I hate that I know the location of the dumb moles on your back,

and that you told me about your grandmother's dementia,

or your mother's philosophy that no act is selfless,

I hate that you told me your most embarrassing secret,

or that you make me read cookbooks aloud on a Sunday morning, when I'm wearing nothing but your t-shirt from the night before, and every time I say a different ingredient you moan, or giggle, or gasp, or grab me and tell me how hot the way I say coriander is.

I hate that you wore ugly pajama pants around me,

I hate that you showed up, drunk, on my door step at 4am after ignoring me all night, and all you wanted to do was cuddle.

and that the next morning I called you a ****, and a ****, to your face, for making me so confused about whatever is going on with us.

I hate that you said "maybe we should take a step back, because I don't wanna be a ****"

(aka because you don't want a relationship.)

well, neither do I,

I never wanted this.

I was 4 months out of a 3 year relationship, enjoying my new found freedom.

I just woke up after a typical one night stand,
to all of my favorite things,
in one room,

your room.

I never wanted the guy I had been sleeping with at the time to turn off my "whiney pop punk", just to find the exact same cd in your collection days later.

I never wanted to find out that we have the same favourite bands, or that we both like films too much.

I never wanted you to offer to sneak home from work at 10am to drive me home, just so that I could have a few more hours sleep in your bed.

I never wanted to be attracted to a guy who is the total opposite from my usual "type",
or who reminds me of my dad.

I never wanted your best friend to tell me that he wants us to date, even though you're not ready for a relationship.

because I'm not either,

but now,

are we stuck attempting to casually **** other people to avoid what might be happening?

after all, in the span of one evening you ****** one best friend and I ****** the other.

I messaged you at 5am on Saturday,
after I'd had a ******* *******,
and you told me to come pick you up from some girl's house so that we could go back home to yours.

you told me that you didn't wanna hear my *** stories anymore.

you'd message me on a Monday afternoon, fishing to see if I'd ****** someone else on the weekend.

you told me one Saturday night that you wanted to spend the entire Sunday together, in your bed, watching Star Wars and ******* all day.

and that during the walk home, we could keep warm by making out.

you even messaged me to tell me that you kissed a girl, but that you then decided to go home and message me instead.

my friends have begun to hate you for all the head ******* you do to me,

and even after I changed your name back from "******" in my phone,
you still **** me around,

I don't even think you like The Smiths,
so I don't know why I care about you in the slightest,

I guess it must be because I think it's cute that when you talk about eating meat, you say the name of a vegetable instead, just to try and please me.

or maybe because whenever we are about to ****,
you say "tell me what you want"

and after I respond, I ask you
"what do you want?"
and all you moan to me is

"I want you".

or maybe just because we are kinda sexually compatible.

after all, you said the way I grab your **** is "magical".

our discussion last week, drunk, in the club bathroom.
when you yelled loudly about
how great I am in bed,
and how you hate your ****** job,
and that you've never been single as an adult,
and you just want to be free for once in your life.

and I said I was the same,
all I want is a life free of consequence,
doing whatever I want to do.
no
strings

we agreed that we both wanted the same thing,
and then you watched me leave with another guy.



I have to stop myself from thinking about the things that you say or do,
because I'm confused enough as it is.

like the fact that you messaged me to apologise for not having sober *** with me saturday morning,

or that you finally went down on me for the first time friday night,
(it only took you 3 months)
(some stupid part of me thinks it's because you like me,
but my common sense tells me otherwise),

I honestly don't know what we are doing,

and you probably don't either.

The Road goes ever on and on

Down from the door where it began.

Now far ahead the Road has gone,

And I must follow, if I can,

Pursuing it with eager feet,

Until it joins some larger way

Where many paths and errands meet,

And whither then? I cannot say.

All that is gold does not glitter,

Not all those who wander are lost;

The old that is strong does not wither,

Deep roots are not reached by the frost.

From the ashes a fire shall be woken,

A light from the shadows shall spring;

Renewed shall be blade that was broken,

The crownless again shall be king.

What happens to a dream deferred?

Does it dry up
Like a raisin in the sun?

Or fester like a sore--
And then run?

Does it stink like rotten meat?
Or crust and sugar over--
like a syrupy sweet?

Maybe it just sags
like a heavy load.

Or does it explode?

Once it smiled a silent dell
Where the people did not dwell;
They had gone unto the wars,
Trusting to the mild-eyed stars,
Nightly, from their azure towers,
To keep watch above the flowers,
In the midst of which all day
The red sun-light lazily lay,
Now each visitor shall confess
The sad valley’s restlessness.
Nothing there is motionless—
Nothing save the airs that brood
Over the magic solitude.
Ah, by no wind are stirred those trees
That palpitate like the chill seas
Around the misty Hebrides!
Ah, by no wind those clouds are driven
That rustle through the unquiet Heaven
Unceasingly, from morn till even,
Over the violets there that lie
In myriad types of the human eye—
Over the lilies that wave
And weep above a nameless grave!
They wave:—from out their fragrant tops
Eternal dews come down in drops.
They weep:—from off their delicate stems
Perennial tears descend in gems.

Mistah Kurtz—he dead.

      A penny for the Old Guy

      I

We are the hollow men
We are the stuffed men
Leaning together
Headpiece filled with straw. Alas!
Our dried voices, when
We whisper together
Are quiet and meaningless
As wind in dry grass
Or rats’ feet over broken glass
In our dry cellar

Shape without form, shade without colour,
Paralysed force, gesture without motion;

Those who have crossed
With direct eyes, to death’s other Kingdom
Remember us—if at all—not as lost
Violent souls, but only
As the hollow men
The stuffed men.

      II

Eyes I dare not meet in dreams
In death’s dream kingdom
These do not appear:
There, the eyes are
Sunlight on a broken column
There, is a tree swinging
And voices are
In the wind’s singing
More distant and more solemn
Than a fading star.

Let me be no nearer
In death’s dream kingdom
Let me also wear
Such deliberate disguises
Rat’s coat, crowskin, crossed staves
In a field
Behaving as the wind behaves
No nearer—

Not that final meeting
In the twilight kingdom

      III

This is the dead land
This is cactus land
Here the stone images
Are raised, here they receive
The supplication of a dead man’s hand
Under the twinkle of a fading star.

Is it like this
In death’s other kingdom
Waking alone
At the hour when we are
Trembling with tenderness
Lips that would kiss
Form prayers to broken stone.

      IV

The eyes are not here
There are no eyes here
In this valley of dying stars
In this hollow valley
This broken jaw of our lost kingdoms

In this last of meeting places
We ***** together
And avoid speech
Gathered on this beach of the tumid river

Sightless, unless
The eyes reappear
As the perpetual star
Multifoliate rose
Of death’s twilight kingdom
The hope only
Of empty men.

      V

Here we go round the prickly pear
Prickly pear prickly pear
Here we go round the prickly pear
At five o’clock in the morning.

Between the idea
And the reality
Between the motion
And the act
Falls the Shadow
                                For Thine is the Kingdom

Between the conception
And the creation
Between the emotion
And the response
Falls the Shadow
                                Life is very long

Between the desire
And the spasm
Between the potency
And the existence
Between the essence
And the descent
Falls the Shadow
                                For Thine is the Kingdom

For Thine is
Life is
For Thine is the

This is the way the world ends
This is the way the world ends
This is the way the world ends
Not with a bang but a whimper.

There is a place where the sidewalk ends
And before the street begins,
And there the grass grows soft and white,
And there the sun burns crimson bright,
And there the moon-bird rests from his flight
To cool in the peppermint wind.

Let us leave this place where the smoke blows black
And the dark street winds and bends.
Past the pits where the asphalt flowers grow
We shall walk with a walk that is measured and slow,
And watch where the chalk-white arrows go
To the place where the sidewalk ends.

Yes we'll walk with a walk that is measured and slow,
And we'll go where the chalk-white arrows go,
For the children, they mark, and the children, they know
The place where the sidewalk ends.

I am writing these poems
From inside a lion,
And it's rather dark in here.
So please excuse the handwriting
Which may not be too clear.
But this afternoon by the lion's cage
I'm afraid I got too near.
And I'm writing these lines
From inside a lion,
And it's rather dark in here.

Some say the world will end in fire,
Some say in ice.
From what I’ve tasted of desire
I hold with those who favor fire.
But if it had to perish twice,
I think I know enough of hate
To say that for destruction ice
Is also great
And would suffice.