Oct 2015
what stefan zweig mentioned -
of the 19th century’s inability of being
fond of its youth including robespierre responsively
in the revision invoking the polar dialectics of reconsideration -
i too can claim of similar recount
from the 21st century a fated twinning -
even though i lived in the last years of the twentieth
i allow myself very crude comparisons
to ease ageing.
sure stefan knew a thing or two about hölderlin
in the descriptive localisation, given that hölderlin:
being of those disfavoured remnants of engagement with eugenics
revived very little hope of a bored aristocracy, so that
nietzsche came along and militarised the priesthood
leaving the pope on a pulpit of celebrity power
in a pyramid scheme of posing queues kissing the foreheads of babies
with duran duran in the background shooting the video: toddlers on film.
but that’s how it all appears,
that the 21st century lost the care for the cares of the young
and gave them unto the gnashing teeth of the psychiatric
machine, diagnosing them too early with too much so that
when the poetic version of don mc’lean’s american pie
came with the opening: a long long time ago,
how that music used to make me smile,
and i knew that if i had my chance... but something
touched me deep inside the day the poetry died - it
was simply vowels in refrigerators and consonants in d.j. uplifts
for the aura of a monetary capitalistic saturday
of neons contorting mascara into afterglow of the oomph oomph
sick ‘em slick ‘em drumkit snare galoshes in puddles in electronic repeat on the dancefloor, added with
boom boom baby celluloid - flowers in hula hoops of disco sound
and aversions with b & w western depictions of lassoed bulls convened
to remember corrida de toros (no one lassos an animal one milks) -
by then it really just turned into very apathetic mandarin on the count of two billion and the six billion english accents with the martians included in the 3 : 1 fraction, as if it was supposed to be
the final stance of the crucified & crucifying iconoclasts resolved
like with the neanderthals.
what we need... what we need... is a little bit of horror!
imagine me, doing the cricket dance in cobwebs as: bone daddy -
although fatter and therefore funnier, like it was worth picking the boogies
as if counting bones before kissing a hopeless idealism entombed in your heart.
of the 19th century’s inability of being
fond of its youth including robespierre responsively
in the revision invoking the polar dialectics of reconsideration -
i too can claim of similar recount
from the 21st century a fated twinning -
even though i lived in the last years of the twentieth
i allow myself very crude comparisons
to ease ageing.
sure stefan knew a thing or two about hölderlin
in the descriptive localisation, given that hölderlin:
being of those disfavoured remnants of engagement with eugenics
revived very little hope of a bored aristocracy, so that
nietzsche came along and militarised the priesthood
leaving the pope on a pulpit of celebrity power
in a pyramid scheme of posing queues kissing the foreheads of babies
with duran duran in the background shooting the video: toddlers on film.
but that’s how it all appears,
that the 21st century lost the care for the cares of the young
and gave them unto the gnashing teeth of the psychiatric
machine, diagnosing them too early with too much so that
when the poetic version of don mc’lean’s american pie
came with the opening: a long long time ago,
how that music used to make me smile,
and i knew that if i had my chance... but something
touched me deep inside the day the poetry died - it
was simply vowels in refrigerators and consonants in d.j. uplifts
for the aura of a monetary capitalistic saturday
of neons contorting mascara into afterglow of the oomph oomph
sick ‘em slick ‘em drumkit snare galoshes in puddles in electronic repeat on the dancefloor, added with
boom boom baby celluloid - flowers in hula hoops of disco sound
and aversions with b & w western depictions of lassoed bulls convened
to remember corrida de toros (no one lassos an animal one milks) -
by then it really just turned into very apathetic mandarin on the count of two billion and the six billion english accents with the martians included in the 3 : 1 fraction, as if it was supposed to be
the final stance of the crucified & crucifying iconoclasts resolved
like with the neanderthals.
what we need... what we need... is a little bit of horror!
imagine me, doing the cricket dance in cobwebs as: bone daddy -
although fatter and therefore funnier, like it was worth picking the boogies
as if counting bones before kissing a hopeless idealism entombed in your heart.
