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Come with me woman.
I can sense your fear,
But no need to be afraid,
I will transform your monochrome world,
Into colours of every shade.

You can trust me woman,
Yes, I know, tis hard,
Trust, a special gift to give,
I will wrap your trust in a loving embrace,
Show you how to live.

Please, care for me woman,
Hold me in your arms,
I will hold you so tight,
You won’t want the cuddling to ever stop,
Loving deep into the night.

Just love me woman,
Deep in your heart,
You can feel, I love you,
I will fly so high with your precious soul,
In summer skies of blue.

Please be my woman,
I truly am all yours,
I will share all I know,
Our days filled with laughter and smiles,
Tis seeds of love we sow.

Have faith in me woman,
Taste me in dreams,
You are my cherished lover,
And if you accept me, and all that I am,
I’ll never want another.

©Paul M Chafer 2015
The first poem I wrote in 2015. A bright start.
 Jan 2015 Emily Jones
Alisha
Maps
 Jan 2015 Emily Jones
Alisha
Your eyes were laced
with fatigue induced red lines
that were not unlike
the red lines that laced the world maps I used to obsess over
before I realised
that the world that existed beneath
your fatigue laced eyes
was worth travelling too.
1236

Like Time’s insidious wrinkle
On a beloved Face
We clutch the Grace the tighter
Though we resent the crease

The Frost himself so comely
Dishevels every prime
Asserting from his Prism
That none can punish him
 Jan 2015 Emily Jones
Aisha Ella
When she was born
Her relatives spat on the ground,
Called her mother a witch
And said "The only thing she's good for is dowry".

By 6 years old
She understood what being a girl meant;
Be still and quiet
Your opinion is irrelevant .

At 11 she watched her brothers go to school
As she sat in the kitchen,
Doing 'the work of a woman',
With tears of longing streaming down her face.

At 17, she slept with a man who was 67
Living with the cruel hand she'd been dealt;
How did she raise 2 children
When she was still a child herself?

At 35, no longer a child bride
She was replaced,
With a girl that had not
Even come of age.

She held the young woman
And dried her tears.
She understood her sorrow
She had felt it for years.

But this was her destiny,
Her role from birth.
To be the silent weeper,
The cleaner, the mother,
The lover; who would never know Love.

At 65 she's died,
Buried next to a man she never even knew.
Not a single male cries,
Her funeral attended by few.

So why the abuse?
Why so much pain?
Why raise such a brave soul in vain?

One rebellious voice cries,
With tears streaming down her face
"If only she were male!"
She looks to me and says

"You wish to know,
why she could have had no joy?
The answer is simple
They wanted a boy"
From his shoulder Hiawatha
Took the camera of rosewood,
Made of sliding, folding rosewood;
Neatly put it all together.
In its case it lay compactly,
Folded into nearly nothing;

But he opened out the hinges,
Pushed and pulled the joints and hinges,
Till it looked all squares and oblongs,
Like a complicated figure
In the Second Book of Euclid.

This he perched upon a tripod -
Crouched beneath its dusky cover -
Stretched his hand, enforcing silence -
Said, "Be motionless, I beg you!"
Mystic, awful was the process.

All the family in order
Sat before him for their pictures:
Each in turn, as he was taken,
Volunteered his own suggestions,
His ingenious suggestions.

First the Governor, the Father:
He suggested velvet curtains
Looped about a massy pillar;
And the corner of a table,
Of a rosewood dining-table.
He would hold a scroll of something,
Hold it firmly in his left-hand;
He would keep his right-hand buried
(Like Napoleon) in his waistcoat;
He would contemplate the distance
With a look of pensive meaning,
As of ducks that die ill tempests.

Grand, heroic was the notion:
Yet the picture failed entirely:
Failed, because he moved a little,
Moved, because he couldn't help it.

Next, his better half took courage;
SHE would have her picture taken.
She came dressed beyond description,
Dressed in jewels and in satin
Far too gorgeous for an empress.
Gracefully she sat down sideways,
With a simper scarcely human,
Holding in her hand a bouquet
Rather larger than a cabbage.
All the while that she was sitting,
Still the lady chattered, chattered,
Like a monkey in the forest.
"Am I sitting still?" she asked him.
"Is my face enough in profile?
Shall I hold the bouquet higher?
Will it came into the picture?"
And the picture failed completely.

Next the Son, the Stunning-Cantab:
He suggested curves of beauty,
Curves pervading all his figure,
Which the eye might follow onward,
Till they centered in the breast-pin,
Centered in the golden breast-pin.
He had learnt it all from Ruskin
(Author of 'The Stones of Venice,'
'Seven Lamps of Architecture,'
'Modern Painters,' and some others);
And perhaps he had not fully
Understood his author's meaning;
But, whatever was the reason,
All was fruitless, as the picture
Ended in an utter failure.

Next to him the eldest daughter:
She suggested very little,
Only asked if he would take her
With her look of 'passive beauty.'

Her idea of passive beauty
Was a squinting of the left-eye,
Was a drooping of the right-eye,
Was a smile that went up sideways
To the corner of the nostrils.

Hiawatha, when she asked him,
Took no notice of the question,
Looked as if he hadn't heard it;
But, when pointedly appealed to,
Smiled in his peculiar manner,
Coughed and said it 'didn't matter,'
Bit his lip and changed the subject.

Nor in this was he mistaken,
As the picture failed completely.

So in turn the other sisters.

Last, the youngest son was taken:
Very rough and thick his hair was,
Very round and red his face was,
Very dusty was his jacket,
Very fidgety his manner.
And his overbearing sisters
Called him names he disapproved of:
Called him Johnny, 'Daddy's Darling,'
Called him Jacky, 'Scrubby School-boy.'
And, so awful was the picture,
In comparison the others
Seemed, to one's bewildered fancy,
To have partially succeeded.

Finally my Hiawatha
Tumbled all the tribe together,
('Grouped' is not the right expression),
And, as happy chance would have it
Did at last obtain a picture
Where the faces all succeeded:
Each came out a perfect likeness.

Then they joined and all abused it,
Unrestrainedly abused it,
As the worst and ugliest picture
They could possibly have dreamed of.
'Giving one such strange expressions -
Sullen, stupid, pert expressions.
Really any one would take us
(Any one that did not know us)
For the most unpleasant people!'
(Hiawatha seemed to think so,
Seemed to think it not unlikely).
All together rang their voices,
Angry, loud, discordant voices,
As of dogs that howl in concert,
As of cats that wail in chorus.

But my Hiawatha's patience,
His politeness and his patience,
Unaccountably had vanished,
And he left that happy party.
Neither did he leave them slowly,
With the calm deliberation,
The intense deliberation
Of a photographic artist:
But he left them in a hurry,
Left them in a mighty hurry,
Stating that he would not stand it,
Stating in emphatic language
What he'd be before he'd stand it.
Hurriedly he packed his boxes:
Hurriedly the porter trundled
On a barrow all his boxes:
Hurriedly he took his ticket:
Hurriedly the train received him:
Thus departed Hiawatha.
Your smile is the poetry
I was never able to write
For it never had words
An honest expression of your soul
Unmatched radiance across your face
Poetry which is most eloquent
Recited from your heart to mine
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