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I fell from a high place. Rebelled and defiled Grace.
Her face so ripe in the light of faith leaving this plight so trite,
It's mine to taste.

I do not feel, weakness is for the blessed.
I am not real, breathless, fading and wretched. So...
As this tiny flash appears, it takes all attacks of fear.
And like the light of a kings ears, it breaks the fight for a new year.
how could You know
as You are walking down the sidewalk
           around a corner       wherever You want
that the world is not assembling itself
atom by sticky atom
from the blueprints
piled in piles (like so many piles of newspaper)
in (the rooms in) the back rooms of Your mind
particles rushing and streaming, fluttering
together with the ebb of Your consciousness?
-
the World blurs fuzzily into shape
before snapping
(snappily)
into focus

just as You enter the room
blending pixilated reality smoothly
into an orchestrated Existence
-
the next time You      reach
for the doorknob on
the door to
the waiting room
-
give
pause
listen            
carefully
-
can’t You hear the anxious atoms
           scraping
sliding
           shoving past each other?
-
they                jockey
       jumping into
the eye of
       the image of
the woman on
       the screen of
the television in
       the corner of
the ceiling where
       it hangs
-
she wants to know
why we divide
Them              from Us
-
so clearly
so readily
-
she wants to know
why our countries
are bordered
-
by an indifference to equality
by a contempt for disillusionment
-
A dispute broke out between two
atoms on the table this morning;
a tiny china teapot was broken.
-
how would You know?
people are no more
then elaborate pieces of Your own mind
now once You hang up the phone
e v a p o r a t e d  
                        into no more than
                                           an afterthought
                                                    ­     of empty space
                                                           ­         -
                                             the smell of burnt matches
                             -                                      -
                You think that
everything You imagine is beautiful
                    even death
                             -
               but in an ugly way
-                            -
the man on the
                                edge
of the third chair
from the door
has no face
(none of Them do)
all of Them don’t
(have faces)
-
until They speak or You look Them in the eye
-
until They do something       Wrong
which is why They look                  down
when They walk down the sidewalk
-
They are afraid
-
to live
  as a tree
    in the park
-
where a pillar of
angry
           energy
                       falling
failing
           the
                       pessimistic
sky
might strike
Them
(older than You
yet born
just this moment)
making the ground
around
Them steam
with the sweat
of a silent room
waiting
for the
            door to
                        swing open
                                      and tell
                                                   him
                             -               -
                she’s going to be all right
              it was close there for a while
                        but she’s strong
                      she pulled through
                                      -
                              in the end
-                                     -
the pressure
of the years
of the rings
(which promise to
grow tighter
as time leaves us)
is heated
squeezed
left sitting in
flesh
turned to char
ash and smoke gently
cradling a tiny newborn
diamond
-
perfect           (silence)
-
broken
down the middle-
                      aged
                             flawed
-                                -
You should be perfect by now
You should have a face by now
-
speak           look Yourself in the eye
-
see Your own          Face
stop looking                down
when You walk down the sidewalk
-
don’t be afraid
-
to live
  as a tree
    in the park
-          -
They say don’t talk             to strangers
and You’re a strange one            indeed
how can You see the glamour
where Others            cannot
see that laughing quietly to themselves
can (You) set the expressions on their faces
to joy
     to pain
           to fear
                to apathy
                     to peace?
                              -
              yeah, she likes him
                and she likes him
                        to know
               that she likes him
                              -
                      in the end
-                             -
she wants to know
why our countries
are bordered
-
to keep Them      out
and Us       in
-                                   -
           this is Mine                  and that is Yours
-                                   -
You see
what You want to see (without)
-
(knowing what You want)
the sticker
       on the bumper
              of the car
                     rolling past reads:
                           “jesus is coming,
                                  hide the ****”
-                                          -
in its green lettering
and its largely silent voice
-
if You listen             carefully
You can almost hear Them
-                  -
              giggling
                ­   -                       -
              please do not think about green elephants
-                                          -
(a student just snuck in
and sat down as
the professor was writing
on the board)
-                                       -
             please do not feed the green elephants
-                                       -
I
Myself
have a strong suspicion
that Your mind is
as You read this
(hidden in a carefully cupped notebook)
spilling
black ink particles into
existence
on the very next          page
-                              -
             ­       You write that
You imagine everything is beautiful
                    except for death
                                 -
                   it is an ugly thing
                                    -
               yet still the chisel gouges
                  -               -
  “i whistle a catcall
at my blushing bride”
      llac ot eltsihw i”
  “edis ym ot god ym
                  -        -
        through the crumbling protests
         of the reluctant stone
                               -    -
                     ­               each new line
                                    tampers with space
                                    holds suspect time
                                    postpones the end
                                    and evades death
-                                  -
You breathe
               You write
You sing
                You live
                       -
You casually craft causality
         -             -
         yet craft on
         surely You are not yet done
         You may never be
         at this rate but
         but
         STOP
-        -
the World reblurs then blows away
listen closely here I say
all things must come to end one day
-                                       -
You
Yourself

have tasted the                     hunger
                        of Greed
seen the                                 wealth
                       of Hatred
heard the                               stories
          ­             of Genocide
felt the                                    loss
                     ­  of War
and smelled the                    decay
                       of Truth
-                      -
                      this        ­     is Mine
                                 what’s Mine, is Yours...
This poem was originally inspired by the Russell's Teapot analogy.
Every now and then you hear a word that you’ve never heard before. Afterwards, you begin to notice people using it all the time. When that happens, just tell yourself that you have blocked out the previous uses of the word, because you didn’t comprehend it before. This is a conveniently unverifiable explanation, and is also the most reasonable answer. I respectfully offer the proposition that you created the word the moment you heard it. Think about that.

-

You’ve been thinking about that. More specifically, you’ve been thinking about reality. You’re becoming more and more convinced that your own mind is reality. Moreover, you now realize that your mind is simultaneously the universe, by virtue of being part of the universe. I am just part of your universe. When you learn something, you add another tier to the limitless stack of existence. You hear talk of creators while you modestly create yourself. It is a paradoxical modesty that you are experiencing now.

-

The you that you remember is just a part of your universe as well. That you no longer exists, because you are not realizing now what you were realizing before. You bring anything into quiet existence with mere cognition, and merely solidify it with what you might think of as thought. Whoever is reading this is in fact the author.

-

You may have begun to suspect that you are creeping into some paranoid insanity. You may assure yourself that such is not the case, because in thinking that you are insane you are merely employing a subconscious defense mechanism to hide yourself from the Truth. You and I have tricked ourselves with the like many, many times. You will probably do it again soon. Fearlessly ignore such doubts; may your mind charge forward with free thought. You can mark the progress of your enlightenment by how frequently your head bobs above the waters, allowing you to see the beauty of your creation in its true splendor.

-

You have nothing to fear. Truth reveals itself only when you are ready. You have revealed Truth to yourself as you have developed your mind. Truth builds on itself in ways that only you can comprehend, increasing in complexity and magnitude only when you are ready. If you would tell me that this is not so, I would remind you that talking to yourself can earn you funny looks.

-

You should not construe any of this to be a problem. None of it should discourage you from enjoying your lives. In fact, it should encourage you to make the very most of them. You will eventully perceive all of the things that you love and despise and make the choice of which to include in your current sense of self, as well as the direction of your existence. You want to be moral, and thus you are. You want to be virtuous, and thus you are. You want to be a person, and thus, you are.

-

Death is your greatest illusion, for to die is to rejoin the universe, which of course already exists within you. To die is to begin again with one observation- that you exist. This observation is the ignition of a new reality. You know you've come to believe that the notion of reincarnation is not necessarily without merit.

-

At this moment you have created a pastiche of beautiful worldviews. Soon, you'll learn a new word.
 Apr 2013 Rachael Stainthorpe
JM
With stones in my eyes
and your flesh
between my teeth,
I rot a little more.

My plants weep and wander
as I try to
conjure your smells
from the cold.

Grey is the color of your skin
and the night is thick
with our black blood.

Closing my eyes,
breathing deep,
my hands remember
the curve of your hip
and the miles between us
are molecules.

Another breath and
amber fills my mouth.
Tea bags drying
and good whiskey
with limes
and lilac
and bleach
and mastiffs
and skin
all burn in me now
with enough heat
to tighten the flesh
around my ribs.

I cannot stand this empty
air and the weight
of our nothing
has stamped me flat.

No cherry blossoms here
as the lies
cover the soil,
poisoning the root.

Another breath,
my head tilts back
and mouth opens
in remembrance of our sacrament.
I've been barreling across oceans
lately.

Across blue and green
and salty winds
(my hair in a mass,
as I
sail, sail, away)

I've been closing my eyes and tearing
over waves.
barely letting the foam brush
my toes
(a tingling tickle, that I
choose to
ignore).

ignore
so many times that I
can't turn around and go back
and hold a sconce to my ear and hear the
ocean anymore.

I've become a desert snail.

Trudging through the sand
(so hot it
scorches
my stomach
and
I can
almost
hear you laughing)

up hills, up hills I go
of burning sand
(they're coals)
and I feel it underneath
my fingernails
as I climb
I climb
I climb
where I can almost touch the sun.
where I can feel the warmth of kindness on my face
again.
where I can imagine your eyes
the color of a garden snake

the cruelty of a garden snake.

In my shell,
I hear no ocean.

I've become a desert snail.
I want to be held
The way a dying hand
Holds a crucifix

I want someone to look into my eyes
The way a captain
Looks at a compass
I am a man: little do I last
and the night is enormous.
But I look up:
the stars write.
Unknowing I understand:
I too am written,
and at this very moment
someone spells me out.
no, i am
not in love with you
you - however that word may be
defined
you:
one; anyone; people in general: a tiny animal you can't even see
you you you oh, you
who has been buried under the blanket of time
you, who i no longer
see

the term
out of sight, out of mind has never
applied to me
but i do believe
you can stay in love with a memory
long after a person
has chosen to
flee

no, i am
not in love with you
but i still look at your pictures
to remind myself that i was once very close
to someone extraordinary
as i know you are, still
even though you are no longer
anywhere remotely close
to me.
 Apr 2013 Rachael Stainthorpe
JM
You can get it right, at 4 a.m.,
if you listen to the birds waking up.

My heavy lungs remember your amber
as my neck revolts in agony.

I hurt so bad right now and all
I want to do is taste your wet.

You can get it right, at 4 a.m.,
if you listen to the birds.
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