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We record the impressions left upon us by others
The good and the bad, all impressions on the soul
For everyone you meet leaves a little of themselves behind
Some over a long period a daily entwined interaction
Others a chance encounter sometimes but a moment
Yet another notch on that stick of experience
But what of the depth of the cut?
Some deep tortuous, some superficial
Some brief encounters leave a deep wound
That re opens like a sore when least expected
Others fill you with pleasure and wonderment
Yet I dare proclaim no two notches are the same
One woman's lover can bring sadness to another
For we are individuals all with our own notches
Each created a moment in time, each of us unique
We are simply hard drives
Living breathing hard drives
 Mar 2013 Patricia Drake
No Name
my lips are burning.
sadly, not from your kisses,
but from winter’s sting.
I wonder what a voice
would taste like
flowered in blood...

These are the hours
that ****** best
in sleep.

On the backdrop
of your clothed embrace,
I have sewn
the trees around me.
It is not to capture moments, as moments are lost in passing, but it also cannot be the embrace of the future, as the future lapses the present, and falls in passing as well, but it is the present where our gods live, limited only by our imagination, and will that can propel us into being exactly where we intend to be.

living.

It is not for everybody.
Your pain
Its perfect
So pretty
When you hurt

Your hurt
So patient
Feeling silly
When you smirk

You're a fool
To love me
Without showing

You're an idiot
To forsake me
Not knowing it

So beautiful
When you
Are blue

******* love you
Wish you knew

All i see is you
Drunk again, gooning the lovliness of the swamp bar.
I am not so sure that i can die. My death to you, to me, could be, just opening my eyes to another day, and everything is fine.

Time, it is an illusion of the mind, a projection of consumption for compliance to the sights bent in the light.

We cannot all defy the odds every time, but we do, pulling through the worse yet, and still on top, yet we elect to thank invisible men, but its us, it is you, it is me, embracing a dominant reality, where your only consciousness can be.

Every moment looping infinitely through eternity, now if only i could be, where i was happy.
You should look forward to seeing the person you come home to as much as they do you.
You have that, you hold the entire world within your hands
Keep tight hold
I think if I should be more aware
Of the peeling of a banana,
And all its slightly muffled, sticky sounds
I could call it music, and
Become, myself, a profound cataloger of all things   noise.
For words are only structured noises,
We mold like clay. Well, why don’t we simply reign in
The noises that are already out there?
We’ll learn the nuances of a peeling banana,
Call them words: it is a banana saying, I’m peeling.
We’ll call them poems, call them song.

The sound of a cardboard coffee cup, for instance,
Gently returned to a desk after sipping
Multiplied by a classroom of
Caffeinated percussionists would be
Aptly called an avant-guard symphony! And I perhaps,
A modern-day maestro, conductor at the front of the room
Flapping my arms to the beat, up, down! Up-down! –Only pausing
To write down the tum-tum-tum, furiously capturing this rhythm
On paper for future readers to come.

But I fear, it is in this act of writing it down, that
The banana forgets how it sounds,
Or I forget to sound the banana, and
It all starts to become a sort of cacophonous din of
Slurping children, left by the wayside by the
Education system and adopted by Starbucks,
Who doesn’t serve this sort of poem.

So we must market this to the young folks;
It will be a movement of ultimate vintage-chic,
(Recalling the days of our wordless hairy brethren,
Who could only rely on grunts and noise)
                       To imagine Man without clothing is possible,
                       But Man without poetry is simply absurd.
This is an Ars Poetica, written 2010
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