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 13h irinia
Emma
Stately, headless form,
profound with life, she endures—
stone defies time's hand.

Pregnant with the stars,
prosperity flows through her,
silent, yet so vast.

Temple's sacred core,
sea and stars weave her wisdom—
eternal she stands.
In Malta and Gozo we have some of the oldest temples known, how they were built is still a mystery the rocks are so huge. And within or close by we find our Goddess of fertility the people must have worshipped her devoutly.
 21h irinia
David
Prose rattles my cage
To be the doormat of inane
Speak the truth as they dance on graves
Hollow angst will marinade, too little too late
Meaning evaporates, banal finds gray in this toothless parade
inspired  by“Blame It on Kristofferson” written by Byron Hill and John Wilken,
released 2010
(lyrics below)
<•>
A young teen listens to the
folk/rock of the Sixties,
all growed up a few five-years later
living on Bleecker Street, the very same,
where these songs were being sung live,
by the artists, songwriters & friends

And Judy sings a ballad, mysterious,
‘bout a Marianne and all the tea in China,
words written like it was a poem,
and the infection was then transferred,
still ‘fected, even when now, sooner be
reporting to heaven’s door, this blessed
curse will be coming along, blame it on
Leonard Cohen

Knew the words, learned the secret chords,
which was easy, a-direct line between us,
knew where he got them holy tunes,
words he stole stealthy from our prayerbook,
went to Montreal, visited his home,
it was no accident, just the hand of god,
but don't blame the divine mystery being,
nah~nope, half~century, later, this dope
still blames it on, yeah that’s right, on
Leonard Cohen

And here we are, the two of us, probably
smiling, gesticulating and gesturing, who
in fact is truly responsible for our crazy gene,
that pursues us, to create, to mate words with
music of the deep soul, and here me be, I am,
grateful grasping for each latter day to birth a new creation, going out smiley & feeling kindly and fulfilled, more than ever, and
zero doubts that the person at fault, fully blaming it all on my Canadian soul brother,
Leonard Cohen
https://genius.com/Byron-hill-blame-it-on-kristofferson-lyrics

<•>

Lyrics Listen
I WAS ONLY SIXTEEN|WHEN I HEARD THAT MELODY|AND THOSE WORDS ABOUT A YOUNG MAN|WHO WAS ALMOST JUST LIKE ME|ON A SUNDAY MORNING SIDEWALK|HE WAS FEELING ALL ALONE|I HAD NEVER BEEN THAT FAR FROM HOME|BUT NOT FOR LONG|BLAME IT ON KRISTOFFERSON||HE CHANGED MY LIFE FOREVER|WITH EVERY WORD HE WROTE|HE SANG WITH RHYMES THAT RAMBLED|AND THEY HIT ME LIKE A ****|SO I HEADED OFF WITH MY GUITAR|TO NASHVILLE TENNESSEE|MADE A PROMISE TO MYSELF I'D ALWAYS BE|WHAT I'D BECOME|BLAME IT ON KRISTOFFERSON||CHORUS: I'VE BEEN BLESSED TO BRING A SMILE|TO A FEW FOLKS WITH MY SONGS|BRING A TEAR TO SOMEONE'S EYE|AND HEAR THEM SING ALONG|BUT SOMETIMES I START HATING|EVERY WORD I'VE EVER WRITTEN|THINKING I AIN'T EVER LIVIN' UP|TO SUNDAY MORNIN' COMIN' DOWN AT ALL|BLAME IT ON KRISTOFFERSON||SO HERE'S TO JOHNNY CASH|AND 1970|THAT TV SHOW WHERE FIRST HEARD|THOSE WORDS THAT SPOKE TO ME|OF A SUNDAY MORNING SIDEWALK|AND A YOUNG MAN ALL ALONE|I HAD NEVER BEEN THAT FAR FROM HOME|BUT NOT FOR LONG|BLAME IT ON KRISTOFFERSON||REPEAT CHORUS|
 1d irinia
Emma
Everything bleached—
the words, the memory of words,
the tongue flattened beneath the weight
of what must not be spoken. A surrender
of sound, a silence that tastes like salt
pressed into a wound
you forgot to name.

Here—
the iodine threads through the dirt—
it burns its way backward,
into a childhood—
is it mine? I do not know—
that never grew
out of its scabs, that curled itself
into a tight fist
of unhealed skin.

The razors, though—
they moved like swifts, like
unseen birds
cutting through the air
too fast to stop—
their kisses, their strange
geometry of ruin.

And the grown-ups, their words—
or were they storms?
or the echo of gods?—
"You must obey, or vanish.
You must obey, or
learn to die of shame."
And so—
the body folds itself inward,
like paper, like
a breath no one will miss.

Do you feel it?
The guilt—
its slender fingers
tightening, as if around
the throat of a world.
The shame—its small
knife-point etching
names you did not choose
into the chest.
The way the chest carries it—
silent, but
with the weight of centuries.

"Tell the story," they said.
"Make it better.
Make it sing." But
their mouths are full
of echo, their threats
like waves breaking
against a cliff you can’t stop
dreaming of.

I want to write the dirt.
The cuts.
The razors in their perfect arcs.
I want to write the gods
that were not gods, the voices
that were not mine.
The grace—
noose-like, tightening—
but not the gilded lie
of endings.

Instead, a fire:
its single purpose,
its clear burning.
Not to erase, but to
scar. To carve me
out of this
bleached photograph, this
ghost-sky still
blistering my hands.

Let it end in the crackle of ash,
the body emerging—
not whole, but here,
a scarred brightness walking
into the unfinished dawn.
Everyone seems to be writing about their growing up, I decided to share a few, could be a bit tough to read.
Setbacks fuel the joy of accomplishment
Without effort and sacrifice
Gratitude couldn't exist
If life only provided wins
They would be taken for granted
In the absence of losses
Our growth depends on the balance of duality
Character is developed in adversity
Put the pieces of both sides together
To have a glimpse into the bigger picture
The warmth of light depends on the emptiness of the void
Darkness provides a space for rays to dance with illumination
All thoughts, emotions and experiences
supply us with essential lessons
Where wisdom and understanding
Can blossom into our becoming whole
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