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Come into the garden, Maud,
For the black bat, night, has flown,
Come into the garden, Maud,
I am here at the gate alone;
And the woodbine spices are wafted abroad,
And the musk of the rose is blown.

For a breeze of morning moves,
And the planet of Love is on high,
Beginning to faint in the light that she loves
In a bed of daffodil sky,
To faint in the light of the sun she loves,
To faint in his light, and to die.

All night have the roses heard
The flute, violin, bassoon;
All night has the casement jessamine stirr'd
To the dancers dancing in tune;
Till a silence fell with the waking bird,
And a hush with the setting moon.

I said to the lily, "There is but one
With whom she has heart to be gay.
When will the dancers leave her alone?
She is weary of dance and play."
Now half to the setting moon are gone,
And half to the rising day;
Low on the sand and loud on the stone
The last wheel echoes away.

I said to the rose, "The brief night goes
In babble and revel and wine.
O young lord-lover, what sighs are those,
For one that will never be thine?
But mine, but mine," so I sware to the rose,
"For ever and ever, mine."

And the soul of the rose went into my blood,
As the music clash'd in the hall;
And long by the garden lake I stood,
For I heard your rivulet fall
From the lake to the meadow and on to the wood,
Our wood, that is dearer than all;

From the meadow your walks have left so sweet
That whenever a March-wind sighs
He sets the jewel-print of your feet
In violets blue as your eyes,
To the woody hollows in which we meet
And the valleys of Paradise.

The slender acacia would not shake
One long milk-bloom on the tree;
The white lake-blossom fell into the lake
As the pimpernel dozed on the lea;
But the rose was awake all night for your sake,
Knowing your promise to me;
The lilies and roses were all awake,
They sigh'd for the dawn and thee.

Queen rose of the rosebud garden of girls,
Come hither, the dances are done,
In gloss of satin and glimmer of pearls,
Queen lily and rose in one;
Shine out, little head, sunning over with curls,
To the flowers, and be their sun.

There has fallen a splendid tear
From the passion-flower at the gate.
She is coming, my dove, my dear;
She is coming, my life, my fate;
The red rose cries, "She is near, she is near;"
And the white rose weeps, "She is late;"
The larkspur listens, "I hear, I hear;"
And the lily whispers, "I wait."

She is coming, my own, my sweet;
Were it ever so airy a tread,
My heart would hear her and beat,
Were it earth in an earthy bed;
My dust would hear her and beat,
Had I lain for a century dead,
Would start and tremble under her feet,
And blossom in purple and red.
theo bea Nov 2018
it’s just a facade,
a perfectly practiced one.
her bones are made of stone
but her heart’s made of glass.

the daylight was her stage
where she puts on a show,
a feigned sickening smile
was her best act so far.

every evening was the encore
where she’s hunted by
her cloaked emotions;
anger, hurt, and pain.

she weeps,
she bleeds,
she breaks,
she is human, after all.
Klausyuer Oct 6
"
Should we just die?
But why?
Our show wanders far and wide— Through bustling streets
And eerie ones too.
Our act brings joy.
We smile,
we dance,
Juggling frowns,
masking tears,
Just to please the lively crowds.
Their cheers define our dreams,
Yet so many burdens
Hinder my act,
With each ticket sold for my demise, Trading laughter for sorrow.
My show, my stage—
A slaughterhouse.
For my show,
It makes me cry.

Yet beneath the laughter,
a voice lingers:
“Not doing good?
Did you forget
That we’re alright?
Mom values honesty, but not you.
You cherish lies,
For no one speaks the truth.
I don’t blame you.
Have you read the script?
Life is generous,
Joyously watching our shock,
For the cruel script.”

The flashing lights reveal my tears,
But I can’t see them.
Numbed by the cold,
with no warmth to cope,
Only silence screams for me.
I can’t accept it,
but the show must go on,
Because that’s what actors do—
Performing life and death
until night bleeds into day,
Just to please the crowd.
But I’m no fool,
so I bow.
I want to retire,
but they crave more—
More from my foolish act.
I wear my mask and smile,
So light yet so heavy.
I hate it,
But you tell me,
We’ll be fine,
For lies keep us sane.

My mind is a friend I never asked for.
Even if I’m mute,
you speak for me.
You love to act, right?
Playing life—
Left and right,
Far and wide.
I am proud of you
For enduring.
See that light?
Yes, I want it,
That act I can’t perform—
It’s hope,
But it feels too far,
too hard.

Lost in my head,
My only paradise,
Teetering between hope and doubt,
As bright lights
And trembling legs
Make my script fall,
Expecting me to embrace death.

The actor’s mask fell,
A broken man,
A wounded soul,
Waiting to be loved and heard.
Yet the crowd goes wild.
Awe and shock flash on their faces
As I cry on the ground,
Waiting for help.
They cheer and celebrate my fall,
My painful act.
Each applause stings my heart.
I’m scared, alone,
But you keep telling me to dance—
DanCe!
DAncE!
DaNCe!
They love my mask,
My act, and lies.
They want the show to go on and on.

I can’t take it anymore.
It’s too dark to see.
The only light I find in despair
Is the ending script,
A final curtain call,
And the credits roll.

Here and now,
Ready to end it all,
My only friend,
My lies, my head Screech their plea:
“Don’t leave me be.
The show must go on, right?
There’s more to act.
See life’s script—
Someone will perform your cherished truth,
That we are loved and cherished.
So keep lying and wear your mask until then,
Don’t do the final act.”

It deafens my ears,
Waking me from the brink of demise.

I put my mask down
And read my script.
I cry all night,
Alone,
But I read hope.
That’s how long the show is,
how hard life can be
When you hide it all
And skip the script Just for an act.
It’s not my first performance,
So I’ll be fine.
I’ll act once more tomorrow,
But for tonight,
I’ll finish my monodrama.
The show must go on,
after all.
"


-Klausyuer: The ****** Poet
Taking inspiration from "i am fine" & "Behind the Dancing Clown"

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