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Nat Lipstadt Jan 2022
the missing accents (in a poem composed in French)

~for Elisa Maria Agiro~

are neither missed nor lost,
are neither essential nor essences,
for the heart of the poem dazzles!
for the life well dreamed, dazzles!
the simplest truth needs no spices,
life, it is glorious, the glorious spark
of god, living and breathing within us,
no matter the language, no matter
the accent, that is our mission!
Nat Lipstadt Jan 2022
My best-ever for­tune cookie con­tained a vari­ant
of Feyn­man’s maxim:

The work will teach you how to do it.

    <|>

not yet noon on New Year’s Day,
the new words search begins croakingly,
then stumble upon a philosophical notional,
celebrating messy processes, equating to outcome,
robbing me of my lazy-all-in-NY Day-no-work-ethics

many a-poem writ, more half-baked, on shelf resting,
but the pointillist theoretical, paint by point, insists:
a clean year is a clean canvas deserving, so wade
in the water of frozen creeks silencing gurgles,
catch and release, a natural new work now!

an admonishment most personal, for the
production of poems has dimmed, excuses,
plentiful but it seemed my harshest critic, MM&I,^
never provide an editor’s sign off, these pieces of me,
pass their date of expiration, &  will then, my own passing


the work teaches how  
but never guaranteeing good enough






1/1/22 4:46PM
^Me, Myself, & I
Nat Lipstadt Dec 2021
T.S. Eliot: "Last year's words belong to last year's languages and next year's words await another voice.”


<>

exactly.  

the old words are salty, unexpectedly coarse, unrefined and unsuitable for staying and surely not for going. The words are stamped with an expiration date.  

the evening is calendar-redlined, wobbly but outlined & finite, but the words are resisted, non- transferable. Stale.  

and I drink and wonder whose voice, with  artifice of a new vocabulary, all next year’s words, will bid me farewell and will I understand the spoken sounds of a new long division






Dec 31, 2021 4:07 PM
  Dec 2021 Nat Lipstadt
Ayesha
red glasses suit you just right
and, here, in loud silence of thought and thought
our tongues curl up to fitful slumbers
still sky secretive, chapped with dawn,
nightly gowns suit you just right
but, here, when old moon buckles after long nights’ wanderings
and you stir me no more
I wonder if I will mourn
still, rose serenity will be your name
but I wonder if I will mourn
when marigolds no longer open at your touch
and if do
do so lazily
when hours go by and days then weeks go by
without sweet gusts of you
gentle witchcraft of your swift glances,
and timidly bubbling stews of mine
still, some bits or more of stench
in strange hours of nights will sway
and drag me back back back
and I wonder if I will mourn

an itching, tickling fear it is
that these bees will feed the flowers one day
and the honeyed ache that I have come to like
will be blood and bone again
red glasses
red glasses you will soon replace, and
these words will be yours no more
nor mine, nor mine, oh,
how tearing the future— yet

how cruel the present— yet how cruel
we
you will not talk
and I sneak away into thought
then the spells wait and wait, and the bees
I will myself to forget
29/12/2021
  Dec 2021 Nat Lipstadt
Stephen E Yocum
awoke heart pounding,
uneasy, eyes blinking.
dreamed of her again,
knew it was my mother
but could not clearly
make out her face.

In the half dark room,
I sat up in bed and then
awake could still not recall
her face or features.

Detached and distressed,
slow tears came to my eyes,
though it had been 53 years
since she passed away, how
could I lose her image thus?

Standing from my bed, I
flipped on the bedroom light.
There on the wall was an old
black and white photo with
that reassuring still familiar
sweet face of my mother,
my father and two little
boys, being my brother
and me.

I smiled and returned to
normal breathing.
"Aw, there you are mom".
Mom died at only 54 years of age,
I still miss her and dad too.
I have grown old myself and
perhaps my memories are
diminishing, as are my remaining
days. Thankfully we have
photographs to remind us of
our lost loved ones and what
we imagine were better days.
Nat Lipstadt Dec 2021
“Great is the art of beginning, but greater the art is of ending”

Henry Wadsworth Longfellow
                                                      ­  <?>

how we age is both simultaneously
conscious and unconscious,
uncontrolled and uncomfortable


we never fail to recognize the mirror image, yet,
always thinking out loud in our brain that’s not me!


some remember their successes; others, do not,
perhaps they cannot recall the few, or more likely
acknowledge them as triumphs, as the scale is a
canon always in flux by time grinding us fine


we readily admit, or do not deny, the lines upon our bodies
are highway markers of journeys, yet we know not
who built these signposts, how they came to be here,
but that they ours, unique and accumulated, undeniable


Longfellow’s observation above hits me
with the  fullness of a wet washcloth;
intemperate and stinging,
but not unpleasantly so.

each of our beginnings are artful;
full of promise and worthy tales;
we think this. is normative,
the way a young life is proscribed,
meant to be enjoyed.

of course, this is not necessarily so;
indeed, the exiting is a violent decay,
unrelenting and foisted upon us and
we try, to amend it, our transient departure,
so that we remove the artifice, keep only the art,
the skilled communication of what we valued,
the things that are progeny, living or material,
those clues to whom we are, to whom it may concern, 
we were


Dec. 25, 2021
Nat Lipstadt Dec 2021
“Poetry to me is emotion strung on Christmas trees,
it's that delight that rips through paper
and bows to find the treasure hidden inside.

I love the thoughtful topics you bring to us
to delve into and ponder. As holidays near
I wish you warmth and caring and

childhood delight…

hugs,
Patty

a note to me from Patty…published without her permission, sorry kiddo!
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