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Martin Narrod Feb 2014
1909

                           on top of the dragon.
Marigolds whipping a tepid fug in this small room of stringy daylight.
That place where we fell in love. Where I dropped a hot cup of tea on my pants
And we ate sushi on the beach. I love the beach.

I am not ready for the ice festival or your new boyfriend.
He smells like bad disco and old people.
This piano concerto that I play before bed, before awakening,
I have your black dresser drawer in my bedroom,
It glistens of our days of Jasmine and Roses.

My mind blurs stories of you, her, and the other girl.
Rad violin songs, a friend from Argentina has introduced me to
Mystify me, I cannot hear straight or stand still. I have acquired
A gift for shivering. Still I can feel your talons raking up my spine.
*******! Where? Why? How did you do that thing with your mouth?

I count upwards from you and in my peaking hours of misfortune, I
Never come back down to earth's giant centrality of duel existence.
My gut expands into my chest, my nervous system and anxiety is
All of you, a lot of her, and none of the other girl.
I make half inch black markings on the wall, this curse of feeling and not forgetting
That never goes away.
Martin Narrod Feb 2014
I'm afraid, tearing from my elbows slung across my brow. You will never hear this song, whose fortuitous rhythm drapes me in its steps; where the drums and the melody beat inside my chest. Each and every day, every wakened hour, even through the night, when asleep I think about her, and between the weeks, on the top of every year, I still think about the reason I left and went to college. Chicago overthrows me, and everyone I know keeps 12 steps from where I go, sees me dressed in blackened clothes, but I'm over in a moment, except when I am stolid, or kept in twilight's throes from a choice I haven't chosen.

Here I am, but- I'm not moving. Each hour awake is a reason to stop going. I am weeping, you can't see, every lover I have had has left me be.

The silence tears me- opens my chest, even my own hands threaten the way in which I live. If I were music, I'd be our song, the lyrics build a place for a home where I belong.

San Francisco finds me out, California picks on me, every person that I know, pretends they don't know me. I'm awake when you're asleep. I'm the point in which you drag, you're the effort that I make, for the best I'll never have.

15 miles could be 5,000. Your pleasure could be my poison. I can't leave what I don't have, and I can't grieve although I'm sad. I write three letters unsigned and sent, "Dear You, I miss you, please come back." I wait for phone calls that don't come, I hear the rings that don't happen. I talk to ears that don't hear me, and wait for the silence the hours bring.

I use pronouns that give names envy, and keep the letters that you had sent me. I am happier but you can't see, "Dear You, I miss you, please come back to me."
Martin Narrod Feb 2014
Memory

     is  the birth of cool, it is rapture and ignominious spokesman unearthed. Packed into a slatted-wood crate, milking the obsession from cash-toting hands. Freeing itself from your bottom lip while life ticks itself away on a digital stock-exchange display. I am down and you are up, and you save pennies while I search for Chrysanthemums and vanilla-scented candles. Scent is my fifth grade spaceship,
     I hide it in my pocket and take it into the forest when the week is over. Adventure is the part of our story that's caught in between complaining about money and having clean sheets. Tuesday, Thursday, Friday and Sunday my hands mend themselves back from bleach, their crevices cave under bright lights, I go to the garden strip and put dirt on my face, over my shoulders, and on my back. I make a altimeter from an alarm clock, and worry what will happen if your feet should ever touch the ground.
Relief
     is a sarcophagus, the satiny silk chrysalis I weave into invincibility. I make myself a small child with a demon-proof lair, no one comes in, not even you.  I see

     how drugs take out your heart and put you anew, fresh: orange, pink, ultramarine. A wave is a soft gesture for twilight, a slow walk among the greying statue towers, bliss extracted from person to person tedium. How you exclaim about **** music as if your temple home was unfocused by jazz or synth-electro.
     I forgot your room of quiet had no bells, no hope, and no notes of resolve. Tragedy was the desert of your six to sixteen, while I made an opus out of crystal glasses and Cran-Raspberry jars. Then it was the relief, Neptune's hands on your *******, red dots of ecstasy connecting you to a higher vibration. You felt it was time to start exercising. I didn't **** you for modifying your perception of color, degrading in a salt pool- I didn't own your ****** it was just a place I went into to write.
    
    Three years later. I was growing backward, I was sixteen, making you the muse in my doorway, a James Bond goddess unraveling my fingers on her silky skin, except your golden crown was really a turban of snakes, and instead of silk I was groveling underneath you. That was the sweat that Ryan Shultz said I garbled up into two pedestal doves, I aimed by eyes straight at the city of gold, and then inside me shucked out every piece of self-respect and vitrified my spirit, castrating my lips and my tongue for something to come to or come at, he said I lived under pointed stars and that lying isn't a good way to get over past phases of silence.

     A few days ago, it all game back to me, in a random series of songs on an iTunes playlist. One memory from an isolated beach outside a strawberry patch near Santa Cruz, a second, two hands cupped over the ears, my face closing in on her smoothed-out pink bottom lip on an over-exagerated car ride to the San Francisco airport, and the third was the mention of non-vegan banana cupcakes with cream cheese frosting, a birthday I celebrated several years earlier. All of them in the coda.
    
     Verse four unbelievable. It caught me straying from the next stressor at hand. What's next? I move my cold hands from a keyboard versing strange relapse of mind, or I tear out another page, whip across town, and peel stamps onto a postcard to send.
     They were all tails from a memory. A slowing ghost that cooed at me from far away, beating me up and down, pulling my eyes away from a scent I continually tried to remember.
Martin Narrod Feb 2014
I'm the only one that's feeling happy,
sometimes I'm the only one that's feeling bad
Even if I were to pretend I'm lucky,
Maybe that's the best that's already happened

One day I just started feeling lucky.
Every dream became so real.
That even while I was all alone,
Nothing seemed that bad.

A poor girl. With big eyes.
And a smile upon her heart.
Wears the stamps of my laughter,
In the treasures of her heart.

And all the while I think I'm writing letters,
But it's really everyone that's writing me.
Today is the first time I've felt lucky,
So lucky and so free.

No one. Compares to this. These mesmerizing eyes.
The poetry in all of us when we race our property lines.
Because if you want it, because if you know,
That in her is a freedom that the rest of us don't know.

(Guitar Break)

But somedays we make mistakes,
In the recipes of our lives
Because really it was the big bad wolf,
That ate little red riding hoods' grandma's pies.
Martin Narrod Feb 2014
You're sitting across a table, in the next room- and it's the month of July.
And as the beads of sweat chip off your forehead like a shank of butcher's meat, your dorcel fin peaks through the sand where my toes peak through. The picnic table where I write letters; post cards. I take photos, make reservations, and even after I'm canceled on for walking around downtown in my bright neon-pink underwear, I still roll to the left side of the bed sit up and drop the cigarette I fell asleep on. You're just sitting, first entry: Stardom.

I don't have room for you in the corners. The corners of this room, padded walls, shifty vaseline sway- the white cotton stick of a sucker pointing out of your mouth, its red numero forty dye shines in the specks of light flicking out of the horizon like a carousel ride around and around. I'm getting a bit dizzy, and even less honest.

If you want to see me spring, like the silly string on my birthday, yellow silly-putty; molding the monster face, I observe you through a kaleidoscope of dexedrine and morphine. Your catastrophe with Xanax, passed out in alien-green *******, at that party in the abandoned firehouse on News St., how you could lay trust on me after that(a daydream with sawing you called me) sixteen-year-old mishap of an afternoon. You bring it up mentioning the water in the cracks made by the cold sore in the corner of my mouth. Is it that time of the month? No. You don't bleed, it seems that being sewn up to your neckline your head streamed with a purple ribbon, you advocate freedom and being in the present as if practicing solidarity was a subtle thing.

Chewy, sewage tasting vitamins from GNC. Surgery moved to the end of next week. I wish that this sleep "thing" could bring sheep with numbers painted on their wool coating. I would make my virginity my first offering, than silently do my suffering. Lips held tight to your dew-drop forehead, my hands wandering, wondering. Fingernails marking you blue and black until you're *******.

Where in a sickening moment a black beast hovers above us. I scribble words into your left eyelid. A flutter. She, being your best girlfriend, does not interfere with this "thing" we're doing. Otherwise I'm vomiting, my stomach churning under a canopy three months later while we're pelted with rice.....my tuxedo, you're copy and pasted due to anxiety, and so I kiss my mother on the cheek. I leave, I go the beach. And I sit across from you at the picnic table. When rousing from our daydream I hear a moth fluttering, a child's mother whip his wrist the other way to drag him away- and the sun isn't setting, unrested I head in, and I bring my arm to my mouth, and with fifteen year old lips I kiss myself to sleep.
Martin Narrod Jan 2014
Passion fruit. Banana *****, papaya dreams so nice and juicy.
Papa's up. The game is down, these other kings just ain't around.
Bang, Bang, Who's Up?! Bang, Bang, Who's Down?!
These other authors they hit the ground.

I don't mean to fright, I don't mean to leave
I just got this thing that drives me.
I don't need to fight, but it feels, so, soo, good.
But all the po' lease think that it's my neighborhood.

Ooh girl I like ya'
C'mon over I like ya'
Ooh girl I like ya'
C'mon over I'll bite ya'

I know you's a freak, so bring a friend
I got rubber sheets, so I can break you in
Some other girls, think go around
But the truth is I just go downtown
The Rick Owens Store is like my homepage
If you ain't Facebook than you ain't gettin' laid
Obscur is fresh, Henrik's a boss, but I have to say
Trentemoeller really Lost. I liked Last Resort, even
Harbour Trips, but lately he's been on some ****** up ****.

My parents want me to go get a Jay Oh Bee
But I'm too busy, sleeping.
My baby's face is porcelain, but I can't afford it
So I said it looked aluminum.

Dem people not, be steppin' on my toes
Cause' I'll show up reppin' Sheridan Rd. with my Colt '44.

Ooh girl I like ya
C'mon over ya ripe now
Ooh girl I like ya
C'mon over I'll bite ya

Your black garters' hot, so is yo' lace bikini
When it comes to lingerie, I play it like Houdini
Whether it's Agent Provocateur or Victoria's Secret
I hold my *** until I can put it in your ****.

Relationship is such a ***** word
But when it comes to ***** I like 4-letter verbs
You can bring..um..whatever you want
But if you gotta ****. **** *****. I'm out.
riffraff jodihighroller jamesfranco springbreak party drugs neon lights katyperry vmas nyfew rtw dayglow litebright
Martin Narrod Jan 2014
If you pretend, you'll never know the right way this ends.
It's the passion of my pen that prescribes this medical zen.
In my den, I walk on water, I speak in colors, it's the message that I send- I received,
Do you really need to know where it comes from?

There's this spiritual axiom, that I've been askin' him, entranced by this romance,
All these butterflies and pretty clouds I've never had the chance to give.
In my passive peculiar I'm a user of catastrophe, exacerbate the simple happenings
That disaster brings. When I lived in California it was women, it was water, it wasn't the waves,
The way her hair flirted and twirled, and whipped around when the sun every-day would
Come out.

It wasn't that I didn't have the drive, the will to survive, I even had the doll-dollars, my rent was paid, I flew around in private airplanes, and every single day I got laid. Even her father was like, "He's a cool cat, you better make 'em put a ring on that." But she ******, ain't got a clue-
if I was me then now, then I'd now what I was supposed to do.

I was supposed to ride... clear the air and see the skies. Be bliss-bound, virile, like White Snake, Just make her mine. But I was...insincere, adolescent, and hiding behind a barrier. I didn't have the Strength to carry her. It was paramount, but I wasn't 100% percent clear.

Now I'd say, well, since, it's been 1,244 days. While I sit and listen to grave-wave, having a great day.
I'm in love again, and the music says,"There's a lot of cool in them, and he never had a doubt."
Kay even said, I shouldn't trouble on the past, the present is so much better then even the future, she said, "It's in you" and I guess the Truth is, I imagine you, beautiful, intriguing, like a different forever, that even I once was 20, too.





For Kristine

By Martin Narrod
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