1AM, i was
gently shoved
out of a dream
in which i was
thrown into some
type of parallel
where

you
      and
              i

had never spoke
more than a mere
"excuse me"
walking into school
one morning
holding a glass door
open

i have spent
the last 5 hours
trying to get
this scene out of
my head.

even in a universe
where you had
never squeezed my
hand twice, like a
pulse, or sat on
your porch with
your cigarettes we
shared and two
glasses of orange,
i left my lipstick
on everything
you'd have thought
i would be more
permanent --

even then
i spent the rest
of my dream
thinking
about how
7:45AM
looks so
good on
you.

something snapped in me earlier this month
i think it was the bough that held most of what was rotten inside of me
but it could've just been the breath i was holding ever since the day i declared that your absence was never permanent, but i realized that this time it is
but this is not a poem about hoping that what goes up must come down, and what leaves you has to come back around
it's about how the clouds are looking more like laughing children
and i hear the birds in the morning without mourning you at the sight of an empty chair
i have found truth in a kind of beauty that has nothing to do with you

two weeks ago, all i thought about was what kind of person you have become and if they are anything like the person i fell in love with, but

if i've learned anything about love from you
it's that sometimes it means screaming until your voice shatters and other times it's found in silence
or growing out of old ways and apologizing despite only having fallen so hard, you left a crack in the cement

i've learned that the only reason anyone could ever replace me is because i left a hole big enough in their chest to need replacing
and by the end of it all, i got to laugh and cry and *** and be the truest, most human version of myself in the presence of someone else
i have a whole lifetime to do it all over again

i loved the things that you would do when you were you
that is enough for me

i write all day like an adult,
i am learned and i use big words
and i know how to accurately craft
a metaphor about pain and harm.

but at the end of the day
i return to childlike phrases,
“it’s not fair,” and i feel more
of a release from that than
a composition notebook
filled from cover to cover
with a million different ways
of saying that i still,
despite everything,
am not happy.

and i am eleven again
feeling like tomorrow
is a couple yesterday's ago
smothered in cayenne pepper
hot enough to take off taste buds
and tonight i am eating a meal
only worth burning
it tastes like my parents anniversary
it tastes like a zinfandel
left on the counter too long
it's a bad story, see
there's no silverware
'cause my mom sold it
to keep the lights on
and somewhere in heaven
somebody in a suit
doing commentary
on this fiasco
is telling someone else
in a suit that
"you have to eat love with your hands"
so we sit, four plates on the table
for the two of us
my brother's long gone
dad's even further away
& he's not the one who's buried
i carry both their names like anchors
that i cannot unmoor from
while she looks at the empty table
and says something about the news
she says something else
but she's not talking
we aren't proud of this, see
my dad likes to wax his car
he's proud of it
and my mom says
she sees a lot of him in my hands
says, i touch the things i find
like they didn't belong
to people sleeping in the ground
she says i touch photo albums
the same way-
you know,
i never used to believe
that history could repeat itself
not until i could
fast forward seventeen years
and still wake up to smoke alarms
how i would go into our kitchen
to find it empty
and the dinner smoldering
& my mother in her bedroom
looking through family photos
like it's a just another summer day
and the sirens are just the birds
i don't ask, i never say a word
in this moment
i am an archeologist
afraid to dig up the past
cause history repeats itself-
you see
my brother is dead
and my father is gone
they have been for some years now
and my mother
sometimes forgets
and sets their place at the table
like they're still here
and in the confusion
ends up ankle deep
in pictures of how it used to be
she let's dinner burn
and douses it in red pepper
hoping i won't know the difference

i love you this morning
it's a come home safe morning
fog on the road
& no seatbelt kind of morning
the sun is over easy
& nothing's on fire
there's punctuation
where i don't want it
and extra love
in the glovebox of my car
been thinking about being honest
how these poems are all me
but they tell the story
how someone else
might believe it happened
within reasonable doubt
no copy & pasted love letters
no 'who ever says hello first gets my attention for the day'
try a little tenderness
in my ears and today
there are instruments
in the back of my head
i think you love me
because i'm sunburned
felt it in a 'come hell or high water' kinda way, that 'touched from far away' kinda way that 'if i touch this piano one more time one of us is going to break' kinda way
and i drove over 17 bridges yesterday and today i'll do it again
and i think nobody gets
what that means except maybe you
i just tell them i love the scenery
that somebody must've made
these trees blush just for me
you know how i love
to change the subject
i bet they'd love the view
i bet you would too
and all these metaphors
for other things are beside the point
this is a metaphor
for why i don't wear my seatbelt
a metaphor for why whiskey
knows me better than you
could ever try to
all the buildings seemed to sag yesterday and all the stars
are doing that cliche thing
where they talk
quiet jet noise
& some lumbering giant
made everything shake
not those hand metaphors
not another one of those
& keep the sea to yourself
i think it was a train
it's sound hugged the embankment
for a moment
and then trailed off into nowhere
and that's kind of like me
how there's a town called 'rescue'
close to my home &
it's no coincidence
that i've never been there

you said it was the weather
when i asked why it is i'’m so cold
what you forgot to mention is
that it was the middle of the
summer and whether or not you
would be back by the time fall hit

well, fall hit and the leaves
crunching beneath my shoes sound
like door slams and i stay up thinking
if you weren’t around to hear it;
did it really happen?
you don’t call the next day and
i know for sure it happened

you say i should move on,
i picked the boy with your fingers
and spent the night thinking about the
way he would look on top of me
and spent the morning hoping you
couldn’t read minds,
because mine wasn’t on yours
this time and im sorry,
you say you will call and i think about
the way winter will hit without you around
to see, because it's happened but
this time it won't leave bruises