Hello Poetry
Submit your work and get some sparkles! Create free account
"loquitur" poems
LOQUITUR: En Bertans de Born. Dante Alighieri put this man in hell for that he was a stirrer up of strife. Eccovi! Judge ye! Have I dug him up again? The scene is at his castle, Altaforte. “Papiols” is his jongleur. “The Leopard,” the device of Richard Coeur de Lion. I **** it all! all this our South stinks peace. You whoreson dog, Papiols, come! Let’s to music! I have no life save when the swords clash. But ah! when I see the standards gold, vair, purple, opposing And the broad fields beneath them turn crimson, Then howl I my heart nigh mad with rejoicing. II In hot summer I have great rejoicing When the tempests **** the earth’s foul peace, And the lightning from black heav’n flash crimson, And the fierce thunders roar me their music And the winds shriek through the clouds mad, opposing, And through all the riven skies God’s swords clash. III Hell grant soon we hear again the swords clash! And the shrill neighs of destriers in battle rejoicing, Spiked breast to spiked breat opposing! Better one hour’s stour than a year’s peace With fat boards, bawds, wine and frail music! Bah! there’s no wine like the blood’s crimson! IV And I love to see the sun rise blood-crimson. And I watch his spears through the dark clash And it fills all my heart with rejoicing And pries wide my mouth with fast music When I see him so scorn and defy peace, His long might ‘gainst all darkness opposing. V The man who fears war and squats opposing My words for stour, hath no blood of crimson But is fit only to rot in womanish peace Far from where worth’s won and the swords clash For the death of such ***** I go rejoicing; Yea, I fill all the air with my music. VI Papiols, Papiols, to the music! There’s no sound like to swords swords opposing, No cry like the battle’s rejoicing When our elbows and swords drip the crimson And our charges ‘gainst “The Leopard’s” rush clash. May God **** for ever all who cry “Peace!” VII And let the music of the swords make them crimson! Hell grant soon we hear again the swords clash! Hell blot black for always the thought “Peace!”
0
2.6k
Sestina: Altaforte
LOQUITUR: En Bertans de Born. Dante Alighieri put this man in hell for that he was a stirrer up of strife. Eccovi! Judge ye! Have I dug him up again? The scene is at his castle, Altaforte. “Papiols” is his jongleur. “The Leopard,” the device of Richard Coeur de Lion. I **** it all! all this our South stinks peace. You whoreson dog, Papiols, come! Let’s to music! I have no life save when the swords clash. But ah! when I see the standards gold, vair, purple, opposing And the broad fields beneath them turn crimson, Then howl I my heart nigh mad with rejoicing. II In hot summer I have great rejoicing When the tempests **** the earth’s foul peace, And the lightning from black heav’n flash crimson, And the fierce thunders roar me their music And the winds shriek through the clouds mad, opposing, And through all the riven skies God’s swords clash. III Hell grant soon we hear again the swords clash! And the shrill neighs of destriers in battle rejoicing, Spiked breast to spiked breat opposing! Better one hour’s stour than a year’s peace With fat boards, bawds, wine and frail music! Bah! there’s no wine like the blood’s crimson! IV And I love to see the sun rise blood-crimson. And I watch his spears through the dark clash And it fills all my heart with rejoicing And pries wide my mouth with fast music When I see him so scorn and defy peace, His long might ‘gainst all darkness opposing. V The man who fears war and squats opposing My words for stour, hath no blood of crimson But is fit only to rot in womanish peace Far from where worth’s won and the swords clash For the death of such ***** I go rejoicing; Yea, I fill all the air with my music. VI Papiols, Papiols, to the music! There’s no sound like to swords swords opposing, No cry like the battle’s rejoicing When our elbows and swords drip the crimson And our charges ‘gainst “The Leopard’s” rush clash. May God **** for ever all who cry “Peace!” VII And let the music of the swords make them crimson! Hell grant soon we hear again the swords clash! Hell blot black for always the thought “Peace!”
Continue reading...
53
I’m indebted to the Oxford Dictionary of Quotations, 4th Edition 1996 **Ab Imo Pectore A**b imo pectore, Blandae mendacia linguae, Cadit quaestio, Desunt cetera. E*st modus in rebus. Faber est quisque fortunae suae, Gigni de nihilo nihilum, in nihilum nil posse reverti. Hic finis fandi, Interdum stultus bene loquitur? Jacta interdum est alea, Labuntur et imputantur. Magni nominis umbra, Nec scire fas est omnia, Omne crede diem tibi diluxisse supremun, Pallida mors aequo pulsat pauperum tabernas regumque turres; Quid rides, mutato nominee de te fibula narrator, Res ipsa loquitur. Solvitur ambulando… Tempora mutantur, nos et matamur in illis. Urbi et orbi, Vestigia nulla retrorsum.* From The Bottom Of The Heart From the bottom of the heart,  the falsehoods of a smooth tongue, The question drops, the rest is wanting. There is a balance in all things, every man is the creator of his own fate. From nothing, nothing can come, into nothing, nothing can return. Let there be an end to talking, for who can tell when a fool speaks the truth? The die is sometimes already cast, A moment comes and goes, and is laid to our account. From the smallest shadow to the mightiest name, No one can claim to know all things, I believe that every day that dawns may be my last, Pale death knocks impartially at both poor and rich men’s houses; Don’t laugh, change the name and the story is yours, It’s so obvious, it speaks for itself. As the concept of motion is proven by walking… So in time all things change, as we must, in time, all change. And to all the world, There’s no turning back. Ab Imo Pectore / From The Bottom Of The Heart Ab imo pectore, From the bottom of the heart, Blandae mendacia linguae,   The falsehoods of a smooth tongue, Cadit quaestio, The question drops, Desunt cetera. The rest is found wanting. Est modus in rebus, There is a balance in all things, Faber est quisque fortunae suae. Every man is the creator of his own fate. Gigni de nihilo nihilum, in nihilum nil posse reverti. From nothing, nothing can come, into nothing, nothing can return.   Hic finis fandi, Let there be an end to talking, Interdum stultus bene loquitur? For who can tell when a fool speaks the truth? Jacta interdum est alea. The die is sometimes already cast, Labuntur et imputantur. A moment comes and goes, and is laid to our account. Magni nominis umbra, From the smallest shadow to the mightiest name, Nec scire fas est omnia, No one can claim to know all things, Omne crede diem tibi diluxisse supremun, I believe that every day that dawns may be my last, Pallida  mors aequo pulsat pauperum tabernas regumque turres; Pale death knocks impartially at both poor man and rich men’s houses; Quid rides, mutato nominee de te fibula narrator, Don’t laugh, change the name and the story is yours, Res ipsa loquitur. It’s so obvious, that it speaks for itself. Solvitur ambulando… As the concept of motion is proven by walking… Tempora mutantur, nos et matamur in illis. So in time all things change, as we must, in time, all change. Urbi et orbi, And to all the world, Vestigia nulla retrorsum. There’s no turning back. r10.1
0
Nov 27, 2013
Nov 27, 2013 at 6:41 PM UTC
Ab Imo Pectore / From The Bottom Of The Heart
I’m indebted to the Oxford Dictionary of Quotations, 4th Edition 1996 **Ab Imo Pectore A**b imo pectore, Blandae mendacia linguae, Cadit quaestio, Desunt cetera. E*st modus in rebus. Faber est quisque fortunae suae, Gigni de nihilo nihilum, in nihilum nil posse reverti. Hic finis fandi, Interdum stultus bene loquitur? Jacta interdum est alea, Labuntur et imputantur. Magni nominis umbra, Nec scire fas est omnia, Omne crede diem tibi diluxisse supremun, Pallida mors aequo pulsat pauperum tabernas regumque turres; Quid rides, mutato nominee de te fibula narrator, Res ipsa loquitur. Solvitur ambulando… Tempora mutantur, nos et matamur in illis. Urbi et orbi, Vestigia nulla retrorsum.* From The Bottom Of The Heart From the bottom of the heart,  the falsehoods of a smooth tongue, The question drops, the rest is wanting. There is a balance in all things, every man is the creator of his own fate. From nothing, nothing can come, into nothing, nothing can return. Let there be an end to talking, for who can tell when a fool speaks the truth? The die is sometimes already cast, A moment comes and goes, and is laid to our account. From the smallest shadow to the mightiest name, No one can claim to know all things, I believe that every day that dawns may be my last, Pale death knocks impartially at both poor and rich men’s houses; Don’t laugh, change the name and the story is yours, It’s so obvious, it speaks for itself. As the concept of motion is proven by walking… So in time all things change, as we must, in time, all change. And to all the world, There’s no turning back. Ab Imo Pectore / From The Bottom Of The Heart Ab imo pectore, From the bottom of the heart, Blandae mendacia linguae,   The falsehoods of a smooth tongue, Cadit quaestio, The question drops, Desunt cetera. The rest is found wanting. Est modus in rebus, There is a balance in all things, Faber est quisque fortunae suae. Every man is the creator of his own fate. Gigni de nihilo nihilum, in nihilum nil posse reverti. From nothing, nothing can come, into nothing, nothing can return.   Hic finis fandi, Let there be an end to talking, Interdum stultus bene loquitur? For who can tell when a fool speaks the truth? Jacta interdum est alea. The die is sometimes already cast, Labuntur et imputantur. A moment comes and goes, and is laid to our account. Magni nominis umbra, From the smallest shadow to the mightiest name, Nec scire fas est omnia, No one can claim to know all things, Omne crede diem tibi diluxisse supremun, I believe that every day that dawns may be my last, Pallida  mors aequo pulsat pauperum tabernas regumque turres; Pale death knocks impartially at both poor man and rich men’s houses; Quid rides, mutato nominee de te fibula narrator, Don’t laugh, change the name and the story is yours, Res ipsa loquitur. It’s so obvious, that it speaks for itself. Solvitur ambulando… As the concept of motion is proven by walking… Tempora mutantur, nos et matamur in illis. So in time all things change, as we must, in time, all change. Urbi et orbi, And to all the world, Vestigia nulla retrorsum. There’s no turning back. r10.1
Continue reading...
85
Sister, I tremble in the shade Of your impending absence feared Its shadow looming ominous Sister, does anything ever die? Brother, this place that we have made Our garden mutually beloved And all things must pass to dust Brother, is permanence a lie? Sister, if the leaves are golden now We may be sure they’re soon to fall We are not immortal evergreen Sister, you won’t forget to pray? Brother, though I know not how I’m sure souls needn’t finally part But did the poet weigh his words Brother, can nothing gold e’er stay? Sister, gold is too precious for rust But listen to the call, ahead We cannot neglect our course Sister, are you glad you came? Brother, although part we must And suffer heart-strings joined to cut Love, still whole, knows no regret Brother, you won’t forget my name? Sister, though the country’s breadth Brings doleful separation on Love’s memory scorns the divide Sister, is it not true? Brother, O, it feels like death When love bridges the awful gap It splinters, weeping, grieves the loss Brother, what can I do? Sister, dear, look to the Bread The cup divine, I am outpoured Souls mingle in the Victim’s blood Sister, shan’t we run this race? Brother, I see now in the Head His every member blessed and joined, And so unbound by space or time Brother, there we shall embrace.
0
Feb 1, 2018
Feb 1, 2018 at 12:06 PM UTC
Cor ad Cor Loquitur
Why do I find myself so Weak in your arms? Why do I fall my knees To the pit of your charms? Why do I betray my thoughts For your wicked lies? Why do I lend my ears To your mournful cries? Why do I lean my Shoulders when you weep? Why do I stay awake Just to watch you sleep? Why do I feel alone If you're not around? Why do my feet dance When you make a sound? Why do I catch my breathe While you walk my way? Why do I see heavens When I watch you pray? Why do I hate myself hating love? When you're a transcedent from up above?
0
May 24, 2013
May 24, 2013 at 2:49 PM UTC
Res Ipsa Loquitur
Semi light in the abbey church red light altar end a lone monk in silent prayer, in silentio Dei loquitur, I climbed the stairs to the passageway to my cell the Grand Silence in force after Compline until after Mass and wanted to speak to someone but couldn't, di dubbio è l'opposto della fede the Italian monk said as we worked in the abbey library, Mrs Shepherd wanted me to kiss her inner thighs so I did as she asked, to fall in love with God said Augustine of Hippo is the greatest romance, shall I make the grade? said George in the cloister garth after the office of None as we sipped tea and ate cake I feel the cold so much I said I thought he would but he left soon after, ouvrir votre cœur à Dieu the French monk said to me as I helped him in the abbey gardens selecting vegetables for lunch, she kissed me once alone in the castle when other visitors went off with the guide to the next room warm lips maybe tongue, wenn Sie zweifeln was dann ? the Austrian monk said to doubt is to think I said I think therefore, except our own thoughts said Gareth quoting Descartes there is nothing absolutely in our power, I tolled the bell-tower bell for the Angelus and the angel said unto Mary and the sound reached out to ears and hearts, Dom James was desperate for a smoke but did not yield to it but pretended a cigarette between fingers and exhaled cold morning air and I know I stood there.
0
Jun 20, 2016
Jun 20, 2016 at 1:14 AM UTC
I STOOD THERE MCMLXXI