Ah, Pradip,
once more, like a 1000 times before,
you submit title, demanding a poem,
daring me to author it's entire body & cell structure,
give it a native language birthmark, and a history unique,
even a name

Un fair!

Is it only me that you burden so, I doubt it.

Each of us has the right to the small tinys, things we see,
the embellishments of our lives,
filling our hives with pure honey,
and letting the other others peek
over our shoulders, as we write to each other,
always one more time until there is no more time

Do words have any boundaries?

How is it that words can cross the seas, the mountains, all the while,
interjecting the fullness of their import?

What time is it you ask?
Here, not yet 5 AM, and once more, here again, roused from sleep after vivid dreams, and finger pointing of my poetic life responsibility to complete this task, you gave me unasked, but know me too well, for well they rang like a bell in the brain,
a burr in the bed,
a gun to the head
Each
and all commanding,
fulfill me!

Do words require a passport to cross oceans? Do words have citizenship?
Why does entry into a different country require each time, a new poem?

yes, the house is dark,
I am alone, but not really…

The words that are conscripted to be issued, in this missive, fall so easily from my lips, that it is as if they were already there,
MRE's
?
pre-prepared, "meals – ready – to eat, "
for voyaging to the Indian continent, not caring if they came alone, or with my body in their person possessed

How is the little granddaughter?
Does she command you to write poetry too?
Does she write poetry too?
Does she learn English as well as her native tongue?
How do you tell her that you love her, celebrate her,
and that her fame and escapades are unkempt  
by real geographical boundaries,
and travel around the world?

Ah, You see
I have charged you now with responsibility!

Ah, the tables have turned, now boundaries must be crossed again with a passport issued from a foreign land (foreign to me anyway),
And I wonder and wander, when they arrive, how will I know,
commit them to memory, and love them with all my heart forever?

Praddip!
Go for one of your walks on quiet nearly empty roads, see the old people beside them, doing the things that old people do,

and memorialize these moments,
you do
so well, so fine, and let the other onlookers hear them spoke, in every language, so many love poems to life, we do not lack for any,
but always, always, always,
demand and require,
n e e d
(he howls)
one more!

Time: 5:1 2 AM
Eastern standard time
New York City
By the Atlantic Ocean
On an island surrounded by water,
That 1,000,000 or more every day pass by,
And here,
h e a r not the flow,
lost amidst
the blaring megaphone of silences
of
city noises, city words, cityscapes, human miracles, and tragedies, it cannot be.
that
I am
the only one so burdened!
And by well traveled poetry,
so un burdened

This semi private, totally public,
Love now,
Love note
is complete as of 5:16 a.m., and after a quick review, will be sent on to you, for submission of a unique-passport for
with its very own
valid entry stamp

nml

One lifts it it with one hand and issue an
"oof!"
it is
denser than you thought, guessing,
two hands gonna be needed:

to the light, hold, hoping for a peek inside,
inside hiding,
what's the weighty substance,
that provides the heft, intensifies the  
                                                           ­             volumuness

twist and turn, humming that tune, but sadly
no break, abcess, belly button hole to garner
an inner deeper peeker, to what's going on
                                                              ­                  downtown

been summoned to Wash D.C., assess the land's lay,
brought an ample supply of Hello's and Goodbye's
cause I walk & talk the-across-the-street talking
                                                                ­                  points

that's me, a puzzled neutrality, a Switzerland in America,
everyone whispers a profane preface,
course, you understand our
points of view and excuse our excesses of excited
                                                                ­                          language

suddenly realize this tension, this incremental sensation,
this mighty manual, is me
adjudged,  writhing striving strife, rife with rancor,
is my life
living in the mid, everyone expecting my honest
                                                                ­                        critiquing

and my total agreement, to the most egregious, either extreme
is the mean, what is, that they desire, spoke in not shouting tones,
givimg the appearance of agreement, without any admission of same

for what's it worth, no need to be words encompassing the truth,
that's why, it is so heavy, tho the center is an aerated hollow, heavy
is the faked heated air escaping, taking with it, freedom to run
                                                                ­                                         away, away

(~for Stella Marie, a newly arrived poet here at HP"
who asks, "when does a poem truly end?"~)

She's off,
to a fancy, long gown, dinner dance, with her dancing partner,
a relationship that predates my arrival, my tired song reminder,
"but don't forget who's taking you home" has aged out from repetition,
and now she slips in beside me 'round midnight, and more often than not
so smooth, so silently, I wake up to early morn poetry writing time
and there she is, a Britbox ****** mystery dissolving on the tv screen,
earpoded and still miraculously,
deeply asleep

before she departs, poses for a final inspection,
demonstrating my wonderful
ability to adorn her gorgeous jewlery,
and sardonically modest, critique her with, an
"as expected,
you looking gorgeous"
which evokes her soft smile, at my soft edged compliment

but earlier, whine like a grown man on a diet (so pathetic).
there is nothing
sweet to eat for my apres dinner just(ice) dessert,
and leaving me chicken soup salty and
aggravated...she in a neutral tone,
a child practiced tone,
"go check the fresh fruit drawer, there is fresh fruit aplenty,"
and I, mentally comparing my desire for a raisin scone,
or vanilla butterscotch swirl,
to the taste bud reaction unfufilled,
find the clear plastic box of fresh blackberries,
like Leornard's tea,
that comes all  the way from Mexique,
and inelegantly stuff my face...

been writin poetry since early morn, pre~sunrise, through first daylight,
and now eventide, she's off, the apartment gone quiet, as I munch on twelve blackberries I have extracted to ease my sweetness lacking

but blackberries are ****, ******, that won't quell my inner needs,
of course, the notion of twelve blackberries, says, mmmm, could
be a poem in there somewhere, and the muses whisper asides, clues,
hints and apparitions of trite not quite ripe  lines and verses that might
be apropos to a poem so ilked and milked (sorry), AND that word hits me
tween and behind my blue gray eyes,  

T A R T
----------
with its mulivariable shades of meaning,
which amuse. and I love,
but also accuse me of possibly be distracted intowriting
bad poetry,

and wonder how the tongue disassembles our food,
separating their essence into the varieties of taste sensations,
sweet, sour, salty, bitter and savory

and reflect how wise these tiny tatse buds know
just how we humans sort people into categories that
mimic  
just how knowing, assess, categorize,
our fellows humans
along the same principles,

how can there not be a supreme intelligence,
that designed our bodies so similarly
and yet so differently,
and efficiently?

something if we thought about more,
might make us less inclined to blow each other up
with such genteel aplomb.

apologize for dragging you through this rambling essay,
but it came about when Stella Marie
asks, "when does a poem truly end?"

it ends here, when you captures the flows of the living currents
we surround ourselves with, reaching out to capture their
flowing parfume essences,
the sweet, the sour, the savory,
and connecting them to a larger envisioning,
which how we operate,
why we do not ignore spectacular sunrises, sunsets,
the "curve of a wrist"
how an ankle turns a leg into a finished sentence,
how tears confess true emotion and clarify,
even though they actually intefere with seeing,
and now its time to depart, end this long rhyme
about longing,
for something sweet
and the short answer is,
jumbling and humbling,
"you just know"
for she's back and read this poem,
and tartly replies directly,
and answers your question

                     nml