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Does love like daises die,
whose petals fall
like sleet from the sky--

or perish by certain
misfortune or natural causes,
like a mortal being, by old age--

or like mists doth it evaporate
at the sight of heat--

or is it like a rose in full bloom
in spring--flourishing,
which withers in autumn,

or does love grow stale and
sour with advancing age,
making it to change its visage?
I've been stuck reading a deranged book
Where twelve year olds are *****,
And a small child is more philisophical than my professor.
It makes me want to become "Manda and the Giant Peach".
But instead I grab a steak knife and a peach from the fridge.
I listen to the rain on the tin roof.
It is a deafining constant.
It's the soundtrack to infinity.
Every other time you blink
You're naked in a bathtub in a mental institution,
With some lady named Mrs. White
Looking down at you as you throw a fit.
I throw good fits.
I hate to blink back to my peach and my knife and my book.
I might as well just throw another fit
And throw the peach away.
Oh Mrs. White?
Yes, bright the velvet lawn appears,
And fair the blooming bowers;
Yet blame me not—I view with tears,
This scene of light and flowers;
Strangers possess my native halls,
And tread my wonted ways;
Alas! no look, no voice recalls,
The Home of Happier Days.
The gay guitar is still in tune;
The greenhouse plants are rare;
Glad faces throng the wide saloon,
But none I love are there:
Oh ! give me friendship's cherished tone,
Give me affection's gaze;
Else my sad heart can never own
The Home of Happier Days.
Are you struck with her figure and face?
    How lucky you happened to meet
With none of the gossiping race,
    Who dwell in this horrible street!
They of slanderous hints never tire;
    I love to approve and commend,
And the lady you so much admire,
    Is my very particular friend!

How charming she looks — her dark curls
    Really float with a natural air;
And the beads might be taken for pearls,
    That arc twined in that beautiful hair:
Then what tints her fair features o'erspread -
    That she uses white paint some pretend;
But, believe me, she only wears red
    She's my very particular friend!

Then her voice, how divine it appears
    While carolling: "Rise gentle moon;"
Lord Crotchet lastnight stopped his ears,
    And declared that she sung out of tune;
For my part, I think that her lay
    Might to Malibran's sweetness pretend;
But people won't mind what I say —
    I'm her very particular friend!

Then her writings — her exquisite rhyme
    To posterity surely must reach;
(I wonder she finds so much time
    With four little sisters to teach!)
A critic in Blackwood, indeed.
    Abused the last poem she penned;
The article made my heart bleed —
    She's my very particular friend!

Her brother dispatched with a sword,
    His friend in a duel, last June;
And her cousin eloped from her lord,
    With a handsome and whiskered dragoon:
Her father with duns is beset,
    Yet continues to dash and to spend —
She's too good for so worthless a set —
    She's my very particular friend!

All her chance of a portion is lost,
    And I fear she'll be single for life;
Wise people will count up the cost
    Of a gay and extravagant wife:
But tis odious to marry for pelf,
    (Though the times are not likely to mend,)
She's a fortune besides in herself —
    She's my very particular friend!

That she's somewhat sarcastic and pert,
    It were useless and vain to deny;
She's a little too much of a flirt,
    And a slattern when no one is by:
From her servants she constantly parts,
    Before they have reached the year's end;
But her heart is the kindest of hearts —
    She's my very particular friend!

Oh! never have pencil or pen,
    A creature more exquisite traced;
That her style does not take with the men,
    Proves a sad want of judgment and taste;
And if to the sketch I give now,
    Some flattering touches I lend;
Do for partial affection allow —
    She's my very particular friend!
[I saw his round mouth's crimson deepen as it fell],
Like a Sun, in his last deep hour;
Watched the magnificent recession of farewell,
Clouding, half gleam, half glower,
And a last splendour burn the heavens of his cheek.
And in his eyes
The cold stars lighting, very old and bleak,
In different skies.
(C) Wilfred Owen
SLOWLY the Moon her banderoles of light
Unfurls upon the sky; her fingers drip
Pale, silvery tides; her armoured warriors
Leave Day's bright tents of azure and of gold,
Wherein they hid them, and in silence flock
Upon the solemn battlefield of Night
To try great issues with the blind old king,
The Titan Darkness, who great Pharoah fought
With groping hands, and conquered for a span.

The starry hosts with silver lances *****
The scarlet fringes of the tents of Day,
And turn their crystal shields upon their *******,
And point their radiant lances, and so wait
The stirring of the giant in his caves.

The solitary hills send long, sad sighs
As the blind Titan grasps their locks of pine
And trembling larch to drag him toward the sky,
That his wild-seeking hands may clutch the Moon
From her war-chariot, scythed and wheeled with light,
Crush bright-mailed stars, and so, a sightless king,
Reign in black desolation! Low-set vales
Weep under the black hollow of his foot,
While sobs the sea beneath his lashing hair
Of rolling mists, which, strong as iron cords,
Twine round tall masts and drag them to the reefs.

Swifter rolls up Astarte's light-scythed car;
Dense rise the jewelled lances, groves of light;
Red flouts Mars' banner in the voiceless war
(The mightiest combat is the tongueless one);
The silvery dartings of the lances *****
His fingers from the mountains, catch his locks
And toss them in black fragments to the winds,
Pierce the vast hollow of his misty foot,
Level their diamond tips against his breast,
And force him down to lair within his pit
And thro' its chinks ****** down his groping hands
To quicken Hell with horror-for the strength
That is not of the Heavens is of Hell.
If Wisdom by Glasses your Wear enhance
Which strung by your Advise approves me then
Or Journals, kept for your long-term Romance
Spread to Chaser Friends your Messages send
Which I, nulled even for my Senses hear
To allow this Picture for my Desert's Gleam
Such Gleam called Delusions: And out of Fear
Rid my Words chaste to what it must have been
Yet for that Sentimental Phase called Friend
A Meaning which still my Reasons inquire
Which Standards apply; Or Materials spend
Rake our Attitudes to your Desire.
Now frilly these Rants. This Cake deserves your Taste
A Kind and Fast plomb let not go to Waste.
[HAPPY BIRTHDAY, SIR SEAN!]
I watched the turtle dwindle day by day,
Get more remote, lie limp upon my hand;
When offered food he turned his head away;
The emerald shell grew soft. Quite near the end
Those withdrawn paws stretched out to grasp
His long head in a poignant dying gesture.
It was so strangely like a human clasp,
My heart cracked for the brother creature.

I buried him, wrapped in a lettuce leaf,
The vivid eye sunk inward, a dull stone.
So this was it, the universal grief:
Each bears his own end knit up in the bone.
Where are the dead? we ask, as we hurtle
Toward the dark, part of this strange creation,
One with each limpet, leaf, and smallest turtle---
Cry out for life, cry out in desperation!

Who will remember you when I have gone,
My darling ones, or who remember me?
Only in our wild hearts the dead live on.
Yet these frail engines bound to mystery
Break the harsh turn of all creation's wheel,
for we remember China, Greece, and Rome,
Our mothers and our fathers, and we steal
From death itself its rich store, and bring it home.
At ***** ****'s and Sloppy Joe's
We drank our liquor straight,
Some went upstairs with Margery,
And some, alas, with Kate;
And two by two like cat and mouse
The homeless played at keeping house.

There Wealthy Meg, the Sailor's Friend,
And Marion, cow-eyed,
Opened their arms to me but I
Refused to step inside;
I was not looking for a cage
In which to mope my old age.

The nightingales are sobbing in
The orchards of our mothers,
And hearts that we broke long ago
Have long been breaking others;
Tears are round, the sea is deep:
Roll them overboard and sleep.
I

We sit on a tailgate pointed toward
the hills, where life ripples down the slopes
gathers in pools of the creek and begins again
to climb up the peaks and tree trunks on the
other side. It colors the breaths we take
green.
Children run here, learn their legs, as stalks
graze their shoulders and block their
view. They get dizzy as rows rush by.
We rein in our bovine friends here, watch
them jump and kick, see them call in
spring

II

We walk between rows of highly stacked cement and exhale smog that drifts
upwards to
join the cloud of soot.
We walk among so many abrasive shoulders. We get
hung up on abrasive personalities.
A gray wave in a black sea we’re vapidly
drifting. Legs move quickly to stay afloat.
swimming. Swimming always. Swimming further.

III

We sit for pictures with clogged eyes and stuffed chests
We coo at portraits of masks and dummies
We write books for laughs and money and friends
We read a little to find the romance and sorrow
and lay cold on the slab while our own pages turn.

IV

We pass out of porcelain faces with their tightly
drawn eyes that cast gazes over shoulders, homes
of last night’s kisses. We pass out of the electrical
current of youth
numbed and still alive
with eyes that look like stained glass windows of the
Church of Holy Suffering.


V

We wait for Sunday night to turn the dial to the Blues. We keep throwing something for an animal to pick up and return.  We string beads and sell them for redemption.

VI

We think of our friends. They’re draped in a future,
warmed with hot blood rushing through their veins,
slamming fists to tables, pronouncing their minds.
ripping off dresses, sharing their madness.
tossing paint to canvas, showing their hearts.
asking questions to startle, proving their love.

VII

We think of our parents.
dead and gone, dead to us, dead by self-proclamation -
Is their blood cold and still in their withered veins?
Have they their fill of slamming fists and ripped dresses and tossed paint and startling questions?

VIII

We are sad.
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