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CK Baker Mar 2017
the walls of the inside passage
look the same from sound to straight
tugs and plugs dot the coastline
as the quartermaster rolls
giving time for evening glare  

pods are in sequence
as the high tail smashes and jaws at the krill
white bellies and sea cows bob and weave
as bow heads glide over haida gwaii  

northern lights dance
and tlingit chant
as the tide settles softly on savory shores
their getting hungry in hoonah
as the blue back and beating drums
mark the life blood of the sea  

driftwood nets
and sitka spruce
surround the cook house
ravens and tinhorns
man the scullery
kerosene lamps flicker
as clam shells roast
on open flames  

villagers stroll
on pebbled sand
in the harbor of souls
where ships set sail
on might and mass
into the steady winds
of the golden skies


ice fields (to the north)
of kryptonite blue
cutting hills at
a glacial pace
knuckle clouds
above the snowline
where warlocks
craft a hidden trade  

trappers, skinners
muscle shoals
grizzly feasts
in kodiak bowl
determined pilgrims
on a dead horse trail
in search of gold
the holy grail
anne p murray Apr 2013
He was casually walking one evening in a bustling place called New Orleans in the year of 1845. Nonchalantly strolling down Bourbon Street, a street lined with beautiful homes; graceful verandas; elegant parlors, and... Marie Laveau.

His name was Moine Baptiste. He was a black, French Creole. A man who lived for his music, Quadroon *****, the blues, jazz, and  places where he and Charlie would play their rip-roarin' music in the place called "The Big Easy".

Charlie the sax, was Baptiste’s long, time friend, since he first started playing the 'sax' at the young age of eight.

Moine Baptiste, Plessy Ferguson and all the guys played their Cajun, jazz and blues music at clubs like, 'Antoine’s Bar',  'The Maison Bourbon Jazz Club' and 'The Funky Pirate', all which were popular clubs in the French Quarter on Bourbon Street in New Orleans.

In those days dusky stable hands would lead horses around the stables engaging in desultory conversation that went something like this:
"Hey where y'all goin' from here?" they'd query. "From here we're headin' for the "Big Apple", one would offer in reply.  "You'd better fatten up them skinners or all you'll get from the apple will be the core," was the quick rejoinder.
Resulting in the assigned name, Those Big AppleYears".

Close by on another beautiful, tree lined street was 'Esplanada Avenue'. It was the most elegant street of all in the French Quarter.

Esplanada Avenue claimed fame to a somewhat elusive, secret Bordello called LaBranche House where all the affluent or wealthier men would frequent.

Baptiste was very familiar with LaBranche House. That was where he met all his women and spent most of his money.  

The French and Creole children casually roamed the town, sometimes walking down by the graveyard near Bayou Street. They had been told many a time to steer clear of Bourbon Street, a street with a sordid reputation of burlesque clubs, all night parties and…Marie Laveau, the Voodoo Queen of   New Orleans!  

When Baptiste was taking his walks he'd always watch out the corner of his eye. Something he learned to do when strolling along the sidewalks in New Orleans and in particular Bourbon and Bayou Streets in Congo Square. You see he’d had a few encounters with Marie Laveau.

Oh he had a great deal of respect for Marie Laveau... along with a healthy amount of fear.

This Creole woman, often used her Voodoo  to manipulate, acquire power and upon occasion bless those she liked with good luck and prosperity. She  was also quite adept in conjuring up her many powers in matters of the heart.

Her hair was long and black. She was both feared and respected. Ms Laveau had olive colored, Creole skin. Her black, piercing eyes were sharp as a razor’s edge. Almost magnetic, if she stared at you for very long.

Baptiste had called upon the Voodoo Queen a few years back when he was down on his luck..... and down on his luck with women.

It was almost to the point, that he’d all but given up on the possibity of being happy and contented.

Baptiste was a man with a robust charisma of Creole and French charm. Yet he had an air of reserve and dignity, with a bit of naughty that shone brightly in his chocolate, brown eyes. He was remarkably handsome with dark brown, wavy hair; a well chiseled bone structure in his cream colored face, full lips and a well toned body.

His main problem was, he liked too many women. Too many all at the same time. He spent too much of his money on his women which left him broke,  lonely and dissatisfied.

One night while strolling down Bourbon Street he happened upon Marie Laveau. He’d just finished playing a ‘gig’, with his old, friend Charlie his beloved sax and a few of the guys. Baptiste was feeling a bit light headed and a tad drunk from the ***** that flowed and poured so freely in that part of town called The Big Easy. It was a part of New Orleans steeped in history, lore and many mysterious legends.  Baptiste was feeling slightly tipsy from all the Whiskey he'd drank.

When Baptiste saw Marie Laveau walking towards him down on Bayou Street, he boldly said:

     "Well, Ms. Laveau”,  said he as she walked on by
      She looked piercingly at Baptiste, stared straight at him right through to his eyes.
      She was the famous Queen of mysterious curses
      She carried potions and spells in her bags and purses
      She was a famous legend in New Orleans where all the black trees grow

      This Black, Creole Lady lived in the dark, murky swamps all alone
      She carried black cat’s teeth and eerie Mojo bones
      She had three legged dogs and one eyed snakes
      A mean tempered hound she called  Big Bad Jake    

      He said, “Ms. Laveau you Voodoo Witch
      Please cast your spells and make me rich”!
      Marie started mumbling and shook her magic stones

      Why it scared Ole’ Baptiste right down to his skinny ole' bones!
      She cast aVoodoo Spell and spoke some eerie incantations
      Promised him wealth, true love and a big plantation!
      There’s many a story told of men she’d charmed
      But Ole’ Baptiste, he wasn’t too alarmed

      They strolled through the graveyard down on Bayou Street
      Where all Marie's ghouls and ghosts and spirits meet
      There lived a big, black crow where she held her ritual scenes
      She spoke powerful Voodoo words and cast her magic in between
      She held Baptiste’s hands tightly in her large, black hands
      She promised him love and riches and lots of land
      From that day forward Baptiste had more than his share of luck
      He had the love of a beautiful woman and lots of bucks


      But Baptiste always remembered that piercing look in Ms. Laveau’s stare
      An admonishing, cautionary warning they always shared
      If you ever walk the streets in New Orleans....
                                   Beware....
      You just might meet up with Marie Laveau... "The Bayou Voodoo Queen"
__________________­_________
"Marie Laveau (September 10, 1794 – June 16, 1881[1]) was a Louisiana Creole practitioner of Voodoo renowned in New Orleans. She was born free in New Orleans.
Marie Laveau a legend of Voodoo down on the Bayou. This well known story of this
Voodoo Queen who made her fortune selling her potions and interpreting dreams...
all down in a place called New Orleans!
Nat Lipstadt Dec 2013
Photographs by Avedon

This was written in a friend's home in the Berkshire Mountains, on a Saturday morning, a few years ago.  Up early, I went exploring their bookshelves and found a book of Richard Avedon's photographs of average Americans out west.  Google "richard avedon photos of the american west" - then read the poem.  Please, for without seeing the faces, for this will make all the difference.  In the Berkshires, it is always chilly there, even in the summer sun.  This and other obscure references are better detailed in the notes.


Join my warmth and
my chill,
as the nine o'clock sun,
a 45 degree steeplechase
warms,
but still not
strong enough
to dispense
the lingering,
residual, remaindered,
breezy chill
of the prior eve,
that hides in,
emanates from,
the shadows
of the
deep wooded hillocks
of the
Berkshire Mountains.

Join my warmth
and my chill!

Upright jolted,
head kicked awake,
entranced and revolted,
excited and repelled,
emotive, yet, stilled.

For oh so casually,
this heroic city dweller,
brave and fearless
bookshelf explorer,
retrieves a book,
to find a new route
thru time and space
to the center of his brain.

Photographs by Avedon,
of my fellow Americans,
the Have Nots,
his "Havedons"
of the
American West.

These uncommon people
with whom I share
uncommonly little,
these drifters, the carneys,
the would-have-been cowboys,
busted blackjack dealers,
rattlesnake gut n' skinners,
coal and copper miners,
the hay truck drivers,
dirt so deep in
their pores ingrained,
colors and bloodies their souls,
browns their veins,
are the ones that
too oft,
go off first to
fight wars
in my name.

Photos untitled,
words unneeded.

In this far corner of our
shared contiguous space
called the
United States of America,
top of the line here
would be
insurance agents,
secretaries and maybe even,
the waitresses.

But their eyes,
oh their eyes!

Words I do not own
to fair share with you,
the clarifying gaze
of measured dignity and
immeasurable ache,
heritage pride,
heretical heartbreak,
that marks and unites
these disparate and dispirited
vessels of humankind.

Disjointed,
the noon suns finally,
raises my body temperature
browns my surface...

Yet, nothing eradicates
this ******* chill
in my soul
or calms my consternation,
as black and white
eyes discolor
my comfortable existence,
as I ponder
Avedon's words:

All photographs are accurate but none tell the truth

Pass over,
pass by,
The Evil Son at Passover
asks ever so sly,
what have they to do with me?

It is the Sabbath.
We luxuriate in our rest.
Rest is the greatest luxury

What is this Sabbath?
Heschel's cathedral -
existant both
in space and time,
and one enters
when and where
one can.

Do my distant,
(both in space and time)
American cousins
share my Sabbath?

Are they allowed
this luxury,
or is it endless exertion,
severity and deprivation,
all and every day
of their lives?

Constant risk every day.

Who cannot fail to see the
precipitousness of life
edged in the lines of their
hearts and minds?

Day to day hardens them
and teaches the
discipline of
severity unended.

Is the prudence of
self-forgetfulness,
their morning bitter pill
they must swallow
to carry on?

Among the resolutions
I need
to claim a
life fulfilled is this:

How to end this poem,
close this can of worms,
accidentally kicked open.

Will sunset end these
troubling questions
of which you have
your own,
more personal variations?
(what about the ...)

Perennials flower everywhere,
in Auschwitz,
along the Tigris,
even in Kabul and Somalia,
along the highways
that lead
to the mecca of
Las Vegas.

Perennials flower everywhere.

In warmth and cool,
in time and space,
they flower in my heart and
my brain and in
my prayerful tears.
flowing down my cheeks,
as I lay me down to sleep,
to dream these of
impoverished words

Havdalah^^ thoughts,
separations celebrated.

Distinctions noted,
even celebrated tween
holy and common,
light and dark,
Sabbath and
the six weekdays
of labor,
between sacred and secular
and
between me and
my American Brothers
of the American West.


I know
just one thing
to be true:

The Sabbath Cathedral is
open to all,
whatever day
you choose to
abide there

I await you,
my American cousins,
with wine and bread
and the
holy of holiest words
of comfort and sooth.

I will wash your feet and
lay you down to
restful sleep
in the
Sabbath Cathedral
in my heart.

Together,
at last,
we will be joined,
in warmth and chill.



August 29, 2010
Lanesboro, Mass.
----------------------
* "In The American West" by
Richard Avedon

** many of the phrases in this stanza were taken from an article "The Few, The Proud, The Chosen" in Commentary, September 2010

^ Abraham Joshua Heschel, a modern Jewish Philosopher.  Elegant, passionate, and filled with the love of God's creation, Abraham Joshua Heschel's The Sabbath has been hailed as a classic of Jewish spirituality ever since its original publication-and has been read by thousands of people seeking meaning in modern life. In this brief yet profound meditation on the meaning of the Seventh Day, Heschel introduced the idea of an "architecture of holiness" that appears not in space but in time Judaism, he argues, is a religion of time: it finds meaning not in space and the material things that fill it but in time and the eternity that imbues it, so that "the Sabbaths are our great cathedrals."

^^ Havdalah is the ceremony to celebrate the end of the Sabbath, and realize the distinctions between the holy day and the workweek, the day and the night, light and day...
CK Baker Mar 2019
Pilsner cap switch blade
tie dye and piccolo
greasers and freaks
with platform feet
muscling in
on the bow legged hoofer
tapping
Bursey Hill Tram

Diamond tuft console
mullets n' ****
angels and saints
(unrestrained)
appropriately trimmed
as 3 mile wreaks havoc
on the nickers and
fighters of penn

Bangers and home boys
hookahs and sheiks
hostile geeks
breaking knuckles and jaws
on the caners and skinners
who are locked
and grinding the root

Desert boot foothills
boardwalk jeans
rainbows and sea fairs
and psychedelic dreams
(the platinum queens
jamming it hard
on the jade room floor)

8 tracks
and fender packs
the hottest summer days
psychedelic haze
center hall, graffiti scrawl
(sinister yet refined!)
covering the subtle
yet striking third ****

Brunswick cues
and red man chew
350 blocks
(on a solid Chevy - stock)
monkeys and beatles
and laugh in scenes
pastel dreams
from the long and coveted
velvet scroll
The rear axles hold the kick of twenty Missouri *******.
  
It is in the records of the patent office and the ads there is twenty horse power pull here.
  
The farm boy says hello to you instead of twenty mules-he sings to you instead of ten span of mules.
  
A bucket of oil and a can of grease is your hay and oats.
  
Rain proof and fool proof they stable you anywhere in the fields with the stars for a roof.
  
I carve a team of long ear mules on the steering wheel-it's good-by now to leather reins and the songs of the old mule skinners.
CK Baker Sep 2019
remember the melding
of gilmore and bing
the springfield gates
and desmond ring

remember the trojans
and fools in the pack
sea fair jeans
and corkscrew flat

remember the cabin
and *****’s garage
the gary point dunes
and moncton mirage

remember the warehouse
the water logged seats
tin foil caps
and simple retreats

remember the cave
and turn on the cut
emery’s mini
and hamilton’s hut

remember the burger
and shake in the air
bubs in the back
with little despair

remember the valley
and 66 ford
burgundy lips
and samworth’s chord

remember the plainsman
a 7 inch log
the ***** old frenchmen
and bore-*** hog

remember the javelin
and mushay’s wheels
beaumont’s baggie
and jennifer beals

remember tough charlie
tossing brad rand
the belyae roundhouse
and beer in the sand

remember park polo
and scaling of firs
sleeping in rafters
at 8 bucks per

remember the mayflower
and brothers von grant
the max air follies
and chivalrous rant

remember the flipper
the floyd and the clap
banana boat sunday
and pemberton trap

remember the purples
the rasp in the street
the oliver jokers
and shady retreat

remember the gators
and brick house café
a flash in the pan
and crib cult stay

remember the church
and talbs on the bridge
goofy’s memoirs
and cypress ridge

remember smaldino
whom perry cut short
***** and a ****
and moria’s port

remember the zuker
and gilligan’s isle
the pep chew bust
and 8 tooth smile

remember the action
at blundell and one
the nauseous fumes
and pump house run

remember the canyon
and rock on the cliff
a tourniquet bind
that kept us adrift

remember lake skaha
and jvc tunes
the j bain query
and peach fest goons

remember the irons
and broad entry beads
the alexander boys
we must pay heed

remember the gates
the 12 hole stare
the hospital bed
and ky affair

remember the farmhouse
an open air deck
the john deere tractor
and cowboy neck

remember the wheat field
and jimmy crack corn
the burlington plaza
and fraser street ****

remember the pincers
and wee ***** white
the concubine fractures
and strong overbite

remember the carving
portrayed at the scene
the billy goat battles
a young man’s dream

remember lord brezhnev
and moby the ****
the second beach sun
and paper bag trick

remember the screening
the silver light show
banshee boots
and phipps’s throw

remember the epic
and baby oil block
trash can brassieres
and window rock

remember the law
jack rabbit in may
an 8 track mix
on alpine way

remember the dunes
a pig on the spit
the underarm hair
and corn bull-****

remember old frankie
and bursey head post
the koa leaves
and tiki shore host

remember b taupin
the lyrics he left
cold muddy waters
an odd treble clef

remember street regent
the trips in the night
the trailer park cap
and lightheart fight

remember kits causeway
mortimer and beaks
jk's cabin
and muscle bound freaks

remember glen cheesy
and billy the less
the frozen puke patties
and borkum mess

remember the catfish
and pickerel rock
the emerald meadows
and rainbow dock

remember port dover
with fish on a stick
wayne in a bunker
holding his ****

remember the ironside
limes in a tree
the usc campus
came with a fee

remember the duster
an arrow in heart
the frog man bug
that would not start

remember the zimmer
the ram air hood
a family wagon
with panels of wood

remember peace portal
the 33 back
the power built drive
and dangerous tack

remember the reds
the blues and the greens
the furry point island
and country book scene

remember the springs
and i 95
a lone state trooper
with blood in his eye

remember may’s cabin
and stuff in between
the frame and the picture
and morning snow scene

remember the boss
with a 302 scoop
the diamond tuft console
and back seat coupe

remember ioco
the **** and the spit
the skid road race
and hurst floor kit

remember the shore
and tents in the park
a campfire roast
and kerosene bark

remember the hooger’s
kit kat club
the colvin’s and setter’s
a man called bub

remember the creature
with silk strand hair
and afternoon flask
with little despair

remember quilchena
and robbie the mac
the rice stead box
and tap on the back

remember miss williams
a pilgrim’s salute
the fairmont sister
with all of her loot

remember port ludlow
a scotman on dock
the everett street bridge
and single leg sock

remember the masters
and all of the roar
the faldo follies
at norman’s door

remember jeff samson
tied in a tree
the robertson fastback
with white leather seats

remember the balance
and pulling of 4's
the moncton warehouse
and hollywood ******

remember the hospice
with carter in wear
the power of gospel
and magic in prayer

remember the mini
counting the crows
aberdeen villa
where all of it grows

remember the ballroom
the battle of bands
the buccaneer bikers
and front row stands

remember the steely
and 50 odd pulls
the crook in the cranny
and pilsner bulls

remember the mustang
tb paul
the ****** shack sergeant
was missing a ball

remember dear kevin
head first in the pool
a sheik in a minefield
and ****** gas fool

remember the rumble
and bats in the night
an old lady screaming
to a young man’s delight

remember cliff olsen
that sick little ****
who will be in shackles
on lucifer’s truck

remember the bumpers
and cutting in line
the mice on the ****
and bo in the pine

remember the law
stabbing the corn
a bucket of ammo
and mekong horn

remember s boras
the piercing of yes
the color line paper
sikosie at rest

remember the pinto
and seven road plants
mother’s fine pizza
a trial lawyer’s rant

remember the kennedys
with ***** painted black
a pond in the shadows
where monty looked back

remember von husen
the sea to sky test
a farm hands daughter
was one of the best

remember mr pither
and mao sae tung
helena the cougar
and egg foo young

remember the cinder
and frances road bake
***** the whitehead
would make no mistake

remember the quan
and mental mix
the java hut sister
with pixy sticks

remember j rosie
banging his head
in a moment of dr
we thought he was dead

remember the hammer
discussions caught short
siddrich and roger
and monty’s abort

remember 6 nations
and KOA
the pool hall fight
when everyone stayed

remember the skinners
and tommy the med
the lost tough china
and bubs in the shed

remember the doobies
zeppelin and cars
floyd and the *****
and shankar’s sitar

remember old dustys
the blue and red chair
the cypress hill caves
and mullet cut hair

remember the promise
and vows that we made
on the 2 road stairs
in goodman’s brigade

remember those moments
and handle with care
for the garamond stamp
will always be there…
Francie Lynch Jan 2019
There's movement afoot.
Occupants and sycophants
Are scattering
From the Rainbow Rooms
To the more concrete setting
Of the Oral Office,
Where the North and South Porticos
Admit the transients
Behind the secure cement walls
Of the Skinners.
2019 should prove rewarding. From White House to Big House. From Oval Office to Oral Orifice.
Wally du Temple Dec 2016
I sailed the fjords between Powell River and
Drury Inlet to beyond the Salish Sea.
The land itself spoke from mountains, water falls, islets
From bird song and bear splashing fishers
From rutting moose and cougars sharp incisors.
The place has a scale that needs no advisers
But in our bodies felt, sensed in our story talking.
The Chinese spoke of sensing place by the four dignities
Of Standing of Reposing of Sitting or of Walking.
Indigenous peoples of the passage added of Paddling by degrees
For the Haida and Salish sang their paddles to taboos
To the rhythm of the drum in their clan crested canoes.
Trunks transformed indwelling people who swam like trees.
First Nations marked this land, made drawings above sacred screes
As they walked together, to gather, share and thank the spirit saplings.
So Dao-pilgrims in the blue sacred mountains of Japan rang their ramblings.
Now the loggers’ chainsaws were silent like men who had sinned.
I motored now for of wind not a trace -
I could see stories from the slopes, hear tales in the wind.
Modern hieroglyphs spoke from clear-cuts both convex and concave.
Slopes of burgundy and orange bark shaves
Atop the beige hills, and in the gullies the silver drying snags
and the brilliant pink of fire **** tags
A tapestry of  times in work.
A museum of lives that lurk.
Once the logging camps floated close to the head of inlets.
Now rusting red donkeys and cables no longer creak,
Nor do standing spar trees sway near feller notched trunks,
Nor do grappler yarders shriek as men bag booms and
Dump bundles in bull pens.
The names bespeak the work.
Bull buckers, rigging slingers, cat skinners, boom men and whistle punks.
…………………………………………………………………….
Ashore to *** with my dog I saw a ball of crushed bones in ****
Later we heard the evocative howl of a wolf
And my pooch and I go along with the song
Conjoining  with the animal call
In a natural world fearsome, sacred and shared.
---------------------------------------------------------­---
Old bunk houses have tumbled, crumbling fish canneries no longer reek.
Vietnam Draft dodgers and Canucks that followed the loggers forever borrowed -
Their hoisting winches, engines, cutlery, fuel, grease and generators.
While white shells rattled down the ebbing sea.
Listing float homes still grumble when hauled on hard.
Somber silhouettes of teetering totems no longer whisper in westerlies
Near undulating kelp beds of Mamalilakula.
Petroglyphs talk in pictures veiled by vines.
History is a tapestry
And land is the loom.
Every rock, headland, and blissful fearsome bay
Has a silence that speaks when I hear it.
Has a roar of death from peaking storms when I see it.
Beings and things can be heard and seen that
Enter and pass through me to evaporate like mist
From a rain dropped forest fist
And are composted into soil.
Where mountains heavily wade into the sea
To resemble yes the tremble and dissemble
Of the continental shelf.
Where still waters of deception
Hide the tsunamis surging stealth.
Inside the veins of Mother Earth the magmas flow
Beneath fjords where crystalised glaziers glow.
Here sailed I, my dog and catboat
Of ‘Bill Garden’ build
The H. Daniel Hayes
In mountain water stilled
In a golden glory of my remaining days.
In Cascadia the images sang and thrilled
Mamalilikula, Kwak’wala, Namu, Klemtu
The Inlets Jervis, Toba, Bute, and Loughborough.
This is a narative prose poem that emerged from the experienced of a sailor's voyage.
Mateuš Conrad Oct 2016
it has been exactly since ~3p.m.
                                                            yesterday...
                                       through to
3p.m. today: that's 24 hours +
                                      4 o'clock, 5 o'clock rock,
          6 o'clock,
                                          7, 8, 9
                     10, 11 and the upcoming twelve
         24 + 9 + excess passing the 36th hour...
oh this is just target practice -
                  what used to be
   serotonin has become adrenaline:
   spawning cobweb shadows with
   a mere arm-hair aligned with an itch:
i say to my cohabitants -
        i'm too poor to rent an apartment
with my contemporaries,
         and i can't be bothered to look cool
for 10 years... before the money starts
coming in... a day before a tongue spoke:
and see you in 20 years...
         and see you in 30 years...
the people born prior to 1975
       and after 1969 came out to earn
£57,000 a year... while those born
after 1979 and before 1985 had a wealth
*** of £27,000...
                            who are the landlords?
quick digression, i love how the idea
of exiting the bloc (it used to be designated
to the eastern bloc, now anything east of Calais
if a bloc... the European bloc -
        my my... ain't it love-ly?
   they wanted an Australian points system,
so first came the Australian plastic currency,
boy, i was happy, cashing in my first Churchill
miniature that i could dip in baked beans
and use as a spoon) spread beyond the old
stereotype... and the points system?
you know who's smoking the hookah of
panic here?            
                            the freelancers of nationality...
   they haven't fitted in...
don't worry... they'll keep you,
but after seeing you they just thought:
once the cheeky chappy, now a chavvy chappy...
  we love the E2 dialect, it's hardly Coccers
or bonkers... but after my day
(i'll relate to it in a moment)
       i heard to prop'ah Cockneys giving it
all the guv' and n'ah and
        what's Kilimanjaro in Cockney slang?
all the Cockneys are living in Essex,
   Romford, Chelms and the Essex lads
from Ireland are a bit shy, never talk to
the old people who used to live on
the Isle of Dogs or the Wharf -
              East London moved, and i'm in
the thick o' it... you ***...
                       i'm here,
open ******* spaces and hedgehog counts
to mind... never the next Susie from
Whitechapel doing the runner from Jackie,
             and funny that,
the day began during the night,
sober, i tested the idea: if you gonna go
nocturnal, stay sober...
                  fast... drink coffee in the morning,
and what some proper bollocking
        on the box...
                               i say: revivals never
sounded more like bells, the 1970s
had Patois... the old parle with dread-lock Sam...
             i squeeze in a bit of Norse
and hey presto... Ahmed's your uncle...
                     'cos we all like a bit of
way-hey banter, the: back in the day
   when the 1966 squad was best known
for West 'am...
                               am i sensing the idea that
i'm licking off the prop'ah beef burger 'ere?
                    what the **** rhymes
with Kilimanjaro?
                                wait! got this one:
apples & pears - stairs...
                          you gyro?
                        no! wait... the two Cockneys
weren't from south London,
this ain't Peck'am talk... this is proper grub...
         jar squared: verb, meaning?
     i know my neighbour, heard him
lecturing his wife over the wall about
the diminishing concept of family in the "west",
           to me that's
the Cockneys meant by guv'nah:
                           aw right der geezer,
   stop that fidgety: don't be late tomorrow,
let a man eat his plums and wear his trousers...
       i swear: the only good cinema these days
is English cinema...
                                 i said! the only good cinema
these days is English cinema...
               if i didn't watch
       we **** the old way during the night,
after spending my day as i did (i'll get onto it,
hold your submarines)
                               i would have pricked my ears
on the two Cockneys next door
   at 4p.m.                  finishing some job...
but given the "guv'nah's" attitude: 'aving
a laugh at coming early tomorrow, if at all.
     my day?
                 i wished i could say i woke up
early...
                            the entire spectrum
of sunrise...
                            epileptic shock from the sun
after smoking a cigarette at 5a.m. when
all the constellations where out...
                          not enough sleep,
as the Russians say: no good to live but to
not have seen snow.
                               it shivers with enough
hours under your belt...
                                      i'd love those
Soviet torture chambers of sleep malnutrition...
gents? when the ***** and the cards and cigarettes?
    i'm currently the most loathed
  person in America... which technically makes me
more than simply unemployed...
        anyway...
cut my hair... two millimetres off the helmet...
off the cranium... not crew cut, not skin on side
and some ***-fluff on top...
in the night, when the moon is bright,
   my two millimetres of hair look like skin...
oi! Skinners! the shame would have really been
to have protruding ears...
                                    come to think of it,
i love the contorts of my shadow more than
the body my shadow disdains...
                  i decided to visit my old school
after that...
                     ...............................
do you know the feeling of getting onto a bus
when you having been on any other form
of transportation (other than your legs)
for a few months?             surreal...
                   and even that's a bad way to describe it...
this is where words simply fizzle out...
                            they just did the white rabbit
trick and you're felt with nothing else to
do but squeeze into the top-hat and hope
that some other magician will pull you out
rather than another: white rabbit.
                          so the 499 from my house
up to Romford (sunny! glorious day!
   shirt, sleeves rolled up,
           denim trousers, navy suede shoes,
azure shirt, headphones, bus ticket,
wallet, packet of smokes, and the ride -
smile all you want - when you smash a sports
car you don't have the view of a dozen
horrified passengers there with you
to practice your ultimate Buddha gimmick -
Ching-Chong Eyed and smiling)
                oh yeah, the insurance... huh?
   off at Romford central, and onto the 86
courier from Bangladesh to Ilford...
                    what did i miss in the list above?
ah... three copies of poetic optometry...
written by? moi, n'est pas? oh come on,
let's not get the ruler out: mangetout and manage trois...
                           (only fuel is horses)
           the 86 is a double decker, the 499 isn't...
sun in my eyes behind the glass the enhanced star
gleamed: what privilege -
               by day the star
                                           by night the star in
   a mirror that's the moon -
                                         selfish helium
giggling into a hydrogen Hindenburg fury!
                 or that's what the scientists say...
how they worked it out, i'll never know...
                            but apparently the sun
is a H-He           something or other...
            H because of atom bombs,
   and He because we giggle like idiots when we see
it: never the thirsty horse in cowboy movies.
   got off at Seven Kings...
in between school girls eyeing everyone and everything...
just my luck... schoolchildren...
                               everywhere on the bus...
just there...
                                    and also just nowhere...
         so i got off at Seven Kings and went into my
old catholic school...
                                  waited at the reception for a good
5 minutes (good to know they're still teaching
people manners with regards to the uttermost
productive necessity of bureaucrats)
               -              i asked about my old English
teacher: does Dr... er... does Mr. Thomas,
        er, does Mr. Bunce (Thomas) still work here?
   yes, he does.
             you see, i'm a former pupil of this school
and i wondered if i could have a meeting with him.
oh, that's impossible, he's currently teaching.
                     Kafka... note this in your afterlife...
         well... in that case, could i leave him a message?
oh sure, just write your name and your contact details
and he'll get in touch with you.
   well... i need a bit more than a scrap of paper,
can i have a notepad?
                 sure.
                                    so i took  the pen
and the notepad and sat in this grand refurbished hall
of the school that used to remind me
of chemistry labs stinking of old wood and sulphur,
of the old ways... of being beaten and Pink Floyd
escapism and all the hippy crap...
                               what a grand place this has become...
it's no longer known as C. P. Catholic School...
but the plus version: C. P. Academy...
  but you still walk into the plus surroundings and there
are still pamphlets written by Father Ted
about *our Lord and Saviour christ Jesus...
          or Hey! Zeus! in Spanish... same ****...
different cover...
                               but i was well dressed in my
Indian summer wear that's Indian summer:
English September and October...
              i'd move the calendar up a bit...
get the kids off anti-depressants...
                           anyway, i had my three copies
of the "first edition", try tell that with the internet
breathing down your neck... it doesn't, matter...
             but i did write him a lovely note:
unchaining me from the straitjacket of grammar!
                  i wrote from what year i graduated
2002 (g.c.s.e.) or 2004 (a-level),
                        and blah blah and one more blah
later                    walked back to the reception
  and asked for a rubber-band...
                   then i bundled the whole thing together
and asked if she could give it to him...
                    of course, she replied.
                            p.s. if you don't mind,
Mr. Thomas, you can always shove one of those
copies into the school library...
                         p.p.s., someone stashed
the book about the Gnostics by some German in
there once... maybe i'm thinking along the same lines.
      the journey back?
i walked.
                                 i walked from Seven Kings
to Romford...
                               taking a stroll
with one hand in my pocket (left)
because holding a cigarette in the other is never
exactly great when it's not doing something...
that's what the pockets are for...
not exactly suited for your wallet... but your hand...
when you're strolling in the green-belt fields
segregating the outer-most London (wannabe
Londoners / Eastenders) and the Essex inheritors
of Cockney... Kilimanjaro?
                                  Kilimanjaro?
                 ­                          me, i don't Essex
either...           most of the bankers chose this
district for the scenery, i.e. standing in a field
that isn't a hill or any sort of elevation
and beyond, yonder, the glass shards of their
former institutions...
                                        4.7 miles... not bad...
  a stroll... and that's without any food and solely
on coffee and a sleepless night...
           a butterfly fluttering along the way (only one)
and a fresh ripe auburn conker lying beneath
an oak tree (also, only one)...
            but what hit me was walking back...
it was truly like reading the book of revelation...
13:7... all the way from Seven Kings through to
the Romford: the street vendors, the bookies,
the Muhammedian car dealers...
                  the bewildered ones walking into
mosques, Sikh temples...
                                       one man cleaning the patio
entrance to a church from weeds...
                           cheap Kentucky chicken from America
         (if you think, that they don't synthesise
the meat in cat food and call it tuna or beef
but rather use actual meat... you're grossly mistaken,
    it was on the news...
                                         they are already
capable to synthesise meat...
                                     they do it in the perfume industry,
they're doing it in the food industry -
    a childhood memory of asking why they were
smearing lipstick on the frogs they caught...
they replied: they burn easier...
                  and they did... paint a frog lipstick
pink and boy... that's a French marshmallow, right there)...
           but if you ever walk that stretch of road...
               revelation 13:7...
          i'd like to see the Evangelists wriggle out
of that one...                       oh sure...
i treat religious television like some meathead
might watch football... it's game on after 5 minutes...
but anyway... that was my day...
           all 36 or so hours of it... how was yours?
                                                          ­                        g'day!
Ruth Willis Sep 2016
I am a rock
Buried under an ocean
where the skinners rule the surface
And everything else beneath
Moves unknowingly with the current
But deep and still I stay

You were a rock too
Left feeling alone and unloved
parts of you eroding with time
the ocean was very rough on you
Yet you were never swooned by the current
Never tempted to float to the top
where the waves crashed in the shore


For your sadness was akin to mine
And the abyssal I have lived in for the first time felt like home
Someday Just like you
I will feel like I belong somewhere
in the vast depth of the unknown

Little did I know
Lost just like me  
There are other rocks
at the bottom of the sea
Though how dark and scary it may seem
I know will not be alone forever for
You taught me that it was okay to be a rock
In 1 lifetime in cyclonical strife clime, I carve turkey in knife-crime
and slice slivers off skinned, skinless, skinny skinners in rife rhyme
Since we all look alike, it is easy to forget who is George Washing-
ton. You cut down George Washington with a hatchet & I hate you.

— The End —