**** brown grass
covers my yard,
saddled
by dead gray skies
that **** rain
on my holiday.

Where is Christmas?
Will it come this year?

I fervently remember
swirls of snow
everywhere, a silent,
peaceful, white world
in which I could think.
There’s less now, each year.

My mother no longer bakes
those delicious peanut butter
cookies with the Hershey kiss
in the middle.

I can’t even remember
their smell,
nor the heat of the oven
to be my blanket
after I walk inside.

Is Christmas coming this year?

I don’t see the smiles
of holiday cheer,
just the grimace
of old men,
tired of buying presents
and putting up decorations.

Maybe it’s my eyes,
but I'm not sure Christmas
will come this year.

Father Christmas came and slipped
through the cracks
of my poorly constructed home
so quickly
and quietly
that I hardly marked the date.

I suppose it's my fault
for spending so much time
listening to angsty
drums and guitars
scream my name
that I can no longer hear
his voice in the tear
of wrapping paper
and Mr. Crosby's tunes.

But I caught a glimpse,
between the blinking
of red and white
on my tree,
when my mother smiled
as I opened my new suede shoes.

He's out there, hiding,
that *******:
old man Christmas.
Hiding and trying
to make me change,
make me surrender
my joy to the jaded
state of adulthood.

I will not.

They call me and I go.
It is a frozen road
past midnight, a dust
of snow caught
in the rigid wheeltracks.
The door opens.
I smile, enter and
shake off the cold.
Here is a great woman
on her side in the bed.
She is sick,
perhaps vomiting,
perhaps laboring
to give birth to
a tenth child.  Joy!  Joy!
Night is a room
darkened for lovers,
through the jalousies the sun
has sent one golden needle!
I pick the hair from her eyes
and watch her misery
with compassion.

There is never nothing new
Just rearrange things

I don’t write poems
I just remove the extra words that are in the way

Hold on to the words like whispers and shadows and wings
Recklessly insert adjectives
Tie it all to your delusions of profundity

Dig down deep for pain
no matter how senseless
Pick at your emotional scabs
Bleed

No one likes poetry
Constantly remind people of that
Tell them that you make it sound good to you and **** them
(Even though their ovation means everything)

Slip, dip and weave
With ambiguous wet dreams
Full lips and thick tongue
Mouthing…
Come
to an understanding
***** is much better than clean
Make it filthy
Soil it

Make it nostalgic
People need to be reassured that you were really ******* up as a kid
and that this poetry **** doesn’t just happen to people overnight

Make it esoteric
That way, when no one knows what the hell you are talking about,
you will have a good word to explain why

Say things that are so ill mannered that they are weighty
I will give you an example
“I’m not looking for a girl that is beautiful
I'm looking for one just barely ugly enough to **** me”

Incite large groups of people to *****

Get so personal that it gives people headaches

Expose yourself until everyone is embarrassed for you

Spew it all over the bar
In a drunken stupor
flaunt it lasciviously with your genitals
Pour yourself into reckless collisions
Drink from your soul until it rots your liver

Write until you want to **** yourself
then write about that

Make it as bitter as a Wal-mart associate
Make it so sweet she will swallow it all
before looking up at you with eyes like tiny puddles
To say, “that was beautiful”
(even though it was disgusting)

It should be raw
It should make you itch
It should be like rubbing up against it spreads it
It should be like VD

Make really long
Like it’s your *****
No,
Make it really, really long
Like its my *****

Make it rhyme
I mean don’t
Don’t

Don’t ever write another ******* poem
because I assure you
if I did not write it
than it must ****

and that is how poetry works

Michael L Sutter

If only


we could start off with

some horrific argument,

the emotion subsiding.

We would curse less and less.

Words would fall back into our mouths.



Nothing to be forgiven or

forgotten

because it never quite happen.

We would hold each other

comforting hurts that

would always undo themselves.



Each kiss would make us

a little more giddy and

every day

you really would look

a little more pretty.



The way we touch

would be a sort of

un-touching

that would redefine anticipation

Every ****** intensifying,

escalating into that first feel,

first taste,

first breath of breathing



and then

finally

we would

walk backwards,

away from us,

it would feel

like we were

approaching something though,

like we might

care for one another

one day.

We would go away dreaming

the parts

we hadn’t quite discovered

before losing sight of one another

without any of the hurt or

remorse.



We would still be perfect somehow.

Loving in reverse
instead of backwards.


Michael L Sutter

Her long brown hair hung
occluding forty-seven percent of her face
and her one eye
looked a little manic.

It was slow and sweet
for a while
but she had been
gradually gaining momentum.

I am watching her
carefully and
waiting, really
for that moment.

Suddenly she stops.

She raises her hands up
clenched.
It looks like she is going to
pull her own hair
and then her right fist
slams into my ribs
followed by a left
and a right and a left.
A barrage of little hurts
pouring out
machine gun frenzied.

She digs her nails into my chest,
her mouth is twisted,
her teeth clenched,
I can see muscles
in one jaw line twitch.
More hair falls over her
Countenance.
Her hips move furious  

and then
Sensuous wails of red light,
screams of sumptuous green,
bright yellow trembling,
and electric blue rippling
like bright neon

She cools and dims
she collapses
into me
sobbing
and I can feel
salty wet
itchy dripping down my skin

I cry too
never having seen someone
this...



Michael L Sutter

What was her name?
****, I can’t remember.

It was a boy’s name
made feminine
with a little “i” at the end
like maybe hearing it would
make you think of
some fat guy making pizzas
until you see it
spelled out or
until it becomes attached
to her lips and hair and
skin.
The “i” was not dotted
with a little heart,
(not her style at all) but
I should have a picture
in a box some where with more pictures.
I don’t.

I’ve got little notes,
tiny thoughts scribbled
on empty match book covers,
on the backs of
pretentious
business cards,
in the borders of
the mutilated,
amputated flesh
of decrepit
used up yellow pages,  
ripped from a dead and
disjointed phone book.

I woke up from this dream
and groped for something
to scrawl on,
anything,
because it seemed significant
at 2:38 am.

In the desert somewhere,
(I’ve never even been)
you were
looking out the window
and the way the parched
dry light crackled
around you
you might have been an angel
or a sign
partially occluded by glass
advertising something
I could never afford
like family or god
when suddenly you were not
a silhouette,
not back lit,
but glowing.

You were so in love, with
who I don’t know, and you
went into free fall
back
onto the bed
pulled your knees up
to your chest and
kicked your legs giggling.
I was part dead, half ghost
and still happy that you
were so happy.
I said, “you’re pregnant?”
knowing the way you
know things without
really having a way
of knowing
in a dream.

You laughed again
grabbed your little dog up
in your arms,
(I’ve no idea where the pup
came from), and baby-whispered,
“You’re going to cut
the umbilical,
aren’t you?”

and I woke with
the image of that mongrel
chewing through
the cord.

I am
waiting at the pharmacy
and the…
technician,
is reading the
cryptic symbols
penned in
indiscernible Latin,
my prescription.
She is not beautiful
but very fuckable
And in my mind
I am constructing an
image of her ******,
likening  
the shape,
size, color, etc.,
to her mouth,
when I see
my own writing on
the back
through her precise
fingers.

The tech,  
she is holding a
snapshot of her.
It might as well be
a picture of me
vomiting or
******* or
defecating.
This
is what I have left,
my version of a photo,
my dream,
scrawled on the back
of my medicine.

**** getting better.  
I ****** it from her hand.

I leave fast.  I will
never go back.
This is no chemical imbalance.
This is not my inheritance.
The loss and pain, sometimes,
that's the pill we need to swallow.

The thing 'bout Haikus
when you are on the verge of
something that's deep and

Mary,

don’t leave me.  
The things we’ve seen,
the perfectly serene
tranquil hours,
thick, sweating, hazy bliss.  
No.  
Stay with me.  
One more day of
nakedness in the park.  
One more night of you
late and deep and
infinite in the dark.  
One more breath of you.  

You *****!

I should have tossed you out
with the cigarette butts and
the empty bottles of *****.
I should have buried you
in the back yard where
no one
would ever find you.
I should have
handed you over to
those shady *******
who moved in down the block.
I should have sold you.

Oh, my love!  

These cloudy afternoons are
cloudy for us, tangled
in each other.  
Lost!  
Maybe I could live with
never seeing you again if
I could just always taste you.  
I understand you  
so perfectly.  
The lovely flower,
Delicate,
an intoxicating
fragility,
I will hold you
so delicately.

You *****!
  
I will eat you.  
I will take you down
in restrooms;
on the beach;
on the side of the road;
on the steps of the church
with the clergy staring
upon us,
possessed and hell-promised,
in the middle of
room full of people.  
I would burn the
******* house down,
Mary,
just to elicit
the tiniest bit of
glow from you.

My everything!

I plead.  
I entreat.  
I command, beg and weep and
I find a little more of you
absent each and every day.
Like you have dried up and
withered as
the direct result of
me loving you too much.  
Words and want and sentiment
do nothing
to keep you here and
so what do I do?

I ensconce you
in plastic to
preserve you.  
I roll you up carefully
expelling all the air and
secure you
with a cord.  
I make room for you in
the freezer
so that you will never change,
so that I might take you out for
a few moments
at the end
of seemingly endless days and
finger you
on the kitchen table.  
So that I might breathe you
in moments
when another heartbeat
seems too painful.  
You help me like that.  

You are looking quite
green but
that red hair, oh!  
So carefully I keep you
these days
not sharing you with
anyone, ever…,
well
almost never.  
I mean if the right girl
were to come along and
if she was of the mind
to understand,
open enough to
mentally grasp
the sort of relationship
that we have then
maybe we could
allow her just a bit
of the madness we share.
Or maybe if I had a really,
really good best friend
I might allow him a
taste of you
now and again.
Friends share until it
hurts to give,
don’t they?

All we have been through,
so many close calls like
that time in that
dank little apartment
downtown
when the authorities were
mistakenly busting down
the door next door.  
It was a terrifying experience but
I giggle a little now
at how
when things quieted back down and
darkness fell
I scooped you up and
shoved you
in the trunk of my car and
we drove and drove
and drove.  
It was summer and
hot as hell and
the next day you
started to smell a little,
reek actually and
your odor saturated the
interior of my Chevelle and so
I made sure we
traveled at speed no more than
ten miles per hour
under the posted limit,
totally paranoid with
the situation and
still as happy and rich as
I have ever been with
so much of you
bound and tied and
packaged for
no one
other than myself.  

And still,
look at you.  
Everyday diminishing,
dwindling,
evaporating into
nothing and
enough is never
enough.  
Every time I resolve myself to
quitting you,
to leaving you behind and
moving forth
I pace the floor
sleepless,
my mind traversing a
monotonous loop that
circles every reason that I should
cast you out but
religiously returns
to the need that is you.

Mary, don’t!
Don’t leave me,
Don’t.