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Jonathan Moya Dec 2020
She didn’t want this wedding dress
to be a widow,
alone,
encased in plastic
in the unused dark
of the closet,
moved after spring cleaning
to the basement
near the leaky window,
after five years
moth-balled to the
old unopened hope chest
of her mother’s closet,
weeping, weeping, weeping
for the man she lost,
subsisting on hope angels,
decaying, yellowing
a luminescent ghost,
a ******,
never to be worn,
never to be adored,
never to be passionately wanted,
just praying, praying, praying
and attracting only moths.

Wait, wait, wait,
after all these years,
it’s the granddaughter
touching it,
measuring it,
sizing it up
and seeing it
doesn’t fit her dreams.
will never
fit her dreams
and putting it back
without a second thought.

The grandmother
touches it yellow lace
and realizes it’s not
good enough,
worthy enough
to donate to
the local goodwill.

She doesn’t have the
heart to put it in the trash
and the scavenging fury
of the gulls and crows at the dump,
or cut it into cleaning rags.

It’s too old to go back
to the closet.
and the hope chest
is overstuffed already.

She takes it outside
in the bright clear light
and places it on the concrete pad,
douses it with gasoline
of the highest octane
and throws,
the last cigarette
she will ever smoke
defiantly, sadly on it.

She watches it return to the sky
in  candolescent congratulations.
Jonathan Moya Dec 2020
As the moon dips behind
Earth’s faint outer shadow
in penumbral eclipse
an imperceptible darkness
seizes my soul in fear

I wait futilely,
like the ancients,
for the next
blood red cycle
to engulf the world
in ignorance and violence,
the next monster
to bite the earth
into a crescent slice.

They once watched
Luna dance
before Apollo
and gift him
her halo.

Now it’s
just the umbra,
the wispy white haze
shining in the daytime sky
left behind
when the new moon
glides in front
of the sun.
Jonathan Moya Dec 2020
She dances alone,
the black child
in the yellow dress.

Alone amongst
the black and white oxfords,
the ivory Buster Browns,
the brown penny loafers
with smiling Abe Lincoln’s
looking up to her
from the confines
of their penny keepers.

Her white socks touch
the polished mahogany
hopping silently to
the beats of Chuck Berry
and Johnny B. Goode

She imagines hearing
her name in the lyrics:
Go go go
Go Joanie go go go
Go Joanie go go go
Go Joanie go go go
Go Joanie go go go
Joanie B. Goode.

She is loose but precise,
careful not to leave a mark,
correcting every footfall
with the more perfect
ballerina form
she saw once in
a Moira Shearer feature,
the one where the dancer
dies in the final act.

In the background she hears
the white throng under the
blue and white stripe panels
of the Republic Theater
dance to their own rules
a mess of governance that
obeys its own inane logic.

But then not one of them
had to sneak in through
the backstage door
when her brother, Marcus
chickened out at the first
“******” spited his way,
denying Joanie
even the indignity
of a colored only entrance.  

At the still point
between the lyrics Joan
finds the real dance,
the one intent on hiding
a choreography of grief,
a sadness, a defiance
she shares only
with her shadow.

She imagines herself
a joyous, living, wondrous
thing at play,
a girl reborn into a woman,
a dancer over America.
Jonathan Moya Dec 2020
The music is the scent in the air
that changes everything.

“I’ve got no time to lie,
I’ve got no time to play your silly games,”

it croons with a sweet she reggae lilt
pairing off the lovers from the pretenders,

shedding bodies to kiss and writhe
in adjacent rooms or the nearest alley

until only the a cappella
is left in the haze of ****

and turntable revolutions,
the scent of spicy ****
marinated in a calypso afternoon.

There be time for Marley and
his Small Axe vibe after they be gone,

the Rasta boys with their black power
rave, body slamming each other.

It’s all be a silly game, man-
a ***** dream to knowing Jah.

They be warriors until the last spin,
and it be time to turn spear to

that big mama cross they forever carry
and must fold to fit on the bus.
Based loosely on the second of the Steve McQueen film series Small Axe, titled Lovers Rock
Jonathan Moya Dec 2020
My mother wanted me to go away.
I hardly sent her anything.
From behind, we all look alike.
Jonathan Moya Nov 2020
Due to the pandemic the children are not coming.  
The adults will set a table for two and wait for the zoom chat after the game with  
the Dallas Cowboys and
the Washington Football Team
formerly known as the Redskins.

They will double their Thanksgiving feast of
Burger’s Hickory Smoked Spiral Sliced City ham,
Betty Crocker’s Cheddar and Bacon Scalloped potatoes,
Bake House Creations Crescent rolls,
oven roasted Brussel sprouts with bacon,
sliced acorn squash with a brown sugar glaze,
and a five cup Ambrosia salad of sour cream,
pineapple tidbits, canned Mandarin oranges in light syrup, organic flake coconut and mini marshmallows
marinated until the marshmallows get gooey
and impart sweetness to the sour cream.

The Trump over Biden over any Democrat arguments
will thankfully not happen this year
and blissfully never again.  For this year,
at least, things will seem to return to normal.
The miracle will go by unrecorded, unnoticed.

They are secretly glad they don’t have to dress up
in the Pilgrim and Indian dress embroidered
with wild turkeys, Indian corn that creased around
to reveal the vast wild fields and forest ready
to be explored and traded for beads and
promises of sharing the American bounty;
the ugly Garfield the Cat sweater over
the crisp white shirt and black slacks
bought at the J.C. Penny liquidation sale.
Today Dad will proudly wear his
aqua Miami Dolphins jersey,  sweat pants,
socks and comfy ‘Phins black briefs
with the not so stretchy waist band.

Go Tua,  memories of the
undefeated Dolphins 1972 season,
the big Thanksgiving brawls of 1977
spurred by Conrad Dobler
***** hits on Bob Griese,
the Dan Marino five Turkey Day
interceptions against the Dallas Cowboys
in 1999 that was the final sunset of
a first ballot Hall of Farmer career
danced in Dad’s head.
Mom just wanted to catch up on
all those Dark Shadows soaps and
Housewives of Whatever she missed.
Dressed in her blue angels nightgown
she rolled her eyes when
first football game of the day switched on.

They vaguely dreamed of the days
when his hair was thick and black
and hers was long, golden and easy;
all the trips they planned
and sometimes took
where they climbed bluffs
and overlooked storybook plains.

Today they would look at each other
with the same everyday stare
and notice their wrinkled hands
and clink together the strong, cheap wine
poured into leftover mason jars.
They toasted each other
and whatever would come next,
the decades of side by side,
their great good luck,
the incoming Zoom
of children and grandchildren.
Jonathan Moya Nov 2020
All you wicked men
what is wrong with you?

There is no black Justice
seen on the Sistine Chapel.

Only the stupidities that
can make a stuff bird laugh-

the small axe ready
to cut the big tree down.

https://youtu.be/b0Tk-FoiX_0

Based loosely on theSteve McQueen anthology  of films.  The first in the series is titled Mangrove.  The title is from a Bob Marley song.
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