Nothing give me more pleasure
When one of you 'likes' an old poem mine,
Buried under the uncountable new arrivals.

I go back and reread it myself.

Nothing gives me more pleasure,
Becoming reacquainted,
Through you, with myself, and
Liking it.

More amazing is that someone bothers,
Wondering, crazy-making me,
What have I missed.

So when I stumble on you,
Don't be surprised if I am
Free falling through each and every one
You ever penned.

That is why I love to, love the
random walking thru this site.

Refreshes me, through you,
Refreshes me, through me.
7:20am

If you should ever see my face,
Be curious enough to
Venn diagram it with all
The intersecting particles of this
Leaning, listing world.

Should you happen to notice,
It also appears on the list of the
FBI's Most Wanted,
A kindness requested:

A twenty four hour
Head start.

Worth at least that, no?

My head and my heart
know only one song.

This song has no title
no artist
no album
no genre
unless you consider every person who had ever whispered this song
from cracked lips and dried up throats
or had hummed its tune in monotonous habit until it became nothing
but a humdrum sing-a-long, pass-it-on
religious routine with each letter sounding
outlandishly familiar to something forever etched in their memory.

My mother taught me this song
when I was two years old
because a decade minus eight is the age where you start remembering things like
the shape of your mouth when you’re forming the letter O
how it’s supposed to feel when it’s been struck and
how you’re supposed to not fight back
how you’re supposed to accept that you’re the weak one
how you’re just supposed to always and forever just sing
this one song.

“This
is the song your father
and his father
and his father’s father
and all their grandfathers’ great grandfathers
sang.
This
is the song that began
our end,”
is what my mother told me before she taught me
and before her lips could form the first vowel
before her throat could carry the first syllable
I knew.

I knew that this song
was a fallen hymn
drenched in desperation
its words only there to fill in the deafening silence
and like cheap cement
only meant to repair
but not to mend.
A tune that would put you to sleep
in order for you not to notice
the truth swept up under the rug
A ballad of blood
and ash
enough to fill up your lungs
and flow through your veins until its lies crawled up,
tainted and tattooed your skin
to produce scars for the world to see
scars for the world to label me
and say,
“Ah. She is her mother’s daughter.”

And when my mother finally sang the song,
I could feel the deceit and betrayal electrifying the air
adding to the illusion this twisted symphony
created that this
is the only song we can sing
this
is the only song
we were meant to bring
with us from cradle to grave.
I could hear hatred
notes of ignorance
chords of discord
something was wrong with the harmony
and I cried,
“Change the song!”
My mother sang on.
“Change the song!”
My father started to blend.
“Change the song!”
My grandmother came as a third voice.
“Change the song!”
My grandfather started to tap his feet to the beat.

And I realized that more than three hundred and thirty three years ago
someone had hummed a fa
had pressed a piano key
had written one verse
had been forced to scream out the bridge with chains on their wrists
crevices on their faces left by the tears that ran down the same path
enough times to make riverbeds
had passed the song down to his daughter
and her daughter
and her daughter’s great granddaughters
and had never stopped writing the lyrics since

There was an awkward rest in the song
as if someone had dared to stop continuing
had put the pen down
had tried to write truth instead of lies
but had died with the song of insurgency
and I asked my father whose blood it was
and he answered,
“Someone who asked questions.”
So I asked him who I was
and he answered,
“Nobody.”

But here I stand
here you stand
knowing the truth that has resurfaced
after being smothered by greed and power
century after century
curse after curse
thorn after thorn
I grew up asking questions
and I’m asking them again.
Are you going to be the first one
to erase the words?
Are you going to be the first one
to drown them out with freedom shouts?
Are you going to be the first one
to lay the pen down?
Because if you won’t, then I will
so that one day, my daughters will know
and carry this in their hearts,
Ang  mamatay  nang  dahil  sa  *iyo

Nothing

Empty
Endless
Dark
Nothing

Too much that pains
But so little to feel
Too much that hurts
But so little to heal

Everything
But nothing at all
Nothing

Thats my numb feeling

They lowered him on string,
his face unshaved and the coffin unhinged,
nothing broke his fall but a green cloth dressed in
storage-cupboard-fluff,
the first death of the second month.

Around him they said silent words, empty sentences
stretching the length of derelict paragraphs: morbid monologues
for the man who used words to **** up women
and tell them they were beautiful without them ever seeing it,
understanding it,
knowing if he was legit or not.

for Barry and Tina*

Life experience is something I haven’t witnessed,
the fitness of waking up and going back to bed
50 years on the trot.

But I look to my father’s hands and see
all twelve-thousand morning mists
he has seen.

A gristmill heart, grained hands
and workshop walking feet are
all hidden from view.

He writes in capitals, written
with precision, and crosses the T’s
as he goes along,

So not to prolong the sentence writing chore,
making more time, conjuring up the minutes
to potter around and mend unbroken objects.
-
Life experience is something I haven’t witnessed,
the fitness of waking up and going back to bed
50 years on the trot.

But I look at my mother’s hands
and see remedies read about in those magazines,
all to look younger in the staff canteen.

A watermill heart, smooth iron fingers
and contoured, sculpted chiselled
corridor feet are all hidden from view.

She scrawls her sentences; they become the tide
hiding letters and numbers in the swell
of punctuation and dotted I’s,

The T’s cross themselves and she moves on,
another phone call to attend too or
a new BBC this-time-more-accurate historical drama  to view.
-
Life experience is something I haven’t witnessed,
the fitness of waking up and going back to bed
50 years on the trot.

But if you keep on going, stay out of strong sunlight
so not to rot, those years will pass
as a striking blur leading to coastal Big Sur
roads, where the next 50 miles
bring just as many smiles as the last 50.