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Taru Marcellus Jan 2013
beyond Montana’s yellow lines
there is a field
~a field of painted soles
     and laces rubber tread
~a field of ****** curls
     and fallen headlights
where kaleidoscope lenses
look onto twisted frames          like origami halos
where teddy bears hug stop signs like pickets
     fringed in anger
          runaway childhoods sleep cautionary tales
  
beyond Montana’s blushing acne
there are red cup melodies
     blasting from blacked out tints
          weaving blues notes through Rock & Rap
distant cries are drowned by Bass
     or maybe Bud (light)
a haze of teenage eyes
they might as well be ghost riders
whip game copped from GTA
these pubescents are a Vice to their City
blooming sidewalk sloths
like flowerbeds

beyond Montana
is a country of bar stools
   where bar tenders play therapists
        and therapists play coroners
precedents are shots of whiskey - taken to the head
and reflected in flooded eyes

beyond Montana
is a country of MADD mothers and SADD students
beyond Montana
is a country of unexpecting pedestrians
beyond Montana
is a field
~a field of wing-clipped snow angels

That field is Mariah's home now
and she challenges you to change
   yourself
        your friends
             your country
she challenges you to
**STOP DRUNK DRIVING
Look up Leo McCarthy especially if you're in high school going to college. He was one of the 2012 CNN Heroes and this poem is dedicated to his daughter Mariah.

Also:
sloth = group of bears
MADD = Mothers Against Drunk Driving
SADD = Students Against Destructive Decisions
Ryan O'Leary Feb 2021
Am                            G
Ripples are echoes, for those who can't hear
Am                                    G
thunder has light-ning, to tell them its near
Am                                G
The moon is an echo, for no sun in the sky
Am                     G
day is an echo, for night that is why

Am                              G
Guitar’s are in echo, when they are strum
Am                      G
voices respond, re-sounding the hum
Am                               G
Shadows are echoes, at NOON they’re alone
Am                                   G
but the word it reflects, so its called palindrome

Am                                     G
Trains they make echoes, in tunnels with *****
Am                                     G
and though it’s but one, they call them two hoots
Am                           G
A bell has an echo, when ringing the news
Am                            G
anvils have echoes, when horses wear shoes

Am                                  G
Rainbows have echoes, in pots at each end
Am                       G
who was it said, that sunbeams can't bend
Am                           G
Lighthouses flash, with echoes in Morse
Am                                G
for posh sailing boats, and not Viking Norse

Am                            G
A bow has an echo, with a wow at the end
Am                            G
one midnight bark, starts setting a trend
Am                             G
A dream is an echo, of what we once did
Am                   G
hid in a bottle, behind Jeannie’s lid

Am                                    G                
Our words in the ether, will never meet
Am                            G
that’s why an echo, can never cheat
Am                           G
My echo my echo, is loneliest of all
Am                                  G
that’s why they listen, at my wailing wall

Am                                 G
Heartbeats are echoes, like yours and like mine
Am                              G
that’s why this song, must end with a pine.


                             Chorus

        Am                       G
        Echo all echoes, are art on the wall,
        Am                                G
        must be the sadd-est, sounds of them all
        Am                       G
        Echo all echoes, are art on the wall
        Am                               G
        must be the sadd-est, sounds of them all
        Am                       G
        Echo all echoes, are art on the wall,
        Am                                G
        must be the sadd-est, sounds of them all.




Ryan O'Leary ©
25/02/2021
Sabrina Nov 2015
I an alone
So very lonely
I injured
very badly
But i ignored
Just thrown away
I am safely
For others to have
I am alone
There is no one close
No one knows the pain
I cry...
Hope is gone
I am alone
And no one sees
Donall Dempsey Feb 2017
AS DEW IN APRYLLE

It is as if
he has fallen

from the end of
the 15th century

into this
present day.

A Friday as it
happens.

And falling from
century to century

he has lost weight
the flesh fallen from him

so that
Simon Sadd

(“Sadd by name…sadd by nature!”)

arrives at this
particular now

nothing but
a bag of bones

with a skin
that no longer fits him.

As if…as if
he had once been a fat man

and Time had
thinned him…tamed him.

And so it is
I bathe him

sing songs for him
recite for him

carols, poems, hymns
anything

that lets him escape
even for a moment

this nursing home.

My voice carries him
back to his Norfolk childhood

where his mother
bathes him

on some forgotten Friday
in the once upon a time.

Soap stings his eyes
then and now.

“Moder ‘ud give us
such a ding on the lug.”

He laughs as if
she were there.

“Cor blarst me...stop yer blarin!
Such a sharmin’!”

he scolds himself
with her voice.

Then she’d hush me with…
“I SYNG OF A MAYDEN”

“I syng of a mayden
þat is makeles,
kyng of alle kynges
to here sone che ches.”

I finish it for him.

“My heart alive…how does
a yung feller like you…no dat!”

  
“He came also stylle
þer his moder was
as dew in aprylle,
þat fallyt on þe gras.”

“You must have high learnin’
bor!”

He, for his part,
creates a world of words.

I enter entranced
into his voice

where a ladybird
transforms itself into

a bishy barneybee!

A woodlouse
becomes a Charley pig.

A jasper
is a wasp.

“Ahhh look a King Harry
by the Lady’s smock!”

And when I look
the goldfinch has

already flown away
into the lost years.

The Canterberry Bells
still…so still

“…as dew in Aprylle.”

His mind a “bishy bishy
barneybee…”

“When will yer weddin’ be?
he says softly to himself

“If it be a ‘marra day..."
I towel him dry.

“Tairk yer wings an’
floi away!”
I SING OF A MAYDEN

I syng of a mayden
þat is makeles,
kyng of alle kynges
to here sone che ches.  

He came also stylle
þer his moder was
as dew in aprylle,
þat fallyt on þe gras.

He cam also stylle
to his moderes bowr
as dew in aprille,
þat fallyt on þe flour.  

He cam also stylle
þer his moder lay
as dew in Aprille,
þat fallyt on þe spray.;  

Moder & mayden
was neuer non but che –
wel may swych a lady
Godes moder be.

***

I SING OF A MAIDEN

I sing of a maiden
That is matchless,
King of all Kings
For her son she chose

He came as still
where his mother was
As dew in April
That falls on the grass

He came as still
To his mother’s bower
As dew in April
That falls on the flower.

He came as still
Where his mother lay
As dew in April
That falls on the spray

Mother and maiden
There was never, ever one but she;
Well may such a lady
God’s mother be

***

Some nice Norfolk words!

bred and born  - instead of "born and bred"

Bishy-barney-bee  -  ladybird

Bor  - friend/boy...pronounced Buh!

Burr -  haze around the moon

charleypig/barneypig  - wood louse

Coshies/cushies   -  sweets

Cuckoo  -   cocoa

Dudder    -  shiver yet shiver for a splinter

Ding   -  sharp blow

Dickey   -  donkey

Dockey  -    a labourer’s dinner

Dodman/dundmun/doderman   -  snail

Duzzy  -  silly

Erriwiggle   -  earwig

fillum    -  film or movie

fumble-******   -  clumsy

gansey   -  jersey

Garp/gorp   -  gape

Co ter heck  - go to hell as in amazement

guzunder  - goes-under...another word for chamber-***

Hedge Betty   -  hedge sparrow

High learned  -  well-educated, clever

Hold yew hard ! -  Hang on there! or Wait a moment!

harnser  - heron or a goose for which the Latin name is Anser

hoddy-doddy (very small)

jiffle   -  fidget

kewter  -  money

King Harry   -  goldfinch

Lady’s smock   -  Canterbury bell

Mardle   -  gossip

mawkin   -  a scarecrow

Muckwash  -  sweat a lot

My heart alive! (expression of surprise or just "my heart"

occard   - awkward

"Oi hent nart gart none",  - "I haven't got any".

Pingle   -  play with your food

Pishamire  -  an ant

Pollywiggle   -  a tadpole

puckaterry   - stress/panic

Quackle  -   to strangle

Rafty   -  damp raw weather

Rimer  -  **** frost

Shiver   -  splinter

skerrick   -  a morsel of food

Smur   -  fine rain drizzle

snob   -  shoemaker

squit   -  nonsense

stannicle   -  tadpole

tempest   -  thunderstorm

"The Fenians are coming!"  - a  commotion nearby.

tittermatorter  -   see-saw

*****-totty   -  very small
Terry Collett Jul 2013
Anne sat in the wheelchair
in the huge back garden
of the nursing home.
The stump of her leg ached,

the one good leg rested
on the footrest. She rubbed
the stump as if this might
ease the aching. She’d get

Skinny Kid to push her out
of the back gate when she saw
him, he was one of the few
kids who seemed to like her,

and often did things for her
where others wouldn’t.  
The little girl named Sadd
was like a fairy: thin, gaunt

looking, whose shoulder blades
stuck out like small wings.
She was on one of the swings
being pushed by one of the

nursing nuns. Where was
Skinny Kid? she mused. His sister
was over by the slide going up
and sliding down. The boy called

Malcolm was hiding in and out
of the avenue of trees playing
war games with some other boy
with a snotty nose. She wheeled

herself along the stony path.
How’s your leg? a girl with burn
scars on her arms and shoulders asked.
Why don’t you ask the fecking leg,

Anne replied roughly. The girl stared
at the impression of the stump just
under Anne’s dress. I’ll tell Sister
you swore, the girl said. Go kiss your

****, Anne said. The girl ran off and
Anne wheeled herself a little more
along the path. Then she spotted him,
Skinny Kid, coming out of the French

windows at the back of the nursing home.
Hey, Kid, she bellowed, over here.
Benedict walked over to where Anne
was sitting, her hands on the wheels

of the chair.  What did you want?
he asked. Push me out the back gate,
she said, I can’t stick being out here
with all theses kids. Ok, he said and

pushed her along the path, between
the avenues of trees to the back gate.
Where are we going? he asked as they
reached the gate and he opened it up

and pushed her through. Along by
the beach, I need the sea air, need
to fill my lungs with it, she said.
He pushed her along, his arms

feeling her weight, his legs like
small pistons. Thanks, she said,
for helping me in and out of the
bath the other night. That’s ok,

he said, recalling her calling him
into the bathroom the other night,
she standing on her one leg by the
bath in a white towel. Help me in

Kid, she had said, I don’t want
one of those nuns touching me while
I bath. He had helped her in trying
to avoid looking at her naked body

as she put her leg over then he had
to ease her down making sure the
stump didn’t bang against the bath rim.
He closed his eyes, having caught a

glimpse of the stump on its way into
the water. He pushed the wheelchair
along the smooth path, avoiding the
other people, trying to hear her mouthed

instructions, watching the top of her
dark haired head. She had said he had
to wash her back in the bath as she
couldn’t reach and he did it softly not

wanting to scratch her or such. Harder
than that, Kid, she had said, I want to
feel the skin rubbed not fecking tickled.
So he scrubbed harder, looking at her

neck and her damp hair.  Hey, Kid,
she said breaking into his thoughts,
got any money on you? I’ve  got half
a crown, he said. Then buy us two ice

creams, Kid, over there, the guy who
looks Italian in that van. So he pushed
her over to the van and bought two
ice creams with strawberry sauce and

he sat on the wall with her parked
beside him licking their ice creams
in silence except for the sound of gulls
and the sea going in and out pushing

the waves up the shore, she watching
the Kid, his tongue white with ice-cream,
his eyes bright as summer. Her stump
ached still; she’d get the Kid to rub it after

the ice creams; feel his hands on her skin,
as she sometimes dreamt, he did in her dreams.
Based on episodes at a children's nursing home by the sea in 1958.

— The End —