Submit your work, meet writers and drop the ads. Become a member
Francie Lynch Apr 2017
Many believe they know the law
Because they were arrested;
Others know how to teach
Because they too were tested.
If you have a religious question,
They attended church;
Mention you've an ache or pain,
They diagnose your hurt.
Should you bring up politics,
Republican or worse,
They'll explain Democracy
Cause they've been free since birth.
Admit your car is pinging,
Your faucets aren't behaving,
The oven isn't cooking right,
Your fridge is warm and shaking,
The air conditioner's out of whack,
Your furnace has turned blue,
They'll tell you what to do:
Change the thermo-coupler.
It's always their one answer.
Say you like this stock or bond,
An investment that's appealing,
They'll  discourse that all agents
Are cunning conniving stealing.
On Monday mention the big game,
They'll re-play, play by play,
As if you slept right through it.
If you hear a rousing band,
Attend a movie or a play,
Know-its are informed critics,
Once they were stagehands.
They pose as friends and family,
Waiting for an opening,
To disrupt with diatribe,
To display how much they know.
I know what I'm on about,
So let me advise you,
I'm a Know-It-All poet,
All I write is true.
So,
Never miss the opportunity
To keep your mouth shut too
.
We all know them by name.
W Winchester Sep 2015
Stagehands, ready?
Curtains!
Lights!

All eyes on me.

Everyone in the crowd is judging,
waiting
watching

Everyone around me is waiting
watching
judging

I hold my breath, will words to come-
I'm judging
watching
waiting

But suddenly my time is up
Curtains close
The crowd boos

Disappointed stagehands glare
My theatre family casts their distaste

And I stand in ready position
Judging
waiting
watching
What's my cue?
I. We have waited long enough.
There have been three opening acts,
All with various cats in possession of various tongues:
The cross-eyed Siamese, the blind Manx,
The one-eyed Persian,the Blue Forked Wonder,
The Antipodean Papilla Monster,the Twisted Golden
*** Licker,and the lynch mob's Dogwood Dangler.
Yet somehow they have all rolled into one,
A stale tumbleweed of hush.
We're all nervous as ghost town cliches accumulate...
Then she arrives...
The stagehands grab axes and hack the piano
Into kindling ...anticipating the glacier to come.

II. Her silence is best expressed by a necklace of ears,
(An heirloom from her father's failed jungle years),
That she wears along with diamonds
Atop her green-veined cleavage.
(Oh the banana leaves!)
It creates a vacuum as she sings
An anti-aria to our fat toothless quorum.
(We are all passengers on her great chest's heavings.)
We stomp bare feet and stub painted toes
Cackling into our sleeves between her gulps and sighs.
(Even the blackest,rarest of pearls would be
Mere condensation on her horrible *****,
That rising and falling quiet.)
Oh look how her mouth moves,
Like a goldfish gasping in the palm of one's hand,
Helpless and hoping to be swallowed.
Oh look how her mouth moves,
Like an empty eye socket blinking in sacred secret code...
How tired we all are now...so tired.
Written by Phillip Lee Duncan [4 Nov 1967- 7 January 2012]
Katie Mar 2019
A sheet of tarp hanging down from the sky
Behind which we lift and tug and drop then fly;
If the stage is wrong the director will cry.

But the lead can only ad lib so long
Before we break into the next song,
It's a good thing stagehands are strong.

Open up!
Speak up!
Keep it up!

And the applause comes soon after
I had nice soft hands before people started asking me to shift furniture.

The second of three poems I wrote backstage
Justin Lai May 2018
He takes his last breath
for the night. The music
from exhaust engines
tire themselves out. Inside,
petty advisors punch their
timesheets, setting aside
solicitations for flowcharts
and returning to their ever
shrinking dormitories.

Good. Now we can begin,
the sugarplums declare.
(or are they centrefolds?)

It begins and ends like
every other cycle, not
that consistency matters
at all. Swivel, sway and
trot, or so is often thought.
Troops of the troupe
clean up nicely without
noise, nor is assembly
required. Soon enough,
the stage is ready.

A very handsome entity
(perhaps) pirouettes. No
matter if the platform
dissolves, for the performer
had rehearsed it between
routines. Now how about
the audience? Has the lone
ticket been sold? And the
theatre, well-unlit?

Yes. The prelude—or truth
be told—distraction bows
itself out. Stagehands,
raise them curtains up!

Eyes have no interest
in foreplay. What is in
play—skydiving?
Wakeboarding? Nudes
to the beholder?
—can only be
temporary. No actor
overstays their place.
Always, an unannounced
but not unexplainable
cameo, a kindred
spirit seeking presence
in the now, only serves
a sense of urgency,
of misplaced longing.

And then,
you wake up.
A spinoff of (you don't even know)
Justin Lai Sep 2020
life from the crossroads,
meeting a blood clot
already thickened from
running sweat, a stone's
throw from a ***** four
letter word: P-A-S-T

in another stream (one
wayward than my own)
i would be he, shivering
and possibly unrepentant,
emphatically gone too
far beyond anyone's
morals.

yet in another, i live out
the dreams of the father,
or 'sins' if pure honesty
had its say. what i wouldn't
give for a beautiful wife,
obedient children, a gold
standard like this stanza's
length; prosperous--

preposterous. in my own
uncharted stream, i would
live out troye's dream. free
on the inside, eons removed
from demi's 'sober'. what
choice does one have but
to make pop stars their
patron saints? maybe
mr. a-z has the answer?

scribes and stagehands,
satirists and spirits so
wishfully kindred, i smile
in solidarity. each line a
flame of pathos, each tap
a letter in loosening of
veins, like makeshift gifts
of a medium we inhabit.

to my girl, a lady-to-be
of such unwavering faith,
love someone even when
the party's over. keep
your billie eilish close by
like a bluebird in my heart;
highwayman to highwoman.

but most of all to Him,
patient with my inevitable
candidness just as he would
if my bargain held up. if we
were in love, I might just
learn to trust myself again.
A little reliant on pop references :/
Jester Jan 2018
And the world looks so different
The faces, places, people go and we’re all just marching in toe, but that’s just part of the show.
The stagehands, directors and actors know that the play is a mockery of what we do in daily life, just to distract from the strife.
but that’s not always the wisest option.
So, we take our seats and silence our phones, the house light drops down low and Heaven above mocks Hell below but this is just daily life with no flash or show;
So, we wear our masks and costumes to give the beauty of illusion and as we grow we learn to lie, we learn to hide the truth and dignity gets sacrificed which is why our children can’t learn from our mistakes.
And people asked where were you when the fell apart, as if you should have the answer that would satisfy; I was hiding in plain sight but that isn’t good enough for you.
Where were you the day that it happened and tragedy struck or was it just coincidence that you were nowhere to be seen; perhaps you were hiding too. So, the players have their parts and the tragic stage is set and once our play starts we’ll be torn apart by mutual love of criticism and with nothing to fall back on we merely fade away; the true death of showmanship.
Taken from the upcoming 4th Book
ConnectHook Apr 2021
God entered a welcoming ******’s womb
(as many among us have longed to do . . . )
Ascending, years later, from His own tomb
To rule and to reign from behind the blue.

       Passed over us: two thousand years—
       Short-term relief for lingering fears
.

As if no big thing, these feats by our Lord.
We hear it so often our hearts grow dull.
We’ve nothing but sullen indifference toward
The One who achieved redemption in full.

       Blood on the door-posts of your heart;
       Egyptian doom: you know this part
.

Theater of cruelty; His the main role.
Sad victim—until all fulfillment passed;
The playwright possessed of a blameless soul
whose angel stagehands assisted the cast.

       Now Romans marry Jewish brides;
       And Christ, the King of Kings, presides
.
Christ is LORD and Christ is risen!
HALLELUJAH
m May 2018
Context and trust go hand in hand. If I tell you some stout men walked out of a bar, you'll understand that they're probably drunk. If I tell you they then walked into your house, you will be concerned, and then stop reading, or at least stop believing the things I say. And, understandably, you will be disillusioned with my tricks when I begin a story with an unexplained pronoun. But the fact of the matter is: the spaces between my words will not be a silence you abide. People have a tendency to fill in the gaps.

She held out one hand, her left, cupped firmly, fingers together, bound and tense. A tiny, prickly-cold ball of teal sparks bounced up and down, remarkably slowly, lying about gravity. She could feel each orphaned spark dissipate coolly on her skin. With her right, she squished the man's fingers together, then curled her hand around his, forcing it into the tight shape of her left. Curious townsfolk pointed excitedly at the hopping magic in her hand as they passed, walking from booth to booth.

It had been six years since Maria had felt so anxious, and even back then it was only half. She knew it would come today, in great waves. Rhythms of merry-making divided by chasms of trepidation, legato, slow-moving and dreadful. Her spine hurt, as though she had spent the previous day lifting boxes of reagents for her show at the end of the Midsummer Festival. Well, she had, but she knew how to lift; she was a responsible person, and knew proper form. Rather, her muscles were tight with nerves. She worried she might remember. With today's celebration all around her, the past was so near.

"Make sure you hold tense, all the way up through your wrist. If you give this unruly stuff any chance to hurt you, it will." She demonstrated, moving her left hand around rigid, and the spark-ball followed. She had a stern look on her face. "But it's fun as long as you're safe. Are you ready?"

He nodded. He must've been thirty, but he had clearly never gotten a chance to be a part of the magic before. His awestruck silence gave her a smirk.

She moved her left hand over his tensed right hand, then quickly snatched it back to her side, leaving the spark-ball floating above his slightly quavering fingers like a tablecloth trick. It bounced there, in his hand, just as it had for her. His face was concentrated deeply, brows clambering to touch but blocked by a pudgy wrinkle between. And yet his sense of wonder was somehow still clear, visible in the corners of his eyes, so Maria allowed herself a full-blown smile.

It was context that left that moment bittersweet for Maria. She would get it right this time.

She pulled at the head of her paper belt, a machination that often caught the eye of village children. The belt lapped her just above her hips several times, terminating in an odd box, something between a belt buckle and a mouse trap. As she pulled at the lapped belt, the latch cranked back, and then snapped down, tearing off a piece with a small wooden bead upon it. It was like a reel of button candies turned witch's tool.

Maria concentrated, rubbed her thumb across the wood, and it gave way to another playful sphere of light. She repeated her process, handing out a few more of these to those passersby she could convince herself she had taught to be safe.

One child had found it funny to spread her hand open suddenly just before Maria could give her the spark-ball. Maria glared the sphere into shattering spectacularly, sending sparks everywhere and seeming very dangerous. Of course, she would never have hurt the child, but when the girl ran off to her mother, Maria felt the smugness of the worst sort of teacher.

The horizon had just been kissed by the setting sun when she realized the time. She tried her best to steel herself and walked towards the weathered stage.

As she walked up the stairs and onto the stage, she looked out at the crowd. There was a sense of rurality that she hoped would be welcoming. The hearts of hard work preferred consistency to splendor, and she knew it. But she had worked so hard for this moment.

Behind her, the stage set was covered in trinkets. Ivy and moss draped over the drapery. A few stagehands rustled around behind the brown, musty curtains, occasionally sliding an open tome out into view, or rolling a small cart covered in lit candles out. None of these props were necessary, per se, but she knew her fellow performers had a penchant for the dramatic, so she wanted to impress them when they arrived. If they arrived.

Her back tightened and she could feel all the iron in her chest and arms. She could see shadows, fickle for sight, wisping at the outskirts of the celebration, teeming up from the earth and out from the forest on the outskirts of town. Please, help me, she whispered in her mind, knowing it was just for her own keeping calm. The motion behind the curtain grew quiet, and she knew things were ready. She swallowed.

"Good evening and good eats, my good folk! And what a festival it has been! For all of the wonderful people who were out in booths today, selling delectable treats and delightful trinkets they made themselves, can I get a round of applause?" She paused, and the crowd obeyed. Everyone likes to pat themselves on the back.

"Excellent, excellent," Maria said, nodding, her practiced smile radiant. "You know, before we start I just want to say: it's truly been a pleasure to share experiences with you all these last six years. I know I'm not always out and about at parties and the like, but your hospitality has been a beacon of light for me through a tough time. I want you all to know that. So, another round of applause, for being so amazing!"

She smiled and looked down at her feet for a moment, and as she did, she allowed herself to grit her teeth. She was suddenly chillingly aware of the danger she had gathered for her fellow citizens. This can't go wrong, she repeated in her mind, as she had been for weeks leading up to this day, to this show. She was sweating. She had to trust in her thoroughly proofread calculations, and the goodwill she had accrued with the fae near town in the last few years. Everything had been set up perfectly. It had to be.

And so she was smiling out at the crowd again when she flipped a switch on the dispenser head on her belt. "Now! Allow me to deliver to you all the display of a lifetime! Tonight, feast your eyes, ears, and hearts on the Parade of the Star Witch!" She grabbed the end of her belt and slung her hand out, casting the reel of paper out over the audience, and she left her hand there, gently grazing her thumb over each button as it passed.

She had cleared the first objective perfectly, but she didn't relax.

No fewer than twenty huge spark-***** shot wildly up into the air off the paper, directly overhead of many villagers, leaving wide, bright tails of blues and purples as they went. They hovered in place at the top of their range, blasting out light in unpredictable rhythm. It was loud. Children caught and argued over the used launch paper as it fell.

Maria stepped back with one foot and snapped. The candles on the table behind her roared into irresponsibly and unbelievably tall flames, instantly shifting from orange to varying cool colors. The scents of lavender and anise washed over the performance. The entire standing space of the stage lit up a deep green with the intricate details of a spell circle. She manually triggered the latch on her dispenser head, severing the paper, and snatched one last button into her hand. It was time for the second stage.

She turned and spun gracefully into the center of the circle, her dark sundress taking the light of the stage and the still-hovering spectacle above moodily. She put her hands together, and the wind began to swirl fiercely, and as it grew shadows eked out into the fading sunset, upright and physical, on either side of her. They lashed around rapidly, plentiful and playful, but seemed unguided by the sudden gusts.

She felt a sudden, sharp pain behind her eyes. One of her traps must have triggered backstage. Whoever it was had come too careless, and too late. No one could stop this now, not this time. It was finally going to happen right.

She raised her left hand up into the twilight sky, that last single button rising into the sky to be the biggest sparkler yet, in the shape of a massive star. Everyone would remember who brought them the joy of this night for years.

The shadows suddenly grew rigid, and then hands reached out of each, and the parade began in earnest.

Fae poured out of each shadow-portal in a march, walked off the stage, and continued out, stepping up into the air over the stunned crowd. They wove their own path through the air, finding a beat that affronted in theory but pleased in practice. They were of inconsistent shape and size, not just between individuals, but between moments. It was difficult to pin your eyes on any feature they had, but it was harder still to find them anything but dazzlingly beautiful. If the denizens of the town were impressed by the lightshow, they were rapt now.

Some of the fae reached down and pulled an audience member up to them, dragging them into the march. Those left on the ground blossomed with envy.

Now, at last, Maria relaxed. The props had been enough. Her work had been enough. Her "fellow performers" had accepted her offerings, and tonight the town would fall away from the cruelties of reason and time, and into something delightful, eternal, and fun.

There was -- to describe it as a sudden turn gives the suggestion that this eventuality was not certain. But it was abrupt, as more people were pulled up into the parade. Kissing spread like wildfire across the skywalking troupe. Some townspeople seemed uncomfortable. Some followed suit. But no one ran.

The town had left the world. The people would be swallowed up by the fae, or become them, or both, and the night would soak in revelry ad infinitum.

It was context and trust that always misguided the prey of the Town-Eater Witch.

A crackle before her, a gemstone green and deep, borne of Oberon. She collected her payment with a hand still shaky with adrenaline, and then she was the wind, and then she was gone. But the sparks remained.
Onoma Feb 21
as gray is intermission's

supposedly...

pegged with rotted fruits,

& fresher vegetables.

by stagehands that spray

paint lightbulbs of memory.

with enough pressurizations

to loosen them.

so they will eventually

disperse the: Tao.
Tom Shields Jul 2020
Absolutes, they're one way to get through life
people have been asking what is the meaning of life? What are we here for,
for as long as we've been here, since the first burnt end of a stick rubbed a figure on a rock
what's the meaning of the individual's life?
Is it to let the rock come to you, or to bring the charcoal to the rock?

Are you passing time, or is it the other way around?

We can talk all we want, pontificate until a filibuster philosopher considers it grossly verbose, but really, what's it all amount to other than keeping a record of thought

Proof that I thought, therefore I was,

Evidence of my life sentence, punctuated by what you see here, though know no word of mouth transpired in the transfer from what you see, hear?

I daydreamt a scene! Othello! A theater choir quieted a riotous audience with a sour note, a broken string struck from cello, blood dribbled down the composer's ear, a man who had never spoken to a crowd out loud, outside of the curtain of his mental symposium trampled the stagehands from the wings and took over the production, **** near, he had never allowed himself to perform, and an ice cold fist clutched his esophagus, crystals began to form, until he spoke and held a lofty ambition, thus, his voice started with a spark beneath the timbre that got it warm

"Oh! Hello! Pardon the cello, I'm no speaker of spoken word poetry, no rapper, no rhythmic artist, if I stumble and mutter, struggle to catch my breath, that's how those of you who know me, know it's me, to the rest in attendance in time you will see, I have a romantic idea of bardic magics, I love the idea that in time a rhyme can influence masses to act dramatically, you are now pyre logs for the flames of madness, this sacrifice-"

He coughed and cleared his throat, crumpling up a written note

"Was prepared with no small amount of sadness, I will see you rise and throw your chairs high overhead until they reach the ceiling, if you collapse in the coming violence, then rise up and strike yourself down once more with feeling! I will see you screaming, tears of the terrible unknowing streaming, you will glimpse through the trance of verse and cadence a forbidden energy, runic awakening, casting confusion, chaos and grave truths buried latent, witness the blind mind's havens, a pace that hastens as it doubles with valence, you have been taken by the belated, hated and unequated starving meat and ice sculpture carving, hedonistic, sadistic, pelt from the dead animals I offer at worship to my at-odds-ancient-gods, by the welts from my belt, masochistic, sick and twisted, motion sickness from head-spinning, furs I've felt, Bacchanalian Celt, kissed the devil and never got rid of the red stain, those lips stick, it was a burnt liquor and a bit quick, all nonsense or all sense gone, since all run, I sense I'm done."

Around him time rewound and the theater itself retreated from his words brick by brick back into the ground, the world itself dared not try to comprehend
nature knew a curse on the fell aura of his performance flew
as people traversed through matter perversed and minds that scattered and reversed, while ill symbols from his mouth broke the air, turning the fabric of reality into a blanket-fort to play pretend
he sat down on the stage he preserved, with one magic breath he sang his death
an offkey note, breaking a cello string across the flowing waters of time

"Nature be restored,
you have my word,
my grievous wound, I mend
with this I bow to you, Gaia
the end."
write
please read and enjoy

— The End —