Message started humming, and the Knights stared in bewilderment too.
Lady of the Night asked, What are you doing, and Message I am singing the Nike chant to you.
Drozen is dead and that is the ultimate good, because his body now reeks in fire- victory.
Breastplate Bearer said, So tell me how did you come about the Imperial Candicacy.
Message took a deep breath and said, Well me and Drent stepped forward, and others at the Wisebeing Assembly because to rule was on our lips.
Then the Advocate- Counsel spoke up to our shock, You will all fight for this sacred Dahomeyian Rulership.
Drent and I look at each other in disbelief, I whispered to myself, how could I slay my brother.
My father who held the Dahomeyian Rulership put his head in his hands, but I could not see my mother.

Then Drent interrupted me to say, He had to defend his Rulership that was bankrupted and abused.
Message retorted, You forgot he had the Treasuryist arrested and killed on no charge.
You loved him as our father but my keen perception saw through the familial mirage.
Begin, the Battlefare Grader, as they fought each other to be an Imperial Candidate.
This struggle was about getting the Dahomeyian Rulership, it was not about hate.
Finally I and Drent were the last ones standing after all the bloodshed, Drent was too weak to make a fist.
I cried out to the Battlefare Grader with tears streaming down my eyes, I cannot **** for this.
The Advocate- Counsel curtly said, Either he dies or you do, The Dahomeyian Rulership is worth the risk.
I lifted my weapon and staggered under its newfound heaviness, poised to take the life of mine own sibling.
Stop, Message, STOP!, called out my father, from his entrapment on the Lexicon Podium in desperate pleading.

You do not hold the Dahomeyian Rulership anymore, the Advocate-Counsel said with a frown.
My father yelled back, I will not stand to see you destroy the Dahomeyian Royal Family, my sacred bloodline, for a mere Rulership crown!
I put forth an Intervention Amendment, and I choose Message and Drent as Imperial Candidates to proceed.
The Advocate General said, Very well, this is a good resolution so no one else has to bleed.
So I and Drent stepped forward, and the Flaretine Scholar was writing feverishly with his pen.
I had no idea who would win the Dahomeyian Rulership, me or Drent.
I had forgotten about Drozen, he must have left to gather mercenaries.
Both me and Drent went down with one hand on the floor and us in the Coronation Stance on bended knee.
The Advocate General scolded me saying, Your Coronation Stance is off, you should have your foot more forward and stop shaking.
I was still shook I almost killed Drent, and that my father who held the Dahomeyian Rulership was forsaken.

Drozen came to interrupt the proceedings, and snatched us away before I could hear the Coronation Verdict.
I could see the Diablo-Robots my mother told me about at bedtime, and their presence made me sick.
After Drozen pushed the Damocles Stone, I screamed in horror until I could not cry.
Then I vowed I would do whatever it takes, so that Drozen would be dead by I
I can still feel my father’s presence with me, although I cannot explain why
I hope my father is still alive, so we can rehabilitate his name with a Downtrodden Argument
What was your father’s name, asked Lady of the Night, and Message replied sobbing, His Dahomeyian Leadership name is the Legate.

The Coronation.

Weightless stars drop silently like petals
From a distant place way up far beyond the night sky.
Winter flowers blossom and fly away
Landing like moths on the night, turning to petals, then rain.
To shower you in love over and over again on this majestic day.

Distant orchestras come together in a cyclonic, deafening crescendo
Commanded by maestros flailing wands from the peaks of the highest mountains.
Roll great drums! Make music for my Queen violins and cellos!
Ring through valleys and across deserts
Sweep up all the world’s musicians along the way!

Fireworks ignite the darkness with day.
Rainbows burst, more stars, come petals
Saturate you in light.
And shower you with my love on this,
The day of your Coronation.

Great Gods have come to celebrate
Smiling down they send their angels
To drench your glowing torso in rose petals
And kiss you gently as they settle,
While my tied hands yearn to give you a fond caress.

Every creature in the universe has attended the grandest ceremony in time.
Each gleefully holding a single rose petal
To weave into your hair.

My bound arms reach across continents carried like breath on the wind
To deliver you my heart.
Close your fist and make a wish
What would your soul like to find inside?

True loves lay sleeping snuggled together on the bed of the universe.
Calm is the Queen
With her single red rose.

……………………………………………………

Sun rises and all the petals have transformed into snow.
Still soft, still comforting.
But with an eerie emptiness of a dream that has yet to be told.
Joy is frozen in our hearts
For Love eternal was denied the throne this time.

Remember my sweet darling
You are now my Queen of Roses.
And in a palace somewhere,
As far away as near
I am your King.
(Gerry Aldridge)

151

Mute thy Coronation—
Meek my Vive le roi,
Fold a tiny courtier
In thine Ermine, Sir,
There to rest revering
Till the pageant by,
I can murmur broken,
Master, It was I—

385

Smiling back from Coronation
May be Luxury—
On the Heads that started with us—
Being’s Peasantry—

Recognizing in Procession
Ones We former knew—
When Ourselves were also dusty—
Centuries ago—

Had the Triumph no Conviction
Of how many be—
Stimulated—by the Contrast—
Unto Misery—

Message turned around  to speak in her Coronation dress.
The Alliance Project slyly walked up beside her, and wished her the best.
She smiled weakly and said, I wish my father The Legate was here.
Her lower lip trembled as she wiped away from her face a tear.
Message held up her hands and said, I promised myself I would not cry.
The Alliance Project said, His advice-essence is in the Scepter, he did not die.
Besides, he would be proud to see you restored his planet back to its origin.
They kissed briefly and Message said, Let’s go downstairs to the Coronation.
Inside was a great hall, where all of  the Federation had gathered to meet.
The Covenantial Project was to crown Message, by putting the Rexic shoes on her feet.
Message sat down on the throne and got up rapidly sayin, This throne is too cold!
Lady of the Night called out in the audience, Be prepared for it to warm, before you get old.
Message took the scepter in hand and recited the Federation pledge.
And then kneeled down, as The Covenantial Project took Excalibur and touched her with its edge.
She got up and the Federation crowd all cheered, because here was their new queen.
The Covenantial Project put the Rexic shoes on her feet, and Message stood to preen.
The Alliance Project and Message boarded the Isotrain Mechanism  one last time, to head for their new home planet object
This planet is the new Dahomeyia, whose people were protected by Message and the Alliance Project.
THE END.

From my nestled comforts - to the tides,
That is where my serenity hides.
Silver waters consume my perception,
An Infatuated connection.
The glowing disciples in the skies,
Reflecting the aura of your eyes.
Yesterday's warm news,
Carried by the blues.
Today's melody,
Blooming lilac trees.
The cool wake drowns in the summer sun,
Golden coronation has begun.

preliminary explanation

before i really begin the project i have a few scatterings
of thought that made me do this, without real planning,
a different sort of impromptu that poetry's good at,
less Dionysian spur-of-the-moment with an already
completed poem entwined to a perfect ensō,
as quick as the decapitation of Mary Boleyn with the
executioner fooling her which side the swing would
be cast by taking of his hard-soled-shoes -
i mean this in an Apollonian sense - i know, sharp contrasts
at first, but the need to fuse them - i said these are
preliminary explanations, the rest will not be as haphazardly
composed, after all, i see the triangle i'm interested it
but drawing a triangle without Pythagorean explanation
i'm just writing Δ - i'll unravel what my project is
about, just give me this opportunity to blah blah for a
while like someone from an existential novel;
what beckoned me was the dichotomy of styles,
i mean, **** me, you can read poetry while in an awkward
yoga position, you can read it standing up, sitting down,
eating or whatever you want - obviously on the throne
of thrones taking a **** is preferred - the point being
what's called serious literature is so condensed for
economic reasons, font small, never-ending paragraphs,
you need an easy-chair and a bottle of cognac to get
through a chapter sometimes - or at least freshly mowed
grass in a park in summer - it's really uncomfortable because
of that, and the fact that poets hardly wish upon you
to be myopic - just look at the spacing on the page,
constantly refreshing, open-plan condos, eye-to-eye -
but it's not about that... the different styles of writing,
prose and the novel, the historical essay / encyclopedia
or a work of philosophy - what style of writing can
be best evolutionary and undermine each? only poetry.
poetry is a ballerina mandible entity, plastic skeletons,
but that's beside the point, when journalism writes history
so vehemently... the study of history writes it nonchalantly,
it's the truth, journalism is bombastic, sensationalist
every but what courting history involves -
a journalist will write about the death of a 100 people
more vehemently than a historian writing about the Holocaust...
or am i missing something? i never understood this dichotomy
of prose - it's most apparent between journalism and history...
as far as i am concerned, the most pleasurable style of
prose is involved in the history of philosophy, or learning per se,
but i'll now reveal to you the project at hand -
it's a collage... the parameters?

the subject of the collage

it weighs 1614 grams, or 3 lb. and 8 7/8ths oz.,
it's a single volume edition, published by Pimlico,
it's slightly larger than an A5 format,
3/4 inches more in length, and ~1 centimetre in
width more, it has a depth of 1 and 3/4 inches in depth,
a bicep iron-pumping session with it in bed -
i was lying with this behemoth of a book
in bed soothing out a semi-delirium state
listening to Ola Gjeilo's *northern lights
and flicking through the appendix, and i started thinking,
no would read this giant fully, would they?
the reason it's a one volume edition is because
the only place you'd read such an edition would
be in a library, at a desk, and you'd be taking snippets
out from it, quotes, authentic references points
for an essay, esp. if you were a history student,
such books aren't exactly built for leisure, as my arms
could testify... after the appendix i started flicking
through as to what point of interest would spur me
onto this audacious (and perhaps auspicious)
act of renegading against writing a novel (in the moment,
in the moment, i can't imagine myself rereading plot-lines
after a day or two, adding to it - that's a collage too,
but of a different kind - and no, i won't be plagiarising
as such, after all i'll be citing parallel, but utilising
poetry as the driving revision dynamic compared
to the chronologically stale prose of history) - i'll be
extracting key points that are already referenced and not
using the style of the author - the book in question?
Europe: a history by Norman Davies prof. emeritus
at U.C.L. - the point of entry that made me mad enough
to condense this 1335 page book (excluding the index)?

point of incision

Voltaire (or the man suspected of Guy Fawkes-likes spreading
of volatility in others) -
un polonais - c'est un charmeur; deux polonais - une
bagarre; trois polonais, eh bien, c'est la question polonaise
(one pole - a charmer, two poles - a brawl, three poles -
the polish question) - mind you, the subtler and gentler
precursor of the Jewish question, because the Frenchman
mused, and not a German, or a Russian brute...
and i can testify, two Polish immigrants in a pub,
one senior, the other minor, one with 22 years under
his belt of the integration purpose, one with 12 years,
the minor says to the senior about how Poles bring
the village life to cities, brutish drunkards and what not,
it was almost a brawl, prior to the senior was charming
a Lithuanian girl, before the minor's emphasis on
such a choice of conversation turned into idiotic Lithuanian
nostalgia about the disintegration of the Polish-Lithuanian
commonwealth, primarily due to the Polish nobility.

10,000 b.c.

looking that far back i don't know why you even
bother to celebrate the weekend -
i mean, 10,000 years back Denmark was
still attached to Sweden,
England was attached to France,
and there was a weird looking Aquatic landmass
that would become a myth of Atlantis
in the Chronicles of Norwich,
speedy ******* Gonzales with the equivalent
of south america detaching itself from Africa...
mind you, i'm sure the Carpathian ranges are
mountains. they're noted here are hills or uplands,
by categorising them as such i'm surprised
the majority of Carpathian elevations as scolded
bald rocky faced, a hill i imagine to have some
vegetation on it, not mountain goats with rock and roof
for a blacksmith in a population of one hundred...
at this point Darwinism really becomes a disorientating
pinpoint of whatever history takes your fancy,
Europe - mother of Minos, lord of Crete,
progenitrix / ******* and the leather curtains
of Zeus's harem (jealous? no, just the sarcasm
dominates the immortal museum of attachable
****** to suit the perfect elephant **** of depth
the gods sided with, by choice, excusing the Suez
duct tightening of a prostate gland... to ease the pain
upon ******* rather than *******); mentioned by Homer
the Blind tooth-fairy, the Europe and the bull,
Europoeus and the swan, same father of wisdom to mind,
on the shores of Loch Lomond -
attributes a lover to the bull, Moschus of Syracuse,
who said earring Plato cured him of where the ****
should not enter even if it shines a welcome
in the disguise of Dionysius... revisionists bound to Pompeii
named Titian, Rembrandt, Rubens Veronese
and Claude Lorrain revived the bulging bull's *******
and her mm hmm mm, too gracious my kind, hehee...
Phonecians from Tyre and Io - so too the Sibyl of ****** -
and unlike the great river civilisations of the Nile,
the Ganges, soon to be the Danubian civilisations
and gorged-out-eyes-that-once-sore-colour-but-lost-sight-of-
colours-­after-seeing-the-murk-of-the-Thames...
soon the seas overcame civilisations of the rivers,
as Cadmus, brother of the thus stated harlot said:
i bring you orbe pererrato - hieroglyphics of the cage,
but not an owl or a hawk inside it -
so let's perfect speaking to an encoding by first
rummaging into learning how to procure the perfect
forms of counting - i say left, you say I, i say right
you say II, left right left right, what do you say?
VI. bravo! the Hellenic world just crossed the Aegean
and civilisation bore twins within the cult of a lunar-mother,
Islam of Romulus and Remus, a she-wolf
a canine of the night - according to another -
tremulae sinuantur flamine vestes - or so the myth goes -
a cherished phantom of what became the fabled story
of sole Odysseus with his ears open and the remnant
sailor's ears waxed shut - as if the bankers of this world,
revelling in culprit universal fancy than nonetheless
bred the particular oddities - lest we forget,
the once bountiful call of the sirens to the oceanic
is but a fraction of what today's sirens claim to be song,
a fraction of it remains in this world, the onomatopoeia
of the once maddening song, the crude *******
arrangement of vowels bound to the jealous god's
déjà vu of the compounding second H.

from myth to perpetuating a modern sentiment

you can jump from 10,000 b.c. to the Munich Crisis
of 1938 - 9 with a snap of the fingers,
imitating quantum phenomenons like gesticulating
a game of mime with Chinese whispers necessary,
if Europe is a nymph, Naples her azure eyes,
Warsaw her heart, Sebastopol and Azoff,
Petersburg, Mitau, Odessa - these the thorns
in her feet - Paris the head, London the starched collar,
and Rome - the sepulchre.
or... die handbuch der europaischen geschichte
notably from Charlemagne (the Illiterate)
to the Greek colonels (as apart from Constantine to
Thomas More in eight volumes, via Cambridge mid
1930s)... these and some other books of urgency
e.g. Eugene Weber's H. A. L. Fisher's, Sr. Walter Ralegh,
Jacob Bronowski... elsewhere excavated noun-obscurities
like gattopardo and konarmya had their
circas extended like shelved vegetables in modern
supermarket isles, for one reason or another...
prado, sonata sovkino also... some also mention
Thomas Carlyle (i'd make it sound like carried-away isle,
but never mind); so in this intro much theory,
how to sound politically correct, verifiable to suit
a coercion for a status quo... Europe as a modern idea,
replacing Imperum Romanun came Christendom,
ugly Venetian Pirates at Constantinople,
Barbarossa making it in pickled herring juice
in a barrel to Jerusalem... once called the pinkish-***-fluff
of Saxony, now called the pickled cucumber,
drowning in his armour in some river or Brosphorus...
alchemists, Luther and Copernicus were invited on
the same occasion as the bow-tie was invented,
apparently it was a marriage made for the Noir cinema,
beats me - hence the new concept of Europe,
reviving the idea of Imperium Romanun
meant, somehow including Judea in the Euro
championship of footie gladiator ***** whipped
narcissists, rejecting the already banished Carthage
(Libya / Tunisia by Cato's standards) and encouraging
the Huns, the Goths and the even more distant Slavs and
Vikings to accept not so much the crucifix as
the revised spine of the serpent but as the geometry of
human limbs, well, not so much that, but forgetting
Norse myths of the one-eyed and the runic alphabet
and settling for ah be'h c'eh d'ah.
dissident frenche stink abbe, charles castel de st pierre
(1658 - 1743) aand this work projet d'une paix perpetuelle
(1713) versus Питер Великий who just said:
never mind the city, the Winter Palace... i have aborted
fetus pickles in my bedroom, lava lamps i call them.
the last remaining reference to Christianity?
Nietzsche was late, the public was certain,
it was the Treaty of Utrecht, 1713, with public reference
to the republica christiana / commonwealth was last made.
to Edmund Burke: well, i too wish no exile
upon any European on his continent of birth,
but invigorate a Muslim to give birth on it
and you invigorate an exile nonetheless:
Ezra expatriate Pound / sorry, if born in eastern
europe a ***** Romanian immigrant, pristine
expatriate in western Europe, fascist radio has
my tongue and *****, so let's play a game:
Russian roulette for the Chinese cos there's
a billion of them, and no one would really mind
a missing Chow Mein... chu shoo'ah shaolin moo'n'kah!
or a cappuccino whenever you'd like to watch
classic Italian pornographic cinema with dubbing
with nuns involved... Willaim Blake and his
stark naked prophesy, pope pius II (treatise 1458)
even though Transylvania, Tharce and Hungary
shared the same phonetic encoding with diacritical
distinctions like any Frenchman, German,
or Pole at the Siege of Vienna (1683)
to counter the antagonising Ottoman - i swear historians
do this one purpose, juggle dates and head-of-state figures
prior to entering a chronology - they must first try out
a ******* carousel before playing with the toy-train...
broadcasting to a defeated Germany public, T. S. Eliot
(1945) ****** import to into Western Germany
and talk of the failing moral fabric, China laughing
after the ***** intricacies of warfare of trade,
what was once wool we wished to be silk...
instead of silk we received vegetarian wool, namely
hemp, and Amsterdam is to blame... nuke 'em!
that's how it sounds, how a historian approaches
writing a history from the annals, from circa and
circumstance and actual history, foremost the abbreviations,
the fishing hook standards, the parameters,
the limits, and then the mathematics of history,
one thing culminating into another... contra Lenin
N. S. Trubetskoy, P. N. Savitsky, G. Vernadsky
Russian at the perks of the Urals - steppe Tartar shamans
or salon pranced pretty **** boys? where to put
the intoxicant and where to put the mascara... hmm,
god knows, or by 21st calculations, a meteor;
they say the history of nations is a history of women,
then at least the history of individuation
and of men who succumb to its proliferation
is astoundingly misogynistic.
Seton-Watson, among the the tombstones too reminded
of remarkable esteem and accomplishment
with only one gravedigger to claim as father...
as many death ears as on two giraffe skeletons
stood Guizot, men of many letter and few fortunes,
or v. v., incubators of cousin ***** and none the kippah
before the arrogant saintly diminished to
a justly cause of recession, ha ha,
by nature's grace, and with true advent of her progression
as guard-worthy pre- to each pro-
and suggested courteous of the ****** fibre,
oh hey, the advent of masqueraded woofing,
a Venetian high-brow, and jealousy out of a forgotten
spirit of adventure that once was bound
to hunting and foraging... forever lost to write  history of
a king dubbed Louis the XIV...
crucibles and distastes for the state to be pleased,
once removed from Paris, forever to Angevin womb
accustomed once more, at Versailles released -
as cake be sown so too the aristocratic swan necks
for worth of mock and scorn - and the dampening rain
rattle the blood-thirst of the St. Bartholomew's Day
slaughter, to date, the rebirth of Burgundy,
of Anjou, and with the dead king presiding, to be
of no worth in judging himself a king before god or pauper...
saluer Antoine Quentin Fouquier-Tinville!
that i might too in stead rattle a few bones prior to burial
with the jaw that will laugh and chatter least
had it been to my kingly-stead a birth so lowly.
then at least in satisfactory temperament i procure a
judgement of the noble like of a *****
for an hour's worth of pistons and jarring tongues...
as if from a nobleman then indeed as if from a *****,
for who sold Europe and said: Arabia, if not the
Frenchman, the Englishman, the Spaniard?
the former colonial conquests served you not enough?
i imagine the reinstatement of Israel like
the Frankish states under Philippe-August...
precursors to a cathedral dubbed Urban the 2nd's..
there were only Norwegian motives in the Ukraine
and the black sea... Israel to me is like plagiarism
of the Frankish states of the middle-east, with Europe
slightly... oom'pah loom'pah mongolian harmonica.
some said Rudyard Kipling poems,
some said Mr. Kipling's afternoon tea cakes -
whichever made it first on Coronation St.
some also say the Teutonic barbecues -
it was a matter of example to feed them hog
and cannibalise the peasants for ourselves,
a Prussian standard worth an army standard of
rigour - Ave Maria - letztre abendessen nahrung -
mein besitzen, wenn in die Aden, i'd be the last
talking carcass...
gottes ist der orient!
gottes ist der okzident!
nord - und sudliches gelande
ruht im frieden seiner hande.
germany's lebensraum, inferiority and classification,
inferior slavs and jews, genetics and why my
hatred of Darwinism is persistent, you need
an explanatory noting to make it auto-suggestive
for Queen & Country? diseased elements,
Jewish Bolshevism, Polish patriotism,
Soviets, Teutons, the grand alliances of 1918
or 1945? Wilsonian testimony of national self-determi

(Frederick returned at his castle becoming a lonely man.)
Frederick was laid on the bed, seeing that beast in his room.
'It does no harm', he thought. It was tall in the evening gloom.
He was hearing the bells ringing while trying to understand
Why in front of God, this love and marriage were banned.

He fell asleep dreaming that while his stallion was grazing
In the green grass, his wife, Jezebel, was lying in the meadow,
The castle disappeared, while the time changed the life by rising,
And in the mirror's fate, that cruel reality remained only a shadow.

A life sound replacing the silence, which with a throaty grumble reigned
Touched Jezebel, and he embraced her, while she was sleeping there.
He saw that those two red icing eyes were keeping her enchained.
He woke her up with a kiss, and her sighs disappeared in the air.




She saw him, and said,' it’s like I wake up from a long twilight sleep.'
The surrounding assaults me with his new bright .This I’m really sensing.'
He smiled, ‘Sometimes, the memory of these kinds of dreams I keep.'
'It's a beast here envisioning me, and making the string's bad fate sing.'
……………………………………………………………………………………………………………..
(The ceremony of John’s coronation as a regent.)
The festive procession included the bodyguard, the table knaves,
The royal servants, the aristocrats, the dignitaries, and fighting braves.
The aristocrats carried a tabletop, on which the king's dress and jewels
Were laid out, and the councillors followed them according to the rules.

The insignia was carried by the dignitaries and displayed for the public,
Though, they wanted the kingdom temporarily to become a republic.
They carried the scepter, the golden cross, the golden eagle, the crown,
And the sword to the altar, while using words that end with a frown.

The archbishop and two of his suffragans accompanied the new king
Being followed by the bishops, abbots and clergy, who started to sing.
The procession entered the church, and the cardinal led John to a chair
In front of the altar in order to hear the sermon, the epistle and the prayer.

After the obligations about doing justice to clergy, widows and orphans,  
The king bound himself to demand nothing from his people or from persons
Visiting the kingdom that contradicted the divine and human rightness.
The new king promises to abolish the evil laws for the moral lightness.

The archbishop appealed to John to lead a good government, to care
For peace, and to protect the church. John said,'Before God I swear'.
He put his hands on a Bible, and the archbishop anointed his hands.
John said, 'I'll ask my dignitaries to collect from people their demands.’

The crown and the sword were on the altar to be used for consecration
The king was ready for the reception of the insignia during coronation.
After sanctification, John retired to a room to be dressed in his royal attire.
Returning to the church, he listened to the main sermons and the choir.

Kneeling before the altar, from the archbishop he received the sword
With words that resemble a pertinent prayer addressed to The Lord.
Drawing the sword from its sheath, he swung it in the four directions.
During the coronation, the still kneeling king asked for God's protection.

The royal councillors helped to place the crown on their king's head.  
The magnates symbolically extended their hands towards it, and said,
'The king receives the scepter and the orb!' The archbishop handed him.
At last, the king read loudly  the Gospel , and the choir sang a hymn.

The crown devolved on a minor being too young his duties to execute.
Requiring her protectorate, to govern in John's name she stood resolute.
Surah secured the throne for John to avoid the future succession struggle .
The handle of the political turmoil and  the intrigues she had to juggle.

Surah schemed to gain power, and to rule the country in John’s name
Thus, she defeated  the neighboring countries being hungry for fame .
The subdued  states could not regain their independence again.
This way, the neighboring kings became vassals during John's reign.

John's quick , easily wounded temper led him to make rash decisions.
Even so , the death of all the successors became Surah's  inner visions.
She made him feel slighted, when people didn't jump to his commands.
He lacked the patience for dealing with his administration's demands.

Lady, your room is lousy with flowers.
When you kick me out, that's what I'll remember,
Me, sitting here bored as a loepard
In your jungle of wine-bottle lamps,
Velvet pillows the color of blood pudding
And the white china flying fish from Italy.
I forget you, hearing the cut flowers
Sipping their liquids from assorted pots,
Pitchers and Coronation goblets
Like Monday drunkards. The milky berries
Bow down, a local constellation,
Toward their admirers in the tabletop:
Mobs of eyeballs looking up.
Are those petals of leaves you've paried with them ---
Those green-striped ovals of silver tissue?
The red geraniums I know.
Friends, friends. They stink of armpits
And the invovled maladies of autumn,
Musky as a lovebed the morning after.
My nostrils prickle with nostalgia.
Henna hags:cloth of your cloth.
They tow old water thick as fog.

The roses in the Toby jug
Gave up the ghost last night. High time.
Their yellow corsets were ready to split.
You snored, and I heard the petals unlatch,
Tapping and ticking like nervous fingers.
You should have junked them before they died.
Daybreak discovered the bureau lid
Littered with Chinese hands. Now I'm stared at
By chrysanthemums the size
Of Holofernes' head, dipped in the same
Magenta as this fubsy sofa.
In the mirror their doubles back them up.
Listen: your tenant mice
Are rattling the ******* packets. Fine flour
Muffles their bird feet: they whistle for joy.
And you doze on, nose to the wall.
This mizzle fits me like a sad jacket.
How did we make it up to your attic?
You handed me gin in a glass bud vase.
We slept like stones. Lady, what am I doing
With a lung full of dust and a tongue of wood,
Knee-deep in the cold swamped by flowers?

Ah, Yorkshire, thou art purer than Coventry;
and thy promises whiter; than my fluid poetry.
Thou art braver, prudent, and all the way more intelligent;
thy lands are mightier; and perhaps in every possible way-more imminent.
Thou art sincere-and so more delicate than wine, and thoughtful;
Thou adored my words, and made everything else healing, and more beautiful.

In my heart but there might have been no Yorkshire at all-
had I attended not one Coventry last fall.
I witnessed not-at t'at time, all t'is rude twilight-and toughness and madness;
and every chapped breath it had in its roughness, and hilarious-though indeed fake, felicity.
No soul has even bits of a heart, here, to forgive others' soreness,
No being wants to share; no human lives in joy, nor simplicity.
No delight indeed; as I stream my way through every roads;
Everyone is either busy with their selfishness or their coats.
No living is cared for; for humans are phantoms at night and on morns;
Vulnerability is mocked, and demised and often slyly torn.
Ah! Coventry is but a sphere of hell!
For even hell is still lighter when has it not hellfire;
As well cities are, when there is no scoundrel nor liar;
But Coventry is not at all tender;
Its wicked gasp is alive, and never to heartily surrender.
It falls for glory; it bows to such fears for pleasure;
And wanes by the light of whose death; the end of whose allure.
But thou art true-thou art as shy as every flash of virtue;
Thou art indeed-everything t'at is solemnly agreeable and brand new.
Ah, and just now-I had dreams of a fine image of thee;
Smiling within thy fullest verdure, bushes, and lavish undergrowth.
And thy summer is but vivid and friendlier;
Healing every sore heart, and turning 'em all, merrier.
Thou adored the nouns and verbs I wrote,
and admired such simple notions I quoted;
Thou shine upon me-asthe light that shall makest me grow
and the promising dim, faraway region, that lets me glow.
O, Yorkshire, this is still but too early in the transparent evening;
But I am deeply endorsed yet, by t'is poetry writing-
And with thy soul that remains but too witty,
Tearing me away, but with loveliness-
from my cautious present engagement,
Thy charms might be just too hard to bear,
for thy tongue is too sweet;
and thy veracity too chaotic, ye' imminent.
In thee shall I find peace-of that I am convinced,
Peace whose soul is calm, neat and on all occasions, careful-
Unlike t'is bustle which is at times perpetual, and sorrowful;
Unlike t'is very city of Coventry,
Which is damp with exultant bareness, and haziness,
In many ways exalted, but indeed too proud;
And its tongue which is blurred with sin and poison-
Its all-too-loud excitement makes everything but faint,
And at times sends my heart to exile, sends my heart to pain,
In every possible way too unlike thee,
With an imagery, and coaxing voices so sweet
Thou shall leave all my poems bright and freshly lit,
Even though I am still here, even though we are still yet-to meet.

Coventry is too proud and vibrant-yes, too vibrant,
Amidst its own foolishness, which sadly made itself formerly too elegant.
Too elegant to me-in various shapes, and keenly cloaked in unseen deceit,
But only by some beings, whom I was to meet, and my breath to greet.
And as I wake up to an early morning hour,
the plain summer strangely makes me thirst for honest water.
And should I love still-one intelligence t'at is so bitterly repugnant?
I shall certainly not; I shall turn to thee, Yorkshire, who is truer ye' far above, tolerant.
Ah, Yorkshire, but honesty is something Coventry promises not;
for its soul has been maliciously beheaded, and twitched,
It has been paled, corrupted, and despaired-
by its own claws, derived from the jaws of those evil souls
Veiled by their even still inhuman, disguises,
And shall still be wicked, otherwise.
In t'is sea of hate, and these waves of despondency,
I shall think of thee with tantalising depth and scrutiny,
Though thou art still imprisoned in my soul,
Thou who hath flattered and accepted me as a whole.
But Coventry is-still, accidental with some of its bindings,
For mortal as thou art, itself, and is unable to escape its fate,
Still I canst think only of the beauty of thy linings,
And upon thy lands shall I venture to fill my plate.
Ah, Yorkshire, remember that virtue is in thy hand,
but neither is vice-thy dormant enemy, is in its therein,
Virtue who is vile to all of t'is world's inconsolable men,
like in Coventry, as deemed it is, unreasonable and ungenerous, within.
Virtue which is tragically abandoned, in its pursuit of honour;
virtue which was rich, but flattened, and dismayed and disfigured
within the course of one unsupervised hour.
Ah, York, Yorkshire, when shall I ever taste the grandeur
And the very superiority of thy dignity?
For in yon picture, thou art still but a comely neighbour,
Which endorses and attests to my mute, yet unaffected-virginity.

Ah, but Coventry shall despise thee, and with its stubbornness
and overwhelming pride, shall jostle and taunt thee;
Shall defect and isolate thee-when I am but by thy side,
But God be with me still, and blind shall not, my virtuous sight.
Detesting and confronting thee for the remainders of years-as 'tis to be,
Which for thee lie ahead; as how hath it deluded me-just now!
I, who, disconcertingly, placed my heart within its sacred vow,
hath been robbed of my satisfactions, and utmost fortune,
All were perused in centuries and gone in one moon.
Ah, Yorkshire, shall I continue my poetry here-but call out endlessly to thee?
And shall I abandon this tiny caprice of mine-which is a fine, tiny desire of glory
And let myself on the loose, and for evermore be in search
of thee, whom I shall've lost-under the very indulgence of their mirth?
O, I think not!
For I shall mount my poetry-and achieve my silent dreams,
I shall take him with me, if allowed am I-to conquer him,
And make him and thee mine, just like I hath made my poetry,
And be thy light; and thy spiritual and endless reciprocal adoration
All day and night, at the end of our quest for destiny
Wherein I shall dwell, and thrive as my intellect be granted-its long-lost coronation.
O, Yorkshire, for within thy hands now I shall lie my faith-
and trudge along thy forking paths, unto the light of my fate.

Ah, Yorkshire, I am infatuated with these paintings-
these very paintings of thy lush green lands,
And of myself wandering and skulking idly about thy moors;
With my best frock, and his fingers, the one I love, entwined in my hand
As lights procured and on our storming out of yonder wooden doors.
I am shining like a bee is-upon the sweet finding of its honey;
but in whose tale 'tis like thee-to sweet and unpardonable to me.
Be with me, Yorkshire, and be with me forever, only,
As I leave behind this faint malice and commence my journey;
I shall be with thee, and my poems shall be free,
And t'is bitterness of winds shall be no more tormenting me,
Furthermore-be them what they desire to be;
But let me write; and play my song as beautifully as yon naive bee.

Ah, Yorkshire, and wait, wait again for me;
But before let me sink again into a deep sleep,
and tease thee again in my dreams;
Read me once more-the very passages of thy indolent poetry,
Take me out of my stiffness; swing me out of abhorrent Coventry.
Coventry shall be envious, and waiting forever for thy demise;
but honesty is honesty-and one that has no lies,
for thy virtue is clear as thy Western gem,
which is to God, shall always be virtue, all the same.

~

do you believe?  

hold that thought!

what you are about to take is a journey.  my telling of this journey is brief; we poets are after all not well known for our long attention spans.  this is a tale of astronomic proportions, an epic years in the making, and now centuries old.

have you ever considered this?  the starry host above us cannot lie.  its movements are as sure as the movement of the clock; as predictable as the tide, a sunset's hour and as precise as a moon-rise's geo-placement at our horizon- precisely where it will rise and at precisely what time.  it is after all  precisely the study and understanding of such things that allowed us to place mankind on the surface of the moon, to know precisely where she would be before she got there, therefore permitting us to plan the journey well ahead of time, a journey that took three days of travelling once it began...  and then returning those men home to us.  but back to our larger journey.  

such things only require an understanding of relatively simple mathematics and a knowledge of each unique planetary orbit.  the only questions remaining then, ones that require acceptance of less proveable things, is do the events of the starry host above us reflect back or point to us, to humanity? are they a fortelling of earthly events and eventuallly a coinciding with earthly events? some have trouble believing such things.  for me, it is not a leap to accept that the visibly established order above me (what we call astronomy) is simply a mirror of the order below, here surrrounding me.  but then that takes us back to the first question... do...   you...   believe?  for this part... it requires acceptance ... acceptance that some things are true, though i cannot see them.  some call this "faith," though i think "acceptance" is more relateable, and therefore a far better word.

if i have not lost you yet, thank you for reading this far!! please continue the journey.

like me, have you ever wondered... what is (or what was) the Bethlehem Star?  according to some who research historically astronomic events, the “Bethlehem Star” was no star at all.  but more on that after the poem... for is that not the purpose of these walls?  

below is a poem birthed out of their research... the poem mine, the research compiled by smarter folks than i.

Virgo's child

~

oh, planetary royalty,
and mother of the sky,
your celestial stage of six,
a ballad echoing our hopeful cry;
pirouette the stars amidst,
sets a course for rising king,
closer with each night's descent,
hope, your brilliant union brings.
conjunctive encore heaven sent,
today our song in advent sings!

oh, wise men of the east,
following a westward star,
the king you sought
you found because,
discontent you were,
to be a distant onlooker
from your home afar.

hallelujahs here composing,
with stunning care the stars portending,
in universal magnitude,
oh fallen man your dirge is ending.
in retrograding motion,
encircled thrice your halo spun,
Virgo’s child in coronation,
the starry night foretells,
and with splendid sky’s array
the joyful birth of king pronounces

oh, wise men of the east,
following a beckoning star,
bearing gifts you came,
and on bended knee
you offered praise, for
empty-handed for a king,
is no fitting offering.

look to the sky, you men of earth;
behold your king in humble birth!
a stable for his sleeping head,
here rocks a mother’s babe;
what Adam lost, in him restored,
oh, Virgo’s child, and living Lord.

~

*post script.

~ Cast~
the six acclaimed celestial actors/actresses of this starry dance

Role ° Played By ° ​Meaning/Symbol

Moon ° ​the Moon ° life cycle symbolism
Star ° ​Regulus​ ° ​King of stars (regal king)
Planet 1​ ° ​Jupiter ° ​King of planets
Planet 2 ° ​Venus ° ​Mother of planets
Constellation 1​ ° ​Leo ° ​the Lion (heavenly kingship and tribal significance)
Constellation 2 ° ​Virgo ° ​the ****** (maidenly and earthly significance)

the basis for this write can be found here...
add: http://www.
to: bethlehemstar.com/setting-the-stage/what-was-the-star/

in summary --
whatever it was, the Star of Bethlehem needs meet nine qualifications to plausibly satisfy what is written in the Biblical accounts:
1. The first conjunction signified birth by its association to the day with Virgo “birthing” the new moon. Some might argue that the unusual triple conjunction by itself could be taken to indicate a new king.
2. The Planet of King’s coronation of the Star of Kings signified kingship.
3. The triple conjunction began with the Jewish New Year and took place within Leo, showing a connection with the Jewish tribe of Judah (and prophecies of the Jewish Messiah).
4. Jupiter rises in the east.
5. The conjunctions appeared at precise, identifiable times.
6. Herod, puppet King under Roman rule, was unaware of these things; they were astronomical events which had significance only when explained by experts.
7. The events took place over a span of time sufficient for the Magi to see them both from the East and upon their arrival in Jerusalem.
8. Jupiter was ahead of the Magi as they traveled south from Jerusalem to Bethlehem.
9. Jupiter “stops” as it enters retrograde motion “over Bethlehem.”  On December 25 of 2 BC it enters retrograde and reaches full stop in its travel through the fixed stars. The Magi viewing from Jerusalem would have seen it “stopped” in the sky above the town of Bethlehem.

according to astronomical research of historical events, the “Bethlehem Star” is, at least by this explanation, no star at all, but was instead Jupiter’s rendezvous (planetary conjunction) with Venus in 2 BC.  this is a tale of two planets normally radiant and distinguishable forming a single-looking, indistinguishable, and never-before-in -their-life-time-appearing large and radiantly brilliant “star”, which when coupled with each of the previous eight facets creates a most noteworthy series of events, all of which match words written centuries previous, and pointed their gaze to a pivotal and altering point in mankind’s history.  

now back to the beginning question...  do...  you...  believe?

(publication of this write is intended to coincide with the first of the four Sundays of Advent, 2015.  tis the season for Merry Christmas, my friends!)

the sky
is
an orchestra of
oboes, clarinets
cellos, strings
and
brass instruments
we make
the
sound of
thunder and lightning
before
the
coronation of storm

Love na love talaga kita eh, and it would mean so much lalo na
pag binanggit ko pa na mahal na mahal na talaga kita. NAPAKA STRANGE.

He is shy, kind, innocent, pleasant, different, even for a guy
He is fragile, sweet and mostly meaningful, mostly to my life.

Kahit alam kong wala kami dun sa stage na,
"in relationship" i'd bother myself to care.
Kasi he is meaningful, mahalaga siya saakin, yung tipong kaya ko syang alagaan at aalagaan no matter what. I would make time for him just to see him, smile, laugh or even giggle a bit, because his  happiness makes the most out of him and it makes me happy too.
Kung kakayanin kong kwentuhan siya gabi gabi hanggang sa makatulog sya gagawin ko (kaso ang tagal nya mag reply kaya ako yung nakakatulog :3)

Sabi nila sakin,

"grabe na yan ahh. baka nakakalimutan **** babae ka pa din ah?"

Sabi ko,

"oo alam ko, at alam ko yung ginagawa ko."

"yun naman pala eh, ano yan?"

"ang alin?"

"yang tipong support support na yan?"

"wala namang masama dyan, atleast napapakita ko padin sakanya na mahalaga siya sakin, kahit di nya nararamdaman"

"ayooooooon, manhid"

di na ko sumagot, sumasama din kasi yung loob ko pag naririnig kong sinasabihan sya na manhid eh, kahit totoo, parang sakin bumabalik kasi ako yung nagbibigay ng effort pero parang di nya na fe-feel. Pero mahal ko padin siya, walang makakapag bago dun.

Yung mga simpleng tweet nya na, napapalundag ako sa kilig at tuwa.
Yung mga kindat nya na (kahit hindi siya marunong) nakakamatay.
Yung mga biglang ngiti nya na, nasusulyapan ko bawat tingin.
Yung mga mata nyang mapupungay na lagi akong dinadala sa langit (hindi naman siya chinito, feeling lang hahaha)
Yung kilay at buhok nyang lagi kong hinahaplos (naka keratin daw eh hahaha)
Yung boses nyang sintonado, pero pag kinakanta nya yung "When You Say Nothing At All" pati ung "Life of the Party" lumalabas yung pagka inner Michael Buble nya.
Yung moves nya na mala 90's, na pag sumasayaw sya sa harap ko napapatakip nalang ako kasi, mas lalo akong nafafall.
Yung kuko nyang laging bagong gupit.
Yung amoy nya na parang amoy baby, tapos minsan panlalaking panlalaki (seryoso nakaka ******)

At maraming maraming marami pa.
He's my kind of perfect.
Sabi nga nila, pag mahal mo ang isang tao, lahat ng imperfections nya sa sarili o sa buhay pa yan, his flaws, handang handa kang tanggapin yun ng buong buo, walang labis, walang kulang.

Love is accepting, who they are and what they are.
Diba sabi mo di ka marunong mag luto? Ako din eh, siguro sa tamang panahon, we would invent kinds of dinner or even breakfast and lunch, that your dad and my mom used to do. Kahit di tayo sigurado sa anong lasa nung pagkain na magagawa natin, as long as we got it each other, we can make it better.

Di ko alam kung bat umabot ako dito eh, alam mo bang onting onti nalang, ako na talaga manliligaw sayo? Ang bagal mo kasi eh. Hahaha joke lang, syempre hanggang panaginip ko nalang yon.

Nung coronation night, pinuntahan kita sa dressing room nyo,
I was really stunned, as you walked out that room. Destiny nga ba talaga? I was REALLY shocked, kasi merong SLOW MOTION, i have never felt that feeling before, NEVER!
Tapos yung sinabi ni Sir Yu, may kwinento sya sakin tungkol sa napagusapan nyo tungkol sakin. Long story-short, naglululundag ako sa kilig at tuwa na, who would have thought na masasabi mo pala yung mga ganung salita na yun.
Tapos si B1, haha natatawa nga ko kasi kinikilig daw siya satin, aabangan nya daw yung next chapter natin, ang tanong meron nga ba?

Jon Ray Ico Ramos! Oo ikaw! Malakas loob ko banggitin pangalan mo dito, kasi wala kang account dito at di mo alam na may ganito ako, ibig sabihin di mo to mababasa and as far as i know walang taga SCCV ang may ganito, well. HAHAHAHA!
Mahaaaaal na mahaaaal kita. Minsan sa sobrang saya ko pag kausap kita napapatype nalang ako ng "I love you" muntik na nga akong makasend nyan sayo eh, buti nalang talaga hindi hahaha :3 wala na kong masabi kasi inaantok na talaga ako as innn.

Basta sana pagka gising mo, mabasa mo to (pero syempre di mo to mababasa) para malaman mo na, ikaw ang huli kong iniisip bago ako matulog.

Good mor-night!
---------------
Good morning, Jon Ray!


P.S: sinadya ko talagang ipost to ng 5:55 AM kasi favorite number mo ang 5 so, ayan :)