Submit your work, meet writers and drop the ads. Become a member

Members

Poems

life nomadic Dec 2012
By dumb luck our toes have kicked the dust from remnants, mysteries of the Ancients.
Sandblasting time has reduced their instructions for miracles down to perplexing sketches,
Littering a roofless sun-baked labyrinth of echoes.

Science in Genesis?  To be brief, just one example:   Turn the pages to
God broke off Adam's rib and created Eve.
Crowded centuries' have defected over this one in utter disbelief, perhaps you as well.

But analyzing the ancient Hebrew hieroglyph, by letter, by word, by connotation:
within a circumferential envelope, an exterior covering, protecting, shelter
to break off one of the involutions of him
the fixed form, configuration, exterior appearance, animal substance
in repetition, or doubled
    (thus a spiraling winding)
into the action of shaping, and the other the object of this action.

Did Moses learn about cellular DNA from his Egyptian royalty pharaoh-teachers?
or was this observation divinely bestowed, a vision in the burning bush?
To describe God's breaking and altering part of Adam's spiral blueprint,
Moses tried to steal electric fire for his goat-herding brethren.
Either way, translators scratched their collective heads and wrote "Rib."

Then, so that humanity would not be alone, God created "Eve"
(But btw, her word actually writes out as Aisha )
Which does not translate to universal woman, Moses repeats that several times.
It translates to a companion, auxillary force, the intellectual woman of universal man,  
The Power and the Act in Will.
Now unique among animals to imagine complexities and bring them about.

With this Creative Volition, Adam becomes a shadow of and a companion for God the Creator.
Moses gave this creative ability a feminine aspect, paired with logic's masculine.
(Not only did he describe our very cells, he understood our minds' anima and animus.)

Does this restore faith, or shake it?  
Sweet on the tongue, but how to digest it all?
And what about the snake?
A serpentine looking hieroglyph, one meaning among many is leaving God's Will.
And if one does, life become difficult, hard labor.

So how do translators pack so many meanings which they don't even fully comprehend,
into a smaller language?   pick one, maybe two meanings:
adapt pictorial and symbolical highlights into an Allegory,
populated with Ribs, Apples, and Snakes...discarding the literal.
The organic sphere of activity = a garden
sentient and temporal  =  basic sensual desire
anteriority of time  = morning      
matter in travail  =  a tree.
Feminine Creativity paired with Masculine Logic  =  "she" is a helpmate.

History will have to apologize,
The new patriarchs couldn't accept Woman with such an equal trait,
Interpreting Allegory literally for use in a power struggle,
Blaming "Her" for their own ignorance,
Bestowing only on her the wayward's punishment of difficult labor. (childbirth).
and having already edited out Yahweh's wife.....
(oh, gratefully a different poem.)

I've barely explained   four   words,   but what do I know, this amateur philosopher?  
Fabre D'Olivet said it best:
"language, the ineffable language.
Those whose dull glance, falling upon these pictures, these symbols, these holy allegories,
saw nothing beyond,
were sunk, it is true, in ignorance;
but their ignorance was voluntary.
From the moment that they wished to leave it, they had only to speak."
referencing
The Hebraic Tongue Restored,by Fabre D'Olivet in 1815
(Part 2  Cosmogony of Moses; 67: IHOAH,  87: DNA,  91: Aisha)
I think it is interesting that Mr. D'Olivet worked on restoring Ancient Hebrew Hieroglyphs in 1815, so when he re-translated the word that is now "rib" into what is clearly DNA for us, he couldn't have known DNA back then.  In his notes, he even stated that he was translating each letter by meaning, not understanding exactly what it meant, and left it to the reader to interpret.
.
.
Copyright © 2012 Anna Honda. All Rights Reserved.

http://archive.org/stream/hebraictongueres00fabriala/hebraictongueres00fabriala_djvu.txt
Sam Lampyris Sep 2024
Date written: June 20, 2024
yisselakh@myyahoo.com

The Cicada

By: Yisselakh

Intro:

Therein lies the rub
You're mistaking the grubs
You can't even tell between the cicada and the wasp
When it's so obvious
So obvious

Chorus:

Who's the singer, the summer bug
Who's the singer, the summer bug
Content with its own love
Even if its something perhaps
Only he'll love

Verse 1:

And you still think you know
The stranger of the olive grove
The slacker shut out of the ant's abode
And we always think we are the ants
In these stories told
At least that's what's sold
At least that's what's sold
To us

Chorus:

Who's the singer, the summer bug
Who's the singer, the summer bug
Content with its own love
Even if its something perhaps
Only he'll love

Verse 2:

You looked in the pond
And felt rather cross
This ant looks too much like a cicada
You feel it's too late to accept who you are
When you spend most your life lost
Doesn't the right way feel like the wrong path
Is this the fallacy of sunk cost

Bridge:

Unable to accept
Unable to accept

CODA Chorus:

Who's the singer, the summer bug
Who's the singer, the summer bug
Content with its own love
Even if its something perhaps
Only he'll love

Who's the singer, the summer bug
Who's the singer, the summer bug
Content with its own love
Even if its something perhaps
Only he'll love
The Secret Lives of Sam Lampyris 2
Loosely Inspired By:
FABRE’S
BOOK OF INSECTS
RETOLD FROM ALEXANDER TEIXEIRA DE MATTOS’
TRANSLATION of FABRE’S “SOUVENIRS ENTOMOLOGIQUES”
BY MRS. RODOLPH STAWELL


-------


Disclaimer:

Sam Lampyris is peeking through time from eternity. Sam Lampyris has all the time in the world. Sam Lampyris wants to know everything, Sam Lampyris wants to do everything, Sam Lampyris wants to write about everything. Sam Lampyris draws, Sam Lampyris paints, writes, learns, sings, thinks.
Sam Lampyris has many facets and many names, many interests and hobbies.
Sam Lampyris is PinkCircleLyrics,
He is Yisselakh.
He is Meynoher.
And more.
He is impulsive, and follows the ebbs and flow of his stream of consciousness faithfully.

All conscious directly inspired pastiche, homage, references, adaptation, and other derivative content will be noted, and any other similarities beyond this I can only attribute to subconscious influence, collective consciousness or unconscious, or pure coincidence.

Unlike previous works by Sam Lampyris under various pseudonyms, these works are less reactive and more proactive. This is to say that the previous poems and lyrics often sprung directly from my immediate reaction to things I have heard, listened to, read, seen or watched, and are usually much more authentic to my personal philosophy, be it intuitive or learned.

These, however, are more proactive in the sense that I voluntarily seek prompts and inspirations from books and other mediums I look to learn from and write with them in mind. I do this in order to fortify my understanding of them in my own preferred way.

However, during the writing process, my mind always, in some strange way, becomes locked in a track and I, again, seem to be always directed to follow my intuition. Thus, most of the works are non rhyming or rhyming free verses, as instead of writing with strict and consistent meters, it feels like my own being is forced to follow rhythm patterns that "feels right."

Thus, though I can't promise these thoughts are anything under the sun, in fact I can promise the exact opposite:

Ecclesiastes1:10 King James Version

"Is there any thing whereof it may be said, See, this is new? it hath been already of old time, which was before us."

I can promise these works are absolutely authentic to the entire being of Sam Lampyris, no matter what his name is at the time.
Sam Lampyris Sep 2024
Date written: June 18, 2024
yisselakh@myyahoo.com

Sacred Beetle

By: Yisselakh

Intro:

The beetle climbs the wall of reality
Rolling the sun into place, into the sky of dreams

Verse:

So the beetle rolls around the Sun
Like in dust, our soul rolls around
And they say we're guided by the stars
Or is it our hearts
Or is it our hearts
Is it our hearts

Bridge:

Is this just poetry, is this just art
Is it really the truth of what we are
I'll never truly know
You'll never truly know
We'll never truly know

Pre-Chorus:

What the wise men say
The fools will never follow
If you say so if you say so
That's how they always go
That's how they always go

Chorus:

But when her heart of gold
Shines warmly on your mold
On countless fateful noons
Your heart and your soul
Your shell like sun upon the moon

Post-Chorus:

You'll know
You'll know
You'll know
And you'll believe
And you'll believe

CODA Verse:

So the beetle rolls around the Sun
Like in dust, our soul rolls around
Like they say we're guided by the stars
And all of our hearts
And all of our hearts
All of our hearts
The Secret Lives of Sam Lampyris 1
Loosely Inspired By:
FABRE’S
BOOK OF INSECTS
RETOLD FROM ALEXANDER TEIXEIRA DE MATTOS’
TRANSLATION of FABRE’S “SOUVENIRS ENTOMOLOGIQUES”
BY MRS. RODOLPH STAWELL


-------


Disclaimer:

Sam Lampyris is peeking through time from eternity. Sam Lampyris has all the time in the world. Sam Lampyris wants to know everything, Sam Lampyris wants to do everything, Sam Lampyris wants to write about everything. Sam Lampyris draws, Sam Lampyris paints, writes, learns, sings, thinks.
Sam Lampyris has many facets and many names, many interests and hobbies.
Sam Lampyris is PinkCircleLyrics,
He is Yisselakh.
He is Meynoher.
And more.
He is impulsive, and follows the ebbs and flow of his stream of consciousness faithfully.

All conscious directly inspired pastiche, homage, references, adaptation, and other derivative content will be noted, and any other similarities beyond this I can only attribute to subconscious influence, collective consciousness or unconscious, or pure coincidence.

Unlike previous works by Sam Lampyris under various pseudonyms, these works are less reactive and more proactive. This is to say that the previous poems and lyrics often sprung directly from my immediate reaction to things I have heard, listened to, read, seen or watched, and are usually much more authentic to my personal philosophy, be it intuitive or learned.

These, however, are more proactive in the sense that I voluntarily seek prompts and inspirations from books and other mediums I look to learn from and write with them in mind. I do this in order to fortify my understanding of them in my own preferred way.

However, during the writing process, my mind always, in some strange way, becomes locked in a track and I, again, seem to be always directed to follow my intuition. Thus, most of the works are non rhyming or rhyming free verses, as instead of writing with strict and consistent meters, it feels like my own being is forced to follow rhythm patterns that "feels right."

Thus, though I can't promise these thoughts are anything under the sun, in fact I can promise the exact opposite:

Ecclesiastes1:10 King James Version

"Is there any thing whereof it may be said, See, this is new? it hath been already of old time, which was before us."

I can promise these works are absolutely authentic to the entire being of Sam Lampyris, no matter what his name is at the time.