THE SEA rocks have a green moss.
The pine rocks have red berries.
I have memories of you.
  
Speak to me of how you miss me.
Tell me the hours go long and slow.
  
Speak to me of the drag on your heart,
The iron drag of the long days.
  
I know hours empty as a beggar's tin cup on a rainy day, empty as a soldier's sleeve with an arm lost.
  
Speak to me ...

Wilson and Pilcer and Snack stood before the zoo elephant.

     Wilson said, "What is its name? Is it from Asia or Africa? Who feeds
it? Is it a he or a she? How old is it? Do they have twins? How much does
it cost to feed? How much does it weigh? If it dies, how much will another
one cost? If it dies, what will they use the bones, the fat, and the hide
for? What use is it besides to look at?"

     Pilcer didn't have any questions; he was murmering to himself, "It's
a house by itself, walls and windows, the ears came from tall cornfields,
by God; the architect of those legs was a workman, by God; he stands like
a bridge out across the deep water; the face is sad and the eyes are kind;
I know elephants are good to babies."

     Snack looked up and down and at last said to himself, "He's a tough
son-of-a-gun outside and I'll bet he's got a strong heart, I'll bet he's
strong as a copper-riveted boiler inside."

     They didn't put up any arguments.
     They didn't throw anything in each other's faces.
     Three men saw the elephant three ways
     And let it go at that.
     They didn't spoil a sunny Sunday afternoon;

"Sunday comes only once a week," they told each other.

I could love you
as dry roots love rain.
I could hold you
as branches in the wind
brandish petals.
Forgive me for speaking so soon.

    Let your heart look
    on white sea spray
    and be lonely.

    Love is a fool star.

    You and a ring of stars
    may mention my name
    and then forget me.

    Love is a fool star.

Be composed—be at ease with me—I am Walt Whitman, liberal and ***** as Nature;
Not till the sun excludes you, do I exclude you;
Not till the waters refuse to glisten for you, and the leaves to rustle for you,
do my words refuse to glisten and rustle for you.

My girl, I appoint with you an appointment—and I charge you that you make
preparation to be worthy to meet me,
And I charge you that you be patient and perfect till I come.

Till then, I salute you with a significant look, that you do not forget me.

Women sit, or move to and fro—some old, some young;
The young are beautiful—but the old are more beautiful than the young.

Through the storm
I shall pass through
For I know that;
My top priority is you

No one can forbid me now
Because I know for sure,
That my whole intention
To you, in every respect, is pure

I may stumble several times
Maybe twice or thrice,
But this is what I assure you,
With every fall I shall rise

Mr. A to Z just made a fair point
In his song "I'm yours" in my opinion,
That the only thing that can stop me now
Is God's divine intervention

LET the crows go by hawking their caw and caw.
They have been swimming in midnights of coal mines somewhere.
Let 'em hawk their caw and caw.

Let the woodpecker drum and drum on a hickory stump.
He has been swimming in red and blue pools somewhere hundreds of years
And the blue has gone to his wings and the red has gone to his head.
Let his red head drum and drum.

Let the dark pools hold the birds in a looking-glass.
And if the pool wishes, let it shiver to the blur of many wings, old swimmers from old places.

Let the redwing streak a line of vermillion on the green wood lines.
And the mist along the river fix its purple in lines of a woman's shawl on lazy shoulders.

I wish my mind would stop storming with you. the windows are blown in, cracked at every piece and shattered to the floor, glass shards are filling the rugs; the walls creak but never break, the storm is over and the house keys are under the mat, but nobody bothers to come inside anymore.