My hearts beating too fast and I'm falling even before
I'm leaning in to meet you
Oh, is this how my life ends?
Carbon steel lips against mine,
And the barrel of your tongue in my mouth
I'm too young to die,
Too young to feel so full and honest.
But this will be the way I am found,
every time,
Brains on the wall
And somewhere in the wreckage
a bullet called
lust.

So, long ago
we had the Renaissance Period,
and then there was
the Baroque Period,
and then there was
the Classical Period,
and then there was
the Romantic Period,
and then we got to
the Twentieth Century,
and we called it modern
and we called it contemporary
but we can't use
those words anymore,
so I say
we call it
the Weird-*** Period,
where every artist,
musician, playwright,
composer, poet,
and so on,
were doing weird-****.
I love this period.
So, in the sixties or so
we had the killing
of music
by John Cage
in his silent piece,
and the death
of painting
in the blank canvas,
and there must have been
a blank piece of paper
that was a poem,
and then
we had the rebirth
of art
in the work
of the minimalists,
and of course,
don't forget
the conceptual artist
who had himself shot,
so now,
we are well into
the Twenty-First Century,
so it must be
the Post Weird-*** Period,
but maybe
we should call it
the Bizarro Period,
or something like that.

You speak of salvation.

After the chaos I've caused,
  my redemptive acts

merely clear a few stones
  from the path of an avalanche.
   What sort of deity

would deign to
  sanctify me? Where is the sense
   in granting forgiveness
    when I still hold myself
      accountable?