Antiphon Benedictus II / Sybilla Herophile

The wide influence of history was automated in rituals; it would indicate a bibliographical time rather than secular. The antiphons will take us through the hallelujah of eternal times and along the path of the Spring of Castalia. In singularity will be Delphic Herófila, primordial of Delphi prophesying Trojan conflicts. By reinterpreting her priesthood, she leads us to the Templar Adyton, which can be reinterpreted in a Christian way in the classical antiquity of this antiphon. Being able to be captive, she looked serious and wise, visionary and with customary strange gestures, for an abnormal state of Young Sybilla woman who was later supplanted by older fortune tellers.

The Antiphon Benedictus says: “Herophila you were plagiarized and ridiculed by a heterodoxy that knows rituals and sacred cares, the Pneuma that emerged from the cracks upset your incongruities, which settled on the millennial pedestal in Macedonian territorial geographies, uniting with Alexander the Great, recirculating in Sibylline centers and dividing the doors of Sober Hell, towards epiphanies of the cult of light, and of the sacred pairs of wisdom.

The discussion took place in front of those who surrounded the perimeter of the Antiphon; there was Vernarth and Saint John the Theologian. For decades the twilights have not made the red blood cells of the Cassotis iridescent, which defied a hydrographic competition, for the purpose of desembalming the bodies of the Falangists that emerged from the Temenos of Patmos; secular space for the auditoriums of the antiphon. With ornamental fictitious oracles envisioning the inadvisable opening of opposing eyes towards a Mysta or Mystírio Eleusino, so that finally, given the toxicity of Mercury's sulfide, they would emancipate themselves by making objections to the hypothesis of ruddy post-mortem symbols, which the braves of Tel Gomel, when appearing outside the extinct topic, so that the Benedictus songs would button their navels, which was the only thing that united them to the Sybillas who came from the expropriated ethics, and from the Cinnabar outpatient clinics for long periods providing life in the quantum of Mercurial Ambrosia. Being this preferably housed in the skulls of the V (Fifth courtyard of Helleniká, but this time with eschatology of the Koumeterium of Messolonghi). Eurydice is associated with an exhumation in front of the alerted and emitted effluvia of the Herophile after the Zygastron, which shone from a canvas and that Borker preserved from the Laurel Woods, in a sycalyptic horizon of the equinoctial Aftó of the Kaitelka Cetacean, which nitrated oxides from the eastern vertical, on its back, spauto shredding with purple carbonates towards the Rubicunda del Tinctorium, and from the rhizome that hydrated the enervated and dispersed drops that remained from the convulsion of the Metelmi wind, and shaking the fin that came from this Balaenidae specimen Mysticete, in casuistry of a whale with Down syndrome, but with prodigious psychic powers.

The Cinnabar wandered through the clothes of Tel Gomel's disembalmed ones, who colored themselves with sulfur mercury and revived from the oracles of Herófila, who woke up early with Eurydice validated by her Orphic impetus like no one else. The specific parts were tints of vital signs and epidermis shoots that trembled through the epiphyses of the tibiae that decanted arthritic through the femurs, and that rose with timid muscular masses, until they reached the instep where the celestial holes of Vernarth appeared, that he struck each one of his faithful with his Xifos sword, to bleed a bronze chalice for their reduced movements, stacked on crossed legs with dejected cheekbones that fell on their feet.

Reddish spots on his jaws and on his forearm they were transposed with red salvific footprints of Eurydice that he brought from Charon, but that expressly limited them in the posterior scapula that came arriving from the fifth courtyard of Messolonghi completely stiff in black. The muscular insertion was made of pale ocher, and the Cinnabar was elemented to verticalize the involuntary bodies of the earthquake, before the controversy of the makeup of their resurrection, after an outfit that they had never used before, pigmented by an antiseptic oracle of Herófila, which already insisted to compensate with war shrouds the size of the Benedictus that self-shod the iron suns, and that buried fangs of light and life in their facials, moving in the nervous of the trigeminal towards the ethmoid, causing rales of stimuli feminoids, for the enthronement of the women present in the only atrium of the Mandragoron. Thus they remained in multi-partial stages of the psalm that revived them, to go to meet the Hegemon Alexander the Great, who emerged synchronously from Larnax, from an eruption that uttered the greatest insults of political clarity, in the fierce agonies of his perforated lung. Parasites were sprinkled like empathic germs of Hellenism, conferring Masken resurrection, beyond the curtain or canopy that separated them in Persepolis..., returning from the Indus, for the funeral that would pass through the departure of Hephaestus. Rigor-mortis buried a soul overheating in pulmonary contusion, after a feverish respite, and re sulphating in the rhetorics of Plato and Aristotle.

The Sybillas no longer menstruated on the tripod, the Pythoness in their prehistoric eagerness was conceived twice cyclical, which were reconverted into prehistoric female raptures that confirmed the exo-red blood cells of the menstrual torment, to become reconverted Christian goddesses who were doubly buried in one past joined to the other, and that they were about to precede the next past-present, on an oak that supported them, clinging to them to bear the pain that never existed.