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You've got a lot
of thoughts in your head,
like rocks in your bed
they keep you up.
Tossing and turning
dreaming about
buses, one that I'm on,
coming to see you.

I know it hurt you
when you hurt me
and I know
you didn't mean
for the apology
to sound so empty.

Kara told me
you aren't eating,
that the color
from your face
is fleeting, and
that the habit is there to stay.

You could
never figure
out
what was more
risky,
getting
lost
or standing
out in the crowd,
and yeah,
it's hard to make
mom proud
with all that *******
around.

I know your
neck is
still
aching
from the accident,
but beautiful,
taking medication
just isn't safe
with your
addictive
personality.
I know because
mine gets the better of me.

I know
you don't want
to hear any of this,
and I know
you don't want
to hear me,
but when you're
out of money
and you've
got
nowhere left
to go,
then I won't
sound so hollow.

Tonight,
I'll come over
tonight,
it'll be
like old times.
I'll bring the
gin
and my
violin
and we can
sing
this bottle dry.

I could
use a drink
right now,
yeah, I think
I could use
a drink right now.
I am a poem,
so complex.

Although,
I'd been written over
thousands of different times,
you never even read me through
once

because

you

were too

stupid.
I swear,

   your
imagery

  taps
  the
acid
in my
spine.
Sangrias on Saturdays,

a better way,

we got sicker,

the stairs spiraled,

quicker than a Winter's day








and a jet plane






is a

dalmatian




in a weird sort of way.




That was stupid



to sa-

vor

one sort of angle

over
another sort
of strangle
hold

would be a mistake,

one of great consequence,

something to wince at.


Keep wincing.


I know.


Red haired,

struttin' down that stage
like the Summer fox,

strummin' that
southern rock,

get me off, get me off!

I'm stuck

in love me mode

so give me

a good


night lullaby

and tuck me in-
at least.

freckle faced teenager, giddy up!
freckle faced teenager, give it up!

I'll be there,

I"ll be the one.

I'll feel hair

and I'll pull for fun.



Snow.


Roses.


Snow and roses,

Fall always forces
and I can never go back to
the cotton my blood was soaking in.

Snow and roses,
Fall always closes
and leaves me wanting.

I can never go back; ****
the rotten fruit our wine was soaking into.
We never say what it is to say, that is, what is the pertinent daring of the day.
And on top of that-
though,

all that which that is on top of is all of the above?

Just that?

I can do...
I can
do...

better than you.
Ideas, our egos;

stroke that genius,

*******.

Because nothing compares to the real thing,

because nothing compares to a brain freeze.
Two hundred years
can pass between a page.
Two hundred years
can pass between a day.

I've laughed and died
along side the best of stems-
blue stars- I've swallowed
every shade of that hue with no shame.

I've seen the picture of Dorian Gray.

I've held pearl white,
brazen beauty in my hands,
but gambled it all away.

I've been there,
I've been somebody's light
refracted through their prism,
coloring them in so many ways.

I've been given
amethyst sequined nights;
along with other pleasures,
I gifted them away,

because
I've seen the picture of Dorian Gray.

I've been given
such expressions,
you, the pallid, petrified
rose. But I am in the
ivory, I am in the alabaster-
I serve no master-
and no one can make me stay

because

I've seen the picture of Dorian Gray.
 Jul 2013 Jwala Kay
asg
gone.
 Jul 2013 Jwala Kay
asg
you let him shower you with cheap pearls and fake diamonds.
you get excited like they mean something to you when you’d much rather be given
a book of his or a jar of sand from the beach he used to visit as a child.
something meaningful and true.
not a lame romantics idea of a present.
you want something real from him, just for once so you can say to yourself
and others
that you did not marry a narcissistic robot with preprogrammed methods of love.
but you never complain, not even once.
you just accept his presents with all the love you have and the biggest smile you can manage.
then one day the gifts stop coming.
he no longer drowns you in the beauty of plastic necklaces
and gold-plated rings.
half empty glasses of aged *** are scattered among-st the house
and you wonder why.
but you don’t ask because you figure its nothing to do with you.
missed kisses in the morning showing up late when he had plenty of time to be ready,
shades of lipstick that aren’t yours staining his shirt collars, yet you swear it has
nothing to do with you.
then one day you find him drunk and sweaty, spitting and screaming into the sky
like he’s possessed by a spiteful demon.
he curses the night all in italian,
beautiful
but terrifying at the same time.
you grab onto him only to have him shove you away.
hurt by the gesture you leave him to his woes
and try to forget the night by popping the biggest pill you can find
because having to deal with him then would be worth more
than cheap jewelry and heartache.
numbing sleep finds you.
the next day you finally decide to question him, to find out why he’s been acting
so distant like the last clouds after a torrent rain.
but before you can make a move he’s already made his.
you come home to find his bags packed and stacked high in the driveway.
now you’re asking why, you’re yelling and screaming
and tearing at his shirt, hands bent like claws.
and once more he shoves you away with the utmost disgust
plastered across his usually gentle expression.
you beg one last feeble time for an explanation.
and as he walks away
with no contempt for your well being, no care for your heart
he mutters words that make you coil with self hate and regret,
like a sucker punch to the gut.
as you bore holes into his back with your eyes, he grates
“I miss your Mona Lisa smile.”
Have I missed the quiet of morning
When the sun begins to rise
And cast its golden light
Across an  endless azure sky

Have I missed the sweetened scent
Of freshly fallen rain
As it falls to the earth from heaven
And nourishes the golden grain

Have I never seen the singer
Have I never heard the song
Of the birds as they preform
Because I to quickly move along

Never does the flowers fragrance
Catch my imagination
Am I much to busy
For such an infatuation

Have I missed the lights of heaven
When the light of day is past
Because of worrying about tomorrow
Am I moving much to fast

We each should stop and take more time
As we travel this earthen sod
To look and see all natures beauty
Be still and know that He is God
 Jul 2013 Jwala Kay
Amber Grey
The summer I interned in New York, I fell in love with someone I'd only seen from a balcony window.

I'd fallen in love with strangers before, on buses and in lines, watching their shoulders straighten and their faces grimace in half-sunlight. I fell in love with these people the way you could fall in love with a poem, finding personality in the way that their eyes flicker nervously from left to right, tiny instances where their stanzas throw you into a daze. But this time was different. For once, I wished to know a stranger without the brim of my sunglasses, for once I felt something when I knew I'd never see him again.

His apartment was cluttered, bottles of water and the empty cans of energy drinks piled in a corner where a conscious person would have fit them in a bin. There were clothes on the floor, and although I knew his high rise box was laid out just as mine, he must have used the expected closet space for something else - his clothes were everywhere, crumpled in heaps on the floor that were too erratically placed to not have some sort of lingering system. Posters of people were taped to the wall, covering the matte eggshell white, edges falling occasionally to show signs that he wouldn’t always live there. I hoped that if he ever owned a home, that those staring portraits would be stapled or pasted thick to his walls, just because he would be the sort of person who wouldn’t change his mind about what he liked or what he wanted.

I would watch him from the same eggshell white room of mine, with nothing on the walls and not a scrap of anything on the floor. From my blow up mattress to my suitcase of clothes, kitchen stocked of single servings and a solitary set of dishware. I had no curtains and no carpets, no television or pictures of friends huddled in an unexpected embrace. For all anyone knew, I could have been squatting. I would look out at him from the window spanning the entire north facing wall, aware that if he ever looked out, if his eyes ever darted south, he would see me cross legged on the tiled marble floor, hovering over an overheated laptop and cardboard coffee.

I would get home at seven forty-five, shower in the New York water that tasted like dust and gin, and towel off, walking to the balcony. He, just like I, had a long, narrow balcony spanning about four feet on the right edge of his loft, and I would lean on the edge of the concrete slab, smelling the foul city air, taxi music floating from the lumpy yellow marsh below. That was when he would unlock his door suddenly, sometime between eight and eight-ten. He would step with his entire body and move into his crowded room and stand still for a moment, as if to collect himself; restrain from tearing faces off the walls and pummeling fabric into the floor. Sometimes he'd shut the door closed with a twitch of his foot, untying the half apron around his waist with one hand and pulling the red tie strapped flat onto a black dress shirt loose with the other. Once, he did all that in succession and proceeded to slide against the shut door until he hit the ground, falling into himself like a dropped jack's ladder and rubbing his fingers from his jawline to his eyes, up into his hair and back over.

But most of the time, he would just force off his shoes, never untying the laces, and move to the balcony just as I did. He would go out to the balcony too, but he would always keep going, moving to sit on the edge of the short wall, socked feet dangling over the city. His legs would be splayed wide, hands placed right in front of him, flat on the ledge. He would look down at the golden sea below, and when he was done with it, spit a flickering cigarette into the glittering bank.

He would also smoke when he woke up. He got up at six, like clockwork, and would stumble back out into the smogged pilot's seat in a plaid bathrobe, hazy faced and staring down. I don’t think he was ever late. He would get dressed slowly and fix himself in the mirror for a good half hour at the left of his room, until finally turning around just to watch the door for a moment. Sometimes I could swear that he watched for so long that he must have thought it would up and race away.

He slept with the lights on. He never came home late. He didn’t go out at night, never blundered in at two in the morning with a lithe model girl, long hair framing icicle eyes. On weekends he would sleep all day, rising every few hours to go back on the edge of his balcony and smoke. He would stare at the faces on his walls, the callouses on his palms, the murmur below; but never, ever at the empty loft across the way, dotted with a blue plastic bed and a speck of a person.

I left New York in September, on a red eye flight vastly cheaper than the rest. I put my toothbrush and toothpaste into the front pocket of my luggage, squeezed the air out of my mattress, and left. I hadn't left a trace in that home of mine, and it didn’t leave any on me either. When I left New York, I felt nothing. It was almost like I had never set foot in the city, forgetting to socialize with the locals the way someone could leave their hat at a bar.

I never knew if the man across the canyon hated coming home to a loft like I did. I wondered if it bothered him too, the lack of walls or rooms to compartmentalize the space. I wondered if he didn’t like to eat at home, if he felt sick when he watched the sunrise. I wondered if when he looked at the tidepooled city, if he also saw salvation. If he wondered every day from eight to eight-ten about what a dangly thing of a human would seem like to the loft across if it was spit from the edge of a narrow, four foot balcony.
A bit long, I suppose. Thought I'd post some prose.
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