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 Aug 2014 david jm
AZahorcak
What makes a reader?

What makes a writer?

What compels anyone to the love of language?

Why do we not sing?

Why do we not play?

Why do we not paint?

What leads us to be so loyal to our craft?

There is a man who seeks new methods of relaxation, a man who can so easily slip into another man’s life.  There is a man who is enthralled by the mere re-telling of high tales.  A man who is quite an observer. A man who is logical (in one sense or another) and observes his plate well.  A man whom rests his faith on an influence and the good faith of escape.  A man who rests in the lines of paper, whether they be marked by blue or red ink.

He stood up,

With a vigor comparable to that of a bear.

In a rush, blood began to flood his veins.

They pulsated, and wound his fist back to a tightly-coiled projectile.

And eventually when the sun came to its final moment, he understood.  Long after his body will rot, his pen will continue to spill ink.  Long after he dies, people will continue to live.  Long after humans die, things will continue to die.  What could mean more than that?
 Aug 2014 david jm
Margrett Gold
My life
for an instant,
wafting in and out of reality,
a breath taking verisimilitude
interchanged with my surroundings.
enclosed,
naked,
numb,
lying belly up in your palms.
This poem unraveled itself, some live oblivious and helpless, like fish in a tank.
 Aug 2014 david jm
Jim Kleinhenz
They say old hearts do not
like old dreams to go unachieved
and uncalled for. They say,
when the winds blow with a finesse
unheard of, and the trees shiver as if they knew
what was about to befall them,
and the black cats all creep into shadows
even darker than they are—
the toads will be asleep under rocks
no one will ever know the names of,
dreaming old dreams of gold
and silver men, with gold and silver hearts
who can neither dream nor sleep—
nor do they want to.

© Jim Kleinhenz
 Aug 2014 david jm
Jim Kleinhenz
'What they don’t know, of course,
is that you don’t **** with the Hammer.
The Hammer smiles, you smile, you wave the truck
ahead. It’s pretty simple,
for poetry does not make assertions;
philosophy does. When the Hammer speaks,
he speaks of something wild.  You stop your world,
the phony one, the constructed one. It stops
and stops and stops—'

I force open the lock, let in the sun.
The Hammer and I confront synaptic death
each day we live. What’s left is fire now.
‘Welcome to the Republic of the Sane.’
I smile and let the fresh air fill
the cabin, fill their lungs. The Seine is just
a river in France, right? I smile and say,
‘The hard part is over.’—though we all know
it isn’t. I tell them, ‘Wallace Stevens
once lived in this house’—though he didn’t.
Let be be finale of seem, I quote. I speak
with care. This is the current reply: The only
Emperor is the Emperor of ice cream.
We hold our arms heaven-ward, like
we are angels in heaven. Since it’s winter
I have a fire burning in the fireplace.
The kids can have a bedroom to themselves,
upstairs. There is hot water, take a bath…

‘In transit to the blank planet,’ I say.
‘That’s your answer: where we are, a point,
circumference points, vectors maybe,
an asymptotic self-description,
that’s the best answer to your question.’
We sit next to the fire
and listen to music. Tonight it’s Schubert,
Winterreise. I read a little from
The Hour of the Star. We talk about Adorno,
Emil Cioran, Gaston Bachelard, Chaucer.
We talk about poetic thinking. Is
the goal to have
an ultimate clarity or is
the poet’s mind composed of play
and speculation? I prevaricate,
I lie, deceive, evade. We open up
a decent bottle of port. The Hammer
has prepared calamari in a butter sauce.
There’s fresh pasta, fresh bread.
‘My friends, a toast,’ I say. They have to know.
‘Today’s word is vector, a vector like
ticks are for Lyme disease, mosquitoes for
malaria.’ The transmission of disease,
is that what humanity is? ‘Human
intelligence,’ I say, ‘may be the result
of a virus. It would explain a lot.’

Among the things we console ourselves with
I will put other people at the top.
I know, my dear, you tremble at the word
thing. ‘Think to say I and Thou’, you would say
were you here, were you still with me.
That people partake of Being as objects
is only part of the story. Well, perhaps, I err…
perhaps I do. One of the things I read
to the people who come across the line
is this from Clarice Lispector:
'It must be said the girl is not conscious
of my presence. Were it otherwise she would
have someone to pray for and that would mean
salvation. But I am fully conscious
of her presence: through her I utter my cry
of horror to existence. To this
existence I love so dearly.'
It is very beautiful, is it not?
© Jim Kleinhenz
 Aug 2014 david jm
skyyy
Untitled
 Aug 2014 david jm
skyyy
As red drips through
the many cracks of a wall
my mind slowly becomes more vague.
I stand over the wall that was once a pale yellow
and I try to remember what yellow actually looks like.
But I cannot remember because I cannot imagine
a color other than red.
But then the wall becomes black,
no everything becomes black and I can not remember
what red looks like.
I try to imagine how this wall once looked
but there is no longer any wall.
not a yellow wall, not a red wall, not even a black wall.
 Aug 2014 david jm
berry
there is really something horrible
about being understood by someone.
having another soul that just - "gets it"
having another living being that relates.

because it means that they have felt your hurt
they've cried your tears, thought your thoughts
they have lived the terrors in your head and
endured the anguish  that lives in your heart.

that is why it is terrible to be understood.
my heart breaks anew when someone tells me
"i get it"
 Aug 2014 david jm
Tom Leveille
do you ever wonder
about the difference between
looking at something
and the hallucination created
when looking past it?
if you look at your hand
it's all you can see
but if you look past your hand
there are now two of them
sometimes it's hard for me
to remember which is real
it gets me thinking
about how my father
used to wake me up
in the morning by rubbing
his stubble across my face
i spent my 11th birthday
under the assumption
that he might come back
if i drank his aftershave
like maybe if i could turn blue
if i could be his favorite color
on our bathroom floor
he would forget why he left
the paramedics were all sobing
as they pumped memories
out of my stomach
i coughed up the day the post-it note with your new address on it
burned a hole in our refrigerator
coughed up the day
the divorce papers came
and my mother
took a baseball bat to the mailbox
i've been choking on the splinters
for 17 years
it's been 17 years
since the last dinner plate
exploded on our dining room wall
17 years since my mother
started accidentally setting your place at the dinner table
17 years since italian night
at the restaurant on the corner
where the juke box
spat tired music
and like so many other things
it stopped working when you left
i guess it's no coincidence
since the juke box went quiet
that the cds in my car
only skip on "i miss you"
i've been hemorrhaging memories
for so long
and now that i'm looking back
i can no longer tell
the mirage from the truth
sometimes i swear
you showed up to my graduation
and last time
i was at your apartment
i can't remember
if the imprints of my hands
are in clay hanging on your wall
or if they were left in the mud
the day god had the audacity
to let it rain
or maybe it's like the time
i saw someone crying on a bridge
now that i think about it
i can't remember if it was me
 Aug 2014 david jm
Tom Leveille
i always thought
you were thru traffic
that you were just jet lag
background noise
the kiss in the rain
i've never had
but what if you aren't?
what if this
was the thousandth time
i have loved you?
what if this is just a fresh coat of paint?
what if god
keeps a handkerchief
soaked in the day we met
next to his bed?
maybe theres a reason
i reach for no one in bed
the way i would
if someone used to be there
you know, they say
the road behind us
is littered with things
we couldn't hold onto
i wonder how many times
you've slipped through my hands
like hour glass sand
do you know
how much erosion you've caused?
i heard cupid
stopped keeping count
of how many times
we came together
just to come apart again
maybe it was just a rumor
it makes me think
about how many times
i've almost had you
like if all this talk
about history repeating itself
endlessly replaying is true
i wonder how many times
things have happened already
like the time
i tried talking you
into loving me back
back fired
or the time i could have sworn
jesus & lazarus were playing chess
with my heartbeat
but it was only you smiling
how many times
have i tried to tell you
how many times
have you read this poem
how many times
have i tried not to meet you
in my dreams anymore
it's like sleep tries to warn
me of what's happening
before it does but
i keep having this dream
where i tell you bedtime stories
and each one
is a different way you die
and in every one
i can never save you
it's like you're this song
i have on repeat
and every time it starts over
i forget the words
it's like you picked up the book entitled "us"
and the back cover
said you'd leave
so you never bothered reading it
tell me you aren't
going back in that bookstore
just to do it again
or will you tell me tomorrow?
or is this the time
you don't say anything at all?
if this has all happened before
if we call it quits
before we begin
again
from the beginning
i just want to ask you
to be my fire
because i am tired
of these old lives
and i'd like to see them
burn
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