May 2018
I find this challenge daunting
one that I’ve not tried before
hope my efforts are not wanting
and that I get a decent score
My stress, oh lord, is mounting
instead of having spirits soar
Hope my efforts are not wanting
I’ve tied myself in knots galore
as this contest is so taunting
and has become a frightful chore
My stress, oh lord, is mounting
instead of having spirits soar
as this contest is so taunting
why did I make the challenge more
I didn’t set out to be vaunting
please help my rhyming I implore
My stress, oh lord, is mounting
instead of having spirits soar
I didn’t set out to be vaunting
oh! thank god I’m on verse four
with this exercise so exhausting
I'm quite sure I couldn't do one more
My stress, oh lord, is mounting
instead of having spirits soar
one that I’ve not tried before
hope my efforts are not wanting
and that I get a decent score
My stress, oh lord, is mounting
instead of having spirits soar
Hope my efforts are not wanting
I’ve tied myself in knots galore
as this contest is so taunting
and has become a frightful chore
My stress, oh lord, is mounting
instead of having spirits soar
as this contest is so taunting
why did I make the challenge more
I didn’t set out to be vaunting
please help my rhyming I implore
My stress, oh lord, is mounting
instead of having spirits soar
I didn’t set out to be vaunting
oh! thank god I’m on verse four
with this exercise so exhausting
I'm quite sure I couldn't do one more
My stress, oh lord, is mounting
instead of having spirits soar
Roundelay
By Lawrence Eberhart | January 14, 2013 | didactic
There is some confusion online as to the meaning of the term “roundelay,” with some references confusing it with the French “rondelet” and others describing it as any poem with a refrain. Actually, the roundelay, rondelet, rondeau, rondel, and other similar sounding poems all spring from a common French origin, but are all very different in contemporary use. The roundelay’s many repeating couplets and limited rhymes can make it a difficult form to write, but as with many successful poems with refrains, can also make for profound or esoteric poetry.
The roundelay consists of four sestets (six-line stanzas) made up of twelve repeating couplets (two-line stanzas, one of which repeats as each stanza’s last two lines. The stanzas’ couplets A,B,C,D ,E and R (the continuing refrain) combine in the following pattern:
A B R … B C R … C D R … D E R
So, in the second stanza, “B C R” represents six-lines (three couplets), with couplet “B” repeating from the first stanza, couplet “C” repeating in the following stanza, and its last couplet “R” repeating as every stanza’s last two lines. In addition, each couplet’s first line rhymes with other couplets’ first lines and all second lines rhyme with each other as well, making the rhyme scheme:
a-b-a-b-a-b … a-b-a-b-a-b … a-b-a-b-a-b … a-b-a-b-a-b
Remember that in a rhyming pattern, lines ending in a sound designated by “a” only rhyme with other “a” lines, “b” lines only with other “b” lines, and so on.
Trochaic tetrameter (four feet of “DUM-dah” per line, see “Meter”) is a requirement, but it is permissible for some of the lines to be one syllable short.
Ha-ha-ha!! Neither profound nor esoteric.
By Lawrence Eberhart | January 14, 2013 | didactic
There is some confusion online as to the meaning of the term “roundelay,” with some references confusing it with the French “rondelet” and others describing it as any poem with a refrain. Actually, the roundelay, rondelet, rondeau, rondel, and other similar sounding poems all spring from a common French origin, but are all very different in contemporary use. The roundelay’s many repeating couplets and limited rhymes can make it a difficult form to write, but as with many successful poems with refrains, can also make for profound or esoteric poetry.
The roundelay consists of four sestets (six-line stanzas) made up of twelve repeating couplets (two-line stanzas, one of which repeats as each stanza’s last two lines. The stanzas’ couplets A,B,C,D ,E and R (the continuing refrain) combine in the following pattern:
A B R … B C R … C D R … D E R
So, in the second stanza, “B C R” represents six-lines (three couplets), with couplet “B” repeating from the first stanza, couplet “C” repeating in the following stanza, and its last couplet “R” repeating as every stanza’s last two lines. In addition, each couplet’s first line rhymes with other couplets’ first lines and all second lines rhyme with each other as well, making the rhyme scheme:
a-b-a-b-a-b … a-b-a-b-a-b … a-b-a-b-a-b … a-b-a-b-a-b
Remember that in a rhyming pattern, lines ending in a sound designated by “a” only rhyme with other “a” lines, “b” lines only with other “b” lines, and so on.
Trochaic tetrameter (four feet of “DUM-dah” per line, see “Meter”) is a requirement, but it is permissible for some of the lines to be one syllable short.
Ha-ha-ha!! Neither profound nor esoteric.
