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Trembling fingers hold
This brimming cup.
Coffee staring blankly.
Mirrored silence.

Bitter taste invades.
My tongue, no longer
Tastes. Scent of bliss
Lingers in my veins.

I drink too soon, cup
Upends, its contents
Spilled in my lap. Reflected
My soul and my heart.
Also published at Dagmay: Literary Journal of the Davao Writers Guild
http://dagmay.kom.ph/2013/09/08/espresso-2/
We were almost killed on the Freeway
My Father slammed on his breaks
I heard my Mother gasp
and brace herself

I was almost killed in the water
I kept my palms flat and far
I kept my feet on the salty tar
and wept

I've been known to have my fair share
of self-pity
and equity
No, he didn't keep
No, I didn't sleep
At all
you are [in total]
six syllables.
in order:
long ā
short ă
long ē
short ĭ
short ē
short ă
of course that is not all
you are.
you are
rainy runner
darkroom pining from schooldays bygone.
paint-splattered psych major.
without disdain of stiff gin & tonics.
not one to shy away
from my david byrne dancing.
****/sleek/sweaty saunamate.
someone to:
call me sweetie like a
grandmother would.
drink a beer in bed with--
glad as the darkness pushes us warmly together.
this is a poem that is, apparently, as much about a really neat girl as it is about phonics.
it also looks like a candlestick.
Snow melts

Water flows

Making waves on the pavement

Wet legs.
I have seen it, O world,
I have seen it as one sees the clouds
or as one feels water naked in the cool lake  
at the break of dawn
I have felt it as one feels the grapes
seized with savage hands and crushed against one’s teeth
O I have seen the rise and fall of pain
and greed and name and fame
and I have lived the grand ways of the world
of favor and office and recognition
and reward and loss and desertion and days of merry company
and years of desolation and years of patronage and commission
and I have cupped young soft flesh in both my hands;
and I have seen loss, death and growth and promise
and stealth and destruction and infamy
and I have seen genius and I have witnessed mediocrity
and you know, I have amazed and I have disappointed -
as you, O world, as you have disappointed and amazed
I have seen the pageant of emotions
of the rise and fall and the transition and journeys
of all thought and ambition and desire and want
O world, I have seen you and you have much of me
and we have struggled and we have cursed and approved
and we have raised our heads and we have looked the other way
and you have heaped praise and dispraise
and I have created and I have destroyed
and I have cut my own canvas into parts –
but still, O world, still,
if you look at me, if you look –
you know, you know
*I, Rembrandt,
I am always the Monarch
poem written after long and repeated contemplation of the painting: "Rembrandt, Self Portrait, 1658"
come, it is a cool evening;
it is time for the body to rest
and the mind to withdraw within;
let us play then
a raga for this evening:
notes and a rhythm and a flow
that shall bring quiet, peace and calm in one’s being;
and perhaps as you play
the melody and  magic
might induce me into a state
of inspired words that might come out as song and verse
that might bring ease and stillness
to all that might hear us play and sing
poem based on painting, "An Evening's Music" (Indian; artist unknown) between 1760 and 1790; Medium: opaque watercolor and gold on paper; Brooklyn Museum
Yes, I have tried,
Sir Butterflies
O Butter Smooth and Red Samurai
I have tried to be carefree
like you both
like your eminent selves
flitting from one plant to another
not attached or fond of one
but coming and going as in necessity
I have tried
Sir Butter Smooth and Red Samurai
to be free of time
like you both
like your eminent selves
careless of the past
or what is to come
but still my mind wanders
into the inadequacies of the past
and the promises of the future
so that
O Sir Butterflies
Butter Smooth and Red Samurai
I am weighed down by attachment
and am pained by time
unlike you happy butterflies
merry and free
your life always in the moment…
Perhaps
Sir Butterflies
O Butter Smooth and Red Samurai
you should teach me…
Poem based on “A Philosopher watching a pair of butterflies,”  from Pictures after Nature an album by Katsushika Hokusai (1760-1849) Japan 1814/19. (Japanese colored woodblock)
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