buuuuzzzzzzzzzz
What enchanting light...
zzzzzzzzz
what God are you? Oh
zzzzzzzzzzzz
wondrous beauty
zzzzz
what magic do you hold, what glory...
zzzzzzzzzz
come closer str.....

VIII
What died so I could read?
The tallow is a pig
the squealing embers
fat pig.

IX
here comes the candle to light you to bed,
And I curled, vulnerable to the shapes in the window
with my feet creeping further under the duvet.
The shadows were melted, cut, distorted on
my bedroom walls.
A primal evil will danced by the light of the flame
until I shut my eyes so tight,
that I slept it away.
here comes the chopper to chop off your head.

X
'No Jennifer, I just feel candlelight just adds a certain

ambiancé

to a room

No?'

XI
'Quickly, before it turns septic.'
'This wont hurt boy'
'The fire, pass the fire'
'Quarterise it quick or he won't last long'
'bite down hard my lad, bite down hard'
'AHHHHHRRRGGGGHHHH'


XII
Children hurtle down,
a Bombay slum to hear that.
'King Rama has returned,
light his path!'

The open sewers adorned in Ghee lamps
find such intense beauty as each quivering flame,
although so fragile, breathes the story
of the power of human spirit
unshakable against overwhelming odds.
*'The King of Ayodhya
Has Returned
Show his path for the Festival of Light!'