Submit your work, meet writers and drop the ads. Become a member
Robert N Varty Apr 2013
Es et rekuyered? Aar dhei rekuyered? But of kaurs, ies!

Uot es e mounten?
Uaer es dhe rever?
Hou aar birds? Thruu uot aar birds?

Uay es ryteng? Uay es dhe sky?
Hou duu ui lev? Uén duu ui dy?

By uot and by huum, spens dhe irth?
Faur uot pirpes, funkten aur kaus?
By us? Faur us? Thruu us? Uethout us?

En dhe seim lyt, en e deferent séns:
Uirds?

Kould bi faur us?
Uould bi by us?
Should bi uithout us?

Béter iet:

**uot aar uirds?
that we ascribe to the sun and the stars

that seeing the sun shine as if

it would be beautiful but we would just be blind

to the fact that the stars are far

and that the sun shines as we wake up



that we also ascribe to the moon

the reflection at night when all is dark

and it becomes our hope that nights end

and the sun comes back

and love will, too



that we ascribe to rivers and summers

free-flowing and full of life

that love frees us and makes us live

but they are also forceful and blistering

that love chokes us and burns us out



that we ascribe to twos and threes

and blues and reds and

everything that people sense

and can relate to—

love is a specific thing, okay



no, love is a fragile thing

that is not meant to be written by

Kaurs, Leavs and Faudets

and likened into threes and stars

we do not ascribe fragile things to generalities
kevin Jun 5
Books of One- Before Commodity and Slavery
Tell me is eyes a me
Selling you the four fits of three
Temples at your heels
Temples on top a wheels
Tell me is eyes a me
Yes wont talk betta make a howlin
No always say make shades a day
Tell me into a corner
Bail me out a love please, joyful
Make me a at can say
Loo
Yes wont talk betta make a howlin
No always say make shades
Me im in house
‘in nothing gonna pluck my greys
Tell me is eyes a me
Selling you the four fits of three
Temples at your heels
Temples on top a wheels
Tell me is eyes a me
Tel me into a corner
Bail me out a love please, joyful


How we get to a song,
Today the same way
Into town

To Emily Armstrong
Sincerest ink
Fide et amor
Kevin


I lend to you
Rupi kaurs quill
Often mine


They called it the pit bosses wife
The worst luck that ever came in a round
When the ball jumps the hunt you know it’
s never time
Gotta whole house riding on a double jack sleeve
First button out of the house
No needle till ya hit the tracks
They won’t call in real life
It’s all a game a chance with these goons
So what’s the break, in life

The every girl
She the giant socks
In the wind
Scarfing hats
And barely a twig
Of fading leaves
Aboard a sound
Greed’
s bitter smiles
Houndings outside
Silent lobes

She leaves the bearded barley
And that's me

Welcome home Elizabeth
U2 ladies and gents

— The End —