awhile, a time ago, wrote:

“the oven's writing warmth,
still faint discernible,
giving off the aroma of heated ink,
upon a skin-smooth page..”

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my words returned by the commentator-in-chief:

“Tells me why the best part of my
time with her was spent in the kitchen.”^

lay fallow my emotive, a response due catalogued
but unfulfilled till today, oh hell it is a moody way,
partly cloudy day, raining in between sunny  brief teasing episodic.

perfect.

for the mixed mood, a melancholia of innocence with a dash of a salty, self-reflective hazing, choosing careful words when I write without clear direction, you want to rush outside, get set up, and then surrender-retreat inside to the comfort zone, the hearty, all-involving,  kitchen where the ink is always kept on warm on the glass topped oven, and the dripping-coffee-machine never shuts down, at-the-ready stale crackers in the cupboard, and all these writing utensils at the two-handy, when she comes in, and with a quick surveying, kicks me out, to make us accoladed good food, with these words:

“my darling only love poetry man, render unto me, this captaincy,
my fiefdom now, and herein are kept my ingredients and tools, whe my words are secreted.”  You mistake the warmth here as a necessary condition for thy composition, but not so, the warmth required travels in the hearth of the body, get thee to the nook, to the sunroom, or our bed where I catch you prepositioning conjunctions to join weeping verbs, adjective so riotous their beauteous is stolen by God i’m the fall, thoughts worthy of becoming verses and stanzas, the exclaim the wonders of thy perspective, thy goodly nature, thy odor of freshly stirred vocabulary, an alluring stew in a new ***, surrender this cooking place to me in order that you might chef a new creation, half mine, half yours, all ours.”