Weißer Tagesanbruch. Stille. Als das Kräuseln begann,
hielt ich es für Seewind, in unser Tal kommend mit Raunen
von Salz, von baumlosen Horizonten. Aber der weiße Nebel
bewegte sich nicht; das Laub meiner Brüder blieb ausgebreitet,
regungslos.
Doch das Kräuseln kam näher – und dann
begannen meine eigenen äußersten Zweige zu prickeln, fast als wäre
ein Feuer unter ihnen entfacht, zu nah, und ihre Spitzen
trockneten und rollten sich ein.
Doch ich fürchtete mich nicht, nur
wachsam war ich.
Ich sah ihn als erster, denn ich wuchs
draußen am Weidehang, jenseits des Waldes.
Er war ein Mann, so schien es: die zwei
beweglichen Stengel, der kurze Stamm, die zwei
Arm-Äste, biegsam, jeder mit fünf laublosen
Zweigen an ihrem Ende,
und der Kopf gekrönt mit braunem oder goldenem Gras,
ein Gesicht tragend, nicht wie das geschnäbelte Gesicht eines Vogels,
eher wie das einer Blume.
Er trug eine Bürde,
einen abgeschnittenen Ast, gebogen, als er noch grün war,
Strähnen einer Rebe quer darüber gespannt. Von dieser,
sobald er sie berührte, und von seiner Stimme,
die, unähnlich der Stimme des Windes, unser Laub und unsere
Äste nicht brauchte, um ihren Klang zu vollenden,
kam das Kräuseln.
Es war aber jetzt kein Kräuseln mehr (er war nahe herangekommen und
stand in meinem ersten Schatten), es war eine Welle, die mich umspülte,
als stiege Regen
empor von unten um mich herum,
anstatt zu fallen.
Und was ich spürte, war nicht mehr ein trockenes Prickeln:
Ich schien zu singen, während er sang, ich schien zu wissen,
was die Lerche weiß; mein ganzer Saft
stieg hinauf der Sonne entgegen, die nun
aufgegangen war, der Nebel hob sich, das Gras
wurde trocken, doch meine Wurzeln spürten, wie Musik sie tränkte
tief in der Erde.

Er kam noch näher, lehnte sich an meinen Stamm:
Die Rinde erschauerte wie ein noch gefaltetes Blatt.
Musik! Kein Zweig von mir, der nicht
erbebte vor Freude und Furcht.

Dann, als er sang,
waren es nicht mehr nur Klänge, aus denen die Musik entstand:
Er sprach, und wie kein Baum zuhört, hörte ich zu, und Sprache
kam in meine Wurzeln
aus der Erde,
in meine Rinde
aus der Luft,
in die Poren meiner grünsten Knospen
sanft wie Tau,
und er sang kein Wort, das ich nicht zu deuten wußte.
Er erzählte von Reisen,
davon, wo Sonne und Mond hingehen, während wir im Dunkeln stehen,
von einer Erden-Reise, von der er träumte, sie eines Tages zu tun
tiefer als Wurzeln…
Er erzählte von den Menschenträumen, von Krieg, Leidenschaften, Gram
und ich, ein Baum, verstand die Wörter – ach, es schien,
als ob meine dicke Rinde aufplatzen würde, wie die eines Schößlings,
der zu schnell wuchs im Frühling,
so daß später Frost ihn verwundete.

Feuer besang er,
das Bäume fürchten, und ich, ein Baum, erfreute mich seiner Flammen.
Neue Knospen brachen auf in mir, wenngleich es Hochsommer war.
Als ob seine Leier (nun wußte ich ihren Namen)
zugleich Frost und Feuer wäre, ihre Akkorde flammten
hinauf bis zu meiner Krone.
Ich war wieder Samen.
Ich war Farn im Sumpf.
Ich war Kohle.

The development of a classification system
for rattles became a topical issue since the
new experimental techniques found by many
of them revealed that everything could not
be elementary.                                      These discoveries made by Wolfgang;
Pauli shout: "If I predict it, I will go to the botanist".
Advises the students Enrico Fermi
and León Rederman. "If I could
remember the name of these particles,
I would be a botanist," who was
at the forefront of many of these developments,
including these new Nobel Prize systems,
including Luis Alvarez. The construction
of the hammer as a limited condition
of fewer sections will organize your "zoo".
Some of the first meson proposals,
such as Enrico Fermi, Chen-Ning Yang
1949 and Sakata 1956, were successful,
but they could not compensate and could
not explain all the data. The Gel-Man-
Nishijima formula developed by Murray
Gel-Man and Kazuhiko Nishijima led
to an eight-way classification invented
by Gel-Man in 1961 with important
independent contributions from Yuval
Ne'eman. Organize HIS (3)            Expression of multiples of approximately
the same mass, octave and Dickle
due to strong interaction. Smaller
mass differences associated with the quantum number
of flavors that do not appear to be a strong interaction.
The Gel-Man-Okubo tissue formulated
the quantification of these small differences
in mass between the multichannel members,
controlled by the distribution of the explicit symmetry
of SU (3). A basic bidirectional member,
B-baryon spin-3/2, was an important predictor
of this classification. Gel-Man received
the Nobel Prize for Physics approximately
eight times in 1969, after having been discovered
in experiments at the National Laboratory,
Brookhaven. Finally, in 1964, Gel-Man
and George Zweig independently received
What The Image Encoding. Eight times
They made a start-up and made
the underlying scheme unpredictable
and possibly unobservably free, and the
classification coding more simply
into a narrow economic structure in eight ways.

Differences in Hadron's mass were associated
with different masses of quark components.
It takes about 10 years for unexpected nature
and physical reality. These quarks
are understood in more detail; seeing
Quarks. Unlike intuition, it cannot
be considered in isolation the birth
of color, forms with other quarks
are a complete hero and provide
a lot of indirect information about
the captured game. Instead, quarks
help define quantum chromodynamics,
a basic theory that fully describes
powerful interactions. And now
it is understood that the eighth shape
is the result of three light symmetric
flavors. It is believed that advanced
civilization techniques have emerged
that allow for tight curves,
such as the distortions of space
and time. Complete the possibility
of traveling. This is a document
that examines this possibility, in
other words. The violation of causality
in the final zone is not the final curvature
of the space-time feature. There
is no powerful Cauchy medium
that does not consist of closed land
of incomplete production. Geometrically
measured sizes can be used to determine
the increase in the Lorentz area,                                        which will increase
the closed geodesy. However,                                                       the causality
of early underdevelopment in certain
categories of weak energy conditions
must not break the Cauchy horizon.

This shows that it is impossible to create
a world enclosed by a closed time curve.
                      This is a prerequisite to address the weaknesses of the industry,
but the principle of what is legal
for the industry with the hope of
the value and importance of the
tweezers is like a tight curve
of space. To get more. It seems
less closed, deadlines must be presented
immediately. Look at these results
and learn about the defense of the incident,
as long as it supports the value
and does not suffer the law of revolutions
physically closed. Press and Japan,
especially 893 mobile phones.

Here at the Riesenrad,
black Eckelberg eye
observes violinists.
There, a choir of mustard leaves,
swirls of Ich and du
clog the air, night blanketing us
in a filmic noir.

Here, the chalky bracket of the Hofburg extends its arms
as if embracing us.
Inside: glinting-finger chandeliers,
ensembles of books
like lungs of rust,
children toddling past
with goldfish mouths.

Here, a café, early morning,
lemon light sweeping through the windows,
gurgle of students, old men
with a steaming großer Brauner,
a wrinkled Die Presse on the table,
****** of tablespoons at breakfast
and simmer of strings at evening.

And it was here, in ’67,
post-they-think-it’s-all-over,
where a barefoot brunette
sang a tune about puppets;
now our hearts tick
to an orchestral melody.

So here, under a periwinkle sky,
students with Zweig on their minds,
sizzle of German on their tongues
continue on their way, as do we,
footsteps waltzing through
the heart of Europe.

The roots of Dada are in the vanguard
of the pre-war. The term anti-art,
a precursor of Dada, was coined by Marcel
Duchamp around 1913 to characterize works
that defy accepted definitions of art. Cubism
and the development of collage and abstract
art inform the detachment
of the movement from the limitations
of reality and convention. The work of French
poets, Italian Futurists and German Expressionists
would influence Dada's rejection of the close
correlation between words and meaning. Works
such as Ubu Roi 1896 by Alfred Jarry, and ballet
Parade 1916-17 by Erik Satie would also be
characterized as proto-dadaist works.
The principles of Dada's movement
were first compiled in the Dada Manifesto
by Hugo Ball in 1916. The Dadaist movement
included public meetings, demonstrations
and publication of literary / art magazines; Passionate
coverage of art, politics and culture were topics
that were often discussed in a variety of media.
The key figures of the movement were Hugo Ball,
Marcel Duchamp, Emmy Hennings, Hans Arp,
Sophie Taeuber-Arp, Raoul Hausmann,
Hannah Höch, Johannes Baader, Tristan Tzara,
Francis Picabia, Huelsenbeck, George Grosz,
John Heartfield, Man Ray, Beatrice Wood,
Kurt Schwitters, Hans Richter, Max Ernst
and Elsa von Freytag-Loringhoven
among others. The movement influenced later
styles such as avant-garde and downtown musical
movements, and groups that included surrealism,
nouveau réalisme, pop art and Fluxus.
The development of a rattle classification system
became a topical issue, since the new experimental
techniques found by many of them revealed
that everything cannot be elementary. These discoveries
made Wolfgang Pauli shout: "If I predict it, I will go
to the botanist". Advises the students Enrico Fermi
and León Rederman. "If I could remember the name
of these particles, I would be a botanist," who was
at the forefront of many of these developments,
including these new Nobel Prize systems, including
Luis Alvarez. The construction of the hammer
as a limited condition of fewer sections will organize
your "zoo".                                                 Some of the first meson proposals, such as Enrico Fermi, Chen-Ning Yang in 1949
and Sakata in 1956, were successful, but they could
not compensate and could not explain all Dada.
The Gel-Man-Nishijima formula developed
by Murray Gel-Man and Kazuhiko Nishijima
led to an eight-way classification invented
by Gel-Man in 1961 with important independent
contributions from Yuval Ne'eman. Organize HIS (3)
Expression of multiples of approximately the same
mass, octave and Dickle due to strong interaction.
Smaller mass differences associated with the quantum
number of flavors that do not appear to be a strong
interaction. The Gel-Man-Okubo tissue formulated
the quantification of these small differences in mass
between the multichannel members, controlled
by the distribution of the explicit symmetry of SU
(3). A basic bidirectional member, B-baryon spin-3/2,
was an important predictor of this classification.
Gel-Man received the Nobel Prize for Physics
approximately eight times in 1969, after having
been discovered in experiments at the National
Laboratory, Brookhaven. Finally, in 1964, Gel-Man
and George Zweig independently received What is
The Image Encoding? Eight times they made a start-up
and made the underlying scheme unpredictable
and possibly unobservable, and the classification
was more simply encoded into a narrow economic
structure in eight ways. The differences in the Hadron
mass were associated with different masses of quark
components. It takes about 10 years for unexpected
nature and physical reality. These quarks are understood
in more detail (seen Quarks). Unlike intuition,
it cannot be considered in isolation from the birth
of color, the forms with other quarks are a complete
hero and provide a lot of indirect information about
the game captured. Instead, quarks help define
quantum chromodynamics, a basic theory that fully
describes powerful interactions. And now it is understood
that the eighth shape is the result of three light symmetrical
flavors.

It is believed that advanced civilization
techniques have emerged that allow
for tight curves, such as the distortions
of space and time. Complete the possibility
of traveling. This is a document that examines
this possibility, in other words. The violation
of causality in the final zone is not the final
curvature of the space-time feature. There
is no powerful Cauchy medium that does not
consist of closed land of incomplete production.
The geometric size measurements can be used
to determine the increase in the Lorentz area,
which will increase the closed geodesy. However...

Sigmund Freud was one of those who categorically refused to allow that the William Shakespeare of Stratford-upon-Avon could have been the author of the plays.

And told Arnold Zweig that it almost made him angry that Zweig believed otherwise.