The Bishops bathe in Babylon
while Princes, prancing on the lawn,
watch Queen deflowered, pale and wan.
The King dares not defend her.
The Horsemen, holding broken reins
the Morning of the Hurricanes,
sigh “it’s no use, it’s all in vain,
the Saints will soon surrender”.
They wonder why they ever came,
they have No One whom they can blame,
they have no face, they have no name,
and even less, a gender.
The empty-handed Vagabonds
smoke stale cigars, stroke faded Blondes
while waiting at the walls beyond,
but kneel as Chaos enters.
They’re gazing through the window panes
in hopes that distant Hurricanes
will twist and break their iron chains
defying life’s tormentors.
The Fantom of the Opera frowns
as feeble minded Cleric-clowns
mouth hollow hurdy-gurdy sounds
when blessing doomed dissenters.
The Pirate wields a wooden leg,
with pupils dull and visage vague,
and if by chance he spreads the plague,
it really doesn’t matter.
His Princess, pale, no longer feigns,
foresees instead (down ancient lanes)
the coming of the Hurricanes -
the Stones stir, staring at her.
And Jackals scrape the river bed
as Savants soothe the underfed
and Crows, collecting scattered bread,
adorn, with crumbs, the platter.
The Jokers Wild and One Eyed Janes
weep, winding up in rundown trains
mid whispers of the Hurricanes,
and Priests refuse to christen.
They’re fleeing from the Leprechauns,
the cuckoo birds, the dying swans;
while pitching pennies into ponds
their eyes opaquely glisten.
The spectral Clocks with spindled spokes
remind the Mimes to tell the Folks
the time of day and other jokes,
yet No One looks to listen.
The Hunchbacks with contorted canes
galumph before the Hurricanes,
in melted sleet, in frozen rains,
in bruised and battered sandals.
Their Groans engulf the land of gulls,
the land of stones, the land of nulls,
and lurk between the blackened lulls,
for Nighttime brooks no candles.
Their prayers to Dogs and Nuns and Dukes,
(and other long forgotten Spooks)
are more than random crazed rebukes,
though taunting to the Vandals.
The Beggars ’neath the balustrades,
and broken Children, Chambermaids,
are running wild from wraiths, afraid
of dreams where death redoubles.
They fritter time with tattered threads
(from ragged clothes they’ve left in shreds),
crocheting hoods to hide their heads
and faces, full of rubble.
But many things will not remain
the Morning of the Hurricanes,
when goblets filled with cool champagne
evaporate in bubbles.
The White-Robed Maid adorns the trash
with charnel urns awash in ash,
then fumbles with an untied sash
while pacing in the Palace.
Her hopes congeal in coffee spoons
with memories adrift in dunes;
yet, still she smiles with teeth like prunes
and lips of painted callus.
And long before the midnight drains,
the Saviour wakes, the Loser gains,
the waters of the Hurricanes
will fill her empty chalice.
The storm (behind the clarinets,
the silver flutes, the castanets,
the foghorns belching in quartets,
the bagpipes, puffed and swollen)
is keeping time to tambourines
while Tom Thumb and the Four-Inch Queen,
pick up the shards and smithereens
of moments lost or stolen.
They’re trekking through the Dim Domains
(where fountains weep, the mountain wanes),
yet can’t escape the Hurricanes
with trundling eyes patrollin’.
The Crowds (arrayed in jewels) in jails,
stoop, peering through a fence of nails
while light behind their eyeballs pales
with plastic flame that sputters.
They huddle there because they must
(with eyelids hung like peeling rust,
their tears, palled pellets in the dust),
behind the bolted shutters.
They’ll reawake without their pains
the Morning of the Hurricanes,
without their sores, without their stains,
their agonies will fill the drains
and overflow the gutters.
