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brooke Dec 2014
I won't take you in
i'm unwild, unwild
wouldn't wind my
way though all of
your knots, my
pages are dog-eared
unalphabetized, uncapitalized
you can't hide behind that, no
curtains, big windows, small
door, free but contained, uncorked
but restrained, tied my hair down
for sails, a single breath could
******* away.  won't build
monuments in your name
or dress your letters in
gold trim, i've
idolized too
many men.




but i
could
love
you.
(c) Brooke Otto 2014
.
So fresh his face,
Nutmeg and ginger
Like mine.  I made
Apologies for being,
Being late.

He was more than
Kind, so mannered
Like minded, unwild,
Not unpredictable,
Like my ex.

In the cafe, earthy
Smells wafted at me,
Hints of loss, of sad
Things unsaid, wet
Piney black hair.

Black hair and blue
Unfathomable eyes,
Eyes of a lad I miss,
A wildness uncaged,
Once caging me.
brooke Dec 2016
He stands like William Stanley Moore
a mugshot of an old gangster I saw once
in sepia, stony, strangely clarified, endowed
immortalized in caramel marble
glassy eyes and all--

he plowed ahead that night
fingers twitching, only to turn
around outside of the light
once we'd gone through
the doors and I'd fled down
the stairs in his wake
to clip his heels

I've been chasing his shadow
tying my lead to his bow
far away from my own
dock, a sailboat piping
behind a cottonclad warship

I am small and timid
soft and malleable, unwild
unwoven, strips of silk in the foyer
running through his fingers
sheets sliding down his back
I cannot give what other girls
have given, the way they
dive and plead and swarm
I can only coat, can only
rinse, only lather, I can only
run over--

I am standing at his bookshelf
running a finger over the spines
gingerly closing the cabinet or
slipping into his bed, tucked
away like a porcelain doll
I try
i try
i try
(c) Brooke Otto 2016


white knuckles.
brooke Dec 2015
ode to the flower next to belladonna
the trees on south-facing mountain slopes
silently musing into the nights and not
the avalanche's daughter whom the hills
sing praises and woes

her soul's a quiet unison, meno mosso
a choir and composer spun through
***** pipes, doors cracked and never
fully closed, (there's light beneath the
lids...) she'd like to think of herself as
the wind but she's content as still air
between prayer beads--

and if not the star dust--then who? why else
do we call pauses rests? Why then is there
beauty in fermattas? In crescendos that vibrate
the material of the immaterial--if such things
happened to be true for the unwild and untangled
the perpetually pianissimo, the leading and kerning--
because she would much rather be an empty vessel
or a plate without food, a seed or a grape on a vine
because neither go without lords or masters and

she is not her own.
it's been a while.

(c) Brooke Otto 2015
souxie lily Oct 2011
beauty is not unwild
is not quite tame or mediocre
but beauty
for God's sake
is not rare

— The End —