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Jun 2018
the great bard and Elizabethan play wright
begetting complete dramaturgy
     explaining fate hollowly airtight
succor starved, riddled smitten tattered
     sir real body politik blight
under whelming enthusiasm
     witnessed blank quarto copyright
more tragedy than comedy

     visited mine biography to date
     expressed as dearth decayed delight
devoid absent audience
     hip...hip...hooray three chairs to excite
zero non-exhaustive effort
     summoning stagecraft
     imagining hardened faced spectators
     muted nonexistent ovation,

     sans anticlimactic action
     superfluous stage fright,
thus retrospective stance taken
     billeted envisioned anachronistic gunfight
signifying emotional crisis,
     especially high anxiety pained height
incorporating mine every birthday
     newly aged since

     LIX January thirteenth orbitz insight
oppressive ominous gloomy glum
     obscuring highland dale light
whereby substantial sole action
     asper arrival of midnight
celestial curtain call enclosing
     somber static theatrical night
hoop fully explaining deadening

     copious heavy breathing
     followed by extended lapses
     of utter silence outright
spartan mise en scene absent props
     nsync with holographic thespians
     staid theatrics displaying plight
uneventful sleepy representation quite
leaving entire cast

     (singular char actor his shun
     of myself) remaining
     soporific steadfastly right
lee measure for measure
     much ado about nothing
hermetically sealed, NON GMO

     vacuum packed no sight
worth seeing on the twelfth night
starkly barren aimless
     padlocked mortal soul asylum
     no, not even Romeo and Juliet
     love's labor's lost passion

a comedy of errors, viz unbridled trothplight
mock king lear ring alls well that ends well
     where me crushed psyche doth unite
with death vis a vis
     as demise of Julius Caesar
     et tu Brutus I in vite.
Written by
matthew scott harris  64/M/schwenksville, penna
(64/M/schwenksville, penna)   
225
 
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