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The Odds
of you, in particular,
existing at all
are of negligible significance
relative to
the relative fact
that you,
in particular,
do exist at all.
Wrote this in my little pocket journal while walking around town.
You are the deep blue sea,
my red shimmering sun
   little
          by
               little
                       sinks deeper
                       a gasp,
                       a  silver shiver, exquisite

inside the dense waters
sun moves in sensuous pace
arousing hellacious passions, sea hides
makes her yell out
in thousand  voices of seagulls

Intense spasmodic waves
rise and fall transmitting euphoric notes
that dissolve in the gentle golden light
of a lone curious star, watching
without batting an eyelid.
I’ll listen to what you’ve written
but not recreate

I’ll do-it-myself, let pages
sip on my letters

let every vowel stand out
as skyscraper lights.

When I sink to sleep
I’ll lock my dreams

in a wooden chest
retrieve them

when morning strolls in
fetch the fresh post.

I wonder if there is such a thing
as drowning beautifully

I want to consume you
like that ocean water

make what I have said
gush into your eyes.
Written: March 2014.
Explanation: A poem written in my own time NOT while drunk (as the title may suggest.) 'Drunk' is meant in a positive sense, like becoming drunk on good music or literature, not the somewhat unpleasant 'drunk' of consuming too much wine and vomiting in the street.
Feedback very much welcome, as always.
If there
is a word
for
complete terror,
utter confusion,
unmistakable infuriation,
and stereotypical sadness...
please teach it to me,
because I'd like to know
how I'm feeling.
I never really let myself look back at it,
you know, since I transformed into this person,
since my heart relearned its beat,
and my eyes regained their sight,
and my mouth relearned a speech that could stand up for
the brain that's had to muster every ounce of confusion,
every spec of pain,
every seed of anger,
and release it until the look in my tearless and fearless eyes
gained light again.
I never wanted to lose you.
I just had to if I wanted to come back from the dead,
from the grave I made in my hollow bed,
formed with baby green sheets and a pillow for my headstone.
That was your choice.
I just walked away from a world that would never care.

Sometimes... I just really hate when you're the inspiration behind
the fingertips clicking on the keyboard,
when you're the reason why I let myself bleed into a poem,
when you're the motive in a desperate attempt for me to have something for myself.
And then I remember... that's how I escape the way I'd wrap
around your conniving little finger until it turned to blade.
I always find it interesting to see how fleeting my existence can be.
It's like a game, isn't it?
The drunken texts, the awkwardly un-awkward hugs, the hellos and goodbyes
that turn into absolutely nothing.
It's funny how I'm the one who can be normal.
And honest.

The hardest thing I've ever had to do is accept that you aren't you,
that almost everything you do is a charade,
you parade about wanting pity and remorse,
you love the sadness as much as you hate it,
you hate the deception as much as you crave it,
and I simply cannot do that.

Maybe I haven't fully accepted it yet.

I wonder when I'll be invisible again.
Like a shark, I swim.
Honing in on a minuscule drop of blood
In an ocean of millions of gallons
The water pushing against my skin
The friction, ever increasing.
The muscle tires, but the drive grows
For this drop of blood, will I press on against the tides?
Without cease.
It's a sweltering night, a sweltering morning really, and my body is tattooed with spider bite kisses and bruises.  I smell of park grass and chlorine and someone else's sweat, my lips are chapped, swollen, my eyes encircled in crimson undertones.  The people on the street stare- I am blonde, a dead give away, slighter and taller than the locals.  Men are confused, women are scornful, police are helpless.  My legs cramp with the dawn as I walk back to the apartment in my hospital-gown green tunic, sobbing openly, hair tangled with twigs and dirt.  It's still dark enough for that, but too quiet.  A milkman stops his work to look up at me and whisper ciao in the most kind and gentle voice I have ever heard, especially here, and I want to throw myself into his arms and sleep and scar his white uniform with the black stains of my tears, though I restrain myself and nod, shuffling forward, shoulders slumped, no eye contact, his gaze a hand stroking my back like the father I never had but always wished for, and I cannot help but cry harder, though I try harder to restrict each sob until I sound as though I'm gasping for air, but I would rather seem asthmatic than week, rather be strange than pitiful.  It is always better to be unknowable, much more simple than openly vulnerable in my experience, though my experiences are drunken from the bottom dredges of a half empty glass, so truly I do not know if this is true, and and every day I understand Hamlet's letter to Ophelia just a bit more, because every day I doubt truth to be a liar just a bit more.

Still, there are some things I know, enough to be called intelligente by a man named Simone, whose eyes shone with solare during the day, but at night became dark and hungry.  I know now why my friend chose to fly off a building in Spain without his wings.  There is a disconnection abroad, no sense of security or protection, demons are awakened and restless, dreams colder, and more cruel; the heat drains one's essence, melting the glue that keeps us who are broken together.  I know that expectations are sad reflections of desires, shadows of my own inadequacies.  I know that I am afraid, that heaven and hell are not places but permanent conditions, that my head is the prison guard of my heart.  Blame and guilt come easily.  There are no distractions, just meaningless directions, and I seem to have forgotten those I brought from home. Here, I am concerned with physical threats, trauma that can be shaken off with a block's worth of strides, yet I cannot seem to lose my naked shadow between the buildings.  I thought I hid it well behind frozen gazes, but the mirrors say, no, no, they know you are all wrong, you foolish girl, you poor little lie, they see through you, they sense your fear and feast upon it, you ignorant child, you are as small as the motes of dust drifting through the beam of a forgotten projector, the film torn and tangled, the screen stuck on one frame

I should have stopped when the milkman spoke. He knows that it is not mirrors who lie, it is us.
short story I wrote about something that happened when I was living in Florence.
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