She said people were seasons,
and when I first met her, I couldn't agree more.  
After getting to know her, I wished that I didn't.
Her ex-lovers were Winter, and her eyes were a shade of Spring.
I could see the vulnerability of a car crash
swimming in each fountain trapped behind her emeralds.
She was beautiful in the way that could cause suicides,
and fix spider-webbed windshields after each collision of,
“Are you okay,” and, “I’m fine; I promise.”

Every story was Winter, and she was always left alone in the snow.
Mauve lips mouthed words that silently whispered,
"When is this too much? When are you going to leave?"

People are patterns,
and all she knew was the tessellation of temporary love and permanent loss.
Her hands trembled as she looked down.
She was in transit; moving after each hope of home fell apart.
And I wanted to kiss her like the world was falling apart.

I wanted to write a poem about flowers, so that's what I did.
It was short, expressed how I feel, and cut like glass.
I showed my father "Flowers" and he thought it was mediocre.
And I said, "No, "Mediocre" is the poem where I talk about dying,
and I'm trying to stay alive, so I wrote about flowers."

Flowers strangling soil plots with their roots, with their existence.
And to hurt something you love with your existence is a terrible feeling.

I sip my beer, the relief of foam
the last remnant of civilisation
like a porcupine shawl
alcohol is the spine slice
beneath the skin
welcoming me in.

Electric lights shining bright
eels wriggling in a pool of light
like Frankenstein reborn
the monster within
the feathers of a passing dove give flight.

Sometimes I feel like grilled asparagus
the breathlessness of sentiments
wrapped in tin foil
the coil of perfection at gas mark 7.

Sitting in my bathtub and a 3 piece suit
electric toaster bubble and squeak
and fidgety machete at the ready
the voice in my head says, 'hey man, steady!'
the institute transmutes its underplay
I opt to not execute on this occasion
instead soak up the libation of liberation.

Safe in the knowledge;
tomorrow is another day.

Incubus.
The male demon inside my head
The astral constellation
satellites off the shores of Pluto
a cold crushed diamond
hurtling in hyperspace
sparkling in rotation
silently spoken
the unspoken,
the uttered,
the muttered and the said.

Gas formations spiral
the nebula of new world creations
happening beneath the cobalt sky
the unanswered questions
am I even here
and if so,
why?

Gravity.
Descends me
push and pulls me
the ground holds me
reaching for the stars
just beyond my grasp

Space.
That vacuum
******* the corners of imagination
and the lost voices of childhood
running free in the long grass
of colourful dreams.

In the blur I see you
moving slightly amid plucked strings
and vintage wallpaper
the garden of candles
flickering in the near light.

The incubus of devilment
and stolen words
to yet reveal themselves
the forgotten fragrance
of yesterday's radiance
never forgotten
just a short solar burst away
from Proxima Centauri.

I'll get there,
eventually.

Practicality is the reality
of ignominious totality
the devices of all sizes
and the grammatical mentality
of systematic duality.

Punctuation is the *******
the ******* of every generation
the permutation and saturation
of wordsmith temptation for re-calibration
the aberration and consternation
that leads to misinformation
and condemnation and annihilation
of the constellation colloquial conversation
the abomination of language urbanization
the fermentation and ionization
of linguistic complications
the desolation of commas and semi-colons
the affirmation of their vs they're
the augmentation of amalgamation
is just the lyrical *******
of a hooded basketball top nation
the culmination of devastation
the gestation and interpolation
that leads to appreciation isolation
and justification acceleration
the modification and assimilation
of poorly-worded implementation
and the contamination of myriad exploration
alienation in illumination
punctuation is the salvation of documentation
against the tides of violation
and the extermination of regurgitation
the classification of discrimination
and last but not least
the liberation of misrepresentation.

she inhales sharp
the foliage ***** her in       a diver entering the deep
in the pine needles she sees the motions of the universe

she is self conscious about her adam’s apple

she swishes pasta water around in her mouth

google search: how to kiss
                         how to behave in a relationship
                         how to cure chapped lips
… she doesn’t know how to be sentimental, only

to take off her shorts and lay still

it’d be nice to take the initiative

she’s not sad as often now:
there is comfort in apathy and burning liquor and the scent of another on the sheets

late night fuzzy mind hooked up like an android
to mumbles over pulsating dream pop
john maus sing me 2 sleep with ur electropiano

i don’t want no new beginnings
just wanna park on panoramic way
fog up the windows **** in the backseat..

just want july warm wednesdays to drag by forever

This salt
in the saltcellar
I once saw in the salt mines.
I know
you won't
believe me,
but
it sings,
salt sings, the skin
of the salt mines
sings
with a mouth smothered
by the earth.
I shivered in those solitudes
when I heard
the voice of
the salt
in the desert.
Near Antofagasta
the nitrous
pampa
resounds:
a broken
voice,
a mournful
song.

In its caves
the salt moans, mountain
of buried light,
translucent cathedral,
crystal of the sea, oblivion
of the waves.

And then on every table
in the world,
salt,
we see your piquant
powder
sprinkling
vital light
upon
our food. Preserver
of the ancient
holds of ships,
discoverer
on
the high seas,
earliest
sailor
of the unknown, shifting
byways of the foam.
Dust of the sea, in you
the tongue receives a kiss
from ocean night:
taste imparts to every seasoned
dish your ocean essence;
the smallest,
miniature
wave from the saltcellar
reveals to us
more than domestic whiteness;
in it, we taste infinitude.