Submit your work, meet writers and drop the ads. Become a member
Don't go far off, not even for a day, because --
because -- I don't know how to say it: a day is long
and I will be waiting for you, as in an empty station
when the trains are parked off somewhere else, asleep.

Don't leave me, even for an hour, because
then the little drops of anguish will all run together,
the smoke that roams looking for a home will drift
into me, choking my lost heart.

Oh, may your silhouette never dissolve on the beach;
may your eyelids never flutter into the empty distance.
Don't leave me for a second, my dearest,

because in that moment you'll have gone so far
I'll wander mazily over all the earth, asking,
Will you come back? Will you leave me here, dying?
Don't go far off, not even for a day
Don't go far off, not even for a day,
Because I don't know how to say it - a day is long
And I will be waiting for you, as in
An empty station when the trains are
Parked off somewhere else, asleep.

Don't leave me, even for an hour, because then
The little drops of anguish will all run together,
The smoke that roams looking for a home will drift
Into me, choking my lost heart.

Oh, may your silhouette never dissolve
On the beach, may your eyelids never flutter
Into the empty distance. Don't LEAVE me for
A second, my dearest, because in that moment you'll
Have gone so far I'll wander mazily
Over all the earth, asking, will you
Come back? Will you leave me here, dying?
Don't go far off, not even for a day, because --
because -- I don't know how to say it: a day is long
and I will be waiting for you, as in an empty station
when the trains are parked off somewhere else, asleep.

Don't leave me, even for an hour, because
then the little drops of anguish will all run together,
the smoke that roams looking for a home will drift
into me, choking my lost heart.

Oh, may your silhouette never dissolve on the beach;
may your eyelids never flutter into the empty distance.
Don't leave me for a second, my dearest,

because in that moment you'll have gone so far
I'll wander mazily over all the earth, asking,
Will you come back? Will you leave me here, dying?
Crispin as hermit, pure and capable,
Dwelt in the land. Perhaps if discontent
Had kept him still the pricking realist,
Choosing his element from droll confect
Of was and is and shall or ought to be,
Beyond Bordeaux, beyond Havana, far
Beyond carked Yucatan, he might have come
To colonize his polar planterdom
And jig his chits upon a cloudy knee.
But his emprize to that idea soon sped.
Crispin dwelt in the land and dwelling there
Slid from his continent by slow recess
To things within his actual eye, alert
To the difficulty of rebellious thought
When the sky is blue. The blue infected will.
It may be that the yarrow in his fields
Sealed pensive purple under its concern.
But day by day, now this thing and now that
Confined him, while it cosseted, condoned,
Little by little, as if the suzerain soil
Abashed him by carouse to humble yet
Attach. It seemed haphazard denouement.
He first, as realist, admitted that
Whoever hunts a matinal continent
May, after all, stop short before a plum
And be content and still be realist.
The words of things entangle and confuse.
The plum survives its poems. It may hang
In the sunshine placidly, colored by ground
Obliquities of those who pass beneath,
Harlequined and mazily dewed and mauved
In bloom. Yet it survives in its own form,
Beyond these changes, good, fat, guzzly fruit.
So Crispin hasped on the surviving form,
For him, of shall or ought to be in is.

Was he to bray this in profoundest brass
Arointing his dreams with fugal requiems?
Was he to company vastest things defunct
With a blubber of tom-toms harrowing the sky?
Scrawl a tragedian's testament? Prolong
His active force in an inactive dirge,
Which, let the tall musicians call and call,
Should merely call him dead? Pronounce amen
Through choirs infolded to the outmost clouds?
Because he built a cabin who once planned
Loquacious columns by the ructive sea?
Because he turned to salad-beds again?
Jovial Crispin, in calamitous crape?
Should he lay by the personal and make
Of his own fate an instance of all fate?
What is one man among so many men?
What are so many men in such a world?
Can one man think one thing and think it long?
Can one man be one thing and be it long?
The very man despising honest quilts
Lies quilted to his poll in his despite.
For realists, what is is what should be.
And so it came, his cabin shuffled up,
His trees were planted, his duenna brought
Her prismy blonde and clapped her in his hands,
The curtains flittered and the door was closed.
Crispin, magister of a single room,
Latched up the night. So deep a sound fell down
It was as if the solitude concealed
And covered him and his congenial sleep.
So deep a sound fell down it grew to be
A long soothsaying silence down and down.
The crickets beat their tambours in the wind,
Marching a motionless march, custodians.

In the presto of the morning, Crispin trod,
Each day, still curious, but in a round
Less prickly and much more condign than that
He once thought necessary. Like Candide,
Yeoman and grub, but with a fig in sight,
And cream for the fig and silver for the cream,
A blonde to tip the silver and to taste
The ***** gouts. Good star, how that to be
Annealed them in their cabin ribaldries!
Yet the quotidian saps philosophers
And men like Crispin like them in intent,
If not in will, to track the knaves of thought.
But the quotidian composed as his,
Of breakfast ribands, fruits laid in their leaves,
The tomtit and the cassia and the rose,
Although the rose was not the noble thorn
Of crinoline spread, but of a pining sweet,
Composed of evenings like cracked shutters flung
Upon the rumpling bottomness, and nights
In which those frail custodians watched,
Indifferent to the tepid summer cold,
While he poured out upon the lips of her
That lay beside him, the quotidian
Like this, saps like the sun, true fortuner.
For all it takes it gives a ****** return
Exchequering from piebald fiscs unkeyed.
O mighty-mouth'd inventor of harmonies,
O skill'd to sing of Time or Eternity,
God-gifted *****-voice of England,
Milton, a name to resound for ages;
Whose Titan angels, Gabriel, Abdiel,
Starr'd from Jehovah's gorgeous armouries,
Tower, as the deep-domed empyrean
Rings to the roar of an angel onset--
Me rather all that bowery loneliness,
The brooks of Eden mazily murmuring,
And bloom profuse and cedar arches
Charm, as a wanderer out in ocean,
Where some refulgent sunset of India
Streams o'er a rich ambrosial ocean isle,
And crimson-hued the stately palm-woods
One day* *in the dead of night
I'll be but shadows in light
Where I'll be more than free
Fervently you'll search for me


One day in the dead of night
You'll thus wander mazily in the dark
On roads of life which will ache
But I doubt you'll have me back


One day in the dead of night
You'll drown in star pools of light
Coz I'll be all thy heart shall crave
But then I'll be too deaf in a grave


One day in the dead of night
Fervently you'll wish having a sight
Sight at me but it'll be crystal clear
A word from me you'll never hear


One day in the dead of night
As a dive-dapper peers through the wave
Flaccid you'll stare at the infinite sky
Reminisce of mine infinite tenderness
Thus will be drawn to infinite oblivion


But most of all,

One day in the dead of night
As crystal clear as thy calcareous eyes
In-between thy sobs it'll dawn on thee
You must have been too young
To understand what love is
But its when you'll be old enough
To understand what love is



© Kikodinho Alexandros
June 29 2016
CA Guilfoyle Jun 2016
Pablo Neruda
(1904 - 1973)


Don't go far off, not even for a day, because --
because -- I don't know how to say it: a day is long
and I will be waiting for you, as in an empty station
when the trains are parked off somewhere else, asleep.

Don't leave me, even for an hour, because
then the little drops of anguish will all run together,
the smoke that roams looking for a home will drift
into me, choking my lost heart.

Oh, may your silhouette never dissolve on the beach;
may your eyelids never flutter into the empty distance.
Don't leave me for a second, my dearest,

because in that moment you'll have gone so far
I'll wander mazily over all the earth, asking,
Will you come back? Will you leave me here, dying?


http://www.poemhunter.com/poem/don-t-go-far-off/
(very good reader)
One of my favorite poems, just felt like posting it. Check out the link to hear this poem read in a most excellent way.
Keely Anne Apr 2013
Wandering mazily in an autumn afternoon,
I in the sunlight and he in the shade,
We met by chance,
Somewhere between sun and geography.

I could tell he had something to say,
A song of despair to sing me,
But my Spanish is sadly limited
And his words revolved around me,
Never colliding with my comprehension.

So we did not speak
Except for sighing
Unuttered words suspended heavily
In a green Santiago sky

It is unlikely I would have understood, anyway
The words from his aging lips
No more than fever understands why it burns.

But mis ojos found his,
Civil war of his head,
Exile of his heart,
And I knew.

Without knowing how
Or when
Or from where
Or even what it was I knew.

But I knew.
Yo sé.
And I understood.
Yo conozco.
And we walked.
4/10/13
I wrote this as an assignment for my English class. We read the poem "Taking off Emily Dickinson's Clothes" by Billy Collins (which is absolutely lovely, if you haven't read it) and were told to compose our own work in which we get to know a poet. This is my ode to Pablo Neruda and how badly I wish I were fluent in Spanish so that I could understand his work as it is meant to be understood instead of  relying on the English translations.
Mike Essig Apr 2015
Love Sonnet XLV**

Don't go far off, not even for a day, because --
because -- I don't know how to say it: a day is long
and I will be waiting for you, as in an empty station
when the trains are parked off somewhere else, asleep.

Don't leave me, even for an hour, because
then the little drops of anguish will all run together,
the smoke that roams looking for a home will drift
into me, choking my lost heart.

Oh, may your silhouette never dissolve on the beach;
may your eyelids never flutter into the empty distance.
Don't leave me for a second, my dearest,

because in that moment you'll have gone so far
I'll wander mazily over all the earth, asking,
Will you come back? Will you leave me here, dying?
No intro needed.

— The End —