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Mark Nelson Sep 2010
His garb was not spectacular,his shoes were grey and worn;

his hair was longer than a mere crewcut.

His nails were very *****,

his veins were free of needles-

and his face shone bright red

in the misty sunlight.


He greeted the sky with a wail of delight,

and the hearts of passers began to throb.

Summer and autumn were remarried in an embrace of generous hope,

throbbing airwaves,tapping feet,delighted smiles.



And then along came a citizen,politically correct;

oh so relevant,barely tolerant ,emancipator.

With a fuzz of of ***** gray

a salloween expressive nosegay-

A mission to expunge the infiltrator!



He was busy with his flute;

he could not practise,he said

"I only live two hundred yards away.

You must cease and leave this place

you do not fit here in this race-

ABANDON this ridiculous idea!"


So,the stopwatch was set;

the 'half hour rule' began to reign:

And the police turned up

after merely twenty minutes!

Nelson's watch saved the day

"take another twenty"They did say

and our liberator slunk away

unfairly treated.



Though earth on heel and

sky on neck:Lovers'

authentic myth

outshining heaven:

a piper
on a bridge

unsheathed

across

the Ij


A klted
magpie.

unswathed

the lay

fairly

greeted
true story ,amsterdam 1994 .
Joshua Haines Apr 2016
It's loud.

Violet, Blue, and Green lights
scatter across the floor,
across a canvas of house music,
echoing back into itself.

She crawls towards me,
wearing only poorly inked tattoos
and the lights that kiss us all.

I touch myself,
wishing it was her.

- I leave the room,
the music fading away,
like retreating from
sound-carrying-birds -

The smoke that comes from the cigarette
forms a skeletal web, reaching for the moon.
With rain slapping the dark brick walls,
hugging and creating an alley reminiscent
of a salivating, crooked-cement mouth,
I stand drenched in silver forgotten.

I drop the cigarette in a petrol-colored puddle,
watching it sink, become hard to distinguish,
and fade away.

- I reenter the room,
the song has changed
and is more mechanical. -

It's loud.

The lights are now
Bubblegum, Aqua, and Tangerine.
She lays supine, watching dollars
drift down, slowly, almost frozen.
Then the splitting of the air.

Fat-Man's body does a half-spin
as I lodge a bullet into his obese shoulder.
The music still blares, almost meaning more, now.
Regrouping himself, Fat-Man is weaponized,
drawing a greasy, inky blaster, desperate to spit.

A supernova erupts and quickly disappears--
like the aftermath of blowing birthday candles--
as his black speckled, crewcut scalp peels back,
letting fragments of chalky skull and pink penne
***** out of his square, boxed head.

Blood appears black under these lights
and instantly whips across
Samantha's still supine body.
The remaining people in the room
scatter like light exposed roaches.

Haunted, she is a toppled statue.
My steps move with the rhythm of the song.

Fat-Man's leather jacket
holds more meat than some mouths.
I plant my hand inside all pockets, find $6,480
in greasy, bloodier-than-usual presidents,
and move towards her, with the music.

Crouching beside her, I wipe the blood.
I clean her pale, tense torso
and help her up.

On two painted feet, she looks detached.
Silence exists, now, despite the music,
while she studies me with the same brown eyes.
Her lips quiver, she remembers
and wraps me with much thinner arms
that used to exist in nothing but memory.

— The End —