A Lazarus body litters the sidewalk outside a well-lit, desolate lobby.
On the left is a mexican restaurant, with a line reaching to the entrance. They should stamp the grey and scratched up plexiglass with a light and dark purple neon: Welcome To America. It would be reinforced by every delicious crunch one hears on the way out as cheap crumbs garnish concrete.
On the right, there’s a bar alive on a Friday night. Friends share hearty laughs and pats on the back. The bitter and the perishing pretend they want this when they should be somewhere or someone else. And mingling singles look for compliments and numbers, or maybe just someone to take back and **** the **** out of.
But in the midst sits a throne for ghosts. Ceiling fluorescent reflects off porcelain, paler than a farmer tan. There are no other colors besides the receptionist, bored to death, leaning on the wall behind the porcelain reception desk, reading a copy of Ebony. No ottomans or chesterfields or benches. No consoles or cocktail tables. Nothing adorning the walls. Not even a stain. Just a white hole, a bright ***** in an otherwise colorful street on gray canvas.
I rise from my slumber and mosey on out the lobby in my purple linen suit. The impoverished scrag, his dog lapping his sores, asks if I’d spare some change.
“Sorry, I only have card tonight.”
“That’s alright, sir. God bless.”
And I walk on, aware of the Abrahams rubbing up against a ****** in my wallet. I take a sip of whiskey hidden in my empty can of a drink that can never satiate me. I wait for traffic to pass, and then I jaywalk across Sticks St.