please tell your ghost to stop following me
and whispering in my ears
that i was not good enough
please tell your ghost to stop following me
and calling me sweetheart
and putting his hands all over me
please tell your ghost to stop following me
and watching me while i cry
about how i miss you
please tell your ghost to stop following me
and laying in bed with me
keeping me from closing my eyes
please tell your ghost to stop following me
if i can't have you
then i don't want your
ghost

Notice how he has numbered the blue veins
in my breast. Moreover there are ten freckles.
Now he goes left. Now he goes right.
He is buiding a city, a city of flesh.
He's an industrialist. He has starved in cellars
and, ladies and gentlemen, he's been broken by iron,
by the blood, by the metal, by the triumphant
iron of his mother's death. But he begins again.
Now he constructs me. He is consumed by the city.
>From the glory of words he has built me up.
>From the wonder of concrete he has molded me.
He has given me six hundred street signs.
The time I was dancing he built a museum.
He built ten blocks when I moved on the bed.
He constructed an overpass when I left.
I gave him flowers and he built an airport.
For traffic lights he handed at red and green
lollipops. Yet in my heart I am go children slow.

"...a frozen memory, like any photo,
where nothing is missing, not even,
and especially, nothingness..."
-- Julio Cortázar, "Blow Up"

Mirror-mad,
he photographed reflections:
sunstorms in puddles,
cities in canals,

double portraits framed
in sunglasses,
the fat phantoms who dance
on the flanks of cars.

Nothing caught his eye
unless it bent
or glistered
over something else.

He trapped clouds in bottles
the way kids
trap grasshoppers.
Then one misty day

he was stopped
by the windshield.
Behind him,
an avenue of trees,

before him,
the mirror of that scene.
He seemed to enter
what, in fact, he left.