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 Jun 2010
Glynis Kearney
Touch my banquet
it's possible crucifying pleasure
Instinct inspires whispers
of tormenting embrace
Confess your need
to fragment my illusions
Speak!
I can be found in all of this!

Leave & let me
believe in fragile reasons
Burn kisses
into my naked hidden world
Embrace secret rythms
that lie here poisoned
But meet me on your side
of the drunken universe!

Laugh cruel petals
my hour is haunting....
lavish your fancy dress
I exist only in solitude

....but the fever is in the living......
© Glynis Kearney 2005
There is a bar high up in the sky
That only sells water and no rye
So come on in, and take a seat
This is where three kings come to meet

Then the stage will be made clear
They sing new songs for the Angels to hear
Finishing together with a song called Salvation
The Angels cheer and give a standing ovation

Holly then sings of ways that are true
A beautiful voice up in a sky of blue
And when he stops and must now part
I can feel it raining in my heart

So Presley takes his turn to sing
Telling us of fools rushing in
Music backed from a heavenly band
I wish they could hear it down in dixie land

Jackson is  last to take the stage then
Not one dry eye when he sings about Ben
Entertains everyone and they are dancing along
Then he ends with a beautiful earth song

If you listen carefully, you can hear them up there
Way up high, in a bar in the sky somewhere
So I know the music that Heaven brings
When together they sing, the three kings
copyright Chris Smith 2010
 Jun 2010
D Conors
intake of
breath
lines perfect
composition
D. Conors
c. 05 June 2010
 Jun 2010
D Conors
When I walk alone and by myself
for a day or two or perhaps a minute,
nothing makes sense and everything does,
and I want to write without words
and love myself while hating me, too,
and prove to you the world is ours
or maybe just yours
when all is paved in pain
like some puzzle missing pieces vital.
But only when I walk alone.

When I have to be with you
for an entire day or a few minutes,
it all makes sense and it doesn't
and I want to talk in silence
and be your friend and maybe more
and prove virility while wrestling the lions
or just by simply holding you
when the tears fall from your eyes
like the blood from one thousand wounds
but only when I have to be with you.
D. Conors
c. 26 July 1988

"Pieces Vital" was my first ever officially published work.
I still have the publisher's proof in my files.
 Jun 2010
Renjith Prahlad
I despise the creation
as a lone wanderer
who bottomed once a wonder
to an abyss of blue

I despise the foetus
I seeded within
the mother who produced
an infant of wisdom

I despise the symphonies
of my creation's curse
whose voices I gifted
from the echoes of mine

I despise this halo
that renders me divine
A nimbus of insolence
that burns me alive

I despise your journeys
to sanctity's den
for the airs, a legacy
from my immortal breath

As an unjust painter
I confess my sins
to the rainbows I drew
with a colourless quill

I seize the wonder
cast ages ago
As a triumphant saviour
to the disarmed souls

The abyss of blue,
a remnant to bear
the stench of your despair
to my merciless adieu
 May 2010
D Conors
“The rest is silence.”"-A. Crowley

I

I will know you only because
you are known to me deep down
beneath the subtle shadows carved
permanently upon your deceivingly
angelic face
sculpted by an artist
nameless to none but the heavy slab of stone
he used to create an ache
I’ve come to want to know as you
whose soft and silent rolling voice
where from there springs the torrents
of a turmoil melting like wax
in the mixed up chasm
of your mind
the destroyer of your smile
the reminder of bad times
that causes me to know you and from where you come
riding in bare-back
jet-black hair flying on
the hated molten roaring
riveted steel furnace
of inner anguish
again
and again
you beautiful deadly diamond black jewelry rose
of unworldly charm and perfected pain.

II

This is how I know you
in the steamy swelter of the nightfall’s
stifling bluish pall
you and I alone somewhere
anywhere
but probably nowhere
between the silken smooth heavenly legs of
here and there inside
the broken smoked crystal chandelier
of an ancient chamber room illuminated by
the flicker of more than fifty slowly disappearing
jutting candle-flames
I know you
because you make yourself known
to me
on the black-satin wrinkled bed-sheets that
we lie
writhing around upon like two
dying dancing angels
being swallowed by the suffocating oil
of a shame we bother created
just like gods
or dancing dancers dancing slowly
dying
in the pallid ***** fuming fog
…dancing with the gods.


you are as I know you
silhouetted in the silence of our
ecstatic shattered sighs
as we fly through lust’s futile passions where
we lie, we lie
we lie…


III

You are crawling across
the one-thousand mile mattress
stalking towards me
starvation’s fire fuels
your steely-sharp brown eyes
leopard-like your lithe,
tiny olive-brown body poised
ready to pounce
ready to strike
arrayed in skin-tight crimson lace
deadliness flashing on your face
your ******* dark and pointy ******* feel
fit for me to fed the song—
I smile—
then with healthy, stealthy fury
you leap
and pin me down
trapping
me between these shiny sheets of coal
and your sweeping feline glowing
perfumed-prison hair
polished glossy ruby fingernails
dig deep
into my massive arms
ivory razor-baring teeth
bite my hips
my neck
my chest
my thighs
you stop just in time
to devour me
delightfully
rocking, reeling in the sounds of us around
the intoxicating scent of your
flaming fountain-***
colognes my livid throbbing burning *****
I yell
I try to scream
I want to cry
…but instead, drift off to dream.

IV

You lie awake
aiting watching and waiting allowing
your imagination and your hands
on a journey to your ever-lingering
flaming fury far beyond the heights of hunger’s call
just as we have done no doubt
without each other
for a long time
in the cold
in and out
up and down
back and forth
body arches
thighs uptight
muscular calves quivering
toenails clenching like an eagle’s talons
on the bed
--lift high your sweet holy offering to the air!

Hands wet and warm fly from the glistening
magic perfect patch of forever music
that makes me want to weep
you scream
I awake
we breathe deep
we go back.
Repeat the scene.

V

Pre-dawn purple painted brush-strokes streak the sky
framed by the window where I know I will find you
in nothing more than a gown of sleek vermillion
light-chamois
that displays the room glow striking at your body’s faint
outline
your slender legs
your precious girlish hips
that golden chain around your waist
Divine
your blushing tearless chiseled cheeks
I arise
and walk behind you
run my trembling fingers up your spine
I still don’t really know you as your sighs compete with
mine
you reach around and lead me away
behind a peeling splintered door
warped and withered with
dismay
where you will teach me how to paint
by spilling your blood in
splatters
upon the floor
in said consequence I
calmly take the blade from
your tiny talking hands
pull your slashed and sliced torn wrists
to my tongue
and slowly lick
with a lingering criminal kiss
the dripping cuts that begin to fade
and go away forever in the day
now that the wounds have disappeared
becoming scarless
bloodless
sere
I can but heal your beaten lost youthful body
although I cannot convince you that
I care.
Daylight here.

VI

I know now that I know now
that I know you
and in the ****
with suntanned bodies wind kiss-hissing
through our hair
we walk side by side
on the blistering shoreline sand
avoiding bits of broken glass bottles
one by one
if we can
slowly strolling to the edge of the
abysmal eternal
emerald omniscient ocean-waves
breaking
ttundering
blanketing our feet
spraying its mist upon
our hands
I stop
you sprint
on diving headlong at the deep
the foamy water roars
and roars
you emerge and approach the shore
standing straight along
beside me
to stare
at a pair of grayish seagulls circling
in the air
squawking songs about themselves
when before the breathing of a minute
one
bird drops dying dead to feed
the never-ending belly
of the sea
the other screeches viciously
mourning
you look
at me
and then I come to know now how to know you
now that you have at last known me
as your part your pink and precious lips
for the first time
we will ever kiss
as you finally cry for
our
reality.

That is not sand left clinging to your cheeks
Just the salty tears we need
To set us free.


Now you can bury you and me.


(Threnody means “funeral chant.”)
D. Conors
c. November 1994
All original documentation has been preserved.
This self-imposed darkness I have put in place
Runs like wildly tumbling water in my veins
Expressing itself as I release in words from each pore
All of my self-imposed pain

This proud isolation that I hold myself captive within
Contains no flowers to brighten its view
Only my infatuation with this sentence I’ve imposed
On myself and these chains I wear too

In fleeting expressions of freedom to be found
I stare longingly at a windowless door
Then tremble in fear and confusion at the mere thought
Of even walking across the floor

My idealized image of how my life should be
Holds me captive here in my own war
I am the only one who can release me from this space
Untie myself and walk out my windowless door
Copyright *Neva Flores @2010
www.changefulstorm.blogspot.com
www.stumbleupon.com/stumbler/HerVigil
 May 2010
Thomas Thurman
When your creator took her crayon box
That day she thought to draw you all alive,
She found a certain green to sketch your locks,
Another green to show you grow, you thrive;
A green of richest thought unlimited,
A green to match the green of your creation,
A green to go, to boldly forge ahead,
A green for lands of peaceful meditation;
  The Greene King, standing proud with all his queens,
  Jack-in-the-green, surrounded by his trees;
  A thousand other shades of other greens;
  The greenness of the deepness of the seas;
And I, I fall and marvel at the light,
A million greens, like fireworks in the night.

That day she thought to draw you all alive
She drew your outline, sketched you, and refined
And shaped your eyes, that surely saw arrive
The laughing people in the frame behind,
The humans, dogs and kittens, trailing plants,
Who fill your background; all you love are here
Around you in the middle of the dance,
And as you watch, still more of them appear
  Beyond your face within the frame advancing
  Children and relatives and loves and friends
  Holding their merry hands in merry dancing
  Extending off beyond the picture's ends;
I know your other folk would say the same:
It's such an honour dancing in your frame.

She found a certain green to sketch your locks,
A deeper green, a perfect green attaining;
And now another from her crayon-stocks;
Refreshing and repeating what's remaining:
She bleaches it and tries another shade
Then leaves it for a while and grows it out,
Returns it to the colours that she made
Begins to work again, and turns about;
  And why this careful labour to provide you
  With perfect colours captured in your hair?
  She knows your colours mirror what's inside you,
  Eternal greens within you everywhere;
And still beneath, the ever-growing you
Shall dye, and yet shall live with life anew.

Another green to show you grow, you thrive;
Out from the snow the snowdrop breaks in flower.
Who could have called this sleeping bulb alive?
Yet buried patiently it waits its hour,
Counting the snowflakes slowly settling
Their weight upon the heavy earth above;
One day its Winter changes to its Spring.
Who can predict the power of life and love?
  Hope that at last the final frost is dead.
  Faith that the Winter dies and Spring shall rise.
  Love for the life that up through blades has bled.
  Joy to a hundred children's waiting eyes;
For every hour it slept beneath the ground,
A thousand wondering eyes shall gather round.

A green of richest thought unlimited.
I try to say I love you every day:
I know I keep repeating things I've said.
Perhaps I'll try to phrase another way:
Suppose I counted all the money ever
From now until when Abel risked his neck
With my accountants, who were very clever,
And wrote it on a record-breaking cheque...
  It wasn't half your empathising, was it?
  Your thoughts are treasured more than bank accounts;
  The bank won't put your loving on deposit.
  And could they take it, given such amounts?
The jealousy of cash makes misers blind,
And who needs money when you have your mind?

A green to match the green of your creation!
She took her time in sketching out your features,
Shading you well, and, drawn with dedication,
You took the pen she gives to all her creatures
And set about some drawing of your own,
Filling the art with arc and line and shade,
Showing your work the care that you were shown,
And making them as well as you were made;
  And much as life your drawing hand was giving,
  Another life from deep within you drew:
  A life, not merely likeness of the living,
  So separate, yet such a part of you:
Who finds your baby-picture on the shelf
And smiles and finds you, showing you yourself.

A green to go, to boldly forge ahead,
Should shine on traffic lights for every person.
If you should find a colour in its stead
That stops you-- not an arrow for diversion,
To Edmundsbury, Hatfield and the North,
Or any other place that's worth the going--
But rather reds that block your going forth;
If traffic signals freeze your days from flowing,
  Your life is green and you deserve the green.
  And if you try to go about your day
  And greens are coming few and far between,
  And reds and ambers blare about your way:
If so, I pray your days to hold instead
All green, and never amber, never red.

A green for lands of peaceful meditation.
You call: Come stand upon my sacred ground,
Come sit and breathe the peace of contemplation,
Come feel the grass beneath, the lilies round,
Come sleep, come wake, and drink the quiet waters,
Come to the maytree, blackbird, waterfall;
Come know yourselves the planet's sons and daughters.
The people pass and pause, and still you call:
  It's waiting for you when you ask to try it:
  Peace (and the air) cannot be bought or sold.
  You'll never gain it if you try to buy it:
  It's not an asset crumpled fists can hold.
All that you have is nothing you can lose;
You stand on sacred ground. Remove your shoes.

The Greene King, standing proud with all his queens,
Guarding a land of oaks and aches and cold.
It's not a normal place, by any means,
This island of the oldest of the old,
Where bow the ancient oak and ash and thorn
In homage to a figure on a hill;
Deep in the hills where Wayland Smith was born
You stand, an English body, English still.
  For odes and age and air and ale have filled you,
  Made you their own and promised you belong;
  And since their homesick longing hasn't killed you,
  I think you'll be returning to their song;
Come, take your time, and sit and drink with me!
What say you to another cup of tea?

Jack-in-the-green, surrounded by his trees,
Had given birth to leafy life aplenty,
He'd introduced his firs by fours and threes,
And sowed his seedling cedars by the twenty;
The field was filled with trunks and twigs and roots,
The soil was sound and fertile, and the fall
Would fill the forest floor with growing shoots,
And none but Jack was there to watch it all
  Until you came to wander through this field,
  To walk within the ways within the wood;
  Your mind was brought to peace, your spirit healed,
  The forest given form and blessed as good;
Jack-in-the-green will wonder all his days:
your presence never ceases to a maze.

A thousand other shades of other greens:
"Leaf", "emerald", "sea", "bottle", off the cuff;
"Viridian" (uncertain what it means),
But there's so many. Names are not enough.
Yet, in another life, your maker might
Have picked you out among primeval glades
To work as keeper of the rainbow's light
And in another Eden name the shades;
  If so, the planet's poets will rejoice
  That, given life together with a name,
  The colours sing a stronger, clearer voice,
  And every hue will never seem the same:
Each of the shades looks loving back to you,
Its namer and the one who made it new.

The greenness of the deepness of the seas:
A home to fish of many a scaly nation.
Follow the shoals; the smallest one of these
Swims as a fishy summit of creation.
Yet every one's indebted to the shoal,
All subtle in their difference from the rest:
A fish of friends, a member of the whole,
A mix of traits, a taking of the best.
  So you and those of us you love so well
  Will grow along with other friends' increase,
  Required ingredients in the living-spell:
  Each person brings a necessary peace.
The level-headed people mix with mystics,
And both are living mixtures of holistics.

And I, I fall and marvel at the light,
This changing light that grows throughout the years,
Extinguished not by hardship nor by night
Nor foolishness nor sadness nor by tears.
When we were separated by the sea
I wished myself amidst your myriad days.
My wish was mirrored in your missing me;
Your maker joined our wishes, joined our ways;
  She placed our hands on one another's heart,
  And you and I began a lifelong learning
  Of one another, like a magic art
  Whose telling grows with every page's turning,
And holds our friendship as a growing bond
Till seventy years old, and still beyond.

A million greens, like fireworks in the night.**
I fear this sonnet never can be done.
So many colours burst upon my sight
I cannot tell the tale of every one.
But I can tell how vast excitement fills me
When all the flying sparkles fill the sky;
I want to tell the world how much it thrills me
To hold you close, reflected in your eye;
  I want to tell in all my earthly days
  And yet beyond, of what you mean to me;
  I want to say I love the myriad ways
  Of what you are and what you'll grow to be;
These counts combining made the building-blocks
When your creator took her crayon box.
Written as a Valentine's present for and about my partner, Fin.

I recorded myself reading the poem at http://www.youtube.com/watch?v=27EykqTr-w8 .
 Apr 2010
Alexa Sz
killing isn't It, whaT is?
ending an old begInning
fallIing down a bottomleSs hole
talks of a new start
overturn the old

what is it if it is not kilLing?
a name
a game
a way Of life
death beyOnd the thousands
believing iS not right
feelIngs are crushed
uNder a specular light
practice may make perfect
but perfection isn't real
you may be the best
but there is always a better

cut the resolution
scraped in anythinG else
Die under my nAme
oR don't die at all
fill my missing blanK
and if kilLing isn't what is?
the message is in the capitOl
stop, think, liVe, find out, tEll me please.
think you can figure it out?
Comment if you know. But DON'T give it away, just say you know!
 Apr 2010
Randy PSoMAS Wiafe
Mind
An aimless mind.
Wandering through the abyss of life.
Gathering the unforseen,
but disregarding the dim and shallow.

Looking for the body it once inhabited.
It renounced itself.
When it finally lost its way.
For the purpose to "fit in"

Body
The body now blends with the dim and shallow.
Just to be accepted among the others.
Leaving the ones that truly cared,
Alone in the abyss regretting that they cared.

It once was bright and thoughtful.
Somewhere on life's journey,
It was torn from it's true self.
Morals, pride, and all...lost.

Lost?
Is it turning this new road,
to its primary life journey?
Is it experimenting with life?
Or is it truly lost to the dim and shallow?
copyright Randy Wiafe 2010
 Apr 2010
Ashley Lynn LeBlanc
She struts into the room.
Sashaying.
A sensual movement of the hips...
Tight clothes, firm but rounded muscles
half-parted lips.
The confidence is like a perfume.
Her fragrance subtle, but backed with the power in her eyes.
She sits.
Strips out of her coat.
Corset with strings,
a tattoo of wings,
sweet little sparrow...
Are you an angel?

Smooth shoulders
as she exposes her neck
while the rest of the room
stares on perplexed
like stopping to see a wreck;
As she strokes her hair,
we silently stroke her ego.
She knows she is something to see
And when we finally remember to breathe
I'm left gasping for air
with a tightness between my legs
I hadn't realized was there.

And she smiles like she knows.
She does but
Then she turns away
Continues on her way
and I'm raking my nails
through my sheets
for days.
 Apr 2010
John Ashton Upston
Loneliness is a common illness.
Yet I reside in it selfishly,
The White walls are all Black,
My mind fades oft to the back.

You made the attempt,
And I made the refuse,
Self-destruction my only attribute.
Pain my only friend.

I see death and hear it too,
It calls out to me in the form of the blues.
I am reaping what I have sown,
Soon, my soul will embark on its final toll.

Love is absent,
Cold is present,
I wish I could feel,
But feelings are for childlike yesterday’s.

I was a happy boy once,
But age is just a number,
At 16 I am older than most,
My face a grave testament, to the graves of friends sentiment.

I am sick with an illness,
One for me not to be cured.
I wish I believed in fate,
It would be much easier then.

Yet there is no one to blame,
Or hide behind,
Only my shadow to reside beside,
Only your memory to taunt my mind.

I have made many mistakes,
And will make many more,
One day in fact I think I’ll be poor,
But the greatest by far,
Was to leave you barred,
To leave you stranded in the backseat of that car.

The wind is calling me now,
It talks to me somehow,
Sayin’ “You won’t be much longer now, won’t be left alone to frown.”
I answer, “Come back when I am dead,”
It echoes, “Won’t be much longer now.”

The tears are empty,
So is the pitcher.
How can I be with ya?
Never, never, never.

I have trouble sleeping,
Harder still to make sense,
Because my dreams are haunting
To this day the leave men incensed.

I am going crazy,
Slowly but surely.
Soon you’ll see me on your door.
Wanting to get our favorite smores.

Silence, now, silent void.
The wind is no longer whispering.
The walls no longer menacing.
Only me, without.
My mind not even speaking,
Not daring to break what is happening.

The windows open without noise,
Outside I can see my future,
Lit in a light other than the moon.
What I see… makes me hope I die soon.
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