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Jan 2018
From Alan Lomax to the commercial music machine.

At the turn of the century when recording 1st became available to the masses “Music or recording a song” was an opportunity for common folk to reach out and tell the world something up front and personal, it meant that people were able to put themselves on “The record” A way of leaving a permanent audio statement an epitaph a form of audio immortality ~ life mood emotion captured and bottled for all eternity!
A great addition to the family "Album" something more tangible; a window to a real person, with a real life, a message and a real point of view!” a legacy, a blast from the past!

Few people expected music to be re-designed, homogenised, formulated, copied, repackaged covered and played over and over again by musicians in the form of "cover music"  or become secularized, ****** and constrained by a musical genre.

Labeling and streamlining music mostly benefits the commercial music industry! This multi-billion pound industry has made commercial success through the process of mass homogenisation, product synthesis, marketing, streamlining and then packaging fashion, sound & synthetic culture  to sell their product!

And so what was originally intended as a historical record, a personal message, or an immortality motivated art form, is now sold as a product containing  noise and yet more advertising, pertaining to genre nonsense, labeling and re-marketing, so much so that there is now more nonsense immortalised "Just fashion noise" than anything else.

To re-cap ~ I Think that songs are an audible form of expressionism and like story telling they convey moods and messages from the past! If singers and musicians create more than they copy then they are saying more whilst not devaluing the words of their predecessors!
From Alan Lomax to the commercial music machine.
A culture of cover singers, blinkered snobbery and the hermetic music industry !
Purcy Flaherty
Written by
Purcy Flaherty  50/M/Earth
(50/M/Earth)   
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