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TC Mar 2013
Calcified age lines,
driftwood was once a shiny ship:
hallowed bow, curved spine, dead.

Jaundiced and gaunt didn’t appear
until after the fact,
break a bottle on its back
because I'm facedown,
dead drunk, waves of saliva breaking
desperately against the asphalt.
Tree branches grappling together in the wind
are handsome
like a handshake
in a bad poem
but they're just trees, just wood.
I am slowburning like an all natural cigarette.

Jaunt through the woods. Drinking spot.
Acrid friends.
Warm bonfire, I want it to be more like a movie.  
Davy Jones my sorrows. Sitting on a log.
Rock bottom and I’m sitting on a log.
Weird girl comes over, she’s artsy and dyslexic.
I hate that word. Artsy. *******.
She asks if I’m okay and I say yeah.

At home,
exhume pillowcase from *****,
futon forget-me-nots
some thick haired little boy
had curled up to die inside;

Post embrace.
Crashed; a solemnly sinking ship captain
with skin peeling like lottery tickets
too leather-faced to shout anything but
TEN THOUSAND THUNDERING TYPHOONS
as he goes down
with his cracked nymphal exoskeleton
wipes the fire off his brow
he is burning like an all natural cigarette
but phoenixes are not legends
they are metaphors,
and that is enough difference for me.

The sea is salty and stinging
and they say
a smooth one
never made a skillful sailor
but you cannot build a ship
out of driftwood,
just watch one deteriorate into it.

Maybe that’s the point.

For three years,
I found myself in an oozing freefall
base jumping as I carved through the air
like an anchor
parachute made of somber bottle twist
carved cork and microscope slide,
salt stained shoes,
brackish eyes
distort flashes of organic sunlight
thick necked forays into begging for fare
at deserted train stations
lashed out at friends with bullwhip arms
I couldn’t reach my own back
freefalling, base camp
welling up to greet me
from the depths of a tar pit
but the thing about rock bottoms is:
if they don’t destroy you
they give you something solid to stand on.

And if you leap back up, spread eagle
Like a petrified starfish, swim through that tar pit
that is ocean, the warm hovel of under the covers,
Bonfire, whiskey in the back of an old sailors throat,
All natural cigarette,
You can be born again. I promise.

Depression is not sadness, it is the absence of hope
And it is numb. Reduces us to ashes and drowns us all at once.
But it waxes and it wanes, burns itself out if you let it.

And from that flame, scattered splinters in the ocean,
The shedding of my cracked, nymphal exoskeleton,
I understood the impermanence and necessity of flailing tendrils
White hot curling up a mainmast like a handshake
Wet flesh in the womb of moment between sleep and wake,
Breath slipping away like low tide
Gasping for air until it’s easier to ****
Oxygen out of the saltwater in your lungs
Pain killed a boy and made a man

Watch a phoenix **** a baptism
Violently conjure steam into existence
Just for it to disappear, watch them smile.
You’ll understand.
Chante Hinsey Mar 2019
He was very much mentally exhausted from the three previous rounds of word play that we had. But I was very much still aroused.

I needed to grip on his large cranium as he inserted his think logophiled member into the creases of my cerebral.

I wanted him to feel my muscles tightening around his fingers as he caressed my mind.

I needed him to use his tongue to make my brain drip wet like a leaky faucet. I'm wondering if he lost it. Grip on my medulla and massage my grey plump jewel.

I could of done something else to stimulate my brain like reading a book about trains. But what fun would that be when my mate is by my side willing to start mentally ******* me.

I think I went overboard. He has his thinking cap on like the supreme overlord. Should I grab 100 words you never heard. Or just take my defeat and get back to the sheets.

Baby as the pendulum swings
We exist in moment that escapes time
Let my lips service your soul
with great rhetoric when i bend on my knees cause baby about to blow your mind

Should I make his toes curl by the vigorous word use I'm about to hurl.  No I'll just sit back and play defeated like the nymphal  bad girl.
Surfing my mind's midnight Sibylline sea
from a pandemonic Promethean quay,
caught in a creamy host, her countenance floats
off a weary coast, and I in briny thoughts.

Still see that wafting veil over gust and gale
tears in a frozen stare from a turbid tale.
Pride, where's your strutting stride on her rampant ride
as soul swamps the sight and rills roll the side?
            
Tossed to a tempest, once this enchantress,
off her fortress —to spume; to spray,
regardless...

Her keel creaked in sags as if on racks…
Her helm helpless in drags as if on tracks...
Her sails fretted in shreds; tattering dregs…
Her soul ripped in scraps; ravage and rags…
                               So—                                                              ­  
Could she hold the kraken heaves
     from her deeps to heaven’s weeps?
Could she stall Neptune's steeds
     spuming her cherub cheeks?
                               Yet—
Neptune nabbed in the nooks in nymphal eyes;
silent seagull-cries swam the eyes' sodden skies.
A Bragolin gleam on a Mona Lisa meme;
hanging loose on the brim, then succumbed to a stream
.  ..  ...  .  ..  ...  .  ..  ...              .  ..  ...­  .  ..  ...   in a briny, silent scream.

                               And I—
Cast to the thalassic tides of this mystery,
     still bobbing in memory's Venusian locks.
How this Seraphine gaze knocks in query
     on the Lethean tyranny of clocks!

                               And I —
Tossed to a tempest in her Seraphine scream.
     Home, now Avalon, beyond the rippling rim.
Lost on her gaze in an Olympian gleam.
     Her silent scream in my Sirenic dream.

                                Still I—
Locked in a bottle in an Apollonian deluge,
     sooth on Pandoran shores shares no refuge.
Swept with a stream with a Babylonian gleam,
     what she'd screamed to say, now nothing than a dream…


    Repost
© Hirondelle, Apr 27, 2025
    Arif Hifzioglu
This was a living Bragolin version of Mona Lisa I once saw and have ever been haunted by ever since: a version with eyes pooling with anguish yet in a cryptic Seraphine chemistry. Eyes Bragolin-painted with both pain and peace --two tides in the same still sea.

Both serenity and turmoil which I have little idea as to how they managed to federate on that haunting visage... Tears pooling in the eyes and exuding a strange, heavenly glow on the face...

Ever since my curiosity had the better of me to steal a furtive glance at this person, who I knew wouldn't rather me to have seen them in that undeserved heartbreak, I have been cast to a mental tempest, rudderless, at the sporadic hauntings of the moment.

We were in a place with other people, and she was summoned to go out. When she came back, she went to her place as if wading through the thick waters of leaden disappointment. Ignoring would have been unkind, yet my noticing her in that pool of sorrow, let alone looking, would have been upsetting to her, either. What would you have done in that situation? Walking out was not an option, either. You knew nothing -nothing more than the vague notion that you were the best person to help, but the least one to do so all the same.

After curiosity had had the better of me despite all reverence to her, and I dared to steal a millisecond furtive glance at her, my peek was met with a frozen poignant gaze which had already been there on me, screaming volumes from across an unknown sea of pain. I don't know how much longer it lingered on me after my eyes stampeded back to the shelter of the article I was reading. I was not meant to see her in that raw sorrow; this is for a fact. Once she was everyone's champion, and now, she was this fallen angel. Falling is hurtful, but having the others you love to witness it... I don't know; I have never risen so much to see what happens, and how it happens later.

Not being able to help, my troubled conscience has ever been in a sealed bottle in a troubled sea of why's and how's with the deafening silence of the scream in that frozen stare.

Human expression could sometimes be unbearably cryptic. And when we are overwhelmed by the emotions of a person we care deeply and try to understand them, we hit an intersection of two roads leading in two different directions. If we don't let our emotions overrule our reason, we can whisper a word or two from the rational world in which they have already suffered the heartbreak, which may mean that they already know the answer. We almost invariably ask them to strip their dreams off the truth to make life less disappointing. Yet, isn't sacrificing your dreams for a less disappointed heart already a disappointment?

Sterile and packed with realism; nevertheless, this could be the better path though it fronts the emotive aspect -the human psyche. We should be that beacon of reality calling them back from the tempest of emotions they have been swept into in an open sea of heartbreak. Yet, if we are also overwhelmed by the raw sorrow they have been hit with, we are in no position of playing the part of that lighthouse of resolve and reason. Thus, we hit the other road less often taken. We romanticize the situation seeking an answer in the same ocean of heartbreak, rudderless. We try to approach them like some story hero rather than a mentor.

I might say, for the sake of the people you love, keep your walls strong and keep casting your light to them in the thick of a tempest, taking the brunt of colossal waves of pain and suffering. Speak to them the truth they need to hear to get out of the problem even if you know they know the answer already.

In this particular situation; however, I have tried to walk both roads. I not only played the lighthouse taking the brunt of the pounding waves but also sought solace to my pain in romanticized poetry. Hence 'The Seraphine Scream'. I partially played the hero; I have given counsel and encouragement through writing a highly emotive letter of encouragement. However, this poem which romanticizes my memory of her mourning behind a mysterious veil of restrain is not only written to crown my cherished memory of this excellent human being who happened to fall for a time and for a reason, but for my own healing of the memory as well. Not having the means to help her properly get back on her feet hurt indeed. But, I'm sure she will do it by herself when time comes.

Some Cultural Notes about the MYTHOPOETIC Images I Used:

APOLLONIAN: poetic prowess
SIBILINE: the potential of the mind to interpret conjectural reality
PROMETHEAN: the pain knowledge brings
SERAPHINE: for angelic purity and beauty
LETHEAN: the pull of oblivion
PANDORAN: chaotic and destructive qualities BABYLONIAN: banishment and spiritual exile
OLYMPIAN: divine quality and beauty
SIRENIC: dangerously alluring

Reference to ART
GIOVANNI BRAGOLIN is the Italian painter famous for the haunting portraits of crying children he painted.
VENUSIAN LOCKS are used for the whitecapped waves inspired by Boticelli's iconic Greco-Roman painting 'The Birth of Venus' featuring her hair like the whitecapped waves, echoing the sea which birthed her. Venus is the Roman version of Greek Aphrodite whose name means 'the one born from sea foam'.

— The End —